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Program Name: MAXON CINEMA 4D R16 Studio v16.051 Retail Win/Mac, R9 z8 ?5 S" V% I
Program Type: 3D
$ e! l0 f- ]6 t' d8 s; y0 gRelease Date: February 2, 20154 ^- O; l) t; O9 s5 v
Homepage: www.maxon.net7 n+ R6 p% `6 o
Interface Language: Multilingual: English, French, Italian, German, Spanish, Japanese, Russian, Korean, Polish, Czech, Chinese, Arabic
2 K4 B3 M( J1 p6 W% t* E, v0 ZPlatform: Windows / Mac OSX& N0 [/ ^( [6 k
File Format: .ISO! | ~# n7 Y8 o, H
File Size: 6Gb) b7 N" t1 f6 v4 }8 p% z5 }
. I9 ]( a3 V n* A$ T& `' AMAXON CINEMA 4D Studio R16 - The next generation release of the company’s industry-leading 3D software - Everything You Need for High-End 3D. CINEMA 4D Studio is the very best that MAXON has to offer for professional 3D artists. If you want to create advanced 3D graphics but need a helping hand to ensure you create jaw-dropping graphics quickly and easily, then this is the choice for you. As well as containing all of the features found in CINEMA 4D Prime, Visualize and Broadcast, CINEMA 4D Studio adds advanced character tools, hair, a physics engine and an unlimited client network for rendering. The result is that CINEMA 4D Studio can tackle any project you throw at it with ease.
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CINEMA 4D Studio's character tools make it easy to create character rigs and advanced character animations. Adding hair or fur to characters is fast and simple with a powerful suite of hair tools that let you grow, comb, style and animate. The physics engine makes it simple to perform complex collisions and interaction between objects, be it just a few or thousands. Network rendering allows you to take advantage of all computers on your network to help render your animations faster.
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Despite being designed for advanced 3D, the extra tools found in CINEMA 4D Studio are still designed to be user-friendly and intuitive. Generating advanced 3D effects such as hair is surprisingly easy and fast, with CINEMA 4D doing much of the work for you. For example, hair will automatically swoosh and sway as you move your character around; and making thousands of objects collide with each other only takes a few mouse clicks to set up.
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CINEMA 4D Studio lets you unleash your creativity and enjoy 3D without limits. . [) X: n% ?6 p! c _; {
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Cinema 4D is 3D for the real world. When you're working with tight deadlines every day you need the right tool to meet just about any challenge. Cinema 4D R16 is uncompromising in meeting and exceeding these challenges.4 p* F/ |% \: |- O
) i0 N, a: E, t7 D# z6 _Cinema 4D Release 16 was developed with all aspects of the application in mind and features were integrated or enhanced that simplify workflow and make working with CINEMA 4D even more efficient and effective. With Cinema 4D Release 16 you'll enjoy that optimized workflow throughout the application.
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$ o9 a% H6 M( G3 w6 V# Z/ B/ pWhat's New in Cinema 4D R164 M6 o! U) h, T2 `
REFLECTANCE CHANNEL - ADD SHINE TO YOUR SCENES: Impress clients with the new Reflectance channel in Cinema 4D R16, which lets you create multi-layered materials and surfaces with breathtaking quality. You will discover new possibilities for creating complex materials ranging from beautiful car lacquer to a wide range of textile surfaces.
