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Program Name: BlackMagic Design Davinci Resolve v11.3.1 Serail Collection- t( ~/ L4 V; L; D* E
Program Type: Color correction0 ?% b+ ?, F; [) E
Version：11.0b1-11.3.13 Z: v' p, P# t2 f# c
Developer: Blackmagic Design Pty. Ltd.
5 S2 ^2 X3 C! e2 _Homepage: www.blackmagic-design.com/products/davinciresolve# d8 e; `" H. a; B- }7 f$ r
Release Date: 28.03.2015
5 r4 W3 l. u" k. e% d; LInterface Language: English,Chinese,Japanese+ Y1 [- ]' x: z: \3 x. U9 O
Platform: Win / Mac / Linux
; e6 x. Z5 J/ B0 u5 {8 FFile Size: 1.8 GB3 C6 `8 n: H; W6 }7 j" D9 |
q+ M. ^# I8 ?
DaVinci Resolve 11 combines the world’s most advanced color corrector with professional multi track editing, so now you can edit, color correct, finish and deliver all from one system! Davinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! Only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.5 k! H: [/ ]7 f: ~4 B& K7 {
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What's New in Design Davinci Resolve 111 U; l) D& ~0 ]0 E0 t0 g& {
The world’s most advanced grading tools.
$ ?: m4 ^# p3 w3 K6 p KDaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!. t5 P' ^# d( ]8 M2 ]: U
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Collaborate with over 70 new editing features!* d$ I$ {, E( I$ @: N
DaVinci Resolve 11 includes over 70 new editing features including an amazing new collaborative workflow that lets multiple people work together on the same timeline at the same time. Editing tools are context sensitive, that means DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 11 has the most advanced collaborative editing tools that help you work fast so you can focus on the visual flow of your edit!
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# p7 i0 ]8 l3 x8 IScalable power and real time performance.0 Y( }3 Q( d" F$ h' n
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. That’s important when you are working on high pressure projects with a room full of clients! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!! I: }# _2 i ]/ U9 O8 t- \
t: E# ^) k; ~8 f; gEnsure complex jobsare well organized. J, c7 }" Q( |) [$ L- Q) u3 x
Saving and managing media is a critical part of every project! DaVinci Resolve’s new clone tool will back up your valuable camera files on location so you can check your footage before striking the set! The clone tool copies your camera files to multiple destinations with checksum validation for safekeeping. DaVinci Resolve can also edit metadata, sync sound and organize footage for editing, color grading or visual effects. DaVinci Resolve helps you manage media on local drives or over your network and because it works with virtually every camera and video format you don’t need to convert files to begin editing or grading!4 }$ T: N+ ]. c8 q
4 |3 x4 N2 ?6 ]0 p9 D4 NFinish and deliver tovirtually any format!$ s5 h. C2 V- K @
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!( {& x* W, X I8 J
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Unique YRGB 32 bitfloat processing.* F# W1 E+ ^* v- \$ w- @
DaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!
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The world’s most compatible post production solution!
4 D5 u6 O$ A* |- ?Move projects between your favorite NLE and VFX software! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Adobe® Premiere Pro® CC and more! That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also drop VFX shots from After Effects® CC and Nuke directly into the timeline for final grading and finishing. DaVinci Resolve is the world’s most compatible post production solution and can be used with dozens of other software tools so you can focus on getting your job done.- _' a+ @1 B; o8 V
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DaVinci Resolve 11.1 Key Features) |: K7 L3 b0 |5 V8 C( q* X
• Editable in and out points in the source viewer
5 {" J! [# G0 U7 i2 V/ }. u• Graphical fade sliders for video opacity7 G ^* u2 Z; w* S4 H
• Action and title safe overlays in the edit page0 c$ Y; P1 @# |# J- T j8 j _; e7 F
• Improved asymmetric trimming
, n( }0 ]8 d2 J3 W$ n1 ^• A new Swap Edit command
0 v; d3 F% t; v• The ability to trim gaps in the timeline
9 @, m7 u5 d8 d9 ]• A full screen timeline option
0 x$ Q* T P% F6 s& Y• Improved Final Cut Pro X XML import and export( A) B+ T; e1 u# a+ H" x
• Improved FCP X XML import and export! f% ^1 _% f2 [2 l, H
• Trim support for Quicktime and MXF clips
1 v6 R7 \+ ^- |% c9 ~# t* P• Native mixed frame rate support for compound clips
; e5 t! [* }" Z- e$ k• Allow transitions to be added to multiple selected clips via Cmd+T- y- e9 W6 }1 {, B$ _7 |- Y/ J$ I
