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Release Name: FXhome HitFilm Ignite Pro 2017
4 ^0 z/ m: b" F" @8 QProgram Type: Video Editing, Compositing
l# F/ @2 a' jRelease Date: November 16, 2017
- I1 T" s; B$ a' }2 W" j+ TVersopm：1.0.7012.41412
, I9 w7 S; l' z, M- [2 ^* u, P& A! ~Homepage: https://hitfilm.com/ignite-pro OR https://hitfilm.com/software-update/hitfilm-5-pro9 ]" n% v+ Z1 o
Interface Language: English+ J% ?, q# ]( {6 l1 f) w
Platform: Windows & Mac' G) [# Z/ z$ P/ w/ U! u
Fize Size: 279.72 MB | 314.22 MB
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HitFilm Ignite - The ultimate VFX, compositing & motion graphics collection. This versatile collection ranges from visual effects and green screen compositing to motion graphics and color grading. There's something for every project. HitFilm Ignite fits into any workflow and gives you over 144 new plugins that are compatible with After Effects CC and have been selected to provide power, flexibility and value.: s: T$ r6 {8 E7 S! V9 k4 Z5 h
& B" V& P* r3 g- ~) q$ BIgnite Pro 2017 gives you over 150 powerful plugins to use in your existing editor or compositor. Experiment with over 500 visual effects, presets and color analysis and correction tools – without ever toggling between software.0 `1 V% \2 b& e- w# k
4 |- {6 g9 U$ {: K R( XWorkflow. z0 J3 x5 O( q8 O
No arbitrary restrictions. No time limits. Ignite Pro 2017 neatly plugs into any workflow and all hosts to create a hassle-free workflow. You can even activate it on up to 3 computers – Mac or PC.1 k# I% d$ ?. x+ x" R
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Professional keying
3 B4 S# Z; L0 lGreen screen
/ H; C* E9 }, a) m7 f1 G4 S4 QClean up your green screen footage with Ignite Pro’s effortless broadcast-quality chroma key. Use the technology to get high-quality removal from blue or green screen, control over edge detail, color correction and advanced spill replacement.
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Spill simulation o$ u Z5 y# c3 \7 y* t% [
Ignite Pro’s unique spill simulation plugin replaces unwanted light reflections from your green screen with simulated light from your new background. You can even add the light wrap effect for a more realistic light bloom around your foreground elements.
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Stock footage. X5 z K2 j2 N' A% c
Turn a dreary London sky into a California dream by extracting black or white background with Ignite Pro’s range of plugins including luminosity keying and demultiply. Perfect for stock footage, these enhance vibrant colors and darken edges for more texture in your scenes.7 H" E5 N, o9 d+ U* U
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Matte cleaning
) B6 F4 R5 J b* T1 _) {Sometimes keying only gets you halfway to perfection. Ignite Pro’s matte cleaner plugin helps you clean up the rest of your composite through smoothing, feathering and choking the edge of the key.8 \% O; c3 D+ l2 B4 `1 T, y* x9 P& T
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Atomic particles
8 D3 j0 I" w( g2 lEnter ‘the grid’ with Ignite Pro’s atomic particle systems. Images and 3D model surfaces easily morph into point grids that respond to animation or sound. Use atomic particles to create Tron-style holographics, fractal distortions, dramatic dissolves or animations synced to your favorite track.
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Shatter+ ]! D4 p/ |! _, [
Create earth-shattering scenes with Ignite Pro’s video-shattering plugin. You can break up videos and images into bricks, shards or any custom shape.% e2 y1 ^( b) D! h3 Z& ]& A0 l c
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Pro effects in your own NLE
. E/ o0 A8 P5 }# u8 HUnleash your creativity with over 500 advanced visual effects and presets.
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3D muzzle flashes
9 [# C# }( I9 x$ ePerfect for any action scene – Ignite Pro’s dedicated 3D muzzle flash engine incorporates a huge library of customizable effects. Drag and drop realistic, infinitely variable muzzle flashes onto any weapon in your prop collection from any angle, and at any size.