% e/ R# y6 x3 u$ q) E) ~6 G$ m% ZMOTION TRACKER - WELCOME TO THE REAL WORLD: 5 D! ^; @) L2 f0 [( T& R1 r
A precise camera reconstruction is essential for combining 3D elements with live footage for realistic-looking results. The new Motion Tracker lets you do this with just a few clicks of the mouse., o6 m/ P% G% _7 }
RYAN SUMMERS, DIRECTOR IF: " g5 S" `0 N3 P0 Y2 b" m# T* x
People who use Cinema 4D are problem solvers who attack problems from multiple different ways. With new motivation because of these new tools, Im really excited to see how the whole community reacts over the next couple years.1 M; ? `& X R
POLY PEN - A MODELING REVOLUTION: With the newly developed, multi-functional PolyPen tool - a perennial "Swiss knife" for modelers - you can intuitively paint polygons in 3D space!" B3 @& L) }& @
SCULPTING - SHAPING THE FUTURE: The sculpting toolset in Cinema 4D R16 has been enhanced with many new and optimized tools, which makes this feature even more flexible to use and makes the tools even easier to control. High-res sculpting meshes can be imported from external applications and easily converted to low-res Cinema 4D objects with Sculpt tags, without sacrificing detail.$ {2 F7 U! K# u
NEW MATERIAL AND OBJECT LIBRARY: Take advantage of a newly developed content library, which was created with your everyday production pipeline in mind.9 v- `) m/ p# a6 D5 T. z
4 x: }8 d" u% KALL NEW FEATURES OF CINEMA 4D RELEASE 16$ u6 x7 }) e& x7 M8 h2 C
Rendering/ _' x+ P) I' h, s6 t/ _
The new Team Render Server adds server functionality to Team Render.
G2 }5 C7 N; }0 M% s8 L, C/ aAdd jobs to Team Render Server either via a watchfolder or a web interface
: r5 t, g( T- {3 U, O: t! m$ ZNew Reflectance Channel allows to add multiple layers of reflections1 B" H3 i4 P$ N) @9 n
Each layer can have its own bump map and reflection model
5 c# i# ~2 n! G' K, TCreate masks to control parameters of reflections, e.g. blurriness* J# W I1 R! D8 ]3 \
New Conductor Fresnel mode
/ {, Q( ?7 T( t8 D, a3 i8 VNew anisotropic reflection model+ }/ ~8 q3 z: U9 S
Reflection and specular now combined in one channel
% v2 X. n8 _$ d! ]* TSeveral new reflection models
/ |8 O. Q, ~, Q' `" GNew cloth shading model8 A; e6 a, o3 s5 _. [5 _+ X/ ^1 D
Distance dim mode to fade out reflections7 K: b8 L) R$ Z
Multipass support for reflection layers8 G1 U& |# a7 {. e' [$ S
New BiRender engine allows rendering of Sketch&Toon effects plus hair at the same time with increased speed and quality
* V1 S* ~6 w' n& V% E( MBiRender reduces the preparation time, first results can be seen much quicker; {* ^) b% m1 Y9 l/ \
Fill hair has been removed, old scenes which utilized fill hair will be tweaked automatically (increased hair count) to partially compensate for this change2 a1 Q* l3 {& B8 C1 C) t. Y
New displacement mode for brick shader allows to create more realistic brick walls6 F2 M7 Q+ I# M; o
6 r9 {- x$ e2 DModeling
: b0 \- b, A$ d# ^' n0 ONew PolyPen tool replaces the Create Polygon Tool of previous versions. Y2 H- @) j; {. _& Y: K% l7 M$ y
Paint polygons, create point sequences or extrude edges intuitively
( f$ b: @2 S3 V6 tExisting and newly created points, edges and polygons can be moved, extruded, deleted, subdivided, etc.1 [: J; i% A6 p3 x$ |, \1 I/ b
Arcs can be created automatically
! L# W) p% }, a* {: M" `With Auto Weld mode enabled, edges and points snap automatically to close polygons or edges and weld or bridge geometry
: z) \3 m9 e1 i& CReproject Result projects polygons on existing surfaces
