Autodesk Maya 2015 SP4

Program Name: Autodesk Maya 2015 SP4
# E, C* h, A: K7 ]0 RProgram Type: Autodesk Maya
Developer: Autodesk:
/ M6 ]  z+ j4 w: b, gHomepage: http://www.autodesk.com/products/maya/overview
Release Date: 03/22/2014
Interface Language: Multilingual
2 |- M, F* s" l8 ^  GPlatform: Autodesk Maya 2014/2015/2016, 64-bit ONLY
File Size: 1.5 GB / 1.07 GB7
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Software for 3D-animation, modeling, rendering and compositing Maya® provides a versatile set of features for 3D-computer animation, modeling and rendering on a highly extensible production platform. Maya provides tools for creating high quality characters and effects, and increased productivity for performing modeling tasks, texturing and create problems toning modules.
Tools for creating characters and digital animation.
+ U, h- H5 O- A( v! ~3 bMaya® software product allows to solve complex production problems to create characters and digital animation. Maya provides powerful integrated tools for 3D-animation, modeling, effects, and rendering within well-functioning expandable matrix process of creating computer graphics

+ b3 B0 |% q/ B; \! u4 I  ?Main features of Autodesk Maya 2015:
Dynamics and Effects
% \& r) D2 @* R2 X6 o, K$ kprocedural platform for creating effects Bifrost NEW
, g0 D. A: \8 ~' \# Y" k6 _! @% vCreate photorealistic rendering and dynamic simulation of liquids.
• Developed based on Naiad technology is fully integrated in Maya, and enhanced to improve usability.
7 F' z4 t: e: w• View the results on a high definition display Viewport 2.0, as well as rendering the mechanism of mental ray NVIDIA.
• Specify whether to place the fluid should be in the network with a new mechanism of work with particles on the surface or should be done direct rendering voxels.
7 u6 x3 c! o  W6 w; K/ o$ l! F• Export particles voxels and networks in its own file format, as well as in selected standard file formats.

XGen Arbitrary Primitive Generator NEW
. [/ O  ^; U0 j9 y- k2 ~3 PCreating curves, spheres and custom geometric shapes on the surface of polygonal networks for fur, feathers, leaves and other items.
0 B; D7 u( W& _) P• Create and "combing" of hair, fur and feathers for the characters.
• Filling large landscape grass, foliage, trees, rocks and debris.
• Processing of large volumes of data placement, slows down the system when loaded into memory.
• Preview rendering effects interactively in the viewport Viewport 2.0.
• Management reporting and primitive behavior by setting attributes, staining textures, creating expressions, or by using the interactive tools available for processing characters XGroom.
• Management of long hair by creating hair guides.
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Bullet Physics (improved) 

- H' h1 B* s  p% UCreating a large-scale, highly realistic dynamic and kinematic bodies by means of an improved plug-in Bullet with open source software, supplied together against AMD.


• Modeling of hard and soft bodies in a single system.
• Use continuous collision detection 3D-bodies.
, I: }1 M) j5 \+ p8 P4 F: y, W• Creating a composite form from collisions of several networks.
• Improved quality of collisions with the help of concave shapes.
2 t3 R2 @  Y* E: @• Integration with Maya Forces.
• Set Support stiffness for greater scalability.

Maya nHair
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Create highly realistic locks of hair and the speakers on the basis of the curves.


• The combined effect of rendering complex models with numerous dynamic records.
  I1 y& M, N9 L4 d. K9 ~• Use of a common system of fields, forces and dependencies of all modules Nucleus environment.
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Maya nParticles 

! ]( S- i8 L" fsimulation of a wide range of complex dynamic for 3D-effects.


$ Y5 y3 P* d! ^4 A$ D# b- Z• Rendering of smoke, dust and fine spray.
• Creating and pouring liquids spill.
9 J) p8 [; ~  I1 j, a4 ^- `! l• Use samostolknoveniya allows you to enable the summation nParticles particles in volumes.
; M8 R" O% \( U' t• shading attributes such as the radius, color, opacity and glow, displaying the time, date, velocity or radius.
9 }% a1 p+ u3 q, x# k• Control via flexible nConstraints dependency without having to write complicated expressions.
• to replace the objects of the particles can be used geometry occurrence.
• Two-way interaction with Maya nCloth and Maya nHair.
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' P" O/ o* J$ tMaya nCloth 

Integrated tool allows you to create realistic clothing and other deformable materials.


