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Program Name: MAGIX Sound Forge Pro 11.0 , O. I# c* D: I5 g. ]
Program Type: Audio editor
* ^1 s0 D% H5 ?0 E- |Developer: Sony Creative Software, Inc.$ ?3 |; D8 n: E& D D
Homepage: www.sonycreativesoftware.com/soundforgepro# ^, r. {6 g, y- N" r; g) J' `) Q
Release Date: 09.01.20151 }$ {# |: Z: g% s
Interface Language: Multilingual) s7 J$ h) T. {3 l# a$ B0 M
Platform: Windows Vista/7/8/8.1$ F- ]% g1 x; Y* @ j
File Size: 165 MB/ X- ]9 z2 u2 w, s8 \ l) O
7 T$ M9 v- j, {. N( `! i! pSONY Sound Forge 11 - Advanced audio waveform editor. Sound Forge Pro is the application of choice for a generation of creative and prolific artists, producers, and editors. Record audio quickly on a rock-solid platform, address sophisticated audio processing tasks with surgical precision, and render top-notch master files with ease.
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New features include one-touch recording, metering for the new critical standards, more repair and restoration tools, and exclusive round-trip interoperability with SpectraLayers Pro 2. Taken together, these enhancements make this edition of Sound Forge Pro the deepest and most advanced audio editing platform available.
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& f+ p0 X* x, x+ e, W! T& W; EThe application of choice for a generation of creative and prolific artists, producers, and editors.$ [3 B& \+ n7 b9 l' I8 ^2 d2 ?# S# P
Sound Forge™ Pro is the application of choice for a generation of creative and prolific artists, producers, and editors. Record audio quickly on a rock-solid platform, address sophisticated audio processing tasks with surgical precision, and render top-notch master files with ease. New features include one-touch recording, metering for the new critical standards, more repair and restoration tools, and exclusive round-trip interoperability with SpectraLayers Pro 2. Taken together, these enhancements make this edition of Sound Forge Pro the deepest and most advanced audio editing platform available.% l% j, d/ s4 Q0 v% u
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Pristine sound quality
+ _1 A/ b8 x, R/ p, O- {- dRecord up to 32 simultaneous channels of 64-bit/192 kHz audio for the ultimate in fidelity. In the mastering suite, select from among twelve included iZotope DSP modules and access superb mastering chain processing tools for sparkle and punch, excellent repair and restoration plug-ins, and precise format conversion tools for the best in sonic integrity preservation.
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* O+ l6 r1 c2 [3 @) ~# G1 zOne-touch recording. l+ S$ @; q9 P8 K. z
Sound Forge Pro 11 has a brand new recording interface with features that make even the most demanding work a snap. From running punch-and-roll sessions to managing multiple takes, we have you covered. More about Recording and Playback$ Z$ g S# c! d% u+ X$ [9 t$ o
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Precise audio editing/ h: n! b8 u7 ~/ G) t
The editing experience that you expect from Sound Forge Pro just got even better. New in Sound Forge™ Pro 11: convert regions to events, lock event markers, region markers, and envelope points to events, and automatically ripple successive events forward in time while editing. More about editing and workflow.8 R9 H4 o5 A! {
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Effects processing7 @/ a& [! e9 E' B
Sound Forge Pro 11 includes a full complement of native signal and effects processing plug-ins, including our own popular Noise Reduction 2 audio restoration suite. Partner contributions from iZotope and Zplane make the latest edition of Sound Forge Pro an even more incredible one-stop solution for delivering master quality audio. More about tools and effects
! J2 i; n$ X/ A$ l; P) E( [: G- s; |New! Seamless Interoperability with SpectraLayers Pro 2+ J8 D6 Y7 R1 i0 j
Transfer audio data between Sound Forge Pro 11 and SpectraLayers Pro 2 and experience the thrill of working freely across the world's premiere waveform and spectral editing applications. More about interoperability with SpectraLayers Pro 2.5 O; \( ^) C/ i0 \! _2 q
4 r ]! A3 s9 Z- N# ?9 E" u! jRed Book Audio CDs
3 ^2 o [' |, M0 ^; I3 a8 KSound Forge Pro 11 includes fully integrated DAO CD mastering. Generate Red Book compliant masters for duplication. Perform PQ code editing, add CD text and metadata, and prepare high resolution audio tracks with iZotope resampling technology.