! ~) e# k$ P6 |% ~ e- { e8 oNew procedural Bevel Deformer bevels either whole objects or selections non-destructively
9 A% e8 W: \/ w$ ?# M, ^% I- @Mesh Check checks geometry for isolated points, complex poles, non-manifold edges, boundary edges and bad or non-planar polygons$ [$ Y/ \* b8 b: v2 G8 Z
UVW coordinates are now created automatically for generator caps
" a: {6 _* n0 H) uBoolean object now creates a hidden Edge Selection Tag like other generators (C1,C2, …): Z, R7 O: w& K3 l5 X# u
New viewport filter added to turn on/off the base workplane grid
% u. _# j! i6 d0 d6 \New HUD element for grid spacing now available in the viewport preferences
" R$ A a" j0 f4 [Viewport Solo Mode provides a clear overview and faciliates the work with complex scenes
& s* t: X# j, m/ [Most deformers now support falloff
" ^% _# C% W! m, l7 ]. oSymmetry Object now supports clamping of points to the symmetry axis and deletion of redundant points/ m2 V. T0 l5 H$ U( n; r% Q6 n9 {" h
Automatically Flip function causes meshes to flip across the mirror plane depending on camera orientation
- s% ?/ n7 P) h1 A( }0 V1 zCogwheel Spline got a massive update: it creates accurate Cogwheels with many new generic tooth parameters and types, new inlay and center hole parameters, not only to create accurate cogwheels, but also a plentitude of fancy objects for other purposes
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1 x7 x; K7 f4 W+ c0 j% {UV Editing+ P6 c4 f# t% e p, u, l' ~$ ~0 S
New UV Peeler creates UV parametrizations for single or multiple UV islands on an object, each island corresponding to a continuous seam of selected edges along the length of a cylindrical portion of geometry
! ]$ m" O% R$ g4 e7 _) hAll UV-related features now use the same logic to determine which UV tag is affected
* e2 d- q/ n- l4 {4 l c2 uUV polygon and point modes now support tolerance parameters for rectangular and live-selection tools* f# P4 s1 x! c4 H- _( @/ a
In addition to UV polygons, interactive mapping now works on UV points
+ j; z, g1 T/ ]- dSupport for Dolly to cursor in texture view
4 A* q& `, P) SShift + double-click a texture tag to open a new texture view
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Workflow & Interface
" K0 [6 t0 I6 Z: s- p: e0 L4 qA single click on the enhanced keyframe buttons now adds or removes keyframes without need to press additional keys, manipulation of multiple keyframes at once is also possible
+ L4 U8 q; m3 v; lNew setting to remove tracks without keyframes
E6 l$ |0 R+ R4 U9 m) c& gTexture Manager now shows or opens files in Finder/Explorer" E: W$ |( A/ A$ g- z5 ^7 \
New status icon in the Texture Manager shows if an image can't be found by the renderer and would trigger an asset error- J9 A( g8 R: V2 @5 `
New “All Parameters” option in Timeline Baker will bake all Parameters of an object4 Q+ ]% i8 I! h# b9 H) i
The Layer column of the Texture Manager now also shows the layer color1 E* Y% f8 Q9 k B* Z
New “Tweak” command is a global on/off switch to enable or disable tweaking throughout Cinema 4D4 m. _ t) z& Y5 J9 K N- [8 ~. }. |, `0 q
Projection Tag has a new option to prevent accidental viewport duplication" K7 {4 q' M& b/ l5 q5 q
New Interaction Tag allows customized interaction with the object the tag is applied to (e.g. mouse interaction with objects can be defined by scripts)/ w1 O: f" l4 P; r; F
New Annotation Tag allows annotations and comments directly in the viewport and can be attached to a specific point of the object.
