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Avid Symphony v6.5.5 Win & Mac 系列专辑

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发表于 2014-12-20 13:21:52 | 显示全部楼层 |阅读模式
Program Name: Avid Symphony v6.5.5
7 r, M& f) h) ?: ]7 S# }) sProgram Type: VIDEO EDITING& `5 F6 @4 ?2 D' v+ O2 C
Release Date: Jun 30, 2016' g( V3 `% f9 ~  z
Homepage: www.avid.com/US/products/Symphony' h4 P9 ~- ?+ W7 q8 c" }4 Q. `# N
Language: English 3 q: ^, ?7 x, g3 T4 u0 d
Platform: Win7x64/MacOSX( B! J$ B. z$ Y& ?7 ]. s- c
File Size: 2.35 GB / 1.89 GB
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Avid Symphony - Get all of the tools and workflows you need for pro editing, color, and mastering. Symphony video editing and mastering software has the same features, tools, and workflows as Media Composer - plus advanced and secondary color correction, Boris Continuum Complete, and Universal Mastering tools. Available as a software-only solution or as part of two hardware bundles, Symphony provides you with a full suite of editorial and advanced tools to boost your capabilities and help you get the work you really want.
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New Features in Symphony 6.5:
) H  B2 W7 G8 }( q* z• Version and archive finished sequences with AS-02 - With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is easy, as AS-02 packs everything into a single bundle without duplicating assets, saving storage space. Seamlessly move content between Avid and other systems that support AS-02. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02 workflow. And because AS-02 is an open industry standard, you’ll eliminate time wasted on repackaging content.3 Q6 j# D9 z1 r! }, e% o

4 l6 J& q( B8 I! b, |  B9 z• Create master-quality archives with JPEG 2000 - Encode and decode sequences - in mastering quality - using the JPEG 2000 codec, which helps preserve the quality of versioning and archival content in an AS-02 workflow. And because JPEG 2000 content offers resolution scalability and holds up over multiple generations when moving content across different vendors’ solutions, you gain future flexibility with archived content.
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. w  T0 l$ Y( O* E) O6 o  j• Export content using AMA - AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media’s original source format for archiving or final delivery. AMA writeback is available for HDCAM SR, with more on the way as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archival.
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; m2 |; I& V) f2 L  A• Set and output AFD sequences - With new Active Format Description (AFD) support, you can create, edit, set, and deliver HD content, and rest assured that it’ll be presented optimally to your audience as intended - even when down-converted and reformatted to a different aspect ratio. Simply select an AFD code for a sequence, and your settings will carry through your output.; s, Y1 O  u7 U6 l9 l% P
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• Relink clips using common metadata - Gain more freedom and flexibility to interact with media from other software applications. With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields - anything that’s being tracked.
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• Open up your workflow with hardware release - With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware - without disconnecting it - to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between and other applications without quitting or rebooting software.
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• Work faster with advanced audio keyframing - Save time when editing soundtracks. With new audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes - including groups - anywhere on the timeline. You can even delete those hidden audio keyframes that can occur as you trim a clip, with just a click./ Y7 W4 Y. p: l  g1 i) `% I& S
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• Mix up to 64 audio voices - Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any other NLE.0 D3 h4 s! T, L/ I