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Procedural fire
# Z5 L2 X, `- L' G4 YRe-make your own Towering Inferno with Ignite Pro’s procedural fire effects. You can augment your stock footage with everything from small bonfires to large-scale building fires. Perfect for turning up the heat and production value.; I3 v, G: e' x8 L( }, I
" B) X/ {5 q7 vDistortion effects
/ k2 P! k9 X' ` O% _9 o; Y( uIgnite Pro’s distortion effects come in four flavors: Heat, Energy, Smoke & Fluid Distortion. Add industrial grit to your props and environments with jet exhausts, burning fires and hot proton beams, or create your own Narcissus reflection scene with fluid caustics - perfect for creating the appearance of looking through a liquid surface within the software.: a8 H* z# g, b
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Neon path8 f" |/ U! r& T! ]& C) O
Create stunning neon sign graphics straight out of a dystopian metropolis or middle-of-nowhere motel. Just add the neon effect to text and shape layers to create life-like neon sign graphics that interact with surrounding elements.
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Bonus: Neon Path significantly reduces time spent rotoscoping lightswords and laserbeams. After positioning your lightsword using the 4-Point Auto effect, enhance it with flicker, foreground & background distortion for an irregular edge, glow and path animation.
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Easy sci-fi effects
; J! ]# X3 r! kHigh-quality visual effects are the building blocks of modern sci-fi classics. So we’ve created a showstopping repository of classic sci-fi tropes - from starfields and lasers, to FTL-jumps, text crawls, earthquakes and even lightswords. Drag, drop and dazzle.6 Q" |, P* X& q8 n; Q' m7 g* S
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Lightning & electricity0 |2 a: _, K1 e" w( z' _
Take up the mantle of Nikola Tesla with your very own lightning generator. Use it for Harry Potter wand effects, exploding starship systems or have your actors throw electric bolts with customizable branches, color and motion.
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5 _: z# O! Y2 o5 ~7 OLens flare toolkit5 q" ?1 M0 m& T1 J
Get the J.J. Abrams look without having to adjust F-stops or shine a maglite into your camera. Volumetric, anamorphic and automatic lens flares are all easy to use with automatic identification and application of flares to bright spots in your layers. Ignite Pro even simulates imperfect lens flaring from specular highlights, camera dirt and anamorphic streaks.
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Anamorphic haloChromatic hoopDiffraction chromaticDiffraction streaksDigital blocksDigital stripeFlashlight beamFlashlight whiteGolden artifactsGreen circles$ W9 ]; r9 d& t: G6 M
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Warping tools
) O* E. I( Y0 L" h3 G5 ?& O* s+ _( BTwist and distort your footage for that added cool factor using Ignite Pro’s vortex displacement, bezier warps, perspective and polar warps. You can flatten your action footage to match your traditional lenses or use Action Cam Lens Distort; making it easy to layer your composites directly onto footage filmed with action cameras.
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Temporal tools
8 Z2 |# H+ k S- tTell more stories in a New York minute with a temporal palette that lets you speed up, slow down or reverse the action. Bring your scenes to life by having characters dodge bullets with motion blur, or bend time with echoes, motion trails and temporal displacement.3 v% E2 z1 d; n# q% x6 g
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Hide objects7 N. A/ J) c2 z0 ]
Don’t let rogue pedestrians come between you and your perfect shot. Clean up your footage by easily hiding or duplicating objects with Ignite Pro’s clone stamp and replacement tools.
