Blackmagic Design DaVinci Resolve Studio v12.5.6 Win / Mac / Linux

Program Name: Blackmagic Design DaVinci Resolve Studio 12
Program Type: Color correction
. }0 {! P5 _& v& q1 n& |Version: v12.5.6
) _7 H5 ]! d/ F: [1 E7 MRelease Date: 05 July 2017
+ [% f. s: t! E$ ~8 H/ R6 E0 v4 I! d! eHomepage: www.blackmagic-design.com/products/davinciresolve/software/
Interface Language: English
Platform: Win / Mac / Linux
File Size: 2 GB

DaVinci Resolve 12 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.
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0 W( M' q% y3 }1 t3 h% B% VWhat's new in DaVinci Resolve 12.5
, ~- Y9 r/ ~/ {/ R1 LSignificant New Features
Improved edit timeline and color page UI performance
' k( @% t+ l- fFusion Connect lets users send a clip(s) from the edit timeline to Fusion for compositing and when returned from Fusion they automatically replace the originating edit timeline clips
The Source viewer now includes an optional Audio Overlay on Video
+ j& R0 N( t4 e! a* j, |Primary color palettes now include Temperature and Tint sliders
9 {8 z4 C8 P/ R- s3 x4 N7 aResolve FX - Film Grain, Lens Flares, Lens Blur, Light Rays and others
& m  P+ U% p! E4 B) q1 k% D3 jDramatically improved Spatial Noise Reduction - DaVinci Resolve Studio only
: u9 T! Y( s1 B% |1 N& f6 TExtended HDR grading controls, HDR scopes, HDR support for 16bit cache formats and HDMI 2.0a metadata - DaVinci Resolve Studio only
Redesigned and improved Log grading controls with a Project Setting option to switch between legacy and new behavior
2 N) x( r6 g" {7 rImproved management of nodes and links in the Node editor
Expanded Marker feature set
" X' y- d: @: B4 w' |Improved Titles with support in place editing
- z- K- @  r/ O: K8 F* _/ wMetadata keywords are now stored as text bubbles which are saved in a user dictionary and can easily be appended to multiple clips
1 H5 ^: D) j' N( e" ZEasy to use Tags are now supported in Display Name, Burn-ins, render filenames and render paths
New Media Pool Power Bins allow sharing content between multiple user projects
You now have the ability to adjust via the inspector parameters for all selected clips or transitions
4 R! x. P' b- j! dAbility to create User Transition Presets
Power Windows and ResolveFX can now be tracked with a Point tracker
0 h9 U. E/ i, Y  M& eEdit Sizing now includes Lens Distortion Correction - DaVinci Resolve Studio only
4 P5 ]/ g2 _  x; x- Z& M6 }! a4 FAdded selection for 3:2 rendering of 23.976 and 24fps to 29.79fps and 30fps
Audio can now be rendered in a single track or one track per channel
Clip Retime effects are now adjustable using a Retime Curve in context with the timeline clip
2 _5 e. h. R3 G9 v3 @# H0 s! lDynamic Zoom for fast start and end positioning of still image transforms
Expanded Multicam feature set
- Q/ P% z) Y- [0 F2 uInterlaced media can now be de-interlaced with optional normal and for some clips a high setting - DaVinci Resolve Studio only
Added support for DaVinci Color Transform Language, .dctl for user defined color transforms - DaVinci Resolve Studio only
Resolve Color Management now includes a checkbox and dropdown menu to separate gamut and gamma options
" r1 L9 _, k  Y2 t, ~# WSupport for several new edit Transitions
Expanded Keyframe and Curves feature set in the Edit timeline
9 u/ ^  x3 v* Y2 ?Clip metadata for selected or all Media Pool clips can now be imported with selection rules or exported using .csv format
Spanish interface support
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Edit
Key new features
$ m6 C/ b. m' b8 [: lImproved edit page timeline performance
) G$ ]/ y4 {( v- z4 T: x5 z( QEditing commands have been reorganized into Edit, Trim, Timeline, and Clip menus for speed and ease of use
The Cinema mode is now available for Edit Page viewers
3 D% a' T9 ^4 _1 x; |" ~7 Y! sYou can now seamlessly switch in and out of Cinema mode during playback
* z4 s$ {" Q) uMetadata palette is now available on the Edit Page
The header of the metadata window indicates focus between Media Pool, Media Storage and Timeline
( R# k( v$ a- ?1 v) I- MYou now have the ability to adjust via the inspector parameters for all selected clips or transitions
Users can now select, drag, Copy, Cut, Paste and Delete Individual and multiple Keyframes at the same time in the timeline keyframe window
Fusion Connect lets users send a clip(s) from the edit timeline to Fusion for compositing and when returned from Fusion they automatically replace the originating edit timeline clips
4 K  a9 @6 }" b' Z; e+ ADynamic Zoom for fast start and end positioning of still image transforms
Option to soften the crop in the Edit Inspector
Users can now swap timelines between timeline and source viewers
Clip Colors can be assigned on Media Pool clips via metadata window and on the edit timeline clips via contextual menu
All clips in the timeline including titles, audio clips, generators can now be dragged into any Media Pool bin to make a copy
; V0 m* N2 U$ YThe zoom range for transforms is now increased to 0 up to 100
$ {" q/ `% d/ h( Z( IEdit Sizing now includes Lens Distortion Correction - DaVinci Resolve Studio only
Edit Speed Improvements
Swap and Shuffle edits can now be performed with multiple clips and including those with different video and audio in and out points
Added new Trim operations with shortcuts;
Resize In or Out Point to Playhead
+ U2 |& A7 u% @$ GRipple In or Out Point to Playhead
Roll In or Out Point to Playhead
Select Nearest Edit and Resize In or Out
# m) v% q7 p& n0 v  }Select Nearest Edit and Ripple In or Out
, n! o  l; ~' N/ FSelect Nearest Edit and Roll or Slip
' y- g. H/ r" O; G$ B. V, |Select Nearest Clip and Slide or Move
1 K! I0 x5 G+ \: R7 J9 jTimeline In and Out points can now define the Copy and Cut operation limits
" \2 O2 ?0 J" _1 b0 z' [Ripple Cut clips from the timeline using keyboard shortcut or contextual menu
Paste Insert clips into the timeline using keyboard shortcut or contextual menu
Fit To Fill now automatically uses the duration of the timeline clip or gap that intersects the playhead if not otherwise defined
Ripple Overwrite and Append edits now have overlays when dragging a source clip into the Timeline Viewer to create an edit
Preview Marks are now optionally displayed for three point edits. If you define three of the In-Out points, the automatic fourth edit point is indicated with a mark to let you preview the edit you're about to perform
6 T6 ]. d9 M4 d+ ?7 LAn optional and adjustable length shadow around Playhead selectable in View menu
Using the Go to In or Go To Out shortcuts you can jump to in or out Preview marks
With a Project Settings option, dragging a clip from the Source Viewer to the Timeline Viewer to perform an edit will use the last edit overlay you used when dragging the clip into the large undefined region of the Timeline Viewer
It's now possible to add video-only or audio-only transitions separately using two new menu commands and keyboard shortcuts
The previous Paste Attributes selections are now saved for the next paste attribute operation
+ t5 \9 d  e# F, V: ]With Command + Drag a compound clip or timeline from the Media Pool or source viewer will decompose nested sequences prior to adding to the timeline
; E- K$ L+ X" f) K4 ?8 SCommand + Drag a compound clip or timeline from the Media Pool or source viewer can be changed dynamically while dragging
A popup dialog, with an option to automatically trim clips, is displayed when Transitions are added to timeline clips with insufficient handles
9 y; ?: M; H' C) N) D. K0 qNew Trim Menu items to switch between Slip and Slide mode
Multiple In or Out points can now be trimmed in single frame increments or multiple frame increments (using Command key)

