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FXhome HitFilm 3 Pro/Express v3.1.5213.10801

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发表于 2014-11-25 20:26:49 | 显示全部楼层 |阅读模式
Release Name: FXhome HitFilm 3 Pro/Express v3.1.5213.108013 g) A8 @6 Q, o5 s% E
Program Type: Video Editing, Compositing0 K, h' F# ~. v3 \
Release Date: April 14, 2016
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Homepage: http://hitfilm.com/pro/whats-new/ G7 _, G. c- R6 d2 Z" R
Release Date: 20.02.20157 @: J( P! L- Z5 X- q, p; b$ t
Interface Language: English
: W5 S. d9 W* H) I2 J6 }" q  cPlatform: Windows 7、8、8.1
1 p* r7 H1 U7 u7 Q, M0 P1 S0 S5 aFile Size: / k' ]5 b* \8 @  ~) y7 e% X
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HitFilm 3 Pro is a post-production revolution, combining high quality editing tools, 3D compositing, 3D object rendering, an industry leading particle simulator and an expansive toolkit for advanced colour correction and grading, all in a single product. Over 180 fully customizable visual effects are included plus 130 plugins for use in Sony Vegas, After Effects, Premiere Pro, Final Cut Pro X and Motion.
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8 f% ]) l: m( j# c; DFrom films to documentaries, commercials to music videos, HitFilm 3 Pro has features for beginners and experts alike, combining depth and complexity with an intuitive simplicity. Modern filmmaking requires you to be an editor, VFX artist and colorist at the same time: HitFilm 3 Pro gives you everything you need.
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8 u, R* z8 t1 E( R4 r' e& `3 FNew in HitFilm 3 Pro is a redesigned editor and interface, 3D textures for particles, auto-tracking masks, OpenFX support, 3D fractal particle shapes, 3D camera projection and professional de-noising. Over 20 new effects include 3D wireframe, heat distortion, auto volumetrics and more. Background proxying for complex VFX and a 16-bit OpenEXR pipeline make HitFilm 3 Pro an exciting choice for rapid, high quality post-production work.
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- z4 x1 P6 W6 n% B  Y4 DThe redesigned editing timeline gives users access to all the tools they need including slip, slice, ripple and roll edits, audio meters, keyframing and a new trimmer for fine control. Filmmakers craft projects in the fast, non-linear editor and can switch between multiple 3D compositing timelines as easily as changing tabs in a web browser.
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8 @4 ~& [8 I8 S/ p! s5 H' dHitFilm 3 Pro includes Academy Award-winning planar tracking from Imagineer Systems, providing mask tracking and 3D camera solving. Sony Vegas users can render HitFilm projects directly on the Vegas timeline. 64-bit architecture and GPU acceleration ensures the best performance across a wide range of hardware.- B* w& N  h% a7 X3 j7 j$ m

/ T4 G: h3 I% Q1 ?8 qFilmmakers can generate thousands of particles with HitFilm 3 Pro, all of which are fully customisable in true 3D, from fleets of spaceships or swarms of creatures through to swirling snow, driving rain or thick dust and debris from an explosion.% l& o# B: Q/ w8 `0 p
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Feature:
+ y' F8 X; @' q- p8 r8 ^  P+ }The best just got better
( ?& c- C5 a7 U8 |9 U9 k+ z/ qHitFilm's built-in particle simulator rivals plugins costing hundreds of dollars. HitFilm 3 Pro's major new features take it to a whole new level.
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Be your own studio1 }# r; W5 ?  F& r; i6 {) C, i; t; k
21st century filmmaking requires you to be an editor, VFX artist and colorist at the same time. HitFilm 3 Pro gives you a head start, merging professional 3D compositing and over 180 effects with its editing tools.
* V7 K+ A2 O3 OSwitching between your edit and visual effects shots is as quick as changing tabs in your web browser. Shoot with your smartphone or on a 4K professional camera. Everything is where you need it, when you need it.
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4 d5 l3 V! X' q/ a1 \8 M- UPerfect shots, every time' b3 d1 B- ?. X9 T2 @; b2 O4 b
We all know that filming doesn't always go to plan. The weather or season changes; different cameras produce entirely different looks; hand-held shots come out looking too unstable. HitFilm 3 Pro fixes all that.
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& Y$ ]6 T8 P) b1 ^" i6 `Repair broken footage
Remove unwanted digital grain from your videos, fix jello-vision caused by rolling shutter cameras, stabilize jittery handheld shots and remove distortion from fisheye lenses.