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Colorist’s toolkit/ {, j# ?" q# s5 Z4 Q5 z: a* Y: j
Turn your editor into a Colorist’s dream-come-true with Ignite Pro’s grading and color correction plugins. Modify and analyze your frames with Color cycle, Color map, and Color phase. Tinker with features like Duo Tone & Tint, Hue Colorize & Hue Shift, Shadows & Highlights, Color Vibrance, Vignette & Vignette Exposure to get the perfect shot.5 B! e, ^ G7 m! J9 b
+ o! i0 M1 S, [/ ^4 T6 F1 v$ pHitFilm Ignite includes over 140 plugins:
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Blurs:! q7 I% B8 W. t! U
- Bilateral blur% w' q6 a7 p* {# E+ s5 X
- Diffuse" K( P k1 K8 `
- Lens blur I5 f/ b9 K) E! |* @
- Motion blur
2 ~ }3 k+ a$ G: Z% U, o- Radial blur
" m. Q, C8 ~: R- [) k% L8 e- Zoom blur
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* h" C5 b' [) h& ^( jChannel:
& l; T# L( I3 ^3 s8 t7 ]% h q- Channel blur
. @& s3 R% Q2 k+ G- Channel mixer
: D9 c' b5 e, \/ Z* D- Channel swapper
5 F8 v a8 h. h# e; X- Channel time shift
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$ `: U6 q* @* K6 R7 A a3 \Color correction:
- f9 x' O4 w1 I# ~- q& F! T0 u6 p- Auto color
" Q* Q/ y0 E4 P2 t/ B F; V- Auto contrast
# Y/ o6 ~ N* t2 P* ~7 e0 ~% y. L- Auto levels3 r& X/ e7 I8 a5 f7 U" k
- Color temperature1 p! v# ]0 y& M: m) S+ l
- Crush blacks & whites
1 Y9 j! ]4 p) H5 A& j4 H( m; @- Custom gray
* |6 O4 ^# C+ v: U- Hotspots
1 _ Z, E8 h7 K' [- Pro skin retouch. A8 E) t& j6 {3 Z. M% |& }
- White balance
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Color grading:
, R4 \8 P0 H9 S( H0 l- Bleach bypass& s. v' k- c; K/ F" j) E7 K
- Cine style
% q. }1 n0 m# ^4 v2 M E- Color vibrance' U( I# {0 P) z
- Day for night
1 l) }, R6 U0 p- Duo tone- |% {, Y0 M, _+ x
- Grading transfer7 g( \' x. U. G# B. g& @
- Hue colorize8 [+ p; ^8 P4 Q$ b8 k* |0 Y% O
- Hue shift* {0 q1 y/ i% b8 B! E' k
- Shadows & highlights# P: u% F6 E2 X+ m( Q
- Three strip color
" [% N. u" v: Z/ f; M3 o4 G$ Q- Two strip color
- J0 p4 ^3 f7 Z7 ~6 Y- Vibrance: {% W* q: s- Z1 n& _
- Vignette4 ?# v8 q5 i& c0 a ^& [' r
- LUT
" ~8 X+ I. v2 ~8 [9 O! D0 l- Vignette exposure
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( p# r1 a K5 A4 s/ A6 w: b4 Z5 @Stylize:
. j+ f( n' y- P- Cartoon1 g% s: X! d4 Z+ p
- Emboss
d) W. Y7 z. X5 ~- Find edges
# A J0 ]. y3 P2 I- Glow darks
' k- s- h) k, q+ M6 W4 o, b- Leave color: `5 R: f' ~2 z5 D
- Posterize) S# [& s7 m6 C6 g- d" I5 _
- Solarize) g3 b1 w, D7 h
- Threshold/ a# Z: N9 t9 z4 B4 B: p" l- J+ N
- Tint
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Temporal:% `5 O/ {( c0 o1 q- r' q
- Echo
8 n$ g3 |5 s. Z( I& B- Motion trails
4 H/ ~* `4 v9 d4 s$ Y% _- Speed
6 v' U7 K" [$ R7 A- Time displacement5 S- ]- x$ }3 l# ?! e- i8 Y3 U