• Find Source Viewer clip in Media Pool via Option+F0 C! K5 ]" ~" v
• Second layer input for OFX plugins
0 K0 h4 l/ k8 \9 W7 V8 E( K! j7 O• OpenCL support for Linux to support AMD GPUs+ ] \7 \ F2 a9 d. G) B& [# D7 w
/ b( r$ }* }3 ], y4 \3 f9 u o$ L5 p) WOn touve : % u: }1 d! @$ m! s
Multi-user collaborative workflow with simultaneous editing, grading and metadata entry (Full Version only) i9 g' s. f$ j" h. g1 [
User selectable enhanced and optimised foreground and background render caching
& a& ~2 Y4 p+ ~Completely New Multiple Level Render Caching includes selectable cache points for source, nodes, clip and timeline, cache indicators on edit and color page showing selection and status of cache and user selectable cache formats; ProRes, DNxHD, Uncompressed 10-bit and 16-bit float
8 G+ T. W1 _1 z5 s8 d1 mProject setting to enable/disable background render caching
8 o8 W$ @7 A0 iDual monitor user interface support
- Y7 v$ w! v6 F! Z9 l. k, YApple certified ProRes decode and encode support on Linux1 v# a$ h3 M" r. p3 z
Includes Mac and Linux decode and encode support of ProRes 4444 XQ5 A. ~ q+ b( {3 h
High performance OpenFX framework extension for multi GPU OpenCL and CUDA plugins/ G* {& ?8 B+ z% y
GUI support for multiple languages; English, Japanese and Chinese- z4 I. A2 X4 H! a- K! k, B
User customizable keyboard shortcuts and presets4 J. u" F, ~! B
Multiple auto save versions
4 \& l- D9 _0 q8 F- s3 O5 J
5 K( H2 y) {6 s. S" \Media Page
5 j7 \; O# z. U: @( NClone tool for SD Cards, SSDs and disk drives includes multiple destination clone and checksumreport/ L8 U; n& _0 L
New reveal or hide clip metadata window option
# ^$ a9 r U1 qMedia Pool thumbnail clip detail popup now displays clip frame rate
. C5 _/ |# X1 o! C8 MSplit Clip operation automatically moves the focus to the newly created clip
; `7 J' Q2 W% PCamera metadata support for RED and Sony Raw clips" H* _( }+ G* O# d* N
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Edit Page, Editing and Assembly 5 V) x2 S4 b( N! A U0 v! `" N4 q0 b
Keyboard absolute or relative timecode input for all viewers and timeline
c- r. X/ ^/ gCreate Timeline Using Bin and Create Timeline Using Selected Clips to quickly assemble a timeline from any mediain the media pool, with or without mark in/out preserved and using original clip order
4 S1 {8 i+ D! w# G/ J/ F! EFull JKL transport control now includes frame by frame
9 Y0 |1 T B/ q' ESource/Timeline viewer playhead ganging
/ T4 U6 O3 N1 v- L9 Z6 XSplit video and audio in and out points on source and timeline viewers: D) A% Z- }9 u
Slide source destination selector in the track control manager
5 b R' }7 J9 d6 z8 v# m( X* [ oShift click and drag to constrain clips in time while moving them to higher or lower tracks
# ~' B3 L. }8 D1 k6 n. L5 |8 pAbility to deselect a gap by clicking it' W) O# B( k7 a- e7 v3 q
Through Edit Indicator on the timeline with join through edit command. B: y) M3 \$ K3 k4 d+ L) B1 n7 F
4-up display for slip and slide) T6 i' b+ G' m9 k+ y* |
Option-dragging the top or bottom of a simple edit point turns it into a split edit point
; j. e; j$ f" R& G9 u$ _Option arrow key to move clips vertically up and down tracks0 t3 y. o$ x8 h- G# d
Sub-clips are easily generated using the viewer) ~6 r* h* n( C2 f; _
End of timeline is now indicated on the viewer/ {- w# u. F+ z& {; [
Editable names for video tracks
3 z, U1 }* m; N! B0 c+ LTimeline tracks display number of clips on the track
& _ i" I4 F, |2 o9 iInspector selector for Video, Audio, OpenFX adjustment options( r7 X ?+ Z0 o, q$ V8 L1 @
User defined favorite transitions, titles OpenFX plugins and generators8 R6 i, K) R: _% \/ k
Editing of compound clips
5 s( q% v- `2 { Y5 cStereo Decision List import supported via ColorTrace7 k) q3 G3 [1 T2 A& `1 O
Added support for AAF import/export for Avid Superimpose effect as normal composite with opacity
- n( I% A( W8 z' j! l2 GAAF support for 3D Warp effect( t% G+ r( p$ C+ a
Support for FCPX 10.1.2 XMLs with DTD 1.4
6 k7 X+ t4 J+ IAdded support for double-clicking the clip shown in the filmstrip to open the clip in sourceviewer4 C& z! w; N" J9 j4 l
# c) C8 O" Z! T; F: B6 D `, A
Trim Edits0 S# C( [2 {9 P; A
You can now always roll and edit in selection or Trim mode
% }9 {# `7 D0 p& ?. ITrim Start and Trim End let you resize the in or out point of a clip that intersects the playhead to the currentplayhead position
1 O0 y( N7 t* q& F4 s8 G% q% SSymmetrical and Asymmetrical trimming with multiple selections at once: \- t$ ^) J2 @* }6 E4 D
Extend edit command for single and multiple edit selections$ t( ^6 j7 w5 |; H; i" P
JKL dynamic trimming to dynamically resize or trim the selected edit
