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本帖最后由 houqiziyuan 于 2015-12-20 21:29 编辑
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Program Name: Avid Pro Tools HD+ n7 Q- y2 `) F3 O9 z
Program Type: Audio Editing8 T" G+ |& E8 {
Release Date: November 24, 2015
( |+ ?5 }0 D$ V* cHomepage: http://www.avid.com/US/products/Pro-Tools-Software?show=pro-tools-software-comparison-table
0 s6 _4 |9 L p1 |: j, QInterface Language: English ! J# s2 t8 R, _- a9 S6 V' y, k
Platform: Win64
% N6 E" _8 n! Q! s8 H. a& L5 B. mFile Size: 1.88Gb" F5 e4 g3 Q* M% D
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Pro Tools gives you everything you need to compose, record, edit, and mix great sounding music and film/TV soundtracks. Faster and more easily. That’s why more artists, producers, and mixers use Pro Tools than any other DAW. And it keeps getting better. , S+ L) J5 f/ M: S! W
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New features
3 m5 r& E8 Z; m dGet Track Freeze, Commit, and Bounce—just added
5 d2 k- |" X) D$ D5 y" B. R2 T4 PProcessor-hungry virtual instruments can impact system performance with plug-in-heavy mixes. And sharing sessions used to require that everyone all have the same plug-ins used in the session. But no more. With Track Freeze (coming later this month), you can quickly freeze an entire audio, instrument, or auxiliary track to free up processing power. It also makes sharing sessions easy, as it eliminates requiring plug-in parity. You can freeze all plug-ins on the track, or just up to a certain insert. And if further editing is needed, simply unfreeze the track with the click of a button. Track Commit is similar except it renders the track (or an edit selection) permanently, with a variety of flexible options available, making it ideal when prepping for a mix or for archiving sessions. And with Track Bounce, you can render out stems, making file delivery super fast and easy.
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Position clips more precisely with clip transparency—just added5 p% L/ \' Z4 W+ F/ j7 K
If you’re a sound editor or designer, precision and speed are paramount when it comes to aligning and editing clips. With Pro Tools 12.3, clips now take on a translucent appearance whenever you move and overlap one over another, giving you better visual clarity of their context. This enables you to align the waveforms of a new audio clip to the visual cues of an existing one’s waveforms with much better precision and ease.- R, _( X e; t" n
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Save time with batch fades—just added1 k% O1 `2 I7 a4 ]& m5 \
Fading tracks is one of the fundamentals of audio mixing. But it can be tedious and time consuming when editing thousands of audio clips. With new fade enhancements, you can speed through repetitious tasks and gain more time to focus on the creative aspects of your mix. Create presets for fade ins, fade outs, crossfades, and batch fades. Recall presets directly from your keyboard or control surface. And control fade settings independently when working with batch fades.
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$ @# e' O. k/ N' ZAccess upgrades, bonus plug-ins, and more—New to Pro Tools 12.2. `! w1 T* H% Y/ N4 Y
All Pro Tools subscriptions, upgrades, and crossgrades now come with a new All Access plan. With the All Access Upgrade and Support plan, you get access to all new Pro Tools releases and expert help throughout your annual plan or subscription, plus access to an amazing bonus collection of high-quality effects and sound-processing plug-ins—at no additional cost. Or choose a lower-cost Annual Upgrade Plan and get all upgrades for just $99/year. And if you later decide you want access to the bonus plug-ins and support, just add the new Annual Plug-in and Support Plan) y) P0 E' ~8 f/ m
% m/ k# T0 B: l4 GGet the ultimate mixing experience—New to Pro Tools 12.2
/ i) C% A+ o2 |7 X1 s; dWork with even more advanced tools right in Pro Tools. Mix and control groups of tracks faster and easier with VCA Masters. Mix with confidence using 17 advanced metering options, including K-system, VU, and other professional standards. Get gain reduction metering on every channel to gauge dynamics. And get smoother performance and highly responsive recording and playback with the extended Disk Cache feature, which loads entire sessions into RAM—no matter how large.2 O, G5 R4 o5 ]8 Y3 `
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Take control of your session with an iPad' v8 U+ v1 P3 Q2 T9 V
With support for our free new Pro Tools | Control iOS app, you can wirelessly control Pro Tools and other EUCON-enabled audio and video software, freeing you from being tethered to your workstation. Because Pro Tools tightly integrates with the app, you can record and mix faster and easier than working with a mouse and keyboard alone.