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' o' u* g4 y; zSound Forge Pro 11 software supports multiple video formats including AVI, WMV, MPEG-1 and MPEG-2. Precisely synchronize audio and video frame by frame. Sound Forge Pro 11 includes MPEG-2 templates for writing HDV-compliant files at both 720p and 1080i resolutions, and AVI templates using the CineForm CFHD codec for 720p and 1080i intermediate renders. Also included are templates for encoding WMV 720p and 1080p.7 ]! _0 H6 p8 c! [: j3 `
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Dolby Digital AC-3 export
5 _- c/ d- }4 A! x/ gUse Sound Forge Pro 11 software to export multichannel files in surround AC-3 format using the included Dolby Digital AC-3 plug-in.. V8 i9 |5 {: x J
9 P2 }) b% F, f( j- I+ `Spend less time learning and more time working. Interactive Tutorials in Sound Forge Pro 11 provide walkthrough demonstrations including DAO CD burning, vinyl recording and restoration and more.3 x5 d3 g1 o" D( {( Z
Free Sound Effects from Blastwave FX
. O$ Q9 P, l# O) l, A; G9 f1 [; X& xSound Forge Pro 11 includes 200 free Blastwave FX sound effects. Enjoy next-generation HD sound effects from the producers of our incredible Detroit Chop Shop line of Sony Sound Series: Sound Effects library titles.
4 R# Q& [% e- E3 xPristine sound quality% O- v2 c. D% _) `, [; w2 W+ t
" q/ F; ]5 r3 l: IWhat's new in Sound Forge Pro 11. O# }) I9 g* F5 T
Explore all the new features in Sound Forge Pro 11. From major conveniences to critical necessities, our latest edition considers both what you want and what you absolutely need. In addition, a very pleasant surprise: seamless integration with SpectraLayers Pro 2, our revolutionary, award-winning spectral editing application that now works in tandem with Sound Forge Pro 11 to provide a truly mind-bending audio editing experience.
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Sound Forge Pro 11 features a completely redesigned recording workflow. Within this modeless environment, you can now:
, u& U+ _8 T3 f6 L* JSelect a loop and record multiple takes into it while enjoying customizable pre-roll and post-roll monitoring; set your pre-roll and post-roll times right inside the new floating record options window.Store multiple recorded takes that can be reviewed in the Undo/Redo History window after you're finished recording.Punch-and-roll recording is now a snap in Sound Forge Pro 11. Simply drop a marker on your pick-up point and then record with all the pre-roll you need to prime yourself for the perfect take.Monitor unarmed channels while recording.Watch your waveform being drawn as you record.Stay armed for recording at all times.
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% p: _+ l2 h- @# `2 g" s6 Q pTransfer audio data between Sound Forge Pro 11 and SpectraLayers Pro 2 and experience the thrill of working freely across the world's premiere waveform and spectral editing applications. Open a large file in SoundForge Pro 11 and transfer selections of any size to SpectraLayers Pro 2 for fast, precise editing, then bring the result back to the source file in Sound Forge Pro 11—automatically and with sample-accurate precision. Send multiple files to SpectraLayers Pro 2 for deep layering, remixing, and sound design work, and then return your finished products back to Sound Forge Pro 11 for further editing, processing, and finalization.
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Plug-in chain interface
; I# x1 m7 |5 n/ j3 K4 c6 T# uSound Forge Pro 11 features a new floating Plug-in Chain window that provides a significantly refined workspace for conducting non-destructive signal and effects processing operations. Dock the chain and enjoy direct access to every component of the processing environment. Easily manage plug-in order, presets, interface controls, envelope automation and bypass controls, and retain unique plug-in configurations for every open data window.
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Broadcast wave file format enhancements$ g% f; |3 {1 h9 m5 C4 d
Supports BEXT BWF version 2.0, iXML, and includes autofill and verification options as well as automatic repair of BWF data.
, J3 N7 b! a6 z+ C; t) d3 kSupport added for BEXT BWF version 2.0, including loudness attributes
. x! Y& c+ `3 m) ~' d- I9 MSupport added for iXML, allowing viewing and editing of additional metadata, U- q' g) Y9 V* f: r
BWF TimeReference fields are now automatically updated when editing affects the start of audio data or when files are created by copying from BWF source files
$ h+ v3 J; ~2 p8 U* \! R0 xCoding History is now updated if sampleRate or bitDepth changes are saved
8 M$ {* O9 |: c, x0 K6 m4 mEnhancements added for autofill, verification, and auto-fixing of BWF data
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Waveform overview bar
* Y2 ^- `3 r# R$ Q# Z5 F* d1 _Sound Forge Pro 11 features a new Waveform Overview Bar that makes file navigation easier than ever. More than just a simple strip that displays your exact location, this new feature also serves as an excellent locator and auditioning tool. Double-click in the bar to center your cursor in a time range defined by the waveform display, or click-drag to audition looping segments with customizable pre-roll and loop duration times., V: g+ H+ l& f% u6 d
: B- m) x' i9 @4 G7 i) D4 Q* KNectar Elements by iZotope
; Q* k* o) j0 F5 j% d4 [The included Nectar Elements plug-in makes vocal treatment a snap. Whether you're recording or mixing, get great results quickly by loading one of Nectar's professionally designed Style presets in genres like Rock, Pop, Folk, Soul, and Voiceover & Dialogue. From there, easily customize your sound by adjusting dedicated controls like Presence, Drive and Grit. Need to fix pitch problems, perform de-essing, or reduce room noise in your recording? Nectar Elements has you covered there as well. With 10 powerful processors working hard behind the scenes, Nectar Elements offers simple, intelligent controls that let you focus on your sound, not your set-up.