, Q7 l1 Q" i( a1 YJKL dynamic Slip or Slide to dynamically slip or slide the selected clip
! \/ m$ W9 c; s. V: \$ s, y: Q- rOption U key will now toggle Edit Point Type
3 |, m8 m0 }, r) x' W4 k7 }U shortcut selection will switch a selected clip among Video+Audio, Video Only, Audio Only
2 T+ X0 P/ d; H) j& v" M/ shortcut selection to Play Around Clip& d/ E) `! L$ k! H
Move/Trim/Edit a selected edit or selection of clips based on timecode entry8 M' g1 m" n4 T) Z2 P
. V' O, U& O' `: i8 ?' ?1 l& w7 C
Audio : @* s% D/ H* T% `/ q' u
Audio crossfade with 0dB, +3dB and -3dB transition options
3 @& ?- P% `" B4 V/ nAdaptive audio track option to map up to 16 audio channels
6 Q" @: k) C' T' B: f: h" l* ]) pClip audio mixer# i7 J, r0 i1 G" A, j7 U. x
Numeric editing of audio mixer fader value
* k" H; V) u6 b: w& z9 |Option to use system audio even when Desktop Video is selected for use
9 Y) B7 n1 U9 \Source viewer audio waveform display with each audio channel displayed
3 a2 U5 J; A. B" H& \/ ^Multiple zoom selection for audio in source viewer
8 K4 [/ e+ P4 z* g$ P9 ETrack audio mixer offers mono channel routing4 J/ C7 @7 S1 y+ f8 F9 Z+ c
Display of multiple channel audio waveforms in user selected timeline audio clip5 B1 ^+ J) s! K! h0 D* N
% j9 ?" e5 F5 G* ` T& N
Transitions
' |1 d1 s/ @3 r5 v8 Y+ N6 @( ^Add default transition to selected edit points+ f) t. }5 i8 b1 ^
Default transition contextual menu includes duration selections; Y( a6 [- [; M5 H- g
Inspector now includes a transitions duration parameter0 Q" o7 L2 F& {& d8 [
Inspector includes transition start on edit, center on edit and end on edit options- L9 K7 C% c* y3 t1 Q5 p) [
Also includes ease in, ease out and ease in/out transition options
) s. R& t9 m4 X7 Z3 n$ _Concurrently add transitions to multiple selected edit points
5 ]: \& W! @6 K" X1 [" S) IExtend edit command to extend clips to the playhead* G* {& u: T! a- w+ Y$ F
Oval Transition now includes aspect ratio support9 H5 K) m1 I$ U4 ~
Default transition support6 }9 L: {' p$ G, f6 ]
Favorite transitions indicators
& R; r+ ~3 l. BCommand drag and bump a clip in a track generates a dissolve! ?8 G. ]! H+ h9 D% ~4 C# R7 ?
Image dissolve modes, Video, Film, Additive, Subtractive, Highlights and Shadows
- Z4 S7 {- u/ }/ x# u4 pNew transitions - Box, Heart, 5 Star, Triangle s, m* D( c" l3 a2 {' v4 P
' Q& Y* a5 t( ?8 Z! l" L- U* LEffects
* c% c1 R% C8 _" Z. w1 s8 dEdit keyframe timeline with curve editor including spline based (bezier) ease-in/ease-out and linearselections; u( N: `; G6 p0 @# M
Graphics files have default duration for editing/ ?! n7 Q- h. [. z2 k. t* S
Copy and paste all attributes to multiple clips$ O# g! ~& _; l/ U9 p
OpenFX plug-ins can now be used for transitions and generators2 x7 P! ^0 W" q3 l
Retime Clip menu now also appears on the right click contextual menu) {/ I! K7 v7 E: N% o
5 F$ E& p* T7 A6 y* dTitles 7 [ @8 w. ^& g' d2 n& j h
Extension of rich title generation tools including stroke size and color, over/underline and strikeout, tracking,line spacing and capitalization. E( ]! y+ R$ ?) s" N, Y
Underline and behind graphic bars for text1 o4 X, J& h; q j# U( x' ^
% P3 W2 ?6 R) `9 ^Timeline list1 o" x/ a0 g ?6 r9 m- D4 }
Timeline Folders to manage timelines in the timeline list3 R, y: b9 `* W* W$ t4 w% \
Addition of Creation and Modified Date data in timeline list; k+ m3 v# b( b+ c) @+ [
Name, creation and modified date filters for timeline list# v% W9 H7 r- n/ j/ q
Pop-up menu to filter out all but .xml or .aaf for .edl files in the xml, aaf and edl importer
P" n* h! Q; L5 N* k- v: u6 `4 v, t2 Y5 ^- X5 [" k3 e7 H
Markers and Edit Index: F1 ^' E1 ~$ ~0 B2 o6 h3 Q
Add markers to Source Clips, in the Source Viewer of Media or Edit pages, for reference1 b, q) {/ j3 q% e H
Add notes to flags and markers with color selection# f( S" t9 P; C, W
Keyboard shortcuts to jump to previous/next markers
! x. p' ~; _% z& O: W; F+ N3 dOption to ripple timeline markers when any track is rippled
`1 Y* u* W9 ]Snapping on timeline markers7 n. f! f$ G' V9 A* r9 q
Flags and markers now shown in Edit Index
3 k$ v; X- l7 `% Y( eAdditional Edit Index fields - start and end source timecodes, slate timecode, audio TC, resolution codec andsource frame rate
9 R4 T5 R' M% V0 pSort Edit Index with display selectors! c1 G+ v" I+ H
The edit index list includes 'Show Through Edits' and Offline clips options2 T/ b$ ?7 C& W: n! z
Added support for Import/Export timeline markers from EDL5 D4 P" }! d, k! K: P% Q
Flags are stored and loaded from timeline clips instead of media clips for pre- conformedtimeline$ y& m- k) p- L& B7 Z+ v
, \; ]- ]% i, t9 N9 ZAdditional Keyboard Shortcuts 4 Z6 t2 i& d5 o
Additional play commands - Play In to Out, Play Around In, Play Around Out, Play to Out.