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Crank up amazing tones and effects—just added. P" j$ h4 e! [" l8 F
Get the sounds of some of the most coveted classic stompboxes with access to 16 stompbox effects plug-ins—available to Pro Tools and Pro Tools | HD users, exclusively through your All Access Annual Upgrade and Support Plan, Annual Plug-in and Support Plan, or Pro Tools subscription. From realistic emulations of the Pro Co Rat, Ibanez Tube Screamer, and Big Muff Pi distortion pedals, to the unmistakable sounds of the Cry Baby wah and Leslie rotary speaker, these incredible vintage sounds are available, right in Pro Tools. And they can be used to enhance any type of track—not just guitars.
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Give yourself some Space—just added9 R# M+ y1 K h' |
Add more life and realism to vocal and instrument tracks by immersing them into some of the most amazing room environments. With Space, a high-quality convolution reverb plug-in, you can create natural sounding spaces to give your mix more atmosphere—from small rooms to the largest concert halls. Simply access the plug-in (a $499 value) through your Pro Tools subscription, Annual Plug-in and Support Plan, or All Access Annual Upgrade and Support Plan for Pro Tools or Pro Tools | HD. You must have an active subscription or plan to use this plug-in.9 Z" p1 X3 u2 ]- m* Z L$ T3 c
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Mix with 25 bonus pro plug-ins in Pro Tools | HD—just added
9 L; o6 Y( l( N& J0 b0 v: T6 b' FGain access to a collection of Avid’s most coveted plug-ins available to Pro Tools | HD owners, exclusively through your All Access Annual Upgrade and Support Plan. Get the renowned Avid System 5 console dynamics with Pro Compressor, Pro Expander, and Pro Limiter. Mix with such studio secret weapons as Pro Multiband Dynamics, Pro Subharmonic, ReVibe II, and Reverb One. And have the sounds of the world’s greatest guitar amps at your fingers with Eleven. Your creative opportunities have never sounded better.5 y8 S: W6 d( }# x3 F
" f2 Z) `) J7 N c" XGo bigger and get advanced features6 F9 \9 {4 h7 R' D
Rehearse and record more easily with track input monitoring. Dial in cue mixes in a snap by copying fader settings to sends. Create bigger mixes with support for up to 128 simultaneous audio tracks. Expand your musical creativity further with support for up to 512 instrument tracks. Solo tracks in PFL (pre-fader listen) or AFL (after-fader listen) mode for optimal recording.1 O4 t. v: K0 q/ Z6 Z
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Add HEAT to your mix2 N9 h/ ~: A% `# l
Got Pro Tools | HD Native? Now you can get the warmth and sonic characteristics of an analog console “in the box.” Our HEAT add-on option can now be run natively in Pro Tools | HD, enabling you to achieve the unmistakable sound of prized vintage gear in your mixes—without the expense or upkeep.
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/ l' m5 ?2 c. w( ?* gCollaborate in the cloud—coming soon
* O/ ]0 z* O3 ^Imagine being able to work on a session with friends, bandmates, colleagues, or even your favorite artist, producer, editor, or voice actor—no matter where they are, anywhere in the world. That’s what’s coming with Avid Cloud Collaboration for Pro Tools, a groundbreaking new set of features that will enable you to compose, record, edit, and mix sessions collaboratively with other Pro Tools users as if you’re all working together in the same studio. Simply invite any of your available connections to collaborate using built-in chat, or find new collaborators through the online Artist Community, part of the Avid Marketplace.5 E$ m8 t- A: Z& ~1 R7 S2 x8 W
/ y2 W m( Y$ t7 B# {Record and compose
- C" X3 l t- B" f5 pAvid hardware offers top-quality sound.+ }. y- O7 v9 t4 k& W
Get top-quality sound and performance with Avid hardware
5 c5 `3 R6 w' \Whether you’re tracking vocals, guitars, or an orchestra, you’ll get the best possible sound and optimized performance when you pair Pro Tools with an Avid audio interface. Record high-resolution audio—up to 32-bit/192 kHz—and experience exceptionally low latency to capture your best performances easily.9 L7 W' _0 X- s7 {+ u( A- W1 B
Avid hardware offers top-quality sound.1 W! w- S2 D& q5 k+ e
Experience more power and performance4 b. z P5 Q! I) H
With the redesigned Avid Audio Engine and 64-bit performance, you get multiple times the processing power Avid Audio Engine of previous versions of Pro Tools on the same hardware configurations. Add epic numbers of virtual instruments and effects to create bigger, richer sounding, and more complex mixes.