Speed Effects
Retime controls now follow Trim or Normal mode to either ripple or overwrite adjacent clips
Within the Retime control window clips can be retimed from the top left handle and top right handle
Clip Retime effects are now adjustable using a Retime Curve in context with the timeline clip
( w6 i6 {2 Y$ I; V' r# JClip Retime effects now include a positive and negative Speed Curve
/ _5 p+ F- v; O" P. FA new Clip Retime Curve includes variable speed changes with interactive speed and position curves
2 j* f9 j/ L: R; T- yKeyframes and curve control points
/ T# K% k" S  s6 i! w2 @% nShift Command C now opens the Keyframe editor
Shift C now opens the Curve editor
Clip keyframes and curves can now be toggled on or off independent of each another
The current curve can be selected by clicking on the parameter text
Clicking a curve highlights the corresponding parameter in the inspector
. j7 i9 v% A; R. {! Y8 rIn the keyframe curve editor the command arrow keys now allow you to move one or more selected keyframes by frames
Keyframes can now be navigated on the curve editor using navigation buttons
Option clicking on the keyframe curve now adds a control point and keyframe
Keyframes and Keyframe curve control points can be selected via lasso
2 [4 L$ y; a% M3 Q0 F' p" h! y, uMultiple keyframes control points can be cut, copied and pasted
- s- o; ~# j& z2 p# ^/ AMultiple keyframe curve control points can be copied, pasted or deleted
Option-dragging one or more selected keyframes now duplicates them
Option clicking on the keyframe editor now adds a keyframe
' C3 n4 n( |7 e: gKeyframes control points in the curve editor can now be freely dragged in any direction
Shift-dragging keyframes control points lets you constrain the movement in only one direction
Hover over keyframe curves displays the curve name and setting
Improved curve UI refresh with Inspector performance
Retime Keyframe curves display includes adjustable scaling range values on the left side top and bottom

Markers
While in Trim mode a new Ripple Marker option ripples timeline markers
Markers with duration are now supported
Option dragging an existing marker converts the marker to a duration marker
Dragging the in or out point of a duration marker extends or shortens the duration
- u; y  ]( w4 m  aClick dragging the duration marker moves along the timeline
, [8 Z+ Q" {! S# wDuring source playback you can add and edit markers
Markers with notes now support a hover tooltip for easy marker information review
Improved Markers and Flags UI with more info and ability to switch flag colors, remove current marker or flag and set marker durations
Viewers and Timeline ruler now have a context menu for easy marker action access
Multiple Viewer Markers can now be selected, moved, and deleted
Multiple Timeline Markers can now be selected, moved, and deleted

Titles
Improved title editing performance of titles with in-place editing and re-sizing control within the timeline viewer
Title and Video parameters are now in separate tabs in the Inspector
" t! M4 T/ |9 X! x/ ?Title elements within a multi-title item like Lower 3rd can be transformed independently
Color picker dialog changes are now displayed in real time on the viewer
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) d$ I, c& @# U4 |% V% J8 \Multicam
Multicam editing now includes additional menus and keyboard shortcuts for:
Switching pages of angles
Switching to the next and previous angle
, s. X: i  x& m% k: ~& yChanging between audio/video/both switching
# B7 S! g4 X7 P* w- G: F( F& gYou can now review and select multicam angle in the Media page viewer
New Multicam viewer settings include a one up and side by side display
Clips from the same camera can be put into the same Multicam angle by Camera ID, Angle, Reel Number, and Roll/Card metadata
Multicam angle sync can now use the first marker
8 W, `! y; k3 G5 _, ]$ @- K' jMulticam angle names can now be set by Sequential order (Default), the Angle or Camera shown in the clip metadata or by the clip name
9 q& H+ h) i4 n1 P9 hMulticam editing supports drag and drop multicam clips from the source viewer to the timeline viewer to perform an edit
/ @1 A3 s3 w. O( O# O# @: WUsers can now flatten Multicam clip in Resolve timeline
Transitions And Composite Modes
Ability to create User Transition Presets
1 J! a: s2 ~$ q; TAdded new transitions;
) X; `3 Y$ k* ]! D3 W0 |9 ANew dissolve transition: Non-Additive Dissolve
+ |# U7 M0 M* [New wipe transitions: Barn Door, Band Wipe, Radial Wipe, X Wipe, Eye Iris, Spiral, Split Wipe
New transform transitions: Slide, Push
4 L7 J% t# P$ f# Q6 \New Iris transitions: Arrow Iris, Star, Hexagon Iris, Pentagon Iris and Triangle Iris transitions
3 }$ ]( m: }& y+ U; L) XAdded new Compositing modes
Divide, Linear Burn, Linear Dodge, Linear Light, Vivid Light, Pin Light, Hard Mix, Lighter Color, Darker Color
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( k5 W5 Y2 o& ~3 Z; R) wGeneral
Ability to save, recall and delete custom column layouts for the list view of Media Pool and Edit Index
Timeline menu now included option for 'Selection Follows Playhead' including inspector selection
New Edit menu option to turn off switching focus to Timeline after performing an edit
A new menu option and Shift-Q shortcut to disable the four-up displays in the Timeline Viewer that occur during Slip or Slide trim operations. This toggles them off and on as an alternative to the Shift key to temporarily disable the heads-up displays
" ^6 ^( _% g3 k+ l* _- MGo to nearest clip action now navigates to the first frame
A timeline gap contextual menu option allows Ripple deletion of the gap
The Edit Index including filtered or unfiltered contents can now be exported as either .csv or tab delimited .txt files
* b- ]% o# b) Z1 v% ]Generator names can be defined and edited in the Inspector
# R3 Q: f2 x: H6 O9 j. N3 {Ability to view source clip's keykode or frame numbers in viewer timecode display
Selecting multiple clips now shows "Multiple Clips" in the Inspector clip name field
Offline Reference now includes a difference wipe mode
/ [6 f6 k" E% G* p8 e" c( eWith a Project settings option you can now show offline reference video through non conformed clips
A new menu lets users find the current timeline in Media Pool
When creating a new timeline, users can now select the number of Video tracks and the number and type of Audio tracks
. e0 Y+ z$ H2 \& c5 T- I) r: B; i# ~If no timelines exist, dragging a clip to the timeline viewer edit overlay now automatically creates a new timeline
A new timeline can be created with no clips
+ K1 o) E$ `+ r* s2 T) j6 ^2 SYou can now from the Media Pool insert clips into timeline with automatically generated handles
; B* ^' u4 M( l; z; }Using the Add Track window users can create multiple video and audio tracks at any track position
+ L5 O/ s$ r  B' \+ nAn indicator in the scroll bar now automatically marks your playhead's position when you scroll away from the playhead in the Timeline
Command Option Up or Down arrow will now move the video destination control up or down tracks
Command Shift Up or Down arrow will now move the audio destination control up or down tracks
The middle mouse button can now be used for horizontal and vertical timeline scrolling
Improved Opacity keyframe and speed change compatibility with imported Premiere Pro XMLs
! O: @6 S0 Y) C) w- U" NYou can now access Clip Attributes from the Timeline