• Models of polygonal networks can be converted to nCloth objects.
• Maya nCloth materials can easily fold, stretch, cut and dent, changing their color accordingly.
+ m5 [+ T- U% n9 |$ I• 3D-objects stiffening, viscosity, and smoothness.
• topologically neutral dependence is used to attach buttons, creating gaps and creasing when moving.
8 ^( {6 Q9 o! g- b4 N, g& X% @• It is possible to simulate multi-layer fabric - such as shirts, released over trousers.
• samostolknoveny feature allows you to achieve realistic results and avoid interpenetration errors.
• Mixing the cached data from multiple simulations allows to obtain complex effects.
• Two-way interaction with Maya nParticles and Maya nHair.

- l9 q& @. z$ X8 `Maya Fluid Effects
Modeling and Rendering realistic atmospheric and pyrotechnic effects, and also viscous liquids and open water surface.
• Available in sets of parameters for the creation of clouds, smoke, snow, steam, fog or nuclear explosion.
• With the help of 2D-flows can create high quality animated textures.
• Integration with other components of Maya: for example, the liquid acts as a force on the particles.

Dynamics of solid and amorphous solids
to create convincing models of a variety of rigid and flexible objects.
• solid objects can be assigned depending on: Nail, Hinge, Barrier, Pin and Spring.
• Use objects of amorphous solids can create secondary motion effects with the desired weight.
• Movement of natural forces is modeled using dynamic fields.
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Maya Fur
create realistic fur, short hair, wool and grass.
• Textures several types of fur.
• Several types of fur on the surface.
• condensation control for a natural look, for example, a wet, matted or dirty fur.
/ z0 c8 }' z; ?; |0 G• attractive system for dynamic movement and the movement of fur keyframes.
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% |2 l6 Q4 @, P; Y, ~5 [3D-animation
! k* G7 V1 [" W* b! Z* ^7 FGeodetic merging voxels NEW
1 d7 y7 Y% v+ B) kFormation of high-quality, ready-to-release introduced the characters in the short term with a new innovative way of skinning.


• Rapid implementation of a complex geometry in a skeletal model.
• Processing leaky geometric shapes and networks with heterogeneous or overlapping components.
3 _' V- c( J% `/ x; M6 f5 U/ v• These weights are compatible with the existing methods of skinning in Maya and are suitable for use in game engines.
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Tools for general animation
Access to specialized tools 3D-animation for animation keyframe, procedural and programmable animation.
; C% R% Q, x! n) T& T, }• non-destructive animation blending system layers, working with attributes.
6 f9 n: G, q4 ]+ T( L0 l• The diversity of the generalized dependency.
• Tool Set Driven Key, allowing you to transfer a complex relationship between the characters animated by keyframe.
• Editors animation curves and diagrams of keys to control the time change animation attributes.
• deformers for static modeling or animation.
• Editable motion tracking to adjust the animation in the viewport.
• Wax pencil sketches and notes animation directly in 3D-scene.
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Creating characters
Creating outer shells, tooling and poses significant characters with realistic deformations in a short time with the help of software for Maya 3D-animation.
7 z! ^1 v  c5 M' D& H7 ~• Installation of an inverse kinematics solution means all Human IK body.
• Built-in Spline IK, Spring IK, and single-level and two-level simplified solvers.
* o) u* z  j. [0 Y) d* b6 R& G• The system of inverse kinematics (IK) for natural articulation of limbs in the models of the two-legged and four-legged characters.
• nondestructive workflow real-time traffic transfer to work with the motion capture data and other animations.
3 f* }. F6 x. F' D8 O  m1 O/ |$ L• Advanced tools for Maya Muscle change forms for the transmission of realistic or stylized movements of the skin and muscles.
• nondestructive workflow for the compounds bound to the skeleton.