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Correct your colors
Instantly match footage shot on different cameras, fix white balance issues and adjust for changes in lighting. HitFilm 3 Pro gives you fine control over your visuals, ensuring your footage looks its best.
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! d0 b+ Q* T& jTake it further
/ p2 c) `. V) V* x4 {HitFilm 3 Pro isn't just an editor. It's also a powerful compositor with an arsenal of visual effects which can be used to tweak and alter your original footage. Remove unwanted signs, replace an overcast sky with a beautiful sunset, apply digital make-up to your actors…there are no limits.$ u; u: [3 C; N5 ~
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Footage from Bieffekterna" L6 C5 e! B- \  j2 e2 H2 o
HitFilm 3 Pro's professional color grading kit is packed with over 30 tools designed to make your movies look incredible, from subtle enhancements to dramatic stylistic statements.
, p8 H; h6 M8 ~: ~$ h5 ICine Style & Vibrance Instantly give your videos a cinematic, Hollywood look with automatic s-curve enhancements and palette shifting towards complementary colors. Even soft footage looks great once the Vibrance effect has picked out the details.
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Color wheels & Curves. H3 A& r# e. O+ p- [& Z
Design your own look and style with highly customizable tools including color wheels and curves, providing precise control over color channels, highlights, midtones and shadows.
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/ I7 G3 ~7 n4 `- s# Q1 FPrecise beauty
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You can even grade specific areas of the frame, such as brightening an actor's eyes, using auto-tracking masks. HitFilm 3 Pro's 16-bit color pipeline and OpenEXR support ensures the best possible quality for your projects.
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+ ^$ ?: J  G; x& r+ J9 a. t/ X) KProfessional particle simulation
4 K% i3 y: {! p  a2 \Particles are everywhere. You'll find them in air and in water. They fall as snow and rain and rise as smoke and dust. They blast out from explosions and combine to form galaxies.
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' \0 w5 b* O/ M* X  H- `7 A' K4 }( vBeautiful models
5 S" @3 y' @1 Y4 F  c9 ]: @+ NHitFilm 3 Pro imports OBJ, LWO and 3DS formats, with more to come. Create your own models or download and start animating your scenes, complete with ambient occlusion, environment maps and up to 32x MSAA for fine edge fidelity." c$ Z# o& K5 A" v! ^6 E% M
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Real enough to touch
7 l6 u! k3 O# j5 _3D objects work with HitFilm 3 Pro's cameras, featuring depth of field, motion blur, multiple light types, full self-shadowing and shadow casting onto other layers.
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Unified 3D space9 G* _% y/ U! c, R- @# b8 q4 a0 V
HitFilm 3 Pro operates in true 3D. True 3D means that your layers exist in a unified physical space. Push a 3D object through a genuinely 3D particle cloud. Sit your greenscreen actor inside the cockpit of a 3D helicopter.
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Atomize your 3D models5 q. L1 N# z7 R& h  X( ]1 [
Atomic particles are used to create incredible motion graphics animation. In HitFilm 3 Pro the effect can be applied directly to 3D models, creating an array of particles arranged according to the model's 3D geometry.
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You can still use all of atomic's features, such as audio-driven animation, fractal dispersion and layer maps, progressively exploding your models from one end to the other.& ]- w; e* C1 M: z% I$ R6 T) P* I; v
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Professional greenscreen removal1 \+ N0 P1 m+ z8 I8 i' z
Advanced chroma key, matte cleaning, spill suppression and auto light wrap combine with sophisticated 2D and 3D layering to create greenscreen composites so realistic your audience will never even know.
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! b/ m% o2 I1 y% {8 p/ mCreate and destroy
1 w* t7 s$ X# w: s8 W( h. kThere's nothing predefined in HitFilm 3 Pro. Everything can be adapted to suit your project. It's a toolkit which demands experimentation, whether you're shattering layers into thousands of pieces or fine tuning the raindrops on a pane of glass.