- Time reverse
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Distort:
+ d& q* Y) `! F. B" I2 I' P- Bulge0 ~3 X6 c' k- x; h2 \: q
- Chromenator+ g H% b5 L1 N, n5 f1 x- u) E) ^
- Derez
9 u* X4 i( d- }1 |" d- Displacement
$ B! o3 V: }1 w7 l9 W# N& z- Insect vision
/ k4 k( p0 ]; E! x* u/ l- Magnify, I. c2 [" @& n! p6 b7 }
- Mosaic; ~' k8 R @, L" D! M9 A- L% Q; W
- Twirl
4 J$ r- g5 K. o- m- Waves
6 [) X, a! @3 K' d- Witness protection
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* r* q7 N2 S* R& J' ^. [Generate:, T0 [6 ^2 ]9 d5 z. a( \% K- p
- 3D extrusion
4 r. i% C) ], X- Animated lasers' b$ Y) [; I' \9 | W
- Audio spectrum4 P7 e4 B2 ?' c
- Audio waveform2 Y; o8 R$ h c) K5 j4 u2 h
- Auto volumetrics! `0 n' y, N# a) k" A5 G! M B
- Caustics8 Y4 t, w8 W$ g/ j
- Clouds- e6 \8 p5 q6 |5 p7 d, q
- Dimension rift% Q" p/ v/ N* K0 e* {/ L
- Drop shadow6 m! @' J/ V" B6 F% O& S; e
- End credits crawl+ V" H/ d5 ^, k. m8 L, H8 k
- Fractal noise
; Y6 v8 Q6 O5 K3 r* E) f- Grid
5 h. S- k- L, p, ~4 Q* _4 S- Heat distortion
1 F$ D. r/ K9 ?: A- `: Y- Hyperdrive, e2 `( g% \ \5 L/ \4 ^
- Letterbox3 x0 l) O5 X' S( _8 Q3 s N7 Z2 K) j" J
- Lightsword (Glow), J& y: l. H7 @0 {5 M+ w
- Lightsword (2-point auto)1 N3 _- |1 M% x- g2 r- {( R
- Lightsword (4-point manual)
3 C) [! o0 s" X% @- X$ u- Pond ripple( k6 j0 b# q6 |; O# J; Y
- Pulp sci-fi title crawl
+ W4 [+ C+ O3 j; x- Radio waves
! s' x* S5 V, ~9 J3 Q1 x- Reflection
! ~" N( d& g" @+ W- Sphere% z: ^0 O# c9 f& s
- Split screen masking
7 T. R& D5 c; H- Tile
% K, h' @5 ]: d+ Y* x8 o- Timecode
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Gradients and fills:0 x6 @ D+ ]2 P- [) e6 T7 R
- 4-point color gradient) z' C3 w) O3 o
- Color gradient
2 q3 J+ c$ y) h5 c$ B- Radial gradiant
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Grunge:
* G$ C6 k }3 t& E/ j i3 j- Film damage
* }; j& X$ m" \4 p. M* u- Film grain, C1 W5 t1 i5 g' z
- Flicker: l! ?8 N. O" i5 u: I/ W: t
- Grain
+ e/ b* p. j; Y6 b# v/ t! h- Half tone: n3 w) a n8 d: Z7 s' o6 F
- Half tone color! C5 E# @& I& ]5 [
- Jitter
$ B$ Z) \8 ~9 H H2 {- Lens dirt
3 v, Y4 D& B W) K0 M6 h5 F5 h8 t# I- Noise
( z" S' {6 L# h. y0 d- Scan lines
$ j# A6 W! x+ y4 r* C- Shake) F8 Y D/ g6 W7 @, I
- Stutter
* T/ n3 ^2 ], |2 i1 Q- TV damage
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Scene:
, y5 d+ v$ l% A) @- O- Environment map transform
$ F" \0 u7 M) d; I8 |# u- I. ]- Environment map viewer
6 b9 ]. u- b; X# n" w- Parallax+ u C8 N$ K$ k$ H2 W# y) T
- Projector) z" s2 X0 A- s r* j
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Keying:/ j* B( v* x Y* [0 A
- Chroma key- Y# U. `0 e! {9 g2 Y
- Chroma UV blur
. ^- u O9 z8 s% W n- Color difference key' k( \' Z% h( \3 I* d: f1 l
- Demult; |/ j5 v; B1 w2 d1 \