Animation for reuse
Reuse, recycle and adapt existing characters and animations in order to save time.
2 P+ L0 k2 l  V, [# F• tool Substitute Geometry (the geometry Replacement) for transferring data from one skinning model to another.
0 H6 f* Q. M) \; U' U• The ability to transfer the animation from one character to another with the help of independent file format ATOM (Animation Transfer Object Model).
• Non-linear animation editor for Trax non-destructive editing of poses and animation clips.
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Frame Sequencing
accelerates the creation of pre-visualization and virtual production films.
• means for defining new frame sequence Camera Sequencer allows using a single animation frames from different cameras.
. L1 s+ [: K0 c3 {) s• You can start to create a sequence of frames in Maya, or import of a mounting assembly program plan (EDL) in FCP or AAF format video data, Audio dubbing and time codes.
6 ?# H- B) w: j• With the help of a new tool Sequencer Playlist, you can reorder clips, edit, input-output point, and adjust the camera settings.
• The frame sequence can be viewed in Playblast. If desired, can the serial export frames in EDL format for further processing in the program for the installation.
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3D-modeling
Optimized tools for reuse topology NEW
Simplified optimization of networks for greater accuracy strain and increasing productivity.
• Tools Quad Draw Relax integrates tools (cancellation) and Tweak (shift) with Soft Selection tool (soft selection) and an interactive tool Edge Extend (elongation edges).
# m: ^4 }- V% S$ b' n/ L• Optimization of networks for greater accuracy strain and increasing productivity.
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# C* |0 \) y) S, o, O. g( B0 [$ }: lSupport OpenSubdiv NEW
Get increased speed sketches, rendering displacement maps and RenderMan rendering system used to map surface smoothing with support libraries OpenSubdiv.
• The source code is open by Pixar, the introduction of technology from Microsoft Research.
1 h& n& G7 @9 a$ C• Concurrent use of resources, architecture, CPU and GPU can significantly speed up the drawing when the strain.
• There is an interactive visualization of displacement maps without the need for rendering.
• rendering system RenderMan from Pixar makes up match planarization.
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Modeling of polygons (improved)
Enjoy a faster and reliable polygonal modeling using advanced logic operations, improved performance of the bevel, and tighter integration Modeling Toolkit set of modeling tools.
• A new feature for the library more quickly and reliably perform logical operations in polygon geometry.
• Improved beveling tool through advanced Bevel (Bevel).
# S$ J/ U3 Y" ]) t, y' f+ A/ V• Optimization of workflows polygonal modeling through a complete set of tools for modeling Modeling Toolkit.

Instrumentation UV-texture (improved)
$ ~2 O2 n' Q% L: x5 l5 LRapid creation and editing complex UV-networks and obtaining faster results with mosaic texture sequences
• Multithreaded scanning algorithm for simple and fast high-quality results.
• Ability to quickly switch shader staggered and compression shaders to render the UV-texture distribution.
• A new set of workflows to increase productivity.
• Support for download, visualization and rendering UDIM and overlay sequences labeled UV-textures to ensure a more efficient workflow in Mudbox software product for digital 3D-sculpting and texture painting (Angliysky) and some other applications.
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Polygonal modeling networks and smoothing network
& g5 s; t  @5 nuses the proven intuitive tools for 3D-modeling characters and environments to create and edit polygon networks
• Integrated set of capabilities for modeling based on the NEX tool technology from dRaster.
• Tools Bridge (bridge), Poke (puncture), Cut (cut), Wedge (skew), Bevel (squeezing), Quad Draw (drawing in the square) and Chamfer Vertex (chamfer top), as well as many others.
' K) Z& K2 C" \  p• Ability to preview and toning smoothly separated into smaller networks elements at the proxy editing or cells of lower resolution.
• Soft choice, pre-allocation of selected elements and selection elements allocated with the camera.
• Tools to simplify the polygons, data cleaning, labeling, information blocks and set the level of detail to optimize scenes.
• transferring data UV-texture, color and position encoding vertices between networks of different topologies.
• Tools for constructing symmetry based on topology for a given network.
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# g; F) {6 D9 M2 j! b+ ~" ASurface modeling
# h' I) ]4 ^) ?Preparation of two ways to create a mathematically smooth surfaces with a relatively small number of control vertices: NURBS-surface and hierarchical division surfaces.
• Different levels of detail across the different areas of smoothing surfaces. Difficulty should be added only where it is needed.
" U$ i0 l8 P% A( Z. k$ D• Connection, disconnection, alignment, stapling, elongation, conjugation and rebuild NURBS-surface is carried out with a high degree of control over their parametrization and integrity.
- z4 u8 f, c/ w" j$ Z9 x! l" S2 i• Converting surface NURBS-smoothing and polygonal surfaces in the network and vice versa.
• Sharp tools construct curves and surfaces based on the spline.