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9 u* {' n- m# c' B% N3 A4 ONectar Elements by iZotope
% [- }: L6 Q& `! l- P' qEnhanced data window tab functionality
! ]$ r2 A, ^, k1 n* [0 w+ lData window tabs in Sound Forge Pro 11 now have new features for improved workflow. Arrange tabs in your workspace and enjoy dynamic resizing as well as a convenient close button for every open data window.
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- N4 ~& D8 o O5 s* x2 R! l2 [/ ^0 pCALM-targeted metering P5 w' h- R( H ?% v
Win the volume war with new metering options available in Sound Forge Pro 11. CALM (Commercial Advertisement Loudness Mitigation Act) compliant metering features help you follow the new rules while maximizing the dynamic range potential of your audio.
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Event mode improvements- R* F( S6 N; g1 g0 d( O9 @
Convert regions to events, lock event markers, region markers, and envelope points to events, and automatically ripple successive events forward in time while editing.
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Restore and repair tools i! d7 R% y- m( S& p& x( |2 a5 A
Sound Forge Pro 11 includes specialized tools that make it easy to carry out repair and restoration tasks on your audio files. Powered by iZotope®, these plug-ins are configurable, easy-to-use, and they work like magic in a wide variety of situations. More about the iZotope restore and repair tools.6 c) E1 q3 C( X
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Features
8 [! J# w+ ~7 @7 yRecording and playback in Sound Forge Pro 11
0 p- x1 ]: c IRecording audio is where it all begins in Sound Forge™ Pro 11. We've taken all your favorite recording features and moved them into a modeless environment that will keep you in the workspace at all times.. O3 x4 K+ ~& {
Redesigned recording workflow
/ _" j2 _& p) q4 [Sound Forge™ Pro 11 features a completely redesigned recording interface that keeps you anchored in the workspace at all times while you shape and monitor incoming audio, arm and record takes, review your work, and prepare for the next pass. More about the new recording interface in Sound Forge Pro 11, o9 o! {6 N( b( s$ h/ J r9 f# T
Redesigned recording workflow7 q6 E* N$ k$ ]+ ?4 e+ Q# h/ ]
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Waveform overview bar4 \" X6 s1 _7 |8 o; W, f
Sound Forge Pro 11 features a new Waveform Overview Bar that makes file navigation easier than ever. More about the new waveform overview bar.
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# z% z" H$ f$ v, E) OEditing and workflow3 L- t- a* }% C" c: |
Sound Forge™ Pro 11 is a comprehensive multichannel audio recording and editing environment that can be dialed in to serve as the ideal software interface for any task. Record, edit, process, master, and organize audio assets with an unbeatable array of options that have enjoyed a continuous evolution ever since the birth of recording on the PC.
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Event mode improvements" R( S8 f7 d8 c o: y D* e2 c1 I
Open sound files and use the Event Tool to split waveforms into discrete sections that can be moved and manipulated anywhere on the timeline. Events can be trimmed, slipped, faded/crossfaded, copied, and more. Event-based editing is ideal for assembling takes and creating audio CD layouts. New in our latest edition: convert regions to events, lock event markers, region markers, and envelope points to events, and automatically ripple successive events forward in time while editing.8 R% N) Z A- a5 `4 g) ~& ~
, M8 F' z. g$ ?7 NTransfer audio data between Sound Forge Pro 11 and SpectraLayers Pro 2 and experience the thrill of working freely across the world’s premiere waveform and spectral editing applications. Open a large file in Sound Forge Pro 11 and transfer selections of any size to SpectraLayers Pro 2 for fast, precise editing, then bring the result back to the source file in Sound Forge Pro 11–automatically and with sample-accurate precision. Send multiple files to SpectraLayers Pro 2 for deep layering, remixing, and sound design work, and then return your finished products back to Sound Forge Pro 11 for further editing, processing, and finalization.+ T1 j, @0 m- x+ s# o/ V4 {
Seamless interoperability with SpectraLayers Pro 2* ~* R A6 p6 v5 P5 u
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Multichannel file editing and processing
3 \1 n5 E6 p4 S9 t2 T TOpen, edit, and save multichannel audio data from XDCAM™, field recorders, and surround mixes, with sample accurate precision.
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ACID™ loop creation tools
/ q& T9 t, C5 JCreate your own loops for use in ACID software. Use grid lines to visually divide audio selections into equal parts based on time signature. Refine your loops in the Loop Tuner, and then embed basic ACIDization metadata to get a head start on making your own perfectly ACIDized loops and samples.
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Interface customization
1 n S- j+ d9 i$ Q& KThe Sound Forge Pro 11 user interface is fully customizable. Waveform and envelope colors, markers, and default window heights can be customized to fit your workflow.7 H' Z. \3 ~( A0 K2 V
9 j6 h) h# S: D$ A& HCustomizable layouts3 U1 A a% g! k6 {4 ?/ X
Design Sound Forge Pro 11 editing environments to maximize your productivity. Create and save multiple interface layout configurations for single- and dual-monitor systems. Easily recall a window layout for specific editing tasks including audio editing, CD layout, multichannel file editing, and more.