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- Edit titles directly from the timeline
# I5 w5 H  Z/ h& ]- Get support for variable GOP sizes in AVCHD media
1 w7 K& u5 Z+ ~: q# R; {- Automatically relink to all AMA QuickTime files
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Download:3 ?; c  w1 j) U- }5 |$ I
System Requirements
+ A' _4 J" Q8 ~  }% C9 @- Windows 7 Professional SP1 (64-bit)
( L) g( [5 W6 i& b; |# u- Mac OS X Lion and Mountain Lion (64-bit)" n# \; L; Q9 I2 L4 g
- Intel Core 2 Duo 2.33 GHz processor or faster9 ^# N! G1 n+ N. l3 O6 t
- 4 GB of RAM (6+ GB recommended); 24 GB of RAM recommended for Stereoscopic and other high performance workflows
. n5 i, z/ F" E7 w1 w- Graphics card: NVIDIA Quadro FX family (FX 560 or higher) or ATI Radeon family (as supported by Apple)
* P: {3 l7 I+ x! g( p: {( H- Internal hard drive: Minimum 80 GB 7200 rpm hard disk
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; I, v6 y+ w4 aChanges in Avid Symphony v6.5.2:
7 L+ P: @% K8 a, g" K- Updated AMA Plug-ins information., O+ X1 F, s7 N/ I- f
- Updated Shared Storage Support., l3 A; \& {; ~  R! b) ?7 C. |
- Updated Compatibility Chart to include support for QuickTime v7.7.3.
* ?. l7 o$ t5 b5 T7 U. t- Deleted the note that stated Co-install of the Media Composer and Pro Tools was not supported
: D5 ^  U+ @& U7 P8 j7 j( u) O- Interplay Sphere Support on Macintosh Systems
* {+ X) E% T5 N6 b; F- W- Set Source Settings  O- @% S1 ]2 \* n; s
- Excluding Filler when Selecting Multiple Segments
2 n; s7 O) [0 c2 M" Z  _- Sequential Files Marker Export Update
) }* f/ k! Q# t( L( Z- Bugs fixed2 D% X: p7 K3 n4 g; K+ L. h

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) \' d7 ^- ~- J4 ~* o  ]Download:
' e5 a0 x$ M1 w8 O" y1 G* zhttp://cdn.avid.com/Symphony/6.5.5/0CDDF268/Symphony_6.5.5_Win.zip# C4 u3 Z! o9 [2 W9 D  p  W; ~
http://cdn.avid.com/Symphony/6.5.5/0CDDF268/Symphony_6.5.5_Mac.dmg+ g$ m# ^9 R: F7 z" K) s$ ]- M* ]% \8 Y
http://cdn.avid.com/Symphony/6.5.4.7/Symphony_6.5.4.7_Win.zip
! ]. E; j. C- ?5 {& F0 K: d+ l7 Thttp://cdn.avid.com/Symphony/6.5.4.7/Symphony_6.5.4.7_Mac.dmg
! R/ L' X( H: z' X- _) L; c- rhttp://cdn.avid.com/Symphony/6.5.4.4/Symphony_6.5.4.4_Win.zip
' z  t, V' G6 D; h7 ghttp://cdn.avid.com/Symphony/6.5.4.4/Symphony_6.5.4.4_Mac.dmg
$ W  E8 r; y  Y# S- z+ E" Vhttp://cdn.avid.com/Symphony/6.5.4.2/Symphony_6.5.4.2_Win.zip
9 }1 y* U0 C+ B7 }http://cdn.avid.com/Symphony/6.5.4.2/Symphony_6.5.4.2_Mac.dmg7 H. L9 O+ q, L; D3 E
http://cdn.avid.com/Symphony/6.5.4.1/Symphony_6.5.4.1_Win.zip8 k2 P4 V- o; v: {/ z- C2 f
http://cdn.avid.com/Symphony/6.5.4.1/Symphony_6.5.4.1_Mac.dmg
/ M+ Q" R2 m1 A) q7 _/ d* j3 ihttp://cdn.avid.com/Symphony/6.5.4/Symphony_6.5.4_Win.zip- @2 H, i2 k& k4 h3 y  J4 i6 G- ?
http://cdn.avid.com/Symphony/6.5.4/Symphony_6.5.4_Mac.dmg, q5 G! t% S, n, S; G- M1 g# Q( l
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http://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.2_Windows.zip% K* h( u6 n- ^6 F) S! P' R
http://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.2_Mac.dmg
; J$ g+ y8 C2 K2 J' O" \: p5 q5 t! zhttp://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.1_Windows.zip) k0 [4 M) u! @3 b' N# q
http://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.1_Mac.dmg
+ V5 Y; l) z+ h. k9 m& Ohttp://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.0_Windows.zip
* Q9 P) ^, [% z" Ahttp://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.0_Mac.dmg
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http://cdn.avid.com/Symphony/6.0.5/Symphony_6.0.5_Win.zip
7 G. O8 l: I3 l6 l& ]( Ihttp://cdn.avid.com/Symphony/6.0.5/Symphony_6.0.5_Mac.dmg2 h0 w: u) N+ X  G( T4 J9 D
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