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Avid Symphony v6.5.5 Win/Mac

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Program Name: Avid Symphony v6.5.5! Y5 R. A& `8 [* E
Program Type: Video editing: Y5 M6 ~2 F( h; y9 S5 L
Release Date: August 2012
* Z3 d$ V, r( ]# z7 c1 i* F* UHomepage: www.avid.com/US/products/Symphony$ G( J9 }  c+ e6 h3 |' q! D0 s
Language: English
/ v- Z+ a8 \( Z% NPlatform: Win/Mac
9 W1 V- Z% s  F) C' HFile Size: 1.57 GB , 2.09 GB1 k) y; O7 S9 {

. D4 ~; V. E9 Q. T) ^% DAvid Symphony -  - software for professional video editing, has the same features, advanced tools and processes as Media Composer, plus advanced color correction, Boris Continuum Complete and universal mastering tools. Built in the image and likeness of Avid Media Composer, the most common system in the world, traditionally used for the production of American blockbusters and TV shows, the Symphony system inherited an easy-to-understand user interface and a host of useful Avid Media Composer features. Moreover, Avid Symphony is often used for fine-tuning projects created in draft mode on Avid Media Composer systems.
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" v8 k) d! u) mInstallation is faster, the quality is higher
0 k. ], s# K' C3 D7 KIntuitive integrated media management, fast trimming tools (single-frame gluing), one-step color correction, image stabilization, an animated alpha channel in real time, a 16-bit process of AVX effects, the most accurate and reliable editing process in the media production industry and much more. With integrated functionality, all other software installation tools are inferior in their capabilities to Avid Media Composer.1 A6 D% {$ c- J" P. A

, U% y/ J# u* e' |Mixing and editing of many formats in real time
* P  I2 w/ H; `# u* r: s' XThe combination of HD, SD, DV, movie formats and resolutions, as well as Avid AVR and Meridien JFJF formats, on the same timeline - without the need for rendering, transcoding or re-digitizing. Installation in the original formats DVCPRO HD and HDV. Multi-chamber installation of various formats 8 real-time - HD, SD and DV.8 B* W3 G+ N  h( L7 R6 N
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Confident work with the source materials of film and video projects
+ {5 ]- x8 r% h  k4 `Support tapeless formats and the most powerful and accurate industrial level of 24P technology makes it possible to cope with movies and video projects without problems. Resetting media information 24P in real time via the IEEE-1394 port eliminates the need for a long-term transformation, gives flexibility when resetting movies and video projects.+ p. V3 v5 t, P4 V

8 O* J% K# O% `  p1 w( Q0 M# QTo work with more productivity means to have more time for creativity
3 c: _' h+ ~. f5 |% b) u7 x, B0 iUnification of Avid systems in the structure of industrial production, compatibility of Avid systems during installation and finalization eliminates the need to repeat work when moving projects from system to system. Support for Avid Unity and Avid Interplay. Nonlinear workflow adds background media management, allows you to work as part of a single production complex.# B" A+ p: a: c4 F' X; F3 r

: K/ G7 f" u5 |3 ]Key features:4 L. ^% T) R( Q2 \
- Ability to mount and work with effects for 10-bit SD and HD video
/ t3 u, r' W' v1 I# c* @- Universal codec library for simultaneous work with DV, IMX, SD and HD materials on one time line.5 u! y7 ~* s% l% p! @4 ^/ d
- Supports working with DVCPRO HD and DVCPRO 50 without additional conversion (capture / output via IEEE 1394)
) Y4 R$ B% H7 c- P" X+ F. e2 G- Support for working with HDV without additional rendering
: Q6 _" w0 A2 |( o) H# l" H2 j- Up to 11 streams of uncompressed SD video (more streams are possible at a lower resolution)
+ T: t) ~3 M3 _4 ?& T9 ?6 L8 K- Ability to work with digital negatives (DI) in off-line mode
& I( t+ x% g# `# Q8 f! Z- Spectrometer SpectraMatte with SpectraGraph
7 t5 k- @' w4 I+ G" A! {- Supports AVX 2
1 Q6 d% v5 T( J) @: T% c+ q- Quality switching mode for maximum performance
6 `- E- @! J% O1 d) [- Optimization of work on multiprocessor stations1 h2 X2 O7 ]" O

1 ^: @  N3 P3 N5 ^0 G% s2 A' ~Mounting options
) c% Q7 w; ~" R" y4 D- Working with video materials with different resolutions on one time line8 [1 L2 t& [3 l$ `# g) R8 V
- Multi-chamber editing in real time (9 SD sources, 3 HD sources)+ i5 _, Q5 M# ]- x: L
- The SteadyGlide function, which provides Motion Tracking and Stabilization,$ \( v0 i1 K0 X4 V
- Compatible with ABVB AVRs and Meridien JFIF: E- y% i: q$ P  E1 Y
- Consolidation and transcoding of media data into different resolutions* N: S8 t. P, \+ q; o; H% [9 O
- 24 video and audio tracks (unlimited number of video layers through the ability to work with several sequences at once)2 G1 U% g0 i3 ~! z' J8 R  q
- 24 MetaSync tracks
7 x1 X6 n5 f, O4 Z1 R- A set of Film Composer tools
/ l* H9 [; L, T5 o+ s- Apply uncompressed effects regardless of the resolution of the clip itself4 n5 H% \* p2 @; t
- The effect of "audio dissolve" in real time
) `  m+ [$ l1 J6