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Multitask background rendering
" l0 u' D/ Y; z5 \; f' hWork on one file while Sound Forge Pro 11 software processes another in the background./ w1 v" @( ?: K; U2 J
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Tools and effects/ t" Z: v/ ?3 m- O, a1 K# _
Sound Forge™ Pro 11 is the editor's choice for shaping audio in an infinite variety of ways. Our latest edition comes prepared to deliver broadcast ready, master quality finished products right out of the gate, using its own popular built-in signal and effects processing tools as well as premier contributions from our stable of high-end DSP developers.. s. \2 f5 }+ K
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Sound Forge Pro 11 includes a comprehensive selection of native signal and effects processes including normalization, Wave Hammer compression and limiting, graphic and multiband dynamics, noise gating, graphic/paragraphic/parametric equalization, envelope generation, phasing, flanging and chorus, reverb, tremolo and vibrato, distortion, pitch modifiers, the amazing Accoustic Mirror convolution reverb, the Gapper/Snipper effects processor, and more.
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9 A* J* I2 I4 w) H' H& {! nComprehensive iZotope DSP
' i2 H) z* T1 l w9 w. g3 J0 EiZotope is one of the most exciting, forward thinking, and user friendly audio software companies on the planet. While expanding its horizons in all directions–from audio repair technology to effects processing algorithms to musical instrument development and beyond–iZotope has again deepened its collaboration with Sony Creative Software to add even more creative punch to the Sound Forge Pro line. Through the addition of the Mastering and Repair Suite and the inclusion of Nectar Elements for vocal processing magic, iZotope has once more raised the bar on what's possible with one-stop audio editing solutions. More about the included iZotope tools.0 ?8 D) k7 Y$ e6 j7 S& K* o( T; z
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New plug-in chain interface. s& `8 A J! C. `
Sound Forge Pro 11 features a new floating Plug-in Chain window that provides a significantly refined workspace for conducting non-destructive signal and effects processing operations. Dock the chain and enjoy direct access to every component of the processing environment. Easily manage plug-in order, presets, interface controls, envelope automation and bypass controls, and retain unique plug-in configurations for every open data window.9 D0 G; w4 _! h7 V5 b% R
. }. j: V9 ]/ [. pCALM-targeted metering1 D5 \. F# Q9 Z6 P( c6 q1 H
Win the volume war with new metering options in Sound Forge Pro 11.
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7 C) [$ r. @' J; S4 a( {) i5 S% xIntegrated disc-at-once CD burning
b9 H5 a: u* c: ?2 I' e+ \Sound Forge Pro 11 includes fully integrated DAO CD mastering. Generate Red Book compliant masters for duplication. Perform PQ code editing, add CD text and metadata, and prepare high resolution audio tracks with iZotope resampling technology.
) {" Z& w; s, p1 C% eGracenote® CD album identification! l: u6 f7 k$ g) v
Sound Forge Pro 11 software supports the Gracenote MusicID Media Recognition Serivce. Extract or submit information including track, title, artist and more.
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Channel converter for multichannel files
' {0 s9 J Q* q0 J& D/ cThe Sound Forge Pro 11 Channel Converter tool supports multichannel formats for easy downmixing of multichannel files to stereo or mono.. p3 F! S- E2 p3 k. V u; H
/ N! v/ f" Z5 H% W4 v/ HVST effect support! `+ l* P% B$ y: b: h
Sound Forge Pro 11 supports VST plug-ins and plug-in parameter automation.
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Noise reduction
% \1 ~8 B0 Z, p, x" N( R0 l6 tSound Forge Pro 11 offers transparent access to powerful, open-ended restore and repair options. Our native Noise Reduction 2 collection of plug-ins (Noise Reduction, Audio Restoration, Click and Crackle Removal, and Clipped Peak Restoration) remains on deck as standard equipment for ideal solutions to common problems. In addition, new tools from iZotope as well as exclusive, seamless interoperability with our own SpectraLayers Pro 2 advanced spectral editing application, make this edition of Sound Forge Pro the absolute ultimate in repair and restore technology, in terms of options, sheer power, convenience, and workflow.
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Zplane elastique timestrech
. q/ U: K y. ~3 L3 relastique makes time-stretching artifacts obsolete. Based on state-of-the-art psychoacoustic models and signal processing theory, the result is stable timing, interchannel phase coherence, and sample-accurate stretching. Achieve formant-preserving pitch shifting that avoids the well-known pitfalls that can occur when pitching up or down. Choose from various stretching methods that are tailored to your source audio, and adjust settings while previewing.