% j2 M1 q: v3 v) x$ O' k) ]Pro Tools software lets you loop and punch to create a seamless performance from multiple takes.+ c$ d5 f% q' n3 f
Loop and punch your way to perfection
& X4 x2 M" X" x+ ~ DNobody’s perfect, but with Pro Tools you can create a seamless performance from multiple takes. Let your spontaneity shine with Loop recording and comp together your best takes. Or use QuickPunch to quickly replace any questionable section with a better performance.8 t2 K( U& `0 `8 s+ ]: {
The MIDI Editor built into Pro Tools software includes great-sounding virtual instruments.
5 V) x# A. K w' ]) pNo instrument? No problem.
" u9 n+ u3 i6 [; I0 k4 {Easily create parts for practically any musical instrument using great-sounding virtual instruments, a MIDI keyboard/controller or your mouse, and the built-in Pro Tools MIDI Editor. Get started fast with the included virtual instruments and audio loops, and expand your arsenal with AAX virtual instruments from Avid and third-party audio designers.
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Compose with full MIDI and notation tools
, K7 I; b, x( D# _2 C8 A& X( u4 @: x! uTake your songwriting from sketchpad to final production. Create and edit virtual instrument and MIDI performances with the MIDI Editor. Or compose music using notation tools in the built-in Sibelius Score Editor. You can even export sessions as Sibelius (.sib) files for further finessing in Sibelius.# h3 u+ R& F% l
Pro Tools software lets you work and collaborate on projects from other apps.* Z& A/ g/ b9 ~9 d1 ^
Work and collaborate on projects from other apps: |* I$ q! ?( _9 k
Collaboration has never been easier. With Pro Tools, you can exchange sessions with any Pro Tools user or studio. Or work on projects created in other audio and video software—including Media Composer, Logic, Cubase, and other third-party apps—right in Pro Tools.
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- y* @5 n8 [' x% o7 r! t0 ^0 E( XEdit
% k( @/ M9 R2 L7 DTime and Pitch
& e0 g- W0 y. P* V4 A; h- f+ xFreely experiment without the time or effort investment. With Elastic Time, you can change the tempo or timing of any clip or an entire composition—on the fly. And with Elastic Pitch, you can fix wrong notes, create harmonies, and transpose clips—in real time—without altering the tempo.
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Edit with precision
3 o- E) Q7 I; j0 k8 x5 eShape and fine-tune your music and audio with professional, sample-accurate editing tools. Create a flawless performance by comping together tracks. Speed up editing and mixing Clip Gain with the Smart Tool. And smooth transitions with crossfades. Everything you need to perfect your tracks is available right from within a single Edit window.
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( n X' L: ?0 S) g USnoop out grooves with multitrack Beat Detective
/ y9 z% r$ W7 W" @1 g; i* wWith the versatile Beat Detective tool, you can quickly fix timing issues across multiple tracks or change up the feel of a beat to get a different groove. You can even use it to keep your rhythm section “in the pocket” by extracting the groove from a drumbeat and applying it to the bass part.