4 b5 {$ n/ H' ]  J* a3 `  PAudio
Key new features
The source viewer now includes an option for audio waveform overlay for full clip or zoomed range
9 P( L1 B! A$ J8 WAudio waveform display is consistently detailed for the same zoom level irrespective of the length of the clip
30x, 40x and 50x zoom levels have been added in the source viewer to view audio waveforms
3 o8 o0 t8 P: M) |Keyframe shortcuts can be used for +/- 1 and +/- 3dB audio gain for the selected audio clip

1 b6 t7 m' |% Z% x# F& dGeneral
Audio meters on the Edit Page display additional Peak indicators while in VU ballistics mode
Enhanced drawing of audio waveforms for improved peak visibility
Audio Tracks on the Edit timeline can be set taller for a better view of audio waveforms
9 ^5 j& O# A" y* ~, LAudio track names are now shown in the audio mixer channel strips
# w5 ^4 \: N/ NDouble click on track name in the audio mixer now toggles between track name and track index
Audio track name display in mixer can also be toggled from the View menu
Improved waveform based audio sync in Media Pool
8 e4 G/ t  ^7 |; ~2 P! uAAF import now includes the audio transition cross fade effect
Improved audio import and export via AAF with new support for mono, stereo, and 5.1 audio clips and tracks and support for mono audio within stereo tracks
! R: L- L) a7 y$ nA new Preferences Audio Plugin Manager lets the user view, enable and disable audio plugins
- K# t( N6 B# G# VImproved performance with Quicktime clips with a large number of audio tracks

Color
Key new features
Dramatically improved Spatial Noise Reduction - DaVinci Resolve Studio only
Temporal NR now includes up to 5 support frames - DaVinci Resolve Studio only
1 h5 V: s; F7 Y/ u+ MAdded support for DaVinci Color Transform Language, .dctl for user defined color transforms - DaVinci Resolve Studio only
0 a# f, l: n. U' _- T! hImproved UI image updates when performing grades using a mouse or pen and tablet
Primary palettes now include Temperature and Tint sliders
Power Windows and ResolveFX can now be tracked with a Point tracker
Redesigned and improved Log grading controls with a Project Setting option to switch between legacy and new behavior
New project setting option is available to switch between a linear or an S-curve contrast
( M# X. F8 N0 C" WLasso multiple PCW control points to move, zoom, rotate and delete
5 O: y. G0 b# f6 a" @Redesigned gallery stills which now support applying grades with source timecode or edit start keyframe alignment
. w( ~9 r8 f: x9 }  |( |Keyframe timelines are now always grabbed with Stills
* n# Q5 s; B) x7 {- PA new Project Settings Color Management option now allows selection of Trilinear or Tetrahedral interpolation for 3D LUTs