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( j7 P. G% P/ h5 t$ Y+ I& QFire and lightning
0 @! m/ ]0 |2 p  ]Procedurally generated fire and lightning with accurate behavior and appearance can be further enhanced with heat distortion and post-processed lighting effects./ E& _  _8 C, l" I% h
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An infinity of weapons7 N- t$ K0 C2 U: U3 q. B8 `: J" [! g
Your movie has guns. Lots of guns. But your weapons aren't real. That's when you turn to HitFilm 3 Pro for an endless variety of muzzle flashes, from pistols to miniguns. Unlike pre-rendered stock gunfire, these can be rotated in full 3D to work from any angle.# ^* S( |- u( d/ t% t8 o

$ k6 N" F/ l( a4 a9 XMore than just a lens flare
3 C. b/ B3 Z1 zHitFilm 3 Pro includes a kit for designing striking lighting and lens effects which are unique to your projects. Mix and adjust flares, anamorphic streaks, light leaks, sparkling highlights, volumetric 3D light rays and high quality glows to enhance your cinematography.4 X3 ]% n* N" c4 U' B% I

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Retro glitch, F+ O  ]2 `- V" ]
Sometimes you need to destroy something beautiful. HitFilm 3 Pro's grunge effects make your video look like old film stock, or a bad television signal. Break up your playback with jitters and stutters, introduce flicker and grain or even add procedural dirt to your camera lens. Not everything has to be perfect.( K9 R  w# P' Z9 e5 Y
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Motion design & titling7 D' |( Z  v% b) u
Creating your opening titles in HitFilm 3 Pro ensures that you'll hook your audience right from the start. From titling to animated idents and promos, HitFilm 3 Pro's motion graphics tools will get the job done.
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3D camera projection
! l% b- G: A& _; Y2 z5 |Take an ordinary 2D photo and convert it to a projected, photoreal 3D scene complete with camera movement.
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! M' M0 u& ~* x$ m0 L4 ^) ]! I  {Procedural textures/ B' U* @! y% g- v2 N' P8 ]$ B
Blend gradients, fractal patterns and particle effects to generate dynamic textures for your animations. Create 3D extruded shapes and deform them with surface parallax.
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Templates
) a9 d, c/ f8 B0 Z4 E' \, ^* FOnce you've designed your titles and animations you can store them as templates which you can re-use or share. Swapping key assets is as simple as dragging the new clip onto the old clip.1 m9 \/ n0 b7 @- B( G1 v: A  a
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Photoreal virtual shots
+ S3 ~& ^6 g, i# WTake a photo of your set or location, convert it to a projected 3D scene and create an entirely new, photorealistic shot, complete with 3D camera movement.
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Auto-tracked masks1 d; v1 P0 S6 O4 s) I% u6 r
Nobody likes masking, especially if you have to rotoscope every frame. In HitFilm 3 Pro the entire masking system has been reworked to be faster, with mask tracking courtesy of the expanded mocha HitFilm.
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Easy object removal
. s: z, j. X) _9 Z1 }+ vCreate a clean reference frame, project it onto simple 3D geometry and use a 3D camera track to remove objects from moving camera shots. Perfect for switching from real to digital actors or objects mid-shot.4 g* h: d. G- {. |6 S, I
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Total effect enhancement, u) {+ _) L3 Y% ^5 f: N6 o
Thanks to camera projection, effects such as pond ripples and the new rain on glass can now be applied realistically to any surface with accurate displacement.
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The best of mocha
2 \5 `' Y0 W% _5 B+ j$ ~" m, BNeed to track a moving object through your shot? Do it without any keyframing by exporting planar tracking data from mocha HitFilm and applying it directly to a HitFilm mask, saving hours of work.
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0 i9 p: O0 [& A# XProfessional noise reduction
. |/ C4 O8 u3 l6 ~, n1 Q& d' ~Developed from the latest academic research, the new denoise effect cleans up your footage to a professional standard. Providing the same quality results as premium plugins for other software, HitFilm 3 Pro continues our tradition of building essential tools directly into the core toolset.1 E+ w' l+ z9 @- ]

" @6 g% n9 k/ _: }6 e1 I4 O( MTrimmer panel7 {2 n# ^+ S! E& b; W. M" r8 M8 t
The previewer from early versions has expanded into the fully featured Trimmer, which can be moved and resized to suit your workflow. Effortlessly browse through your media, identify the section of a video clip you want to use and add it to your edit.
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Audio meters
8 W1 H1 ~2 S+ b7 nYou can now check your audio levels at a glance in the audio meters panel, making it far simpler to mix multiple audio sources together on your timelines without peaking.8 s2 e, K& @* P) A4 I
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Bigger audio and video previews
: M' x% ^$ @: G0 z: {Editor timeline previews now have separate view options for video thumbnails and audio waveforms. You can also make them even larger for easy viewing.
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4 M' o7 L3 q7 h' @  @Slice with keyboard shortcut
4 F* ~5 g4 N2 h& Z* P9 I* rSometimes you cut with your mouse, sometimes you cut with your keyboard. You asked for it, so we've added a keyboard shortcut for slicing a clip at the current playhead position.