UV-textures, normals and color coding
Create and edit UV-textures, normals and color coding of the data. Additional data are needed for software, interactive gaming and 3D-rendering
• Streamlined workflow for creative texturing.
1 K- p$ i" n/ ~; A2 ?9 g• Several sets of UV coordinates, maintains a separate texture coordinates for each channel.
• Assignment of individual UV-coordinates of each entry allows you to use a single network to represent multiple objects, which greatly facilitates the creation of scenes.
* E6 s% q. w7 |; Q• A variety of kits designed for game development class animate these color-per-vertex (CPV) , the pre-lighting, custom normals and means of formation of normal maps.

2 g8 n3 E) x3 t1 w# p1 o/ ?Integration of workflow
) @! L$ L! S+ b0 Tscripts and API-interface
can create Maya scripts and write add-ins to enhance the effectiveness of the adaptation capabilities and differentiation of work.
• Select the scripting language: Maya Embedded Language (MEL) or Python *.
• Add-ins and standalone applications can be created in languages C ++, Python or .NET and run from the Maya command line.
• Develop new types of Maya objects, including file translators, hardware shaders and freeform surfaces.
• interface components for specialized tools created in Qt Designer or Pyside and loaded directly in Maya.
* Python is a registered trademark of Python Software Foundation.

2D and 3D integration
Take advantage of optimized workflows for 2D-drawing vector graphics creation, editing and compositing for some applications.
: x: ]' d& J: k7 n, q5 F3 T2 Y• perform several passes in a single stage is used Render Layers command (toned layers). The results are exported to the selected layout or stored in formats Adobe Photoshop (PSD) or Flash (SWFT).
; v. E! ]8 t+ h) K% t• Based on the layers of rendering a scene, you can create and update the structure of compositing.
7 ~0 z9 T$ [% X8 }7 T* A# J• Installation Plan (EDL) can be exported in the application Apple Final Cut Pro or in XML format or AAF, along with timing after the change of frames in a sequence of frames specifying means export procedure is repeated.
• When creating and editing bevels in Adobe Illustrator file supports the ability to update the original files.

Data management tools and scenes
8 w9 g; k# |  KEfficient management of large data sets with the help of specialized tools and workflows.
• View and edit communication is provided through the powerful architecture of the graphs.
$ C/ a- c1 }, f& A  a8 v7 ^3 l• Dividing a scene into segments using the components and links to files easier to manage workflow and improves performance by loading only the necessary elements of the scene.
• grouping the nodes into containers, you can create custom views.
• Extended change simulated data without rebuilding
• Render Proxy feature in the module mental ray (Angliysky) allows you to replace scene elements with simple networks, low-resolution rendering for downloading only pre-prepared data.
/ \+ `% P$ j( `; F  ?7 b• Use a graphic reading and writing exchange format files operations with open source Alembic, to extract complex data modeling and animation in baked geometry that does not depend on the application.
* Mental ray is a registered trademark of NVIDIA ARC GmbH, licensed for use by Autodesk, Inc.