HDR Grading Tools
( i) u7 w$ t* g% a+ rExtended HDR grading controls when HDR mode is enabled in a node - DaVinci Resolve Studio only
0 x  [$ {: D1 nWith DaVinci Resolve, the DeckLink 4K Extreme 12G and Ultrastudio 4K Extreme now support HDMI 2.0 HDR metadata - DaVinci Resolve Studio only
Support for HDR waveforms and scopes in Resolve - DaVinci Resolve Studio only
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$ V+ S! ]0 G! g( Z- M$ m/ s  VResolveFX
OpenFX section now includes ResolveFX which is a new framework for GPU and CPU accelerated effects including:
ResolveFX Film Grain - GPU accelerated - DaVinci Resolve Studio only
& ~# O0 I0 O, ^& a9 BResolveFX Lens Flare - DaVinci Resolve Studio only
- p6 ]5 T+ e, N3 f( fResolveFX Lens Blur - GPU accelerated - DaVinci Resolve Studio only
2 U) |9 B9 E" L8 P/ EResolveFX Light Rays - GPU accelerated
6 e5 \( G4 u- c# d9 s' j6 i2 mResolveFX Glow - GPU accelerated
* O4 F0 R. b6 @. S% @5 y8 xResolveFX Emboss
ResolveFX Dent
7 J, D+ b* u) y# N8 z4 Q6 S2 qResolveFX Vortex
ResolveFX Mirrors
ResolveFX Waviness
ResolveFX Ripples
ResolveFX JPEG Damage - GPU accelerated
ResolveFX Color Space and Gamma Transforms - GPU accelerated
ResolveFX Box Blur - GPU accelerated
7 I9 G% E% ?& {! W3 nResolveFX Directional Blur - GPU accelerated
ResolveFX Gaussian Blur - GPU accelerated
  n, ]% L' x/ G+ Q( D  H9 d$ HResolveFX Mosaic Blur - GPU accelerated
0 D; m( o5 |# [5 Z# SResolveFX Prism Blur - GPU accelerated
0 C8 o! C' R, l; Z4 y$ zResolveFX Radial Blur - GPU accelerated
ResolveFX Zoom Blur - GPU accelerated
; `" B: Z& J3 C% x1 ^8 p# PResolveFX Scanlines - GPU accelerated
ResolveFX EdgeDetect - GPU accelerated
9 s1 W& W) h2 `; }! z+ X
5 D& T" {  `2 }; [  b7 zNodes
$ _3 I6 ?2 X8 K1 v0 n! H6 NThe node editor header now includes easy navigation selection dots for Pre-Clip Group, Clip, Post Clip Group and Timeline
$ ^* F1 [6 H" Y! N, S1 N  l2 ONew Option-Shift-; and Option-Shift-' commands in the Node menu navigate to previous or next node
6 m6 \3 b3 H1 j% k1 w% J0 |% B* pPointer and Hand tool for node selection and panning around node graph is selectable with keyboard shortcut H
Added ability to select multiple nodes with a lasso
Multiple selected nodes can now be moved together with mouse selection and dragging
Multiple selected nodes can now be deleted together using the delete operation
Command dragging a still from the Gallery onto a node graph node or link will apply its grade as a compound node
Added visual cues for replacing one link with another and the old link that will be deleted is highlighted
  \2 Q4 I5 x( w! DDragging a node connection line to and input with a connection now automatically overwrites the previous connection
" Z. q) K" ?+ c$ r: q( @8 r# jCommand-dragging one node on top of another swap the contents of the two nodes
! X9 O& `/ ?# T! m9 j: i( GOption-dragging one node onto another will copy one node’s contents to overwrite the other
( ?2 m- `8 s. ~( MThe keyboard shortcut E will extract the current node from the tree
' I) s) M# W2 F9 SNew serial nodes can be created with a contextual menu option on non-active nodes
Node contextual menu includes options to add a Serial Node and a Serial Before current node
Reset individual nodes via an option in each node's contextual menu
( ~. s+ {9 s, nEmbedded alphas in mattes can now be accessed for grading or compositing
# o  S1 U6 }/ r% s2 z  iMulti layer EXR layer names are now displayed in the matte node context menu
EXR layers with only alpha channels are now available in matte nodes
Ability to choose between alpha and luminance for matte nodes
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Split Screen
+ w" ^# X: R) f3 l. S: zSplit screen view of selected clips now allows single-click, on the viewer, to switch the current clip
* P( ]' t% `$ ?Split screen view of Versions now allows double-click, on the viewer, to switch the active version
Split screen of Gallery Stills now allows double-click, on the viewer, to apply the gallery grade
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RCM and ACES
RCM now includes a checkbox and dropdown menu to separate gamut and gamma options
6 t: ]' H( V: P) n9 ?2 _: b, N1 O: K% lResolve Color Management now includes an option to select separate Input Gamma option to clip right click menus on the color and media pages.
Added RED camera curves and color spaces to RCM for non RAW input data
Added Rec.2020 Gamma 2.4 to RCM
Added ACES sRGB (D60 Sim.) The IDT and ODT are in D65 with corrected color temp to D60
* B- q/ t& W7 JAdded ACES sRGB IDT and ODT with D65 white point
% k) C8 q8 x5 JAdded ACES RED IDTs for red curves and color spaces to ACES to support RED workflows using non RED RAW files
+ t$ v2 ^& d4 u5 D8 e% XAdvanced Control Panel Updates
2 [0 X/ d5 l" X+ K, _Knob positions for custom curves and YSFX have been remapped to allow two additional custom curve anchor points for adjustment
5 [$ {* {- v  o$ c) PShift Down + Play Still will now display the node graph of the wiped reference still or timeline clip
Shift Up + Play Still will now apply the grade from the wiped reference still or timeline clip
In addition to using the Conform button for Lightbox, Shift Up + Conform now toggles Lightbox full screen on and off when using a dual screen setup
The Advanced Control panel now includes controls for the Sat-Sat curve

( h  Z# A0 e  t+ {. B# x' AGeneral
5 g! N: Z' G( H: J/ Q8 XAbility to apply ARRI Look (CDL and 3D LUT) to current node - DaVinci Resolve Studio only
( B! g) b) R& \0 w" }6 U/ B% UOpenFX plugin UI has now access to all the frames of the clip for performing advanced operations like tracking, noise profiling etc. - DaVinci Resolve Studio only
Support for more variety of Compositing Modes: Color Dodge, Color Burn, Exclusion, Hue, Saturation, Color and Luminosity
; r% k) x* T2 Z  C, C1 d# t- F* Q1 sSupport for V3 Camera Color Science for 4K and 4.6K BMD camera sensors
, V4 q6 p: ~  L, q$ ^. zDefault anchor points for Custom Curves are now at 0, 20, 40, 60, 80 and 100%
The number of Custom curve UI control points have been doubled
9 s' p) @& \* w* J: Y# xColor page keyframes and tracking can now be applied and pasted to single frame still media
Smart Filter criteria added for filtering based on Media Pool metadata clip details for Dropframe clips
Markers with duration are displayed in the mini timeline
# n$ ^' N. o2 JInvisible mouse on color wheels and grading bars for better experience
Ability to quickly toggle to full screen lightbox in dual screen mode
1 K1 ]" z( L* O" Q; R# AAbility to see and access organized 3D LUT list in the project settings
6 j" }; _8 @  [" U* x* G5 O* J- ]LUT folder hierarchy is now accurately reflected in the context menus
! j* ?+ W2 e7 X2 W. v1 I/ {. }Add support for Aspect Ratio slider in Linear Power Window (LPW)
6 x9 D! t. u/ U9 L9 i4 u/ w! }; TAdded Reference Sizing controls in the Sizing widget
Xrite Colorchecker Video chart is now supported in the Color Match palette
Xrite Colorchecker Passport Video is now supported in the Color Match palette
. b  ?' D; N+ E: O: tTags are supported for burn-in texts
/ x  \! r! D7 e2 R$ JOption to show display name below color page thumbnails
- c' J2 e7 K) NApplying grades from other timeline clips now follows the gallery option for keyframe alignment
The Timeline menu now includes a reset for output blanking
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0 c* y: G4 `( ^" \Media
/ n6 M) z1 s  b- l8 z3 r. b! j& VKey new features
/ u) C1 z7 z4 Z# b7 f5 e  V5 K' \: u1 MInterlaced media can now be de-interlaced with optional normal and for some clips a high setting - DaVinci Resolve Studio only
The Cinema viewer is now available for the media page viewer
  T( P4 v, y/ r; b* e3 E: O/ H1 NMedia Pool Power Bins and their contents can be shared across all projects
Clip metadata for selected or all Media Pool clips can now be imported with selection rules or exported using .csv format
. I; B, X: _+ N( R1 M( {1 nThe Media Pool Clip Attributes dialog now includes a Field Dominance setting for interlaced media
Ability to save, load and delete custom column layouts for the list view of Media Storage and Media Pool
: n, C" U" m$ ~& w  g" FAdded list view columns for Shot, Scene, Take, Angle and Good Take to Media Storage
- A8 Y3 y0 B) U- T, S1 J3 ^0 H' USupport for thumbnail sorting in Media Storage
. P1 a6 ^- t  IClip bit depth now has its own Media Storage column
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Media Pool
Mark In and Mark Out columns are now available in list view.
Users can now Set and Clear Poster frames for clips in the Media Pool
Media Pool bins now have a custom user sort mode
- [7 t3 p; c2 D2 ?( YMedia Pool Thumbnail view is sortable by Name, Date Modified and Date Created in ascending or descending order
Media Pool bins are sortable by Name, Date Modified and Date Created in ascending or descending order
0 ~) b& h1 J( EMedia Pool bins now save date created and date modified metadata
Media Pool bins and list views now support drag-and-drops from Media Storage, Media Pool and Finder
Within the Media Pool bins list you can relink clips for selected bins using a new context menu
$ b& V# `: q3 E- N1 y# C: m( S; ZAbility to select Clip Color in Media Pool context menu
Ability to display a new column 'Clip Color' in Media Pool list view
! V1 J4 G0 w/ g0 k8 x- hSmart Bins and Power Bins splitter position is now remembered per user
- S& x0 J( T6 d2 KSmart Bins and Power Bins in the Media Pool can be hidden