. U) c$ c+ V; H6 R2 q2 G4 E |Unlimited number of Annotation Tags can be used per object' i: y* ^3 j$ O3 Z$ V$ A" ^
Annotation Tag replaces former WWW Tag
7 |# q7 S3 [4 d, ~2 mMultiline Edit Textbox now offers an undo functionality0 }* Y: f) Y U' c( s) g
Script Editor now allows double-click operation to select and drag complete words like in a regular text editor
) i3 o* g1 e# a3 _ g! y9 i. RAuto-add brackets and quotation marks while typing
) E1 K& v1 m5 y% U8 vSelected text blocks can be comfortably commented out by pressing the * key: A- p" Y" B6 i& s1 S6 l& x5 o
Likewise typing a quotation mark or bracket with a text block selected will put the block in quotes or the bracket form chosen i.e. { [ ( ' " l, t& B+ z$ V- j
Code editors now use word wrap for better overview
/ {6 Y9 a9 `( s! dCursor changes from caret to text cross symbol when held over line numbers for better orientation5 }2 P: d+ z3 c+ U& r
Clicking a line number will select the line next to it
( F* q5 k- P0 }" A- i" Z; v5 T2 UDrag&drop selected text between multiline edit fields, including duplication by pressing Ctrl8 G+ K3 a, T- B1 F
Colored line flags next to the line number now indicate the edit state of lines (e.g. edited, edited but compiled, edited but saved)) W% f/ I+ ?) p* x, g0 g$ J }
Error message if a preset can’t be written9 t s/ n* I( P
Warp Deformer now fits to object9 [! R) L( X# N( q. p. x
Open in Finder function in the Render Queue
3 M, ~2 o5 R2 FStatistics HUD renamed to OpenGL Statistics! ]5 \' |- I! B% i; }' w4 t
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Sculpting$ K2 _6 b, c3 z
Assign materials to a link field in the Mask Brush options, press sample button to use the first UV tag found on an object and sample the material, applying the UVs of this tag to the currently selected layer0 C6 f, X' A- f4 \1 x3 \) x; S
Selection Brush now supports selection of points and polygons in the respective mode (either Point or Polygon mode)4 ?% ?3 y A% q% z& @( o6 ?' ?% |
Brushes now respect the current polygon or point selections (in Point or Polygon Mode)
3 f9 E% H3 f N( x4 L* {Use materials as stencils or stamps
! C4 S0 d3 D* ]8 X2 o6 d5 Z1 K( v5 cUnsubdivide command unsubdivides quad-based high resolution meshes, extracting all lower level subdivision layers, reconstructing them as sculpt objects with all required layers to recreate the original objects
/ Z6 O5 F. c' O$ ?1 @" O# r0 xNew option in sculpting preferences now allows to constantly update the full polygon object while sculpting (with or without Sculpt Tag)
. L6 m) o4 P) j# U- n9 wNew brush modifiers now allow to apply and mix the effect of the currently chosen brush with one previously used (i.e. add smooth and inflate to a pull brush)5 E3 T- w% i7 q, Q8 v# F" x& r
Sculpt brushes now support snapping
1 P ^9 o, P4 s y& l0 b6 X; ^Stamps and stencils now support procedural shaders1 H$ I6 w; B% k, J' g3 c I
Python support has been added to sculpting, users can now create own brushes in Python
3 ~& B* `8 y' CDrop down to select the motion direction of vertices (average, normal, X, Y, Z, camera)
8 D) X% G0 a& g7 xUse the sculpting tools on Camera Deformer, Correction Deformer and Muscle Object
" e- {) ^+ x, a A& t# FDisplay stencil permanently via visiblity option
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# E1 }- b' |% EMotion Tracker
- k5 U6 v0 ^2 }1 `! X+ f2 r% ZMotion Tracker is a new matchmoving system in Cinema 4D6 Z6 [4 h% E7 e9 C; ~' ^6 q5 G; U