Tools scene assembly for intelligent data
facilitate the creation of large, complex graphical environments.
• Management of production components as separate elements.
• Switching between different views, for example, change the level of detail.
" S9 |: h- p0 C) a0 _, n- W+ `• Application, animating or drawing up requests for changes at any level in the assembly hierarchy of the stage.
( x- ]- N/ U: s; W7 ?& H3 x3 B8 V• Tracking overrides in assemblies using advanced editing system.
• Using the API-interface to adapt tools to create their own solutions.
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. |" F$ Y+ I. |Additional work with file paths
* W% v0 g! O+ R2 G4 iFast execution of diagnosis and correction of broken file paths via Editor paths, as well as working with the data is not local, supports URI.
• The UI Editor file paths listed units in which external files are used: texture, image plane, links and audio.
• If the path to the file is broken, you need to quickly move a file or perform a search to return the directory structure.
• Specify the path to a nonexistent file for transfer to another user, who may be a different directory structure.
. Q8 \) Z4 i' k) L7 S5 P• Access files on non-standard paths to files with support for URI.
" ]' a5 P9 }9 k• Using the API (application programming interface) in Maya: You can set the desired URI scheme. Painting in Maya Using intuitive tools based on the brushes.
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New in Autodesk Maya 2015:
2 w; p# Y0 O2 a' L8 H- ~- W: ^' UDynamics and effects.
* Procedural platform for creating Bifrost effects. Create photorealistic rendering and dynamic simulation of liquids.
# V, v' V& q) V6 c9 y; s* XGen Arbitrary Primitive Generator. Creating curves, spheres and custom geometric shapes on the surface of polygonal networks for fur, feathers, leaves and other items.
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7 b( ]' g  u$ C* {$ N2 C3D-animation
* Geodesic merging voxels. Formation of high-quality, ready-to-release introduced the characters in the short term with a new innovative way of skinning.
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! c; t' w* ~3 T' M( t+ [3D-modeling
( f1 W6 m' p, [; J1 T& A* Optimized tools for reuse topology. Simplified optimization of networks for greater accuracy strain and increasing productivity.
( q2 B- K, G0 A4 N# }2 \* Support OpenSubdiv. Get increased speed sketches, rendering displacement maps and RenderMan rendering system used to map surface smoothing with support libraries OpenSubdiv.

3D-rendering and image processing.
* ShaderFX. Easily create additional species shaders HLSL screen, and GLSL shader editor CgFX in real-time ShaderFX.
, g8 i( Z0 Z: L* Support Ptex in mental ray. Visualization Ptex texture files in mental ray for Maya.
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* B; Y/ T* Z8 C. Y8 NSystem requirements:
5 l2 m2 q1 [/ w& oMicrosoft ® ® the Windows 7 (Service Pack 1), Windows ® 8 and Windows ® 8.1 Professional
CPU: 64-bit Intel ® or AMD ® processor multicore
" u4 L9 F- K" c9 I/ L0 S: }! P: fRAM: 4 GB RAM (8 GB or more)
, y' O2 K( Q3 v; p4 BDisk space: 4GB of available disk space for installation


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; C% s7 Z2 C, y$ y: @3 cDownload：
: S# d6 g$ C2 A( Z; a: t1 y  ^Autodesk Maya 2015
http://trial.autodesk.com/SWDLDNET4/2015/MAYA/DLM/Autodesk_Maya_2015_dlm.sfx.exe