( q* I% h9 U' l( H1 i' QPrevious/Next Gap shortcuts - governed by auto selection
8 ~& R- U1 m8 gNew shortcut key to focus on Media Pool Folder view
0 S$ r9 D% _* W2 \) K: F- ECommand # keys to focus on Media Clips, Effects, and Edit Index" `/ Q. B' V7 ?# k4 T
# t+ l$ I$ ]( W! d
Color Page
. E& y8 i: y0 n3 c7 s4 UCamera Raw palette now includes Highlight and Shadows recovery, Saturation, Contrast, Midtone Detail, Color BoostLift and Gain controls9 p3 r5 l6 a+ `, B6 W6 {( y
All Camera Raw controls now available on the BMD control panel9 D/ f* C! o7 C, \: q# V4 n, Z
Highlight and shadow recovery, Color Boost and Midtone Detail now available in all correctornodes
# B1 A6 z B2 M% O( F- [4 R* [, jColor Chart based auto color balance
) K% N/ r! X% C3 P9 O6 wEnhanced grading Group management with Pre-Clip and Post-Clip node graphs
3 l+ x: H/ ]0 iAdditional keyer finesse controls for cleaner keys" d: Q1 |; p9 N/ O2 |* x! `
Additional Split Screen group to show all highlight views+ a% A7 _: f5 M. r
Split Screen has a new Show Outline option in View menu
# T2 u2 t4 W$ N/ e6 H( J) zGallery stills and memories now selectable in one Split Screen group
+ b3 f+ z3 b9 g* A. mGrab stills is also available from group node graphs' H2 ~" O; f; y8 Z
New saturation vs saturation curve" m9 h- B# c, N( m9 K( ~0 [
New LAB colorspace selection in corrector nodes
7 C/ f. d0 t# ^( eDense color matching for Stereoscopic 3D, {# K3 n3 K6 `% C |
Key lock option for node sizing to allow objects to be moved into selected area
( _" P M/ Z! [Broadcast Safe out of limit display and soft clip level selection# K7 P9 R7 O5 @ n* L
Windows now include Opacity for greater control of isolations
" n$ Y0 H# [% Q( u) |' ]Multiple layer OpenEXR support in the node graph V& d; R% n# ]5 |8 V7 f
Gallery page now directly accessible from the Color page! l) V6 ^: A0 ^% v" W; R
Single frame track forward and backward mode using for complicated tracks, L/ c) J# {! p
Updated Softlight composite mode
: ]5 m0 g4 M. v3 T2 a% k3 sTimecode type display selection now uses a context menu
: |' `: }7 G# x9 }) Q3 zTimeline markers and flags with notes now shown on Color page
- K' {2 a6 X1 u5 G9 I1 W, jMultiple user named PowerGradeTM Albums6 q3 g, v7 ]5 u9 B2 W+ R2 }' G
Node icons to display tools used on each node
' y( [& q% M# d. p9 ^) d3 ONode editor mute icon to display when bypassed4 S d) z( }+ M9 S& T% v
Option click Enhance Viewer mode to display full screen viewer
4 U! g% O# d+ YOption to hide the mini timeline- I. z( k5 E' i. s; W4 Y
Tint control for Arri Raw files% c% A, G) j; B% v) p( t
Phantom Raw debayer improvements! G3 p a6 a( k+ G7 g( f
Automatic dead pixel concealment for PhantomCine# D6 H# ?( n. e3 a8 ]# \( o
Color page viewer toolbar for selection of viewer and modes+ F! z. ~: P, i+ _) {% \0 B: O
Video scopes now refresh in real time" I: q2 r3 o" z! x' h+ Z
CinemaDNG RAW settings includes new 4K Production Camera specific log curve# b6 b( ?0 G" u9 m
Improvements for DNG decode for some still RAW images5 A7 n' C5 r5 }6 i! q. t
Shift Down + Ref On/Off can be used to Invert Wipe on the Resolve Control Surface
8 O' t. X9 A, F- s% ~8 O# DAdded support for H/V ratio when using extreme blurs beyond 1.0
5 I: y0 n. p. Y- N0 u0 ]8 TAdded ability to use alpha output of OFX plugins from a node
4 ~8 U6 k" k/ \* Z, k" J# F) ]2 l" o$ n* i
Deliver Page
6 P9 q; I& j1 O" g% Y1 mImproved H264 encoding including bitrate control (Mac and Windows only)
# b0 q- N5 K3 k0 O( yH.264 rendering color compatibility improvements
& { U/ ~* s' U X' HSupport for AAC audio encoding (Mac only)
% ~3 a Y! K, o+ xAdditional easy setup render preset for Video Sharing Export( }$ g n. {0 h! a: b) r: O& X
Expanded render queue for clearer display of render jobs1 T9 _" S' |4 a6 v9 ?