1 z* W  q! f* ^) kSort support for Smart Bins
When Media Pool metadata fields for multiple clips are modified the field checkbox is Auto selected
Metadata keywords are now stored as text bubbles which are saved in a user dictionary
Keyword bubbles can now easily be appended to multiple clips
4 k/ x* s7 f9 r# P% U; ^Media Pool now includes a deep level search for relinking clips
Title Thumbnails now include text in the thumbnail view
, |% B0 u* @' j0 G, i
! Y$ l3 J* h6 N9 l# KDisplay Names
" b: g: ~/ {" h7 F9 X  ~Display Names can now be used ubiquitously with new “View” menu setting
% g- ~! M) H& gTo edit the derived Display Name field in the Media Pool users can now Option-click in the field
Timeline, Compound Clip and Multicam clip can now have their display name uniquely edited
4 u( Y! B0 P1 }  q5 dTags are supported for metadata fields in Display Name

General
- R3 ?3 R+ T5 a$ a2 rVideo field order of MXF clips is now automatically interpreted on clip import and stored in the Video panel of Clip Attributes
5 [4 c+ G7 O0 ]3 V$ E
5 W7 `- F2 M2 f/ ?0 V$ A6 ?5 X" @Deliver
Key new features
4 [( `. K7 X/ J2 b# B; h+ rThe Cinema viewer is now available for the deliver page viewer
& z! N, x6 g: l, D' rAudio only rendering is available in MXF, QuickTime and WAV formats
Audio can now be rendered in a single track or one track per channel
+ K% ^! o. N& ]3 \+ [# qExport for RGBA in ProRes 4444, 4444QX, Uncompressed BRGA 8-bit, Uncompressed ARGB 8-bit and DPX RGBA 8 bits
Added selection for 3:2 rendering of 23.976 and 24fps to 29.79fps and 30fps
) y  n+ E/ b" u! v0 B7 |* D
General
Using a terminal -rr command a GUI-less Resolve system can made ready for remote rendering - DaVinci Resolve Studio only
6 B6 ^: W/ @/ IStereoscopic 3D monitoring and rendering now includes top-bottom option - DaVinci Resolve Studio only
QuickTime ProRes remote render jobs to supported platforms can now be created from Windows systems - DaVinci Resolve Studio only
7 H' F7 i+ H1 F& _New Round Trip options on deliver page for Final Cut Pro 7 and Adobe Premiere Pro
! {4 @! c% E$ m8 TAdded support for render queue job renaming and job details
/ e0 h1 n( w- kEXR DWAA and DWAB formats now include user adjustable compression
QuickTime decode and encode now honors the clip pixel aspect ratio
1 v3 t! u* o: y/ |9 D9 sThe render progress is now also displayed on the Mac Dock and Windows Taskbar
Added completed render job context menu item for revealing in Media Storage and Finder
Tags are support for render setting file paths and burn-in texts
1 ~& t' }# x* G' [! D
Format Support
Added support for ARRIRAW MXF
1 v0 f# [& X+ y8 xAdded EXIF parsing to get metadata from JPEG files
MXF encoder updated to improve Sony XDCAM compatibility
Added support for Codex Action Cam RAW files
Support for audio from Sony Alpha 7S clips on Windows
1 ]5 ]" n4 {+ I6 ?0 |7 o& }Added support for decoding and encoding the VP9 codec in a QuickTime container on Mac
2 D  p$ t) d# m# q8 t& L! {
8 z/ {0 t9 O: i. ?: x# WGeneral Items
Spanish interface support
; G# {4 }& `, wFaster incremental save for PostgreSQL database
/ @9 M' p; h8 UPostgreSQL database projects now support a 1 minute autosave interval
/ M( e/ O! v& y. Z3 DUI indicators for fast autosave and color indicator for time since last save
Support for ProRes 4444 XQ decode on Windows OS
, K* v* H) _" \$ @' f3 \Includes support for extended range for 16-bit RGB cache formats
7 X9 N3 ?, |* h4 c; L2 z7 ~- FProject Management archive and restore operations now support render cache and optimized media
# F; \  d# V! x, P2 BAbility to save, recall and delete custom column layouts for the list view the Project Manager
Project Manager now offers a Project Export and Project Export with LUT and Stills option
" g1 ?. q# E$ Y+ G& y. n5 fProject Manager contextual menu now includes a Revert to Last Save project load option
The UI layout for 21:9 wide screens is improved
Within the Project settings users can add a frame delay in updating the UI viewer to account for delays in SDI output
Improved performance for resizing UI palettes
7 v) L  ?9 b& eOption Help menu creates a Diagnostics status log for the system
OpenFX plugins now only initialized network licenses when needed
Ability to release the Capture and Playback card when Resolve is not running in the foreground