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Phase scope and mono-compatibility metering9 c4 [, e* i7 M& Q" a
Use the Phase Scope in Sound Forge Pro 11 to find phase cancellation among the channels in an audio file. Meter types include Lissajous - XY Plot, Lissajous - Rotated, Polar - Linear Plot, and Polar - Circular Plot. The mono compatibility meter helps detect correlations or differences between the channels of a file that can cause phase cancellation when downmixing to mono.% X2 M7 H3 t0 l# u `* {
Multichannel-capable spectrum analysis
# d0 v0 b C% ~* `' |View frequencies and overtones of different channels within an audio file. The Spectrum Analysis tool shows multiple graphs depending on how many channels are selected. Observe fundamental frequencies and overtones in your recordings. Monitor audio and effects changes, take multiple snapshots, and overlay views to compare and match frequencies. Toolbar buttons include choices for FFT size and normal or sonogram view.
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9 y* B7 H% i9 i# h5 K9 GMultichannel-capable spectrum analysis1 W0 B% w+ K4 j4 l0 a
Processing audio with iZotope DSP* z% D5 P; d: P K
Sound Forge Pro 11 is a one-stop solution for producers who need to create and deliver master audio content for any purpose. iZotope is a premier developer of digital audio signal and effects processing plug-ins. Sound Forge Pro 11 includes iZotope's Mastering and Repair Suite, a collection of essential high-end processing plug-ins that you can use right away to achieve perfect masters. In addition, Sound Forge Pro 11 includes two other important post-processing tools that specialize in file format integrity preservation: iZotope 64-bit SRC™ (sample rate conversion) and iZotope MBIT+ dither (bit-depth conversion).% ~, O) n- k2 p' }6 ~- z% a# U4 ?
Nectar Elements% q) D& P$ |, `" x; K. \
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Nectar Elements Nectar Elements
+ H7 }7 b# M- @/ H' D* @' D" eThe included Nectar Elements plug-in makes vocal processing a snap. Get great results quickly by loading one of Nectar's convenient Style presets in genres like rock, pop, folk, soul, and voiceover & dialogue. From there, easily customize your sound by adjusting dedicated controls like Presence, Drive, and Grit. Need to fix pitch problems, perform de-essing, or reduce room noise in your recording? Nectar Elements has you covered. With 10 powerful processors working hard behind the scenes, Nectar Elements offers simple, intelligent controls that let you focus on your sound, not your setup.1 l( T, L4 w* @# ~
1 I/ a* r. D" u( t. xMastering' X* G# o( ]* ]! |2 ^
Millions of high-end audio master files have been rendered out of Sound Forge Pro over more than fifteen years of dedicated service to audio professionals the world over. In version after version, we've evolved our presentation to incorporate better-sounding and increasingly sophisticated tools as standard features. Sound Forge Pro 11 is no exception, with new repair and voice processing tools that will take your audio to the master stage quickly and easily.
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Mastering EQ
! K1 ]. C' f1 y, OThe Mastering EQ is a six-band parametric equalizer featuring four bell filters, a high shelving filter, and a low shelving filter. It incorporates digital precision and analog modeling, as well as real-time spectrum analysis for essential visual feedback while adjusting parameters.8 i6 {! r3 l5 N% k7 @' ]$ b
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Mastering Reverb% o3 X0 \. @3 E
The Mastering Reverb was designed to add depth to dull mixes and smooth over acoustic imperfections. It features two processing algorithms, plate and room, and a real-time spectrum analyzer.
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$ K5 \+ z: _! T( A9 ] I6 ?) M0 ZMultiband Compressor) N+ M, p- u& i) ^" y- |, y& ~$ W
The Multiband Compressor is an essential tool for adding warmth and fullness to mixes. It allows independent control over the dynamics of four frequency bands, and adjustable crossover points that let you fine tune the range of each band.- O2 w3 O2 j' H* s7 S$ |
) p) [2 q8 j& s9 zMastering Limiter
& Z) N# A, ~9 {7 P2 } p; cThe Mastering Limiter lets you create louder and fuller masters by limiting the dynamic range and boosting the perceived overall level of the mix. IRC™ (Intelligent Release Control) lets you dial in aggressive yet transparent limiting. N. G" {5 C' Z ?' L6 S
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Mastering Imager+ I/ W" O; U6 w3 `+ @
Precisely adjust the stereo width and focus of your master using multiband stereo imaging. Work with up to four frequency bands for independent control over stereo width by frequency. Visualize the stereo image with a powerful phase/channel meter display that highlights imaging, phase and potential cancellation problems.
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Harmonic Exciter
& Z- ~. T$ \: V7 g( TThe Harmonic Exciter is a powerful tool for adding analog character to your masters. With a selection of Harmonic Exciter modes, you can easily add tube or tape saturation, accentuate even harmonics, and add punch and sparkle to your project.