Render source clips at source resolution option
& M* t$ [2 x+ x8 p1 |9 k/ U" [easyDCP generation now support inclusion of subtitles; j% a( W4 _! Q" g8 g
Folder path retention now selectable from top or bottom of folder path, d2 x0 l2 D+ z* n$ ~- G) c
Render settings refined into standard, intermediate and advanced lists to speed selection
% w0 q- N9 l" y. C1 hOption to use cache for rendering when cache resolution matches render resolution. M% @5 x6 P* g$ [: D6 j; |
Option to use timeline name as filename for rendering' b1 H. y! x% K# K1 r/ [
1 L; w; w3 D: M% @5 q4 {General Enhancements0 O0 Z* j6 A+ S& s2 ^& E& p) @
Updated BMDFilm and BMDFilm4K to Rec709 LUTs
! E$ T0 n; Q" T$ w/ z* o6 AVFX I/O LUTs for BMDFilm and BMDFilm4K
. A" a7 }; ?, W/ a; W9 DBMDFilm and BMD4KFilm IDTs for ACES workflows with ProRes source material8 U! |2 j/ ?: n9 x+ A
Capture and Playback now supports Quicktime files with Uncompressed, ProRes and DNxHD codecs
7 J6 t$ l& d2 NNative ACES support for RED r3d files/ S9 S2 M# C4 v5 J/ @
Support for Red SDK 5.0$ y: P, G1 g! Y2 \7 @" v0 R
Users can now use drag and drop to move projects in the Project Manager/ L1 C+ n7 r9 |0 K$ V. d
Support for new ACES 0.7.1 standard
* j4 w, ?0 g- WSelectable ACES version in Master Project Settings
4 n6 C) X6 w% RSupports easyDCP IMF encoding and decoding* r3 k d$ S8 [' ]# n, Q, `: M
easyDCP plugin is now supported on Linux9 H# A( c" R. H+ b: G B
Shared media path mapping support for sharing/moving projects between Mac, Linux and Windowssystems* J$ g1 q: t o
Grass Valley HQX and HQ Quicktime encoding and decoding on Mac and Windows R+ L8 U+ Z2 n/ Y$ A, [
MXF OP1a encoding support to allow video and audio in the same file
. k0 X1 L: N' t1 E0 L, w# [# ~. h& {Improvements for rendering XDCAM 50 Mbps streams( X/ C- [3 q* M* l/ J
12 bit RGB DPX decoding and encoding support
9 f5 N9 D* c4 q7 b$ i/ tOption to select 6G-SDI in UHD monitoring mode/ A/ A4 G4 m. A3 @0 n( w
Decoding of Panasonic MTS video
7 ~ B) ^; Z' P) I# \* U1 L8 WDecoding support for Sony RAW Metadata
6 x* w+ [3 R; l. }8 [. t: gLZW compression option for TIFF rendering
/ g* g7 k; y5 v3 a U12-bit 4:4:4 video monitoring support with Decklink 4K Extreme and Ultrastudio 4K (up to Stereo 2KDCI)) e6 x _/ h+ n- }/ V$ z
12-bit 4:4:4 video monitoring support with DVS Atomix (up to 4K DCI) - Linux only2 `6 M1 a5 X' c
4:2:2 4K 60P video monitoring support with DVS Atomix - Linux only& R- u* t7 v3 u% M
Added support for 44.1 KHz audio
# E/ F+ X. A, ~; i$ vSupport for OpenEXR 2.1+ A5 U7 C3 _& Y9 l& k
On the DaVinci Control Surface. Shift Down + Ref On/Off will now Invert Wipe
9 {! H+ F) A3 jAbility to use the file browser to choose gallery, cache and proxy folders
. a) D& K3 n- i% [
, g/ B& x9 j4 S9 A" [: R- Y/ [What's new in DaVinci Resolve 11.3.1; F# T" n+ |4 T3 d$ z# B4 z0 t
Support for DNxHR in Quicktime wrapper# i0 K4 k, m/ k2 ^
Updated color science for Alexa 65 RAW processing
' {: F1 q1 r2 t9 r# G" D0 s# [& JALEXA Open Gate and Canon RMF clip resolution improvements0 g1 g3 ]$ ~! \9 C( F3 J9 F
Support for CUDA 7 and NVIDIA Maxwell GPUs
5 ^& Z2 Y; g8 r/ Y6 M1 @) RAnti-aliasing improvements for title rendering with shadows
1 E- ~5 o- J+ n4 D: g/ [General performance and stability improvements& f: W3 [9 k; j