Full Solve command runs a completely automated solve of the footage: it adds a Motion Tracker Object and several Constraint Tags (Mask, Position, Vector, Planar, Camera Orientation)% F' X! w$ n& i8 }/ U+ Y3 E+ H
Auto Tracking mode searches trackable points in the footage without user intervention
5 a& A `2 i+ {. {6 H( eTracks can be filtered by Minum Length (Frames), Maximum Acceleration, Error Threshold and Smart Acceleration0 v' \6 v) J" [4 ?: J* G# z! k) i# z# B
Manual Tracking allows for individual placement of track marks
" h- y. F0 l: c! {5 V2 VReconstruction recreates the camera movement and creates 3D feature points from tracking points) }' S: o4 a& x7 |2 o( ]! F
Mask Constraint Tag allows to exclude specific regions of the footage from 2D tracking3 l& p8 C. E% x4 S8 K) v z. U! w
Position Constraint Tag calibrates the 3D reconstruction by defining the coordinates of a reconstructed feature (e.g. origin). n% T; i% z: F" ] }+ y; |9 b! P
Vector Constraint Tag is used to calibrate a 3D reconstruction by defining the axis (direction) and/or distance of reconstructed features6 e7 P0 s5 Y$ m* W5 ]3 I
Planar Constraint Tag calibrates the 3D reconstruction by defining the plane on which three or more reconstructed features are located (this partially defines the orientation of the reconstruction within the scene). V& b* [& v: j3 b2 ]3 i7 T
Camera Orientation Constraint Tag provides a different way of defining the scene orientation, based on constraining the camera rather than features
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8 m/ g9 `9 [7 L# q' sExchanges, U p6 s/ |. V( v, C. { t
FBX:
6 d( [2 n9 J$ ]6 V6 q5 `& r7 \& W' ^Import/export based on FBX SDK 2015.1
' N" K; V1 o& Z3 t" e* MImport/export of vertex color informations9 Y1 n2 S5 e! \' C1 u* F) Q9 ^
New export option to triangulate meshes
9 h2 e2 g; Z: q9 ?5 f! d$ U$ o, u; I( NNew export option to export SDS subdivided meshes% n& N! z& b6 ~% T$ P4 B1 H
New import option “Single Material Selection Sets” to create selection tags even if only one material is assigned
2 m t/ {0 d: }* cShinyness (Glossiness) texture support
# j8 \3 ?1 M6 `2 H% MSupport for relative file paths
; N6 Q# a- f1 ~! T% OOption to include/exclude lights, cameras and splines from export
; ^. [- k; B1 G8 sOption to include/exclude curves from import
7 {+ m$ r9 \2 O; Q9 I8 @Export editor camera, if no other camera in the scene or no active camera defined
, R( S* H' I6 a! x i1 Z; [3 P) AOptimized import/export user interface
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Alembic:
* ], J1 _: a4 z, G+ R9 lImport and export based on Alembic SDK 1.5* d# U' ^4 p( v+ n6 R+ T, g
Polygon selection tags applied to a generator are copied down to the generated object
; v" ]5 J j- v0 e( TSupport of new Alembic (Ogawa) file format which can't be read by previous SDK (1.0)
5 u6 h* s( f7 C, OUse the new cycle option and set file format to Alembic HDF5 (Legacy) to export compatible files (e.g. Cinema 4D R15)9 c% O8 d, `& l
New option to export vertex maps as vertex color information
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After Effects:2 M) ]( m) s2 t, V2 [ g
The AE Plugin now exports image based 3D layers
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Cinema 4D R16 now includes a user participation program which helps MAXON to improve future releases by gathering information about common usage scenarios