What's new in DaVinci Resolve 12.5.1
: ^* N, s2 v  a2 @) tEdit Improvements
  e0 p+ t1 W, ]( W8 |  BImproved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
- T+ B2 _% \9 C8 U) H# ^Added ability to import and export duration markers using EDL
Added the ability for clips to snap to their own markers when adjusting In and Out points
Improved consistency of edit functions when Timeline is in full screen mode
7 L$ Y$ M2 u+ v# ^$ ?. q" H# vAdded support for box wipe mode for offline reference wipe
Added ability to extract AAF import log information as timeline markers
8 s% u) x* m- I2 [: b/ T
% b1 E3 V: T# f2 Y! hColor Improvements
/ z. F! v2 c: P, Z) e6 kImproved performance for Spatial Noise reduction in Better mode
Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
# v0 {8 P. }6 S$ n/ Z8 U* |/ d" ?Added ability to apply grades from a reference wipe using the viewer context menu
8 Z; i5 P9 x9 [3 j* IAdded ability to align keyframe timelines of color grades using playhead position and wiped still frame
3 v+ x  V- u' D; S: aNext node and previous node operations now loop around the node graph
  z8 Q( i6 Y. P7 oThe ‘displayed’ node graph now automatically updates when the current still is changed
Swapping nodes now also swaps the node labels
Rippling grades now also copies node labels, Power Window labels and node cache settings
" t; Z: L% M  c, w2 l3 O  _3 [Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
Added support for left eye and right eye grades for the timeline node graph (Studio version)
& C* I- N# K, LAdded ability to convert a mono timeline into stereoscopic 3D (Studio version)
9 t# U& b' q' D3 {6 }5 ^Added ability to convert a mono clip into stereoscopic 3D (Studio version)
4 W" Q. t0 E7 P$ S& ?7 oAdded support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
  k5 ~) A' l7 [8 k9 I$ A: OAdded compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
7 a; |. G* [- b4 nAdded support copying DolbyVision grades using stills and middle click (Studio version)
Improved 3D and Qualifier panel layout in dual screen mode
) s% E0 A3 @, j. m" P/ }Improved behavior to stay on the same frame when joining two clips
: t0 d3 J0 E6 L8 lResolve FX Improvements
Added ResolveFX Generate Color (GPU accelerated)
Added ResolveFX Tilt-shift Blur
0 W% k- y; V1 }5 `" @8 TAdded support for anamorphism in ResolveFX Lens Blur (Studio version)
3 l: r$ N( _- I6 IGPU acceleration support for ResolveFX Lens Flare (Studio version)
Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
- {: e+ F. e. n) k7 oImproved ResolveFX Scanlines and added various composite modes
! T% ^  I+ B. B' ^; qAbility to view the ResolveFX Scanline layer without the background
+ Z2 n0 j' `; b! J9 {8 qImproved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
Added support for horizontal/vertical ratio in ResolveFX Glow
- ?1 r8 f1 G* X- @Added support for pan and tilt on ResolveFX Prism Blur
Improved performance for ResolveFX Light Rays
Improved performance for ResolveFX JPEG Damage

Media Improvements
, J/ X: r( y) D5 M- q; nAdded new Import Media options to File menu and Media Pool context menu
Added support for stereoscopic 3D clips in Media Management (Studio version)
Added support for display drive names in Media Storage on Windows
& o+ w' e% G" R( b# w5 WAddressed issues with open file location from Media Pool on Linux
Added Source Name tag support for filename without extension
Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips
Codec & Format Improvements
+ w' Z& s; e  o* n+ xAdded support for ProRes decode on Windows
Improved QuickTime decode and encode performance on Windows
( s1 k% w. h2 G! g- ]Support for UHD H.264 renders on Windows
Improved QuickTime decode and encode performance on Linux
" R" C% C; g# N( K4 B! j: lAdded support for HEVC (H.265) decode on Linux
, x. B9 z# t, [9 Q) Y& x+ ?7 B: {Added support for alpha channel in DNxHR 444
0 y1 a' U' G2 G5 sAdded support for the Sony X-OCN format
& D8 G  Q% r# F9 m9 u- e6 f" oAdded support for various AAC encode parameters on macOS
Added support for QuickTime AAC audio encoding on Windows
Added support for encoding QuickTime Photo JPEG files
Added support for decoding AVCHD files from the Sony NEX-FS700 camera
Added support for V-Gamut in RCM for improved Panasonic camera image handling
Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
Addressed decoding of last frame in some Panasonic AVCHD clips
Improved handling of AVCHD .MTS clips
' \( I4 E; C- ^3 r  a3 F" ?Added support for RED SDK v6.2.1
( e3 c3 A% t1 v9 c, g$ Q- ^
  P5 R/ ^& F( q" l: xGeneral Improvements
Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
1 F9 D$ M3 O4 x) aWhen running DaVinci Resolve in window mode, the macOS dock is now visible
. H+ z6 U3 ?; h, }% f4 x4 fImproved latency for remote grading (Studio version)
Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
- |2 H2 u9 \0 Q6 t$ I8 KImproved behavior when creating render jobs on locations without write permissions
4 ~% m, |$ B5 ]  m/ {& nGeneral performance and stability improvements

: n6 K- P# Z4 F/ QWhat's new in DaVinci Resolve 12.5.2
9 e% z' P0 c6 v3 s/ k6 KAdded support for new URSA mini camera metadata in RAW files.
; S, [5 j; D$ o; A: sAdded support for Color Space tags on QuickTime export.
Added support for Fusion Connecton Linux.
Added ability to filter timeline on Color Page based on clips that have OFX applied.
3 b/ P9 M' i. N9 Y# iAdded support for up to 24 audio channels on the Edit and Deliver Page.
$ M4 n) ~# u. \% o9 ^  h6 O/ ]! T% ]) nAdded support for manually enabling and disabling GPUs in Preferences.
Added support for Display Name on ALE export.
Added support for Apply Grade and Append Node Graph in the main menu.
Added the ability to clear tracking data for the current Power Window.
Added support for OpenCL on NVIDIA cards on Microsoft Windows.
Added ability to copy local grades to remote.
  v# d* Z8 D1 @1 Z; L( f' F, K, ?Added additional utility functions in DCTLs.
& D9 @) d2 a, L8 H" a# j. L1 X0 C4 A/ KAdded support for Date Created and Data Modified for timelines when using Smart Bins.
Improved 3D LUT generation to ignore any spatial and temporal corrections like Power Windows and OFX etc.
Improved accuracy for color conversion when outputting with ST.2084 gamma.
Improved accuracy of rendering Rec.2020 to ProRes/DNxHR.
& @. y1 s/ _8 ?+ ]8 A* OImproved highlight control in ACES and HDR workflows.
Improved performance of ResolveFX Scanlines.
0 g- w6 r5 F8 g0 jImproved reliability when loading projects with audio plugins.
# @% x0 x1 o9 Q& G# cImproved deliver preset switching to preserve the render location.
+ ?4 `" Z1 s/ f1 g; Z& b) eOpacity is now retained when converting a circular window to a Power Curve.
Addressed an issue with the 3D keyer on OS X 10.11.6.
$ ^9 [. _+ u! DAddressed an issue with Resolve displaying GPU Memory Full messages on AMD card on Microsoft Windows.
6 B7 @5 g( O( v% L% AAddressed an issue incorrect UI indication for ProRes render cache, optimised media and remote rendering on Microsoft Windows.
Addressed an issue where importing a project into Resolve could cause a crash if there were unsaved render jobs.
Addressed an issue with applying stills and memories on a stero timeline.
Addressed an issue with decoing some MXF XDCAM MPEG2 clips.
$ L* K% T- K" c; o; F9 E- S- _2 A9 t0 pAddressed an issue with Favourite transitions not being remembered.
Addressed an issue where printer lights keyboard shortcut did not work on Linux.
+ G. `' o  h; M! Y: @( K: hAddressed a file permissions issue when rendering EXR files.
General performance and stability improvements.

What's new in DaVinci Resolve 12.5.3
* U. y3 i+ J* mAdded support for Final Cut Pro X XML Version 1.6
Added support for PostgreSQL 9.5.2 on macOS
  S; x& N3 `" b* cAdded support for ACEScct color science
Updated ACES support from ACES 1.0.0 to ACES 1.0.2
4 Z& J5 {+ K9 B6 |; W% I1 Z/ IImproved performance when encoding to MXF XAVC
" H8 Y2 O2 M) AImproved importing of Flip and Flop from AAFs from Media Composer
Improved importing of Dip to Color dissolves from AAFs from Media Composer
Improved Dolby Vision XML export
Addressed an issue with FCPXML transforms for Multicam not getting imported correctly
9 Q- T* D" ~  ^/ k( w/ Q4 SAddressed an issue where all tracks in the keyframe group get highlighted when switching between them
  t! D: ^' v- v, GAddressed an issue with reading Drop Frame timecode from some Sony camera files
Addressed an issue with jagged edges when decoding YUV 422 clips
# A$ a2 f9 f4 B- F8 V7 c  g# |6 b" BAddressed an issue where project level Data Burn Ins do not get saved
5 Z1 i3 E2 `1 P& o; H9 FAddressed an issue where sync audio based on timecode would lead to incorrect results
Addressed an issue where the Lift, Gamma and Gain control on the Resolve interface do not maintain Color Balance
Addressed an issue that could cause a machine freeze
Addressed instability when undoing 'Decompose in place'
General performance and stability improvements
/ _& a( M7 ?  @8 q( S  v7 U1 ~
What's New in Version 12.5.4
•Added support for the Touch Bar on the new MacBook Pro
•Improved EXR decode and playback performance
•Added support for Grass Valley HQ and HQX codecs
•Added support for decoding MXF ProRes files
9 w1 X/ @! r' p! T7 A" H  q•Added support for preserving super-white and sub-black data in ProRes 4444 codecs
# I$ f6 e- B8 n" ?- I7 K•Improved grading and playback performance when working with large node graphs
/ @, E! h5 w8 B' C. L•Improved support for CR2 files from Canon 5D Mark IV
) D* d1 A! Q0 l•Added support for Rec. 2100 in RCM
•Added support for sliders to control Dolby Vision analysis data
•Added support for image orientation flag in DPX files
•Added P3-D65 IDTs and ODTs in ACES
•Added Rec.2020 ST.2084 1000 nits ODT clamped to P3 in ACES
•Increased maximum bitrate for JPEG2000 renders
' c8 w; P: r  F. _' B0 p•Addressed an issue where only one eye was updated while wiping stills in Stereoscopic 3D
•Addressed an issue with artifacts when decoding some Cineform footage
•Addressed an issue with decoding some MP4 files
8 a( y6 k1 b& ~) n- J. l•Addressed an issue with audio and video going out of sync on some phone camera footage
* J7 Q; O) h% |" a2 j•Addressed an issue with exporting fades to and from black to Dolby Vision XML
% Y  D3 m' |. D9 L" u) x•Addressed a crash with editing Camera Raw settings in the Media Pool
•Addressed an issue with "Preserve source directory" in the Deliver Page
/ \: ^: I2 E" N. l•Addressed an issue with Audio Meters in dual screen mode
) R9 X& T; M9 |/ i1 K. l•Addressed an issue where data burn-ins are sometimes not seen on the Edit Page
•Addressed an issue with rendering one channel per track on Linux
•Addressed an issue with highlights in Lum Vs. Sat when adjusting shadows
4 u# y; F% L  C7 E•Addressed an issue with decoding Canon XF AVC Intra 12-bit files
" l6 j7 {8 d! u0 t1 Y3 ]% ?; w2 [•General performance and stability improvements

1 u& m. q( O( Q* oMinimum system requirements for Mac
7 K% }7 F3 ?! J( U5 p) @  D1 _Mac OS X 10.10.5 Yosemite
5 V& |& s3 K: Y3 ?0 e3 R16 GB of system memory is recommended and 8 GB is the minimum supported
Blackmagic Design Desktop Video version 10.4.1 or later
CUDA Driver version 7.5.25
NVIDIA Driver version – As required by your GPU
/ k8 L3 M9 E6 L  TRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
( I4 V6 ]* C" A7 F( _2 }
1 `  j! ?$ F' \( u9 w' E+ nMinimum system requirements for Windows
, n; |. A8 K2 M; g/ u' _2 ?Windows 8.1 Pro 64 bit
16 GB of system memory is recommended and 8 GB is the minimum supported
Blackmagic Design Desktop Video version 10.4.1 or later
NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
& Z9 _* f, o- g6 xRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
' G. [( i+ x8 T9 z! x
Minimum system requirements for Linux
CentOS 6.4
32 GB of system memory is recommended and 16 GB is the minimum supported
; j2 Y: ^2 B+ T* `( S' OBlackmagic Design Desktop Video version 10.4.1 or later
NVIDIA/AMD Driver version – As required by your GPU
RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
1 u  K6 e( V8 ?& ^$ O& mRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later


( x* @& w! R9 z5 l" a  B' H
Download:
DaVinci_Resolve_12.5b1_Mac.zip
DaVinci_Resolve_12.5b1_Windows.zip
" H' J% T! S) N% b& y4 lDaVinci_Resolve_Studio_12.5b1_Linux.zip
- p( F: r9 h% r/ ?$ C0 n8 kDaVinci_Resolve_Studio_12.5b1_Mac.zip
DaVinci_Resolve_Studio_12.5b1_Windows.zip
DaVinci_Resolve_12.5b2_Mac.zip
( X3 B% {% T0 Q4 L9 x' UDaVinci_Resolve_12.5b2_Windows.zip
) S% U9 H, n6 m. D+ ^) J0 Z  yDaVinci_Resolve_Studio_12.5b2_Linux.zip
( ?" P6 E/ _5 V5 qDaVinci_Resolve_Studio_12.5b2_Mac.zip
) G+ @3 ~0 s, }0 h! u" @* dDaVinci_Resolve_Studio_12.5b2_Windows.zip
DaVinci_Resolve_12.5b3_Mac.zip
- x3 B; d3 U: v1 N4 v# qDaVinci_Resolve_12.5b3_Windows.zip
DaVinci_Resolve_Studio_12.5b3_Linux.zip
2 z% t- W* {( w/ a, e7 Y5 M; rDaVinci_Resolve_Studio_12.5b3_Mac.zip
DaVinci_Resolve_Studio_12.5b3_Windows.zip
" @9 E. X! j0 K0 x: D0 p5 [6 EDaVinci_Resolve_12.5_Mac.zip
DaVinci_Resolve_12.5_Windows.zip
; G/ N9 _9 F2 M0 P1 H! vDaVinci_Resolve_Studio_12.5_Linux.zip
DaVinci_Resolve_Studio_12.5_Mac.zip
# Y- I) l* _: Z+ G6 }# l; W( ADaVinci_Resolve_Studio_12.5_Windows.zip
" A' C. o; I  J( hDaVinci_Resolve_12.5.1_Mac.zip
DaVinci_Resolve_12.5.1_Windows.zip
DaVinci_Resolve_Studio_12.5.1_Linux.zip
. }- N1 {( @* s- D7 R/ D6 kDaVinci_Resolve_Studio_12.5.1_Mac.zip
/ M3 u! \+ d) xDaVinci_Resolve_Studio_12.5.1_Windows.zip
* C' W5 `' B: D( z: wDaVinci_Resolve_12.5.2_Mac.zip
/ f+ d0 r0 q$ f* w/ f  W) JDaVinci_Resolve_12.5.2_Windows.zip
DaVinci_Resolve_Studio_12.5.2_Linux.zip
: h) q1 E0 v# K7 o$ Y, BDaVinci_Resolve_Studio_12.5.2_Mac.zip
; A( p. u9 w5 ]4 a) C0 X  i" tDaVinci_Resolve_Studio_12.5.2_Windows.zip
DaVinci_Resolve_12.5.3_Mac.zip
DaVinci_Resolve_12.5.3_Windows.zip
DaVinci_Resolve_Studio_12.5.3_Linux.zip
- i9 l! p. c& @1 O$ c* JDaVinci_Resolve_Studio_12.5.3_Mac.zip
DaVinci_Resolve_Studio_12.5.3_Windows.zip
DaVinci_Resolve_12.5.4_Mac.zip
4 t+ I4 }% E0 y; M4 L' SDaVinci_Resolve_12.5.4_Windows.zip
1 F, m7 m5 \5 l  M) J4 @6 f8 [& r! bDaVinci_Resolve_Studio_12.5.4_Linux.zip
2 E4 @2 G/ \7 y1 T9 f' t$ J$ ^- [/ \DaVinci_Resolve_Studio_12.5.4_Mac.zip
DaVinci_Resolve_Studio_12.5.4_Windows.zip
! l) s/ ?, y' fDaVinci_Resolve_12.5.5_Linux.zip
DaVinci_Resolve_12.5.5_Mac.zip
DaVinci_Resolve_12.5.5_Windows.zip
DaVinci_Resolve_Studio_12.5.5_Linux.zip
# B/ C+ j6 Y' t, {: v# k# GDaVinci_Resolve_Studio_12.5.5_Mac.zip
DaVinci_Resolve_Studio_12.5.5_Windows.zip
0 F6 ?- l6 I; ^4 }9 e* C5 SDaVinci_Resolve_12.5.6_Linux.zip
% \" g3 t& `! aDaVinci_Resolve_12.5.6_Mac.zip
6 j) x0 a" C2 sDaVinci_Resolve_12.5.6_Windows.zip
DaVinci_Resolve_Studio_12.5.6_Linux.zip
DaVinci_Resolve_Studio_12.5.6_Mac.zip
9 d( U3 |% z% D6 Q0 ZDaVinci_Resolve_Studio_12.5.6_Windows.zip
' X$ C( @; e* j' t$ r
' D- ]; j9 g" e* w: t1 U4 o$ b. RBlackMagic Design DaVinci Resolve 12.5.6 CE
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4 u1 I! p4 I  N* x4 `DaVinci Resolve Studio v12.5.0 MAS + easyDCP.dmg
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+ F) @: n! X$ f* B; IDaVinci Resolve Studio v12.5.1 MAS + easyDCP.dmg
0 |9 K% {5 |2 a; V- |9 V  P. ADaVinci Resolve Studio v12.5.2 MAS + easyDCP.dmg
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DaVinci Resolve Studio v12.5.0 MAS + easyDCP.dmg
3 Y/ V5 J8 L' W. q$ J0 {DaVinci Resolve Studio v12.5.0 MAS CR2 +easyDCP.dmg
2 v* [/ D* X7 o! L: U, K9 fDaVinci Resolve Studio v12.5.1 MAS + easyDCP.dmg
" [5 @7 W" X" cDaVinci Resolve Studio v12.5.2 MAS + easyDCP.dmg
2 u5 m, y" |( Q& }3 FDaVinci Resolve Studio v12.5.3 MAS + easyDCP.dmg
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