- Difference key
; }5 z. g7 p: n6 [- Hue and RGB key- ]! \ ?, @& a% k2 U
- Luminance key8 @: r3 `% V& F4 [1 N' T; Z/ J3 c
' {# S1 |& j/ ^4 b3 tLights and flares:
. P% h0 X7 t9 B% u# R6 `' Q- Auto light flares5 F$ J& l/ J# D' D. O" Y7 T
- Anamorphic lens flares
) O& `5 A% f. s0 t- Gleam
* R; S; _+ Q4 d- Glow# P& D. Q8 X2 ^# z/ K+ ^/ O
- Light flares
0 o9 y e: u4 Y/ c8 I( s. X- Light leak& b. @* h2 l) Q7 U! k
- Light rays
: K6 C* _' T1 ~9 m/ D( `- Light streaks9 i; F& I2 t3 u& X" p* y
- Neon glow8 S/ J% R; k: e8 b
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Matte enhancement:
0 l" K( V. b" }0 \8 B- Alpha brightness and contrast8 F& g7 q& Z2 `* D
- Crush blacks and whites alpha1 ^- S, v! A( m+ S$ V6 e
- Erode white
9 o9 A( ~' \! L6 i- Invert alpha
* k* T1 }, W) j1 g/ i% _- Light wrap
/ [$ X& ^0 A( P- Matte cleaner
" U& ~# _8 F9 F) S1 _- Remove color matting9 \. p* B2 ]- o. k' Y/ Z( o+ a
- Set matte
' |: T+ V9 h) x$ Y# t, {- Spill removal
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Particles and simulation:1 H) h6 N7 l8 h3 z$ x$ T3 ^
- Atomic particles
2 ?- O+ u8 P3 Y- Blood spray4 n: s9 Z/ y# D7 h' g
- Fire4 i/ ^) l0 z2 \8 @% @" q
- Gunfire
" R& d- q/ A3 ?8 f. e J- Lightning and electricity5 A4 J! f: q3 O, g/ v
- Rain on glass
9 R' O9 d( |' }; D: J; g) X- Shatter
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Video clean-up:
: }$ Y Z9 c6 ~* p- Clone stamp6 ^8 G. e: s! v
- Grain removal- }; j/ A) r* r! H
- Rolling shutter
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" I: K- g" r4 jWarp:2 x4 f V. {3 |# O
- Action Cam Lens Distort. L! C: a. i: J2 O
- Bezier warp# D" J+ Q0 w2 i+ [0 X# }# t
- Lens distort
, p& ]5 K: r8 M: y2 A- Perspective warp
! ?- n2 X/ m! A+ E6 k8 G( V# X- Polar warp
& z' D6 g+ O A; [; b- Quad warp1 w; R% F; Y2 v+ ~: z
- Spherical warp8 Z" m; B' H3 c+ D+ L/ l
- Vortex displacement warp2 ?% G" i( @, w% d
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Version 1.0.7110 released on November 16, 20173 v0 |* U l0 W1 K$ ?
Release to enable support for EDIUS 9 on the PC. V7 g0 R6 S3 ^8 C: [ D* x
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Version 1.0.6201 released on February 2, 2017
# Q% S. B: I* w. d; fNew plugin presets for several effects including Channel Blur, Channel Mixer, Channel Time Shift, Exposure and Fractal Noise.; D+ P. \# ?+ Y' S6 J6 N% s
Fixed a conflict between Ignite Pro and NewBlue Titler Pro in EDIUS.2 P% R* H. }9 w8 {* N- Q8 F2 Z' _- k
Fixed a bug where LUT files would not load properly if the file path contained diacritics or other special characters./ w) O- i/ {* c
Plugin Presets now work properly in Avid Media Composer.- M9 I3 @! f' }; a, y4 y
Fixed HSL effect to improve color accuracy and prevent artifacts in exported files.