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; C+ ] k# E( N0 uPost-processing% I2 }# H4 g0 A! o* |# q. w
iZotope 64-bit SRC™ (sample rate conversion)1 s2 i. j1 W9 R$ A
Sample Rate Conversion (SRC) is a necessary process when converting material from one sample rate (such as studio-quality 192 kHz) to another (such as CD quality 44.1 kHz). Low-pass filter quality is a critical component of any sample rate conversion process. iZotope's SRC protects against the loss of data, aliasing, noise, and unwanted ringing artifacts that appear in other implementations, and utilizes a hybrid low-pass filter along with ringing control, resulting in pristine audio quality and the highest level of control for the engineer.$ ~2 w; ^* n, \
. S+ [ v+ G2 S) D+ m7 [iZotope MBIT+ dither (bit depth conversion)
- i7 c% ^6 L7 E7 [- PThe best sounding audio requires the highest sample bit depth. By truncating 24-bit or higher audio tracks to 16-bit, you are inevitably losing quality and introducing undesirable noise called quantization distortion. Dither is the way to address quantization noise and control where it goes. Sound Forge Pro 11 includes iZotope MBIT+ dither. MBIT+ employs psychoacoustic methods to distribute the noise into less audible ranges, resulting in improved sound and smoother fades. iZotope MBIT+ was specifically designed for musical program material — MBIT+ models use real music and not test tones, resulting in the most musical and sonically pleasing dither available.* v m4 X- R9 d! T) s) c
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Restore and repair
% d4 [8 @# {0 A: x( j( b% P4 HAdvanced repair and restoration capability has been a hallmark of Sound Forge Pro functionality ever since the advent of our native Noise Reduction 2 processor. Sound Forge Pro 11 brings three new iZotope plug-ins to the table, providing even more fresh options for solving common audio problems.' `$ T' O2 _- M
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Declicker
2 R. e; |' p* A: q4 A8 }6 UThe Declicker identifies and removes clicks, pops and digital impulse noises. Set the fader to the sensitivity level you need, then count the number of clicks that are identified and repaired over time as your audio file plays.
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7 f9 d0 N9 `/ q V1 D# P" Y7 J$ EEasily perform noiseprint-based noise reduction with the Denoiser plug-in. Simply click the Learn button while playing a random sample of unwanted noise contained in your target file and Denoiser does the rest, by applying a customized noise reduction process across your entire selection.5 ]1 ^% O7 H% z8 I7 u9 B# |
3 N& c+ Q ]; Y/ v6 @& M dThe Declipper plug-in reconstructs peaks damaged by clipping at either the analog or digital stage. Use the level histogram to pinpoint where the damage starts. Set the Clipping Threshold to determine where peak resynthesis will begin.
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What's New
' p/ V3 \2 f' E, i, k0 @Notable fixes/changes in version 11.0 (Build 299) Q9 v% y" r8 z# _
- Added support for SpectraLayers 3.0." }0 |5 c& D; I: z) T
- Added support for creating multiple, overlapping markers and regions using shortcut keys.3 L; [5 l2 }3 u. M' E! d" x
- Added support for copying marker and region names when using Tools > Extract Regions. In order to copy marker and region names,Options > Lock to Selection > Enable and Options > Lock to Selection > Markers/Regions must be selected.9 Z% t2 O( K% w& }; _# D
- Fixed a translation error that could cause Broadcast Wave metadata to crash the Japanese version of Sound Forge Pro.
8 e& I x- D( ~+ e3 `1 C- Fixed a bug that could cause Sound Forge to incorrectly prduce an error message when compiling some scripts in the Script Editor window.: j" f; ~+ V V% z( v8 S2 F& a
- Fixed a bug that could prevent markers and regions from updating correctly when Options > Lock to Selection > Markers/Regions andOptions > Event > Auto Ripple were enabled.
5 p! E* }3 d1 J2 Q0 y& d! D1 m- Fixed a bug that could cause a customized keyboard shortcut for the Resample or iZotope 64-Bit SRC process to be assigned to both processes.
$ a0 e) O9 U. N+ c/ z3 U- Fixed a bug that could cause events to ripple incorrectly after a delete action.
# w- _ i3 `7 e- A bug in Sound Forge 11 build 293 and earlier prevents the application from opening projects created in releases with a higher build number. Installing the latest update will allow you to open your projects normally.. K- D" G0 U( @) N3 }1 k
! f4 h% J' U4 }; d( M- aNotable fixes/changes in version 11.0 (Build 293)$ e( V/ x# u) S. ?, k3 k3 m: n
- Ripple editing now ripples all events after the ripple point when no channels are selected.
4 `6 X- m' R1 E" {9 R, t$ T- Fixed a bug that could cause the Edit > Treat as Cutlist command to be unavailable.1 a4 t0 Z9 m+ W1 S
- Fixed a bug that could cause Playlist names to be corrupted after undoing a change in the Regions List.) F5 T: M" T3 {6 a P' B8 N5 _" U
- Fixed a bug that could cause Playlist names to be corrupted after dragging a region from the Regions List to the Playlist.
# u+ Y; f/ \/ e2 b7 g- Fixed a bug that could cause regions in the Regions List to be deleted when pressing Delete to edit a region value.