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3 _2 M d1 L0 x- _) r! ACreate and cut sound to picture
4 `7 V7 M8 T( q8 C9 @2 u8 N% kWith Pro Tools, you can create, edit, and mix audio to picture using the built-in Timecode Ruler and video track. Use the included plug-ins to clean up sound. Create sound effects that define (or defy) reality. Work easily with AudioSuite-rendered clips. And record and edit voiceovers, Foley, and ADR with perfect frame accuracy. You can even share audio mixes with Media Composer editors through AAF.
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Play HD video with the Avid Video Engine
@- Z4 d. v2 ~8 u# ^With the built-in Avid Video Engine—the same core engine as in Media Composer | Software—you can add and play a variety of HD video formats (such as QuickTime, XDCAM, and more) and Avid DNxHD sequences directly in the Pro Tools timeline—without transcoding. Plus, you can monitor the picture playback using video interfaces from Avid, AJA, and Blackmagic Design.
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Mix
, { F0 f. v9 | F# ]Create great-sounding mixes withPro Tools 11 audio production software.& {1 k5 y# g+ B7 x6 Q
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Get the sound you want. K% s2 Y2 k+ b* ]; f' U s/ I6 O0 C
Polish mixes with over 75 included effects, sound-processing and utility plug-ins. From high-quality reverbs, EQs, and compressors, to guitar amp emulators, surround sound fold-down, and channel strip dynamics, you have everything you need to create professional mixes. Want more? Browse the in-app Avid Marketplace to find the AAX plug-ins you need.' c+ t" x, Z& s! f
# ]; Y, D4 P8 {. y# ]0 P' ^! BMix with confidence using extended metering- K: ^" l3 Z ]2 Q4 K$ q. U
Forget having to invest in additional plug-ins to get K-system, VU, and other professional metering standards. You now have 17 metering options built right into the interface, enabling you to optimize your mix while adhering to regional broadcast audio regulations. What’s more, you also get gain reduction metering on every channel to gauge dynamics.
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Grab control of your mix: V- X0 Q2 |, S+ m5 p3 k9 m' K4 g
You can use a mouse to make changes one… at… a… time, or mix faster and easier using a hardware control surface. Get hands-on Pro Tools control with a choice of Avid Pro Mixing control surfaces and consoles, plus third-party boards./ C* y4 i- d1 U# B, N, m
0 M" L# H# C* R! A9 f3 @" \6 T' FCollaborate, store, and share mixes
( Q( B4 K4 X9 j( [4 R( ^2 c8 ~Whether you've got a work in progress or a finished piece, Pro Tools makes it easy to share. With direct SoundCloud support, you can share files privately with other collaborators, or share finished projects with the world. And bounce mixes to your iTunes library to share with others on your network.5 {0 e, y5 _/ P$ ?7 }7 R
Achieve the best mixes possible—automatically
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Get great sounding, phase-accurate mixes with Automatic Delay Compensation— with 4x the samples (16,383) to handle the largest mixes—no matter how many plug-ins you use. Plus, you can automate the settings of every element in the Pro Tools environment to add life to tracks and achieve the best mix possible.9 I9 Q2 _( v1 P+ v3 |! `! _
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Plug into legendary sound
7 [; A$ M2 ?: g* UAdd life to your mix. With the included Avid Channel Strip plug-in, you get exact replications of the renowned EQ and compression algorithms of the Avid System 5—one of the most sought-after digital audio consoles used to create some of the greatest mixes ever produced.