Autodesk Maya 2015 Service Pack 4
8 [; g5 j. K8 _. h! Uhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_4/Autodesk_Maya_2015_SP4_English_Japanese_SimplifiedChinese_Win.msp
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http://download.autodesk.com/us/support/files/maya_2015_service_pack_4/Autodesk_Maya_2015_SP4_English_Linux.tgz
/ l8 O3 b) p" P$ P8 V) f8 Xhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_4/mental_ray_for_Autodesk_Maya_2015_SP4_Win.msp
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- x6 H, F* r$ r' P3 _4 Whttp://download.autodesk.com/us/support/files/maya_2015_service_pack_4/mental_ray/mental_ray_Satellite_3_12_1_for_Autodesk_Maya_2015_English_Mac_OSX.dmg
+ B- M, c3 R; K- _4 c- o) Nhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_4/mental_ray/mental_ray_Satellite_3_12_1_for_Autodesk_Maya_2015_English_Linux_64bit.tgz
% X' T9 G# `4 E2 t; [http://download.autodesk.com/us/support/files/maya_2015_service_pack_4/mental_ray/mental_ray_Standalone_3_12_1_for_Autodesk_2015_English_Win_64bit.exe
7 }3 ]5 L2 n6 ?http://download.autodesk.com/us/support/files/maya_2015_service_pack_4/mental_ray/mental_ray_Standalone_3_12_1_for_Autodesk_2015_English_Mac_OSX.dmg
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Autodesk Maya 2015 Service Pack 3
. x2 L; A7 F, thttp://download.autodesk.com/us/support/files/maya_2015_service_pack_3/Autodesk_Maya_2015_SP3_English_Japanese_SimplifiedChinese_Win.msp
0 t' K  A  ?1 U% o! shttp://download.autodesk.com/us/support/files/maya_2015_service_pack_3/mentalraySatellite/mentalray_Satellite_for_Maya_2015_3.12.1_Mac_OSX.dmg
! z( R) B, E" C2 Q( A/ Jhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_3/mentalraySatellite/mentalray_Satellite_for_Maya_2015_3.12.1_Linux_64bit.tgz
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, u# K6 a2 o3 j/ L9 [0 P8 }http://download.autodesk.com/us/support/files/maya_2015_service_pack_3/mentalrayStandalone/mentalray_Standalone_3.12.1_for_Autodesk_2015_English_Mac_OSX.dmg
5 h) J) N9 X0 S8 x7 h6 f; Ghttp://download.autodesk.com/us/support/files/maya_2015_service_pack_3/mentalrayStandalone/mentalray_Standalone_3.12.1_for_Autodesk_2015_English_Linux_64bit.tgz

Autodesk Maya 2015 Service Pack 2
( V( {- s  F( {) hhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_2/Autodesk_Maya_2015_SP2_English_Japanese_SimplifiedChinese_Win.msp
6 F; ~1 h2 o( q8 R( x/ shttp://download.autodesk.com/us/support/files/maya_2015_service_pack_2/Autodesk_Maya_2015_SP2_English_Japanese_SimplifiedChinese_MAC_OSX.dmg
! `' z- m% W" T+ [9 H7 p( ?http://download.autodesk.com/us/support/files/maya_2015_service_pack_2/Autodesk_Maya_2015_SP2_English_Linux_64bit.tgz
http://download.autodesk.com/us/support/files/maya_2015_service_pack_2/mental_ray_for_Autodesk_Maya_2015_SP2_Win.msp
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  h4 ^* w+ a; Whttp://download.autodesk.com/us/support/files/maya_2015_service_pack_2/mentalray_Satellite_for_Maya_2015_3.12.1_win64.exe
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/ r* t+ X7 o8 F* qhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_2/mentalray_Satellite_for_Maya_2015_3.12.1_linux64.tgz
9 ]( l1 z) x5 Z
- z  a7 e! \# i; B( U; \& v+ yhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_2/mentalray_Standalone_3.12.1_for_Autodesk_2015_English_Win_64bit.exe
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  J2 \+ a/ n6 t# J9 {6 I( I' ^http://download.autodesk.com/us/support/files/maya_2015_service_pack_2/mentalray_Standalone_3.12.1_for_Autodesk_2015_English_Linux_64bit.tgz

# V# m4 f$ r& c  R! h5 o$ fAutodesk Maya 2015 Service Pack 1
http://download.autodesk.com/us/support/files/maya_2015_service_pack_1/Autodesk_Maya_2015_SP1_English_Japanese_SimplifiedChinese_Win.msp
# {# l: G" z7 a% ^* R: z1 h& Shttp://download.autodesk.com/us/support/files/maya_2015_service_pack_1/Autodesk_Maya_2015_SP1_English_Japanese_SimplifiedChinese_OSX.dmg
0 n' i# }1 M# e4 N3 ^6 i2 Hhttp://download.autodesk.com/us/support/files/maya_2015_service_pack_1/Autodesk_Maya_2015_SP1_English_Linux.tgz