& q# V: M: J; `$ p' LWhat's new in DaVinci Resolve 11.3
% @0 E1 K" v9 _& u: X: f7 w: v' }ARRI Alexa 65 support
/ X# C0 ]6 B3 O' \Sony XAVC Intra encoding (Full version only)
, X: h6 t& n1 \/ ?, yPanasonic V35 IDT included for ACES workflows
8 W' T9 N3 l$ ]Support for ACES v1.0# E0 l1 i1 o2 I. [8 l' o
Support for Avid Media Composer 8.3.1 DNxHR MXF files
$ Q; J/ k( s. L# S+ S o' d I' H( YGeneral performance and stability improvements: Y8 J6 _# E! C3 o0 G
2 Q D' n! \; F( x- y" l& C/ aWhat's new in DaVinci Resolve 11.2.1$ p+ w# y( z: }/ k! y
CinemaDNG tone curve improvements
+ `4 d5 \/ [- P! nCinemaDNG soft clip option
8 H. d9 Y' ? a/ B/ YDNxHR encode and decode support* K- ]- B$ C* ]
Media Composer 8.3 round-trip support
! j& p! a6 J, E8 z% t+ d* f- YAAF import now sets the timeline resolution
# E e) U7 p% V# D, {8 ^5 rInvalidate clip cache option in Edit and Color page
, s2 J8 p) g) N$ W7 aOption to select RGB pixel order for DPX version 2.0
- s. z; E0 F4 [. |2 yFlags and markers now supported in ColorTrace* ?& _* ?# ~5 T2 b- V
Support for Red SDK 5.3
8 h; r% W% h7 M( J% {& u% XGeneral performance and stability improvements* _ C/ q! V$ C" {0 v2 B* g: z
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What's new in DaVinci Resolve 11.24 L$ F$ y. L% T& T% ~
CinemaDNG tone curve improvements
/ R7 q, e/ Q) x9 i$ r$ ZCinemaDNG soft clip option
" U+ R$ o$ r TDNxHR encode and decode support
. N4 A# w, i* ]4 y6 N EMedia Composer 8.3 round-trip support) r: U8 m3 ?' \7 i: v" S
AAF import now sets the timeline resolution+ O; u4 L+ B4 G# c$ G7 d( c* Y
Invalidate clip cache option in Edit and Color page3 U' }: K( Z+ ? h7 z v
Option to select RGB pixel order for DPX version 2.0
# h' e* I" r- m& D9 {' {# OFlags and markers now supported in ColorTrace1 q9 d5 K) W3 t" R$ R2 | _, n
Support for Red SDK 5.3
1 w! S! X$ R& oGeneral performance and stability improvements3 |6 i9 |6 X F+ |0 b
. D5 D( _: }* Z+ G* c/ u. r. C: k8 [What's new in DaVinci Resolve 11.1.3, U$ d) I% B) j5 }& Q1 K2 f
Improved Media and Edit page playback performance
, ~8 G3 D3 [" O4 J$ w% ]/ ~3 ]Improved tracker stability
& }- V! K9 k/ N% RImproved render stability for long renders
' }/ R" r- s. s2 C1 Q% y/ M# ]Improved trace intensity for scopes
: `' ~* b0 m+ y5 v( LAdded Rocket-X support for Monochrome clips
5 C: N8 M6 k1 W/ e% _- k6 A" nGeneral performance and stability improvements: l. o8 w2 I' R2 h
( X: Y# A* {4 W; \/ n& n* r0 t
What's new in DaVinci Resolve 11.1.29 n5 L5 t5 H; `6 X6 ]0 m# @; G$ b
Improved Media and Edit page playback performance; j& P8 V2 j1 r/ v2 d( d9 k
Improved tracker stability
, Q7 ~, U0 P* x( f4 IImproved render stability for long renders
/ O3 Q. ^* \* b1 a+ CImproved trace intensity for scopes
& o$ i0 \! E/ Y5 X# vAdded Rocket-X support for Monochrome clips
7 Z, G. {, g, I, j- G$ TGeneral performance and stability improvements; e" a ^1 ]# o6 |3 v" F
/ T, [3 s2 |: d# n
hat's new in DaVinci Resolve 11.1.1# z/ }$ T$ |& d! S6 ?* K
Support for Panasonic VLUT 3D LUT format
7 o; }1 u/ \0 z) g! vTrim Clips feature is now called Consolidate clips/ d) C6 `' B* b3 ~/ r) H5 V, O% Y- y
Improved RED clips consolidation
5 ?2 D1 q$ h6 N; vSource caching improvements with concurrent temporal processing* A3 \9 u1 l ~9 s, m
FCPX XML importing improvements for color information