. k3 [2 @( R) b# a+ u2 H0 U S- Fixed a bug that could cause duplicate markers or regions to be discarded when saving files.: ~% F* @7 u$ l/ x, u- z8 Y0 W0 f
- Fixed a bug that could cause multiple regions that use the same start time and name to be sorted incorrectly in the Regions List.: f+ C+ f$ k) e4 i
- Fixed a bug that could cause a crash when clicking the Play buttons in the Regions List window.
# l5 j* J; ]+ G7 N3 W5 l/ z" S3 X3 }/ G- Fixed a bug that could cause warnings to be displayed inconsistently when deleting regions that are in use by a Playlist/Cutlist.0 _! F# n4 _6 F/ F6 s. H: B
- Fixed a bug that could clear Playlist, Track List, and Region List selections when right-clicking to display the shortcut menu.
3 u8 t' C N, c2 a& J- Fixed a bug that prevented you from adding a selected region to the Playlist/Cutlist unless the Regions List window was visible.
! n9 I7 F( q) c7 F- Fixed a bug that caused the Track and Index items in the Track List window to appear to be editable. Both items are now correctly displayed as read only. CD indexes are automatically numbered to match the index markers in the data window, and you can rearrange tracks by dragging the rows in the Track List window.
. {- v' h& j' E2 E; ]5 e9 |- Fixed a bug that could cause Sound Forge to prompt you to register after having registered successfully.
. x( I. z! O8 H/ L, p- If a file contains multiple CDif chunks, Sound Forge Pro now removes redundant chunks when saving.; y+ G+ ^ _, D- I& e
' Y* F. r( ^8 Q2 ?/ z
Notable fixes/changes in version 11.0 (Build 272)' T+ e* |; i/ r: f( I
- Added an Update BWF Loudness Metadata button to the Statistics dialog to allow you to write calculated loudness values to Broadcast Wave Format metadata.# N! A8 U5 k) }
- Added an Event Editing toolbar (use View > Toolbars to show or hide toolbars). [: Z( V+ K6 u7 e/ @6 v4 r3 L
- Added Japanese-language support.
5 ?2 [- f; ^6 Q' {3 i. }- Fixed a bug that could cause a crash when right-clicking items in the Broadcast Wave or Summary Information metadata windows.
& w5 { ]% Y6 {: L& n- Fixed a bug that could cause a crash on Windows 8 when pressing Ctrl+Alt+Delete while opening a large number of files.
& C4 C: c* D5 t- D( E! M& N- Fixed a bug that allowed markers and regions to be dragged beyond the end of the data window when Options > Event > Auto Ripple was selected./ H- m& A/ K, F; }7 k2 C
- Fixed a bug that could cause events to be moved incorrectly when using drag-and-drop editing.
. z& Y2 `& J7 U" K$ k/ @" R- Fixed a bug that could cause event edges to move past the beginning of a data window when Options > Event > Auto Ripple was selected.
8 B0 a/ d' u- g5 C( b) ^. P- Fixed a bug that could cause BWF metadata to be saved even when the Save metadata with file check box was cleared. `. c" U+ b1 i) |7 M- |
- Fixed a bug that could prevent Undo from restoring markers and audio CD tracks after undoing a ripple edit., R! }0 X# P0 H3 e
- Fixed a bug that could cause CD tracks to shift when adding an event with a mismatching sample rate.
5 u1 X% t+ B; l& ]% M- Fixed a bug that could cause the Broadcast Wave metadata window to draw incorrectly when scrolling.
6 I" `1 F5 e( U$ H# R/ o( m- Fixed a bug that could cause a low-memory error when processing files with high sample rates on 32-bit versions of Windows.3 ]3 h5 D& k( |: k
- Fixed a bug that caused the Edit > Paste Special > Paste to New command to be unavailable in event-editing mode.; |4 R- L3 \4 I$ K* K3 D
- Fixed various issues when using the Dolby Media Meter plug-in with the Plug-In Chain.
: ?' D9 F1 l: @2 K$ G" |- Fixed various issues when using the Dolby Media Emulator plug-in with the Plug-In Chain., F( \. ?; @# G9 ~# X
- Fixed a bug that prevented you from dragging events between channels when Options > Event > Auto Ripple was enabled.
# b2 \" }3 \ h& X5 G/ u$ J$ p* A4 g- Fixed a bug that caused Product (IPRD) summary metadata to be handled incorrectly.
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What's new in version 11.0
# ?3 E& O% t# G2 ~8 f- Improved recording workflow, including a new Record Options window and input monitoring through the Plug-In Chain.
3 K; v6 o1 V/ p! S8 g- Added a Loudness Meters tool and loudness logging.
! `" P- {7 b: _& O4 @/ AThe Statistics dialog now includes loudness data.
/ y9 \8 J+ T& h9 ^1 d+ zAdded Use True Peaks and Enable DC Blocking Filter controls to the Detect Clipping dialog for measuring loudness.' J, i. h5 i4 A1 j
- Improved support for metadata in Broadcast Wave Format files.