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Speed up delivery with offline bounce/ R1 J6 @" t" ^, f$ c- J2 H0 D
Wait no longer... With faster-than-real-time offline bounce, you can speed up your final mix or stem deliveries—at up to 150x faster—and get the high-quality results you’d expect only from Pro Tools, thanks to time-stamped automation. If you mix and deliver radio programs or other long-format shows, this feature alone will save you hours of time—daily. And with Pro Tools | HD, you can even bounce multiple stems simultaneously.3 M7 v/ F# R; o% I' \2 l/ W
- o7 X( w# d( i# g+ r8 s) A) XMix in stereo or surround. `. r: V6 P# X. H& Y% I9 |+ p
With Pro Tools | HD, you can mix in everything from mono up to 7.1 surround sound or Dolby Atmos. Build up your sonic landscape and add movement to your mix with the built-in surround panner. {$ n" @$ a' b: K9 X3 g
2 {& V* o: U# Y) |; k0 X5 [) hGet top-quality sound and performance with Avid hardware
}! G- d* S4 R, N' r- s( R1 TBecause Pro Tools | HD is designed and optimized to be part of an integrated hardware/software solution, you can capture audio in pristine clarity with near-zero latency. Even when mixing large, complex projects, you’ll experience uncompromised performance—on a Pro Tools | HDX DSP-powered system or on the host with Pro Tools | HD Native.1 J* W, m: d! R' a/ t9 e9 U& `
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Record and edit with advanced audio tools7 m' l' C, y( f# z
Work more efficiently when punching performances with TrackPunch and DestructivePunch. Enhance and speed up editing tasks with Continuous Scrolling, Scrub Trim tool, Replace Clip command, Time Compression and Expansion Edit to Timeline Selection command, field recorder workflows, and more.- y( F2 q, `: H3 I6 ~; B
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Work more easily with video a+ `0 _1 k& U! M
Edit and mix sound for larger, more complex video productions, and display up to 64 video tracks in the timeline. Expand your post capabilities with advanced video features, including multiple video playlists and basic video editing tools. And share audio mixes with Media Composer editors (and vice-versa) through AAF.
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Accelerate mixing with advanced automation: m# F% z4 }0 T% j' u& q4 K
With advanced automation tools, you can create the best sounding mixes possible quickly. From VCA masters to Preview mode, Capture mode, and more, you have the tools you need to automate mixes and audition, compare, and apply changes in a variety of ways to tackle even the largest, most complex sessions with ease.
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7 i6 M5 I2 m1 {4 c0 z1 KGet more control
+ v/ @; ?) `6 R& d6 |With Pro Tools | HD, you've got unprecedented control at your fingertips. Handle the largest audio post mixes with the built-in Satellite Link, which enables you to connect up to 12 Pro Tools | HD-based systems and control them from one. And get the highest level of hands-on control by adding a Pro Tools | S6 surface to your setup.
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Bundled AAX plug-ins
s) C" e4 T3 f8 C$ I% q, BEleven Effects
/ B5 Y& z* m/ _2 K2 s/ t8 a/ i5 u% vBBD Delay0 {4 R" d! z+ y, ^8 e
Black Op Distortion# z" C/ x4 F, F' p1 u" A, x
Black Shiny Wah6 q2 ?2 t" n0 D
Black Spring: U6 \: K& H2 y
C1 Chorus/Vibrato
8 I2 q0 z4 _: n$ {; T/ S& C7 o5 ZDC Distortion. x: C+ R; O. ?: e& e' K
Flanger. [, V9 q. g* r' Q- @
Gray Compressor( M/ q! L2 o0 M$ H2 ?8 H3 g1 X
Green JRC Overdrive3 K5 G7 S9 t$ X1 t2 M; {0 N3 O
Orange Phaser. ?- F. A8 x( Z# q" \' V+ A6 y
Roto Speaker
7 g; ?% y& u% `' E, vStudio Reverb
0 |5 b* m3 ]. t: p7 j0 z# }7 ] N. a$ d& dTape Echo
1 D* _" Y: l; ^Tri-Knob Fuzz
9 d. a" ?8 S- R" [Vibe Phaser: l! A' b( f, j7 Z0 F* ?