R5 O, ^; N' n( yUser need to opt-in to participate
2 T) F( `& [' c2 U9 l7 s2 N W$ QUsers can refrain from participating at any time and delete all provided data
, s9 Q7 c$ }% Y* {Data sent to MAXON include user statistics like used commands, project file size, usage time, preference settings and system specifications6 c6 r& t/ K$ R0 A
All data sent anonymized, no personal information will be collected, @* ^$ J! @& X5 K$ B3 w
Metaballs will load and render faster, viewport interaction will be better. `& f1 ?" S: ]/ C, d' L
* ]8 ~% u6 i1 y& [MINIMUM SYSTEM REQUIREMENTS, y) m' Z3 `5 N
Windows 7 or 8 (64-bit only) on Intel or AMD processors with SSE3 support; Mac OS X 10.7.5 or higher on 64-bit Intel-based Macs; 4 GB available RAM, DVD ROM drive. A standard DVD installation can require up to 7 GB of hard drive space. The software must be registered for unrestricted use.' m; ] V2 u# v3 \+ J% k
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Operating systems supported by CINEMA 4D R16 and BodyPaint 3D R169 f' x2 @ [, e6 \1 X" _" I0 F
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Windows
: O0 w3 a1 s6 s- E( L2 qWindows 8.1 64-bit (all versions); p3 _1 N1 F" n5 C; Z
Windows 8 64-bit (all versions)
1 I. z0 ~ P2 F w, l- W! PWindows 7 64-bit (all versions)
( c% K& j# W5 b6 d" t% x3 yWindow 2012 Server 64-bit
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; _8 J/ U# a! P; ]: rOS X. t0 L \" h- u% j. t8 c: n, M/ m& C
Apple Mac OS X 10.7.5~(and higher)
" |$ v3 |% `+ ]CPU minimum requirements for CINEMA 4D R16 and BodyPaint 3D R16
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; R8 G( `9 X# p, w! _! HMinimum CPU Windows PC
4 r3 H* V9 u) j4 I4 n yIntel Pentium 40 \4 z m, f, N$ T- O9 N# A8 ^+ \
Athlon 64
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( v; l3 S G% {$ v6 MMinimum CPU Macintosh
: M7 m! m e1 s- K9 JIntel Core 2 Solo
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9 p3 t" V3 b: @4 T3 sCINEMA 4D R16 and higher support the following processors families (SSE3 support required)
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Intel Pentium 41 H2 C( G. f, Q& j' d" V7 z

Intel Pentium 4 D 9 i" B. g2 G5 _3 t
Intel XEON 1 Z6 c. `6 }8 I7 @( F

Intel Core 2 + W7 P' _* S5 ^2 f3 _& |8 \

Intel Core i7 
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Intel Core i5 : \' _) a+ R. R* r# l- Y7 E

Intel Core i3 7 M; N) Y6 I$ h( |4 c8 m

Intel Celeron
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Intel Celeron D
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AMD Sempron
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AMD Athlon 64 

* }! t* d8 x* R. F( RAMD Opteron
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AMD Phenom * q- {; U2 T, ]6 v& Z; X

AMD FX 1 D8 b* @" g- U

AMD Ontario% G7 l4 q) B5 w
AMD Zacate- B& s2 u7 i. b L/ T' ?; `! A
AMD Kabini# w3 a7 r7 X2 O: ^* t3 H
AMD Temash
) w$ l( Z; k4 {( ?' A/ E- xAMD Beema: k$ j9 O Q" }$ X
AMD Mullins
" N8 C* i! d% [2 @; xAMD Llano2 B7 e v2 Y: U
AMD Trinity
5 I0 c2 h, k7 [ e' Q' O9 G5 {: l' ?AMD Richland: Y8 O g0 b \+ v
AMD Kaveri ! Q4 b1 d0 N U" u6 [. H. h
$ j# s% N2 w) {1 D1 \Processors not supported5 Z. U1 T3 b/ S" k% \8 J" X
Intel Core Solo/ i. y( `+ P4 D% s6 _8 D
Intel Core Duo/ T8 T3 X" w1 ?% E0 K! H F
Intel Pentium M- T8 D* Y6 p( Q1 R/ J
Intel Xeon Phi& p- b Q1 R+ ~( b9 W
Intel Itanium( x$ l* `1 d' V4 O J* N$ Y& ], U
Intel Itanium II! t9 k- l8 g2 w7 @4 \
Intel Pentium