5 ?% h) N' K/ l0 f& e$ v. I' rFixed a bug in the Lens blur effect when using 16-bit color in After Effects.2 z0 Y* j, O+ W2 _" b9 s2 ~
4 x) i1 h& H8 g
Minimum system requirements:9 B1 D) F. @3 l w
- Windows 7, Windows 8, Windows 10 (64-bit operating system)0 c, c/ {* z$ ?4 p
- 650MB free hard disk space for installation# {- j+ B% R+ m; y
- Intel Core i3, Core i5, Core i7 or Intel Xeon (Nehalem) processor or AMD equivalent8 S" x: O" u# v; B, j, Q) w( W& x; D
- 4GB RAM
$ t" i4 y5 O" \- OpenGL 2.0 graphics card with at least 512MB video memory (NVIDIA GeForce 9 series, AMD Radeon HD 5000 series, Intel HD 4000). 1GB of video memory is required for 4K projects5 _& j* B' J# s1 s) f/ i
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, w8 P5 Q3 f# K [Download：
( \* U' B' F+ W& `! w; X* tIgnitePro2017_1.0.0432.pkg
1 `" O5 E5 M) m' KIgnitePro2017_1.0.0372.pkg
3 Q7 x9 o: l# `2 n8 Q1 U( x; a1 `6 ^IgnitePro2017_1.0.0389.pkg" z& L ]( F8 C6 A' e3 ~' w1 g
IgnitePro2017_1.0.0452.pkg
) P ~* B+ B7 T5 E, eIgnitePro2017_1.0.0538.pkg
) R/ q( x2 P6 Z1 r- X( E0 ZIgnitePro2017_1.0.6613.12930_x64.msi V5 p; P5 ^+ E: ]. o* y) E
IgnitePro2017_x64_1.0.6201.40416.msi
+ g6 F; i% N, d6 K* M& I$ X& MIgnitePro2017_x64_1.0.5916.12601.msi6 S$ F1 H2 j; N
IgnitePro2017_x64_1.0.6007.12602.msi
/ D7 J: D5 e- s$ p; k2 _& ZIgnitePro2017_x64_1.0.6227.12601.msi; Q9 E2 n) y5 c: P
IgnitePro2017_1.0.0630.pkg
( w$ Q! @* o4 Z/ P" U0 X7 i5 A5 @IgnitePro2017_1.0.7012.41412_x64.msi
* D3 P+ Q+ q d0 i; `/ i; u; qIgnitePro2017_1.0.0630.pkg; ? g0 R) |9 g* Z8 f
IgnitePro2017_x64_1.0.7110.12602.msi6 C8 J, ?2 E- C6 C: W
/ H( y1 e# l1 ^, L- ]/ D& f) bIgniteExpress2017_1.0.0538.pkg
3 N3 d0 t" x! c- E: wIgniteExpress2017_1.0.6613.12930_x64.msi* q/ m, y; e+ R9 Z3 K
IgniteExpress2017_1.0.0630.pkg) h0 `( p3 g# h, e
IgniteExpress2017_1.0.7012.41412_x64.msi
5 w* T% K7 o0 q9 a6 F6 `IgniteExpress2017_1.0.0630.pkg& [/ q2 V6 ~, \
IgniteExpress2017_1.0.7110.12602_x64.msi. F' A$ a" C/ Y, ]- g1 j
4 [6 V; |' m8 r, ?: Z/ p; nhttp://installers.hitfilm.com/hitfilm-ignite-pro-2017/IgnitePro2017_x64_1.0.7110.12602.msi" t g, ?: O, n2 h. Q- a+ W
http://installers.hitfilm.com/hitfilm-ignite-pro-2017/IgnitePro2017_1.0.0630.pkg/ ~$ _: \5 d9 D2 O" v: }
http://installers.hitfilm.com/hitfilm-ignite-pro-2017/IgnitePro2017_x64_1.0.6201.40416.msi2 G @$ c; X- g% [7 K% _
http://installers.hitfilm.com/hitfilm-ignite-pro-2017/IgnitePro2017_1.0.0432.pkg
- p! N) \* w# b- P2 `" thttp://installers.hitfilm.com/hitfilm-ignite-pro-2017/IgnitePro2017_x64_1.0.6007.12602.msi
{' u' K0 w# S. ghttp://installers.hitfilm.com/hitfilm-ignite-pro-2017/IgnitePro2017_1.0.0389.pkg
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发表于 2017-2-24 09:52:46