White Boost
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3 E7 U7 P$ B0 `, q) s2 B8 h) XAll Access bonus plug-ins for Pro Tools | HD+ |% J/ W% Y% X/ n5 ^2 p$ O
Eleven MK II/ Q+ e1 `7 Z& F3 z; x$ s5 _
Eleven Effects5 g4 J9 j' N2 w" A i
BBD Delay6 f/ S$ ]4 b% J B* e& T/ |
Black Op Distortion" E" i* l0 S( Q/ P# U7 Q! [, { I
Black Shiny Wah
8 b* s) N: x6 J. h: ^ d4 VBlack Spring- ]# {$ I8 X0 b" l$ F
C1 Chorus/Vibrato
y2 x; P; x9 q1 }4 _! g( F7 `" EDC Distortion! `5 M$ ^, s) m& c) y
Flanger! F7 a+ p8 f: b! L7 A2 M+ v9 }
Gray Compressor
- E$ Z* l0 r# a' W* VGreen JRC Overdrive
6 v0 t3 K& m+ p3 [7 [Orange Phaser* a2 Q" i/ c/ [5 K+ t# [
Roto Speaker. v1 Q' U: m- M0 k n
Studio Reverb
$ j4 s( e; x( n0 W1 ITape Echo
+ X3 [+ J# S; N9 f3 q/ b8 RTri-Knob Fuzz% [- B, M) G$ R1 I' ]
Vibe Phaser5 {# V9 x v4 j& Z4 y4 q
White Boost
G0 x9 S& i& fPro Compressor
" p. ?3 I( C' KPro Expander2 L# ]1 P2 t6 N# C# T! z2 G/ C
Pro Limiter
C8 s, B3 C4 R' }Pro Multiband Dynamics; C! r- [0 [. b- J% a0 m6 F0 \5 n
Pro Subharmonic
. L* x" R' n5 z+ `2 I& S4 bReverb One% ^5 W4 S. k, w5 a
ReVibe II2 I$ C' O5 w0 `7 k, p6 `4 Q
Space3 Z8 @! I- _: \6 B- M5 Q9 M) L- o
: H4 x/ `4 s) S5 d6 pIncluded virtual Instruments
+ l$ t U2 _! y1 IAIR Boom drum machine and sequencer2 L5 d7 u' c8 x8 F) O# _; I b1 Y: O
AIR DB-33 tonewheel organ emulator with rotating speaker simulation( Q2 Z6 D% W3 \3 ?% h# }- \
AIR Mini Grand acoustic grand piano: V6 G. B1 t- X
AIR Structure Free sample player (based on AIR Structure)# b v( o% ]+ o3 }0 T
AIR Vacuum monophonic vacuum tube synthesizer! [9 y6 b) r. Z
AIR Xpand!2 multitimbral synth and sample workstation
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Included effects, sound-processing, and utility plug-ins
, r4 j7 n' C, y2 p+ {% q1-Band EQ III; f/ N5 B7 W( A' E. V
7-Band EQ III
K; } a& t. J, @4 |AIR Chorus/ ?; T* \: n2 K
AIR Distortion5 N5 _& K* `4 u. I$ H2 i6 k
AIR Dynamic Delay/ S2 ^. O( K6 u t# i
AIR Enhancer j' Z M% N }
AIR Ensemble( F# {: j& Q7 |+ V
AIR Filter Gate7 [6 r) [% O3 E& Y
AIR Flanger' o1 V$ B: w) _2 U, V: Z/ k
AIR Frequency Shifter
. [9 E/ [8 D H; [AIR FuzzWah
: p& E( C+ x" ^9 MAIR KillEQ
3 ~. E8 e. y3 WAIR Lo-Fi5 E" l, E4 @* g2 i
AIR MultiChorus% z1 G" Y0 j; {
AIR Multi-Delay% F% i# i P/ k T/ q. F5 }* F2 ?