/ @& G2 E5 j( U2 d6 t6 JPhantom CINE file decode improvements! D) Y0 J4 l0 r* N( P
ColorTrace support for Dolby Vision EDR grading
. n" P% N/ ]9 V1 n0 lScopes settings are now restored correctly in dual screen mode
& T7 ]: k: p. k: d1 wImprovements in stability when reading a corrupt DNG frame
$ S' x1 A* G% v! u" ?5 K6 cObject tracking points now display during stabilisation4 X3 ]0 s( f) l* ~) Q
Color picker improvements in ACES mode e- T+ \! Q) m$ @
General performance and stability improvements
+ u1 {3 | S$ L" z8 ]
& B" A1 S3 J! m) m* ^0 mMinimum system requirements for Mac9 B' J# y @5 y) Y: ^' k' Q. M; w
Mac OS X 10.8.5 Mountain Lion) B& k# V1 Q7 }- l0 \, g" h
12 GB of system memory is recommended and 8 GB is the minimum supported
) |1 W2 O9 Q8 [9 c* T. lBlackmagic Design Desktop Video version 10.1.1 or later
% ^0 O# U: d g% C. WCUDA Driver version 6.5.45% a8 @7 ?7 J( i: i
NVIDIA Driver version – As required by your GPU
9 @. ^1 H2 h0 L7 t/ W) p+ lRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later3 G2 `$ B8 @# w) `2 d2 h
RED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
3 c# E+ D" Z' U. h
6 O6 l2 O) L" P h! c; E4 ~Minimum system requirements for Windows
* [" t" T, H( O+ kWindows 7 Pro 64 bit with SP1# ?+ k) S0 K8 C; c0 e
12 GB of system memory is recommended and 8 GB is the minimum supported. N0 R; F8 S1 {' I! a
Blackmagic Design Desktop Video version 10.1.1 or later
( @/ N0 N/ s4 @) }2 |; t! a$ I+ e$ wNVIDIA/AMD Driver version – As required by your GPU
# {- V2 v: p$ [$ Y0 O9 A2 nRED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
' g% k& q% G4 ORED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later& R, Y4 b/ Y. m% G7 [
t6 ~/ r% r: e4 JMinimum system requirements for Linux* p, ]: o+ X T: F
CentOS 5.45 h+ E/ Q5 Z( s: }- B
32 GB of system memory is recommended and 16 GB is the minimum supported3 M6 m" Q- Z7 o0 t4 ]! a% ^
Blackmagic Design Desktop Video version 10.1.1 or later
, {6 a E/ K9 \NVIDIA Driver version 331.679 x y0 |. `$ |8 l, N2 H8 p
RED Rocket-X Driver 2.1.19.0 and Firmware 1.3.19.7 or later
" ^0 f" ^3 |7 \) [5 r2 R4 N1 bRED Rocket Driver 1.4.36.0 and Firmware 1.1.17.3 or later
8 Y/ q* l( T1 d. S
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Download:
+ Z k6 ]( ^! D" G1 B/ PDaVinci_Resolve_11.0b2_Linux.zip, K) e0 \$ L0 S7 \# k' Y+ U9 l# |
DaVinci_Resolve_11.0b2_Mac.zip, t/ g* i% J! q$ B
DaVinci_Resolve_11.0b2_Windows.zip. m/ [# H2 v/ H, K- u" ^
DaVinci_Resolve_11.0_Linux.zip* V- X) ]4 [' ]) `7 ?0 F
DaVinci_Resolve_11.0_Mac.zip
7 a1 k% p; q% H) K5 y Y) r5 SDaVinci_Resolve_11.0_Windows.zip& q9 |1 ]) U5 D. q2 T2 ~' L
DaVinci_Resolve_11.1.1_Linux.zip x' Z3 g, |9 {/ c/ x7 H, s+ c
DaVinci_Resolve_11.1.1_Mac.zip
: k2 M4 }9 T+ E: ]; \5 e- W" |5 |DaVinci_Resolve_11.1.1_Windows.zip& j6 {0 p/ ~. i% p+ N3 A+ g; l7 X0 x
DaVinci_Resolve_11.1.2_Linux.zip y. U8 p Y4 j
DaVinci_Resolve_11.1.2_Mac.zip6 H. n' G/ i, o: Z) j8 R9 M* I
DaVinci_Resolve_11.1.2_Windows.zip
+ y; ~( r3 j1 e2 {+ e; Y7 m2 ODaVinci_Resolve_11.1.3_Linux.zip: }3 n) O6 N( ~ V- \4 @8 ~
DaVinci_Resolve_11.1.3_Mac.zip
+ p5 A/ V& G. Y1 ADaVinci_Resolve_11.1.3_Windows.zip/ I. L) v1 K; z% U' E# J" |) _
DaVinci_Resolve_11.2_Linux.zip
' g) f) F1 l/ z3 @ aDaVinci_Resolve_11.2_Mac.zip
3 z( A; t$ ~ zDaVinci_Resolve_11.2_Windows.zip