0 Z/ l% c: X. ^; q+ B! GIntel Pentium II S) F9 o; b( c+ J4 Z
Intel Pentium III
( y" a0 e. r1 z5 B1 I# GIntel 486
8 N) l3 i0 e% {# L: M8 L+ _AMD K6" H: i% g ?8 G9 W$ @. O% s G
AMD K7
3 J( `9 j _* B: d% f- ?4 f" L1 bAMD Athlon XP/MP
0 p8 j$ j, Q) \5 o0 B# jAMD Duron
! E$ [5 Z7 W& Q! L3 @+ dPower 4
1 ~# W5 x @$ j( O, f: E6 OIBM PowerPC G3
2 y6 ^$ K3 t) G9 ?) x9 AIBM PowerPC G44 J& i: F! f" m
IBM PowerPC G5& t2 t0 i- C; O: o6 r4 e
ARM
0 F, M+ w' {) l+ ~0 y; W6 K1 rVIA C7
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Graphics cards, U4 m5 {! w% @' E9 G2 H' n3 S
Generally speaking, CINEMA 4D and BodyPaint 3D support all OpenGL 2.1-capable graphics cards. Nevertheless, we recommend using a dedicated 3D graphics card with an AMD or NVIDIA chip set. High-performance graphics chips are currently already available in mid-range laptops.
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Make sure that you always use the most current certified graphics card driver (no beta versions).6 n. t: F/ x' }8 \) ~
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To find out more about processing speed, CINEBENCH test results can be found online.
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Important notice
$ ] [) \9 b* d3 p" V" |* W$ SMAXON is not responsible for the compatibility of individual graphics cards with the OpenGL mode. Due to the large number and types of available chip sets, operating systems and driver versions we cannot guarantee the compatibility of all systems.5 g. z* }8 i) K! @ m6 z( \7 x
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The technical specifications of MAXON products are constantly changing. Please use the most current demo version of the software to test its compatibility on your computer.
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+ \3 z1 W- l% S9 o" w* k) U0 g! }Download:
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Update from Cinema 4D R16.011 / R16.021 / R16.027 / R16.029 / R16.038 / R16.050 to R16.0510 N" s& s/ g, q& M
http://http.maxon.net/pub/r16/updates/c4d16051hotfix.c4dupdate.zip$ O/ o8 w) }! S; r) u/ _
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Update from Cinema 4D R16.011 / R16.021 / R16.027 / R16.029 / R16.038 to R16.050$ j; ~+ L+ t- r: R$ n( R3 S: ?- x. C
http://http.maxon.net/pub/r16/updates/c4d16050upd.c4dupdate.zip
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Update from Cinema 4D R16.011 / R16.021 / R16.027 / R16.029 to R16.0388 m6 J+ w. f% F% H
http://http.maxon.net/pub/r16/updates/c4d16038upd.c4dupdate.zip) J- [7 I9 T( _8 v J2 W
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Update from Cinema 4D R16.011 / R16.021 / R16.027 to R16.0292 {3 g0 @7 B2 M' D
http://http.maxon.net/pub/r16/updates/c4d16029upd.c4dupdate.zip
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Update from Cinema 4D R16.011 / R16.021 to R16.0272 k5 A3 ~+ y4 }1 C7 U! v
http://http.maxon.net/pub/r16/updates/c4d16027upd.c4dupdate.zip
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7 J* i* l5 E3 E$ P. Y' G6 s* o. @, oUpdate from Cinema 4D R16.011 to R16.0214 N1 Y" A' ~5 M3 \: s! u
http://http.maxon.net/pub/r16/updates/c4d16021upd.c4dupdate.zip3 C3 Z1 H* x9 Q( r
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Plugins for After Effects CC <> Cinema 4D R16 connection.
2 a6 B( D. L# G2 l/ x+ R" L" fhttp://http.maxon.net/pub/r16/updates/CCImporterR16.zip |
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发表于 2015-1-16 23:07:04