AIR Nonlinear Reverb
5 Y4 d, w7 w P: `AIR Phaser: B; {' d$ M$ O5 x1 y0 a
AIR Reverb0 ]; ^. b4 F- y6 u
AIR Spring Reverb
/ J3 [0 Y6 T/ q- O3 B& N- K; AAIR StereoWidth
8 n' {# w) H# B. P4 GAIR Talkbox6 k+ c. s Y' L7 ?3 H3 w
AIR Vintage Filter4 r) S- J$ g b6 a; c* N1 ~1 p( d5 K
AutoPan panning effects
$ ^- v3 \1 P8 y- L* LBF76 Compressor 1176 emulator8 i/ [9 j8 r% N4 D
Channel Strip (based on the System 5 console)
* W" f( n4 |; }* oClick II
9 G0 w$ E$ }4 ` L' TCompressor/Limiter
$ ^% T: a% v$ b E; I3 AD-Verb reverb and ambience0 Y* \& d* |! K+ I7 P+ G8 L( N
DC Offset Removal
% o% H7 `6 g/ {! ?4 MDe-Esser) Y/ _/ y6 |5 \( C4 {. x4 d) N
DigiReWire0 l. `& A8 R. Y) _8 o, S; \
Dither) v- h8 n' N& H l3 V
Down Mixer (5.1 to stereo fold down)
) ]- m+ s9 x1 ^5 `/ xDuplicate0 J( y) c8 W! I. n8 W
Eleven Free (guitar amp emulator based on Eleven)
: N$ _8 X) g; t4 M5 FExpander/Gate
; @; c' D/ R. b# w; p8 ]( g& E& UGain
' v0 _3 _3 d6 J( AInTune digital tuner
8 t1 L8 G8 a8 `8 B* iInvert( V3 K# C, X: e' k2 _
Lo-Fi retro processing
; D6 n* e: {; w- _* X1 j9 MMasterMeter oversampling meter
$ }! F1 z: b1 s/ Q! `Maxim' u. q- `: ?3 U2 Q2 G
Mod Delay III
" c0 P) x/ p: I. {: xNormalize a2 a* _2 e% z+ g& [( i
Pitch II
& d- N9 K8 v7 L$ g0 X' kPOWr Dither/ Z" e% A, Z; c8 j5 f5 H
Recti-Fi harmonic synthesis/ ^ D* [3 R( Y+ @) R) Q
Reverse
O& ]3 }. X J& e$ Q3 L! ESansAmp PSA-1 tube amp simulator
' E4 |2 y+ L. D4 ?, MSci-Fi ring modulator
& p1 ?0 U% A* ]Signal Generator
" w3 M& h0 d) V, i5 y; s: hTime Adjuster# a- _3 u6 B8 t- \! N3 i9 [$ Y
Time Compressor Expansion
& j* z) p6 h* g @' ^1 R* g2 RTime Shift time/pitch stretching w7 e3 E4 `' o" N) F+ ^% P/ f
Trim0 {0 n- |7 ?" ?* N
Vari-Fi speed shifter
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System Requirements:
9 C$ q- t4 T a( AMac:
4 Y' h8 G1 P$ _+ c# ?# nIntel® Mac with Mac OS X 10.8.5, 10.9.0 - 10.9.5, 10.10.0 - 10.10.5 or 10.11 - 10.11.1$ N1 _" @$ c, W# v
Intel® Core i5 processor
/ D' |9 a% z1 L/ T( q# o& z' R, x4GB RAM (8GB or more required for video playback)0 b- S+ [9 ^6 H7 [7 Z* [! |
Internet connection for installation A) j' D: r* t, g5 h* _' M
15GB disk space for installation
7 V1 @. Y0 Y4 L" t9 y* w! bUSB-port for iLok 2 authorization6 _ C9 |2 L5 b2 a s+ g
USB-port, FireWire-port or Thunderbolt-port for CoreAudio-supported audio device
+ m1 x" F0 F1 w" oSupports 64-bit AAX plug-ins in Pro Tools
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3 u+ `; X2 P6 CIntel® PC with Windows 7 64-bit (Home Premium, Professional and Ultimate Editions) or Windows 8/8.1 (Standard and Pro Editions)1 O2 G' }3 E: K: s
Intel® Core i5 processor
4 @ L! R; ~ I* A% A, I7 z5 r& m4GB RAM (8GB or more required for video playback)
' j; v: T$ I9 l2 z: B( n1 c$ HInternet connection for installation
- W, A! q5 n# \1 [; K15GB disk space for installation
9 g& ^: b2 Z' ]5 z# IUSB-port for iLok 2 authorization5 g9 z/ ]. e& {7 b- H. @
USB-port or FireWire-port for ASIO-supported audio device" T+ f$ T4 }7 T& D- A3 i2 }7 [
Supports 64-bit AAX plug-ins in Pro Tools/ T" X# x$ Y S7 C+ R/ o& D
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Download:# h" s" q0 d0 Y# e+ c
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发表于 2015-12-20 21:18:35