8 C$ B+ d0 N+ v% d& F8 TDaVinci_Resolve_11.1b1_Linux.zip% d' G, T: P. Y- t7 [4 K. d+ P3 M( \
DaVinci_Resolve_11.1b1_Mac.zip
& d7 D* v1 p, o0 pDaVinci_Resolve_11.1b1_Windows.zip& }5 m$ t. O+ l% |1 B" X
DaVinci_Resolve_11.1_Linux.zip/ }7 W$ B; b- M; u/ @# s4 z' [
DaVinci_Resolve_11.1_Mac.zip
; Y. P+ l6 y0 s; `5 zDaVinci_Resolve_11.1_Windows.zip' F+ G5 O5 v" a4 l* L& |
DaVinci_Resolve_11.3_Linux.zip) i( H6 r: P% k9 ^9 I
DaVinci_Resolve_11.3_Mac.zip
6 p- }, c* {) g7 f. DDaVinci_Resolve_11.3_Windows.zip
5 X; g. V. z' D5 V0 [+ {DaVinci_Resolve_11.3.1_Linux.zip; M* X( z- S- C! x* \' k
DaVinci_Resolve_11.3.1_Mac.zip
/ F# S. p/ E' Y8 N/ N1 _+ S3 m5 YDaVinci_Resolve_11.3.1_Windows.zip3 x) t# f7 [% m3 w4 w) L X
|8 D( V2 t( x3 `DaVinci_Resolve_Lite_11.0b2_Mac.zip
- _9 S( R q1 _% nDaVinci_Resolve_Lite_11.0b2_Windows.zip9 F1 F2 x. M6 o, Q: j, ]
DaVinci_Resolve_Lite_11.0_Mac.zip
. T! {: X0 B, L3 g8 ^( @DaVinci_Resolve_Lite_11.0_Windows.zip
: R8 p e4 s- b! PDaVinci_Resolve_Lite_11.1.1_Mac.zip
1 W. m' G! |/ K- j) [! QDaVinci_Resolve_Lite_11.1.1_Windows.zip
) l% G( p% q2 ~9 nDaVinci_Resolve_Lite_11.1.2_Mac.zip
" M0 v: i/ U pDaVinci_Resolve_Lite_11.1.2_Windows.zip
* ~4 m# T J7 p6 ZDaVinci_Resolve_Lite_11.1.3_Mac.zip
( ]( t! i7 V7 l- s; YDaVinci_Resolve_Lite_11.1.3_Windows.zip
) @- |. c6 s5 |8 gDaVinci_Resolve_Lite_11.2_Mac.zip: V' z; U0 m- y" Z
DaVinci_Resolve_Lite_11.2_Windows.zip& K% q8 j! |. {+ @( L$ | R
DaVinci_Resolve_Lite_11.1b1_Mac.zip
# S S7 D9 a) V6 i% [% t. rDaVinci_Resolve_Lite_11.1b1_Windows.zip+ `+ Z+ r2 {9 ^! o; H% I
DaVinci_Resolve_Lite_11.1_Mac.zip
# n% M" }9 P0 p9 |5 J4 v4 d9 eDaVinci_Resolve_Lite_11.1_Windows.zip
- ]# g ?( v% ^# `- d5 S- G+ U: pDaVinci_Resolve_11.2.1_Linux.zip
2 d3 j! c: [0 K% ?& v" ^) lDaVinci_Resolve_11.2.1_Mac.zip
. A8 W5 h4 u8 q: [DaVinci_Resolve_11.2.1_Windows.zip
9 q3 H1 w g* Q$ G. r9 LDaVinci_Resolve_Lite_11.2.1_Mac.zip
) ^" Q& n2 X" K: N! R/ ADaVinci_Resolve_Lite_11.2.1_Windows.zip1 C5 G- r+ N3 r* F
DaVinci_Resolve_Lite_11.3_Mac.zip& S. A+ u) o" X* Z ?4 `% S0 k" P4 v
DaVinci_Resolve_Lite_11.3_Windows.zip
, z8 p* d* l+ k. M8 z3 _3 S" lDaVinci_Resolve_Lite_11.3.1_Mac.zip
' T, N) n2 ^, `2 O9 M2 x+ I* VDaVinci_Resolve_Lite_11.3.1_Windows.zip2 ]$ V; U& k; ^3 J. _7 d; O* O
" A( Y( f9 F4 jAboard Line6 R& i' S" |1 W9 R8 \: H" U; Q5 D
DaVinci_Resolve_11.2_Linux.zip
4 E6 t) q0 m+ P: zDaVinci_Resolve_11.2_Mac.zip5 i* E# e$ ], u, I- F
DaVinci_Resolve_11.2_Windows.zip
$ B0 a9 J! a: P$ Q W* SDaVinci_Resolve_Lite_11.2_Mac.zip
; Z+ S, x, p3 V6 ODaVinci_Resolve_Lite_11.2_Windows.zip0 ]6 X- |3 P0 Z) c$ R
DaVinci_Resolve_Lite_11.3_Windows.zip
$ I* `/ s5 y. Z! C3 W4 L6 jDaVinci_Resolve_Lite_11.3_Mac.zip; Y. `% |( |5 }5 c2 R5 u
DaVinci_Resolve_Lite_11.2.1_Windows.zip7 K1 g; a# c4 F; v
DaVinci_Resolve_Lite_11.2.1_Mac.zip
1 f# z. b- I9 h% ?DaVinci_Resolve_11.3_Windows.zip
) M7 `0 @" ^( ^7 r/ ~) WDaVinci_Resolve_11.3_Mac.zip. b1 ~+ e" d8 c$ j6 z# X+ D! |
DaVinci_Resolve_11.3_Linux.zip: Z! ?, e0 t) S
DaVinci_Resolve_11.2.1_Windows.zip
4 W, ~) g0 ?+ k$ R# CDaVinci_Resolve_11.2.1_Mac.zip
0 T- ^& y8 r }2 g2 B2 Y' WDaVinci_Resolve_11.2.1_Linux.zip" P# x# t4 _4 Y: y
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正式会员高速下载地址
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e9 a" _7 ]" }! K5 B1 v
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发表于 2014-11-18 20:06:22