4 L7 a& I) o4 b0 r( }! M- Added support for editing files in SpectraLayers Pro 2.0.* F {* ^ A0 O3 Y- ^2 I% R9 W
- Improved Plug-In Chain window now allows floating plug-in windows.
# W" E1 O n% h. q9 Y `- Improved selection dragging: you no longer need to drag up before dragging a selection.
" p7 d! P2 f6 C/ w+ k- Fade in and fade out curves now default to a linear curve in the processing and Mix dialogs." x P+ w! O9 Z* ~. a, W/ {
- Added Remember last-used Save As folder to the General tab in the Preferences dialog.
: q9 H/ R( J$ H5 A' r- H C7 W. O- Added plain text file option for saving and opening a file抯 regions list and playlist/cutlist.$ b4 @- k( ?4 J$ l$ I5 c
- You can now rearrange maximized data window tabs by dragging the tabs to a new location.8 K4 l) Y7 |$ T* F7 ~1 P
- Added automatic resampling during playback for unsupported sample rates when you're using an ASIO audio device.9 i+ ~3 {8 k" N! }! z9 W
- Added support for splitting events at region boundaries.
' K6 c: ~4 m6 ?/ y" ]" A6 v3 o9 t- Added support for moving markers, regions, and envelope points with events. The Options > Paste Markers/Regions command is nowOptions > Lock to Selection > Markers/Regions and Options > Lock to Selection > Envelope Points.5 c, b% O7 S* ]1 s* J) ^, z" `& o
- Added support for ripple editing in event-editing mode. Choose Options > Event > Auto Ripple to toggle automatic ripple editing for downstream events.
7 A5 Y" o7 P& Y7 p5 u3 n) _" S- C& s3 L- Improved audio playback and recording device routing in the Preferences > Audio tab. q9 p* U) m- \0 z, J
2 p2 t4 M' ]( [, R0 m6 W5 G. U' |) ISupported File Formats
* I, b* `/ Z) n& Y r- _Opens: AA3*, AAC, AIF, ASF, AU, AVI*, CDA, DIG, DLS, DV, DVF, FLAC, FRG, GIF, GIG, IVC, M2A, M2P, M2T, M4A, M4B, MMV, OGG, MOV, MSV, MP1, MP3, MP4, MPEG, MPEG-1 and MPEG-2 video, Sony MXF*, PCA, QT, RAW, SD, SFA, SF*, SND, TIF, VOX, W64*, WAV*, WMA*, WMV
; U/ f: E$ {5 S5 A; w: r% ySaves: AA3*, AC3*, AIF, ATRAC*, AU, AVI*, DIG, DLS, FLAC, FRG, GIG, IVC, M1A, M1P, M2A, M2P, M2T, MMV, MOV, MSV, MP1, MP2, MP3, MP4, MPA, MPEG, MPEG-1 and MPEG-2 video, Sony MXF*, OGG, PCA, RAW, SF2, VOX, W64*, WAV*, WMA*, WMV
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/ l0 Z) M1 p( ?: F; hSystem Requirements
$ T. B0 ~7 E3 y! m+ x5 ]7 ~. FThe following lists the minimum system requirements for using Sony Creative Software Inc. Sound Forge Pro:
, ?6 r: ?1 L1 ^9 ]- B9 _- Microsoft® Windows Vista® (Service Pack 2 or later), Windows 7, Windows 8, or Windows 8.1, W: z/ C `7 w
- 1 GHz processor
/ G* c. S# S' H* W, a2 f- 500 MB hard-disk space for program installation
; n$ }( X" z% Y9 W$ I- 512 MB RAM
. K9 l- W, z8 c; \& g- Windows-compatible sound card
7 r. L1 Z, S% r: ]- Y) h" R- DVD-ROM drive (for installation from a DVD only)
/ H6 N% V: }, L5 R- @- G+ m- f- Supported CD-Recordable drive (for CD burning only)
. T E1 Z0 ?- y! c- Microsoft DirectX® 9.0c or later6 P7 E0 {9 d C) D0 D
- Microsoft .NET Framework 2.0 (included on application disc)
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Download:
, m1 T0 D. N# x% Vsoundforgepro11.0.234.exe
7 B7 b8 x- ~( O+ c" D( L. dsoundforgepro11.0.272.exe |+ D$ e2 l- Z
soundforgepro11.0.293.exe( @' j! x; H6 x" o$ D
soundforgepro11.0.299.exe# k# d" T. b3 S1 [* q
MAGIX Sound Forge Pro 11.0 Build 338.exe, c2 Q0 G; _+ h) _
MAGIX Sound Forge Pro 11.0 Build 341.exe
+ h. B9 B- ~4 ~. bMAGIX Sound Forge Pro 11.0 Build 345.exe1 ~3 L9 Y }8 ]4 ~1 C# p
/ h! _& J; W4 Y' P会员高速
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发表于 2014-12-23 18:12:38