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6 ]1 N! k  [! PLooped playback
4 Y' v+ o+ ^7 Z0 S2 A( q6 O, ]Sometimes it's the small changes that make a big impact. Specify a playback region, hit the loop button and HitFilm will play it on repeat. Ideal for examining a cut in detail or showing a shot to a client or colleague." }( M- \, X* ]; D

$ W/ U8 p5 f+ H# G1 I5 |New waveform types! y9 ]+ k' m, \; v) y3 x! L4 x
Choose between channel list, channel composite and RMS amplitude audio waveforms.
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Boosting 3D model fidelity
( Q) ~# j+ N/ ]* TThere's been an explosion of 3D content from HitFilm users and HitFilm 3 Pro provides even higher fidelity.$ Y% i6 ^% G% a0 b% ]  t! U
Wireframe
# Y% ~* M' {' g/ v: q; YThe next time you need a cool schematic or sci-fi holographic display, use the new grid and mesh wireframe rendering options.
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Shadow bias4 W4 ]/ p& v+ x) g+ @7 B
The new shadow bias property controls the threshold of 3D shadow generation on a model's surface, providing a simple way to maximize the rendering realism.
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Ambient occlusion improvements
) n9 ^* F  S9 G2 }5 {" JHitFilm 3 Pro uses 32-bit ambient occlusion, crafting smoother and more realistic surface shading.
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; c" N) x4 f9 y1 }* f. L  qAA improvements
+ ~+ F& z! V, n" l& _% \$ oIf you have the hardware you can now enjoy up to 32x MSAA for maximum edge quality.
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Platform & workflow
' ]/ z5 ~0 [! D+ sGPU accelerated rendering* h* X7 g4 e0 \" M5 E
64-bit architecture* b) r8 [) x7 u5 S6 f( m
16-bit in-to-out pipeline
& i3 F! @% @7 D9 c% QProject customization up to 4K resolution6 x5 ]3 a9 |% _+ l. g
Customizable keyboard shortcuts
4 P! J4 c) B  L: T% U# I4 lOpenEXR lossless import and export
5 W/ l+ q8 r6 Y1 K. s7 ~Broad format support* c' C/ [& `* d2 T4 f+ {3 H
OpenFX plugin compliant
. a: N  f8 Q2 m+ b- RBackground proxying
  g: d8 ]- b' m* Q& xRAM preview rendering# Y; v7 \, N2 u' |7 K  ~
Over 130 plugins for Premiere Pro & After Effects CS5, CS6 & CC, Final Cut Pro X, Vegas Pro 12 & 13 & Motion and DaVinci Resolve 11
5 V% [; ?2 F3 m& I. }; N/ LIncludes mocha HitFilm from Imagineer Software; K6 m; E3 V: u& C6 l
Render HitFilm projects on Sony Vegas timeline0 m' r& ~) o8 q( D1 j
Undo/redo with multi-step history
$ o) j; k( \! g5 cEasy YouTube upload4 p# M' }' J) K, N$ V
Up to 32x MSAA on supported hardware
) J/ o/ i- R( z& i1 ^" d  EMultiple timelines with easy tab switching
5 I& {; Q) S. w& E/ t2 }( SMultiple workspace layouts
4 o! g8 K9 f% k  r' LComplete workspace customization
: D1 T4 [$ v% A! h& Z* ^Create presets and save timelines as templates
) m2 U6 r7 w6 c% }Activate on 3 separate computers! F1 }. `6 q+ r! F% b- Y0 x- r" A
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Editing
. u& A1 Z! ]$ u  s  o% q! k' W0 mUnlimited video and audio tracks
# z$ M8 L+ y# V4 T6 L- UEasily organize media by category or folder
0 v2 S- h' {" o! i  ^" X1 S+ L3 f6 n; B2 TTrim, ripple, roll, slip, slice and slide editing tools
5 G! g& O  ^* L% J7 t, nRipple delete; A; U: o% E# [9 f" o( B1 e/ q
Clip trimmer
2 V5 f- ~5 O3 q- `7 tInsert and overlay from trimmer7 @7 U3 p( P, E" G  w
Add effects directly to your clips! F, A9 [( z8 I( e% t. G7 f9 R
Convert any clip into an advanced effects shot
0 V; R/ M( E; {1 ?/ H3 x0 F5 zQuick transitions: wipes, dissolves, motion, zooms
2 Z' z  X0 L: H  E) K. bSnap to clips and playhead
+ h; w! A" p: r9 F! u  aMultiple framerate support; E" {# i' ^, _% J3 k0 ?- p  l  K5 D
Enable and disable tracks) X1 Q# k6 \/ u: P3 d" W
Audio and opacity keyframing
  ~- Q+ p3 {2 B% d- tChange compositing blend modes per clip
& V" o3 O! z6 R1 w( ZSend clip to mocha HitFilm for tracking
8 m* i) s* P* t, D4 NList, composite and RMS amplitude audio waveforms
) z, C7 {6 z( ?! y2 XAudio meters with peaking$ M- q- x, P/ ]* h6 w# U
Customizable video frame thumbnails
2 l2 e/ d+ P. U% |' |Loop play a defined region2 Z: `# A. ~9 N6 j% q
Color correction tools9 U+ L$ @& R; h9 `

* I. g6 V7 g" b/ L$ b) t0 \4 T& bCompositing
+ q) S( ]0 E9 e) MLayer-based 2D & 3D compositing9 X1 E7 c  |0 z% j$ q
Unified 3D workspace' ^- t( n, \7 J4 U
Combine multiple 3D cameras$ t" F" f$ d4 i0 K1 m" Y
Adjust camera lens aperture, zoom, focal distance and depth of field. H' K1 S; a3 A/ R3 q" q
Add depth fog to 3D scenes with density and falloff controls2 s* U; [# T" E: q; p: Q
Adjust shutter angle and phase for motion blur
0 U8 x8 m/ D- u) H$ ^& n3D point, direction, ambient and spot lights8 X0 g" A/ a  ~: G" d
Linear and curve light falloff0 W- ]! s  j" p  o  m! o$ p
Adjust ambient, diffuse, specular and shininess on a per-layer basis, z) I4 r( R. O
Import 3D objects in OBJ, LWO and 3DS formats0 {% D# ~2 ]& U; _- v
Diffuse and specular textures for 3D objects; d% l: z+ P9 `' t
Adjust individual materials for 3D objects
) ^0 ?0 h% S& o; T4 I% AAmbient occlusion for 3D object rendering
! N2 F# p/ k. F% U9 K7 GAnimate individual 3D model groups$ Y0 ]( M, Y* V3 r7 C( [
Professional chroma key for greenscreen and bluescreen
: `6 ?; x- W" p$ Q. Q6 ]8 G15 keying and matte tools+ r' F: r* B+ [0 O# B2 |- J
Matte clean-up
3 h' i( Z' c# e0 \3 h" IAdvanced spill suppression- R1 g* F+ @- I
Automated light wrap& g3 d( E% Z* k6 c' h" i
3D camera projection3 `3 l' O  d- {# i
2D feature tracking with optical flow technology
. c* j2 a* T# ]8 o3 `Track and stabilize moving video% e) O: Y6 d# L0 H
3D camera solving with mocha HitFilm from Imagineer Systems
  M$ n. J- B; N' k) _: I! {5 k; RImport 3D camera tracking data from Boujou, SynthEyes, PFtrack etc
1 p4 s" O! [3 Z! P4 _/ ~2 ?Dedicated layer view for tracking and masking( O* ~" W7 ]0 S1 D/ K4 G; s$ w
Freehand, ellipse and rectangle masks+ r9 l$ p- ?. X* T5 n( n+ p
Automated mask tracking with mocha HitFilm from Imagineer Systems% m, O$ |" X9 d& H
Create multiple composite shot timelines
: U! z- n. x  m1 `, ]Embed timelines inside other timelines# @- ~& M/ u8 G$ t; p9 P. X
Layer parent-child linking( p% z7 `3 z4 n" E  H
Transform and animate layers6 A3 D/ n+ _( f4 \
Multiple blend modes5 l- ]. B+ K% a
2D and 3D text3 a7 y. v8 O* `9 a& ~& P7 w
Trim and move layers
7 g; Y" B2 m! B/ D1 h. bView multiple orthographic and 3D perspectives1 e- ]) P2 {# R& J9 N
Multiple color channel view options$ o- b0 D0 X" O  N5 b$ d; E. ]7 n0 e
Grade layers for applying effects to multiple layers simultaneously! \3 [$ Q: E% U$ I* I4 C

* D6 t6 c8 `1 ^/ B. yVisual effects: N: N* x1 \2 e4 |$ i
Over 180 effects! x! s2 L- F. o* T; P
Advanced 3D particle simulator: N0 E) c* z# g6 [2 o+ h
Physics-powered particle behaviour with forces and deflectors
8 m  Z4 ~) l" y. iUse 3D models as particle textures' u7 R3 L- x% {; N3 o. t
Create multiple particle emitters and particle systems
" B6 y. {  }. A0 I4 mMobile emitters with force and deflector activation
0 Y4 ]: y9 y2 s* kOrganic fractal particle shapes) x+ M" i) c8 q8 w: Q
Layer shattering
9 M' W5 x! ~' _: \: nFire and lightning generators
) H& [5 I+ u- T) o% B3D muzzle flash generator0 q" R9 ^8 A) C' {9 a) X
Over 30 color correction and grading tools
$ y; U$ e. r" Y+ ~  k- ^( r17 distortion and warp effects
' V' M4 G- P- ]3 z3 H  ?% ]  l5 a3D extrude any 2D layer
9 p( {, H- V( e) {& B5 A  x4 z! r7 UFilm & TV damage
9 X7 P* i7 c# X$ s' E- S4 L- IProcedural lens dirt  f! d# w. _- ?. N  _) B
Light flare design kit including anamorphic lens flares, auto flares, gleam, glow, light flares, light rays, light streaks, neon glow
! X/ F8 f! ^9 i  C2 qTurn panoramic images into wraparound environments% A/ {3 t4 g' I6 S$ L/ C' q' q
Apply bump maps to layers
7 T. e. E+ g+ {6 MCorrect rolling shutter distortion. @% y# }, F5 m) Z
Remove unwanted noise and grain
4 W) T4 U: q; q8 e) w& }9 R$ ?; wClone specific areas of the frame
  u& h" j) Y' Q( c6 [7 fRemove unwanted objects from your shots
6 V! J; b6 e/ S: ]  D3 B; n8 XApply LUTs
9 f7 Z% E6 Y4 q! gEasy end credits crawls; {+ ?) M! C- ^. [$ Y. j
Pulp sci-fi animated titles
" n5 q  F& L' @- T9 a$ _# R6 d2 _" q$ s  o* e! Q8 u
Version 3.0.3716 released on January 20, 2014
; ^3 S7 R) }% E" q* [2 B5 l0 M1 UWhat's new in this update?% x5 v! g! G, @/ ~
Features. {' Z7 C2 l" ~2 [: `. H1 k* y
New Deinterlace effect8 q5 k0 i6 Q9 ?' \) `% Y7 ?2 p
New LUT effect9 d. v* j0 ]8 B% K
New Vignette Exposure effect) c; F7 h# Y" i1 w! D3 U

! F: a- j8 N: L+ n1 [Enhancements
, S6 e+ }5 L5 [+ c& L1 p9 I; J2 KThe diffuse and specular textures for 3D model materials can be saved as absolute or relative paths according to user preference* X) p3 [( n6 s
The diffuse and specular textures for 3D model materials are now shown in the relink dialog if they were not found at their previous location
; V) o% o, r0 N% WUpdated styling of the File and Workspaces menus on Windows; W" B% H7 r: _& I# B
Improved the loading performance of the plugins in Final Cut and Motion
7 |  b7 G' ]! G
8 l7 S4 t! ]. iFixes. W! @& K% G8 ^1 m2 p* b/ r
Fixed crash when importing lots of QuickTime movies in Windows version! ?/ H" x5 }1 [2 T( A
Fixed some TGA images being displayed upside down
# v3 Y- C% i$ Q# a4 L% DCan now import indexedcolor PNG image sequences4 m5 _5 }: J5 k3 c' K( O
Pressing escape now always cancels dialogs5 g7 }( z1 Q' a
Fixed various issues where keyboard shortcuts would not trigger when floating panels7 ^' {3 J  ^4 H
Fixed issue where it wasn’t possible to type in a text layer" |' |7 V. R$ a5 T
Fixed issue where the Viewer’s current time did not update8 s3 r7 Z# E7 C
Fixed issue where the Viewer’s duration was not correct after resizing a layer! O) N* v' C+ {5 {# f. g. }  Y
Fixed various cases where the software could quit unexpectedly
( S/ h  X; D0 ~' O% j% P! o3 {Fixed issue where control panel angle properties did not snap to 45 degrees3 Z$ U& x; m* Q! [( t& c
Fixed issue where layer pickers were not refreshed after an undo
* U! W( T0 _6 y( v* B+ I+ XFixed issue where the control panel could not be scrolled in come cases
$ W  H! ~/ s+ a; {2 V' D: z  y1 XFixed issue where zooming in and out was not working in the trimmer panel. It now works with trackpad and magic mouse/ c: j- Z$ l/ E. X- [+ f
Fixed possible crash when returning to the HitFilm application and interacting with an effect7 i1 I3 {5 O! J1 T
Audio waveforms are generated on the Editor timeline for all proxied composite shots
- w! s* C6 f5 V* |& t9 G0 ?Fixed issue where particles disappeared from view unexpectedly
0 I4 x, o* R2 _4 C5 ~Fixed issue with rendering masks on 3D effect and 3D model layers with 2D dimensions when adjusting the camera0 \) v/ a# A' l/ L* b9 k% O
Fixed effects so that they don’t incorrectly invalidate the proxy' C. o* g( O9 I( f) E( g5 x
Fixed Denoise effect to preserve masked regions of the image
. R+ W! Z8 i$ L! z) t: [) ?Fixed a 16bit rendering issue with 3D models and particles in a unified space0 K. [, ?% ?- Y& V, K4 V
Various OFX plugin fixes inside of HitFilm  }# ?& ~/ O$ Q8 B# Q
Fixed crash that could occur when using the properties dialog of audio only media5 q) n; {1 z7 B! b% ]7 r" d
Enabled 3D masking using deflectors and forces on a particle simulator 3D effect layer with 2D or 3D dimensions
0 M2 f! b; ]/ c( R* C# L! R( QFrame thumbnails for clips on video tracks now refresh after relinking assets
1 v/ l, D" H, r, H' }. i, IFixed rendering issue with billboarded layers in nonactive camera views1 L0 S6 @9 Y: A' x* B
Fixed depth sorting of the Atomic Particles effect2 B: B0 o3 ]; g" F/ B
Various UI fixes* G6 G' w. \$ ?
Various styling fixes8 n# `& p) s, Z0 F
6 e6 x! f! w8 c# V  w
Supported formats3 P" P$ x( ?; E$ w% n) n$ T+ }
Video: Quicktime, AVCHD, AVI, M2T, M2TS, MOV, MP4 (AVC/H264 & AAC), MPEG-1 & MPEG-2 (TS, PS, MPE, MPG, MPEG, M2V), MTS, MXF (DVCPro HD), DV, HDV, WMV) W9 l+ e$ z7 b" W8 w
Audio: AAC, MP3, M4A, MPA, WAV, WMA
, E: u! m: @5 A9 jImage & sequences: BMP, GIF, JPG, PNG, TIFF, TGA" }" j& f* l* r7 W* @+ W
3D: LWO, 3DS, OBJ: b( z9 E3 G" y" y  O7 O! a
Project: HFP (HitFilm Project), HFCS (HitFilm Composite Shot)% \/ M7 H- T9 t8 t; |: ]$ a+ Q
Camera data: MA (Maya formatted)3 A0 u4 F4 O: `1 R- _5 }5 k, z: X
Export: Quicktime, OpenEXR, MP4 (AVC/H264 & AAC), Image sequence (PNG, JPG, BMP), AVI (uncompressed, PAL DV, NTSC DV), YouTube direct upload- t: J' i% m4 j$ y. a+ [' J

4 H* F" s' h" n1 Y1 J$ t; ]Minimum system requirements
- q( R2 n3 Z2 w9 N4 y6 Q4 i% QWindows 7, Windows 8, OS X 10.8 Mountain Lion, OS X 10.9 Mavericks or OS X 10.10 Yosemite
0 k! v5 X" l+ d1 c64-bit operating system
6 d4 e  }4 u! U1 r: L650MB free hard disk space for installation
0 i5 y+ ]' Y6 m6 T9 R( MInternet connection required for activation and web services8 w: V" x0 [  P# S( n) E
Intel Core i3, Core i5, Core i7 or Intel Xeon (Nehalem) processor or AMD equivalent
0 w2 @0 @! q  _0 h% s9 z7 n9 W4GB RAM
$ g8 f- |$ @; o& q" M* c6 }OpenGL 2.0 graphics card with at least 512MB video memory (NVIDIA GeForce 9 series, AMD Radeon HD 5000 series, Intel HD 4000). 1GB of video memory is required for 4K projects% x; o$ i( E1 v# J6 b5 V

/ t6 [7 B) W2 i% U' w+ n  \3 p
9 R& m6 @2 {  D5 G7 l4 N, A9 ?# A+ ?7 b" w6 [+ U9 C
# x/ d. `$ X/ f, d, f$ g" R
+ z  I7 ?8 l; k! V8 u# r/ H
Download:/ G2 @  x8 k4 W. a8 P1 P
Free Disk
! F- I9 t$ b! P1 EHitFilm3Pro_558_mac.zip
* j. W4 M& {( p; sHitFilm3Pro_576_mac.zip
5 ]: x, A4 b' R3 fHitFilm3Pro_633_mac.zip- q5 p3 |8 c: r1 E
HitFilm3Pro_670_mac.zip
9 H: n! ]' ~6 j' {HitFilm3Pro_x64_3.0.3521.53492_win.zip- k6 A8 k6 U* D
HitFilm3Pro_x64_3.0.3608.03607_win.zip
) a" |0 J9 p/ `4 K6 R# FHitFilm3Pro_x64_3.0.3716.39084_win.zip8 z3 n0 z2 W& r4 }# Z
HitFilm3Pro_x64_3.0.3813.00006_win.zip
2 j4 h9 L; H1 ^2 o% P! G! y! C+ `; f4 SHitFilm3Pro_x64_3.0.3912.64744_win.zip
% b2 K( I4 G& q! BHitFilm3Pro_3_1_0026_mac.zip
8 ]& ?# h. V0 K3 Y* x% {. h" \HitFilm3Pro_3_1_4016_38036_win.zip/ \8 i% S) t& `4 m  O  ^. `
HitFilm3Pro_3_1_0031_mac.zip9 L+ b- @5 I9 y3 ], Y
HitFilm3Pro_3_1_4023_05404_win.zip* U" z5 w, m  x$ _" G' N4 }
HitFilm3Pro_3_1_0085_mac.zip
" n/ @! g. ~( A$ a  ]HitFilm3Pro_3_1_4224_05402_win.zip. x) R+ p3 ?7 G7 U/ y, V
HitFilm3Express_x64_3.1.4321.38300.msi
% V; x# u$ I- F7 b# J( }3 t6 m" g) i7 v# b# @
Official website* R' H* r6 Y9 w) s
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3912.64744_win.zip
: i/ x  K6 J4 g0 m" o' k+ Whttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3813.00006_win.zip
1 _9 Y  {2 t* }: n' hhttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_670_mac.zip$ c6 K4 _4 c! U  J) u0 G+ i
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3716.39084_win.zip/ a6 ?! I2 g4 T" e# u( w* b, {% j* s
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_633_mac.zip' H; n# P* o6 J/ i
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3608.03607_win.zip, y. c$ M3 C" G
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_576_mac.zip3 j4 f. }* ~+ y. c
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_x64_3.0.3521.53492_win.zip
' H0 ^2 q& y: {: A% ~http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_558_mac.zip
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_4224_05402_win.zip
7 u8 R, C7 v! X# }http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_0085_mac.zip
2 w% \7 ^, B1 V$ Z( s5 b5 ahttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_4023_05404_win.zip
& z; h1 Q/ P7 s5 X9 M) @http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_0031_mac.zip/ ?0 H9 D) g3 X0 F/ w+ V- E# n/ L
http://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_4016_38036_win.zip
# m* D$ h( U( N$ N* \6 uhttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_0026_mac.zip
6 e: \( f, S' K# r3 b8 O0 chttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_5213_10801_win.zip
( Z) ]0 j$ x6 _* y. V! J7 ?' zhttp://installers.hitfilm.com/hitfilm-3-pro/HitFilm3Pro_3_1_0173_mac.zip* M' `' _* A2 q4 N. `

- l' O' ~& s- D+ h1 Q' Ghttp://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.0.3912.64744_win.zip
) A) E, ~3 |% ^. b+ rhttp://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.0.3813.00006_win.zip# ^4 O1 L; Q+ ^3 K, ]- R2 J
http://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.0.3716.39084_win.zip
8 `+ v* X- b/ P  Rhttp://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.0.3608.03607_win.zip% ?! q6 ^- d# H1 X4 j, T7 F
http://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.0.3521.53492_win.zip$ m; U8 t2 Y. B6 |
http://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_3_1_4224_05402_win.zip
! o$ r& Q; ^, W! Thttp://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_3_1_4023_05404_win.zip
* g! T3 V" \) W/ Y3 @% ?http://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_3_1_4016_38036_win.zip4 R4 N7 c% o& U0 Z9 o% b& ]% ^8 v
http://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.1.4321.38300.msi
5 o6 k& v% L6 W1 x9 F9 y: o& chttp://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_x64_3.1.5213.10801.msi6 {& g9 K. e5 g
http://installers.hitfilm.com/hitfilm-3-express/HitFilm3Express_3.1.0157.pkg
8 [8 Y4 ]. U3 R* P* U5 q
, i* N9 i2 X4 [2 A1 L& w  P/ i$ c' K/ B, S2 Z

" ]7 E& f5 r" ~5 I0 c! U' G  N* G0 fMember line( S4 I: t  G/ e: C  J% }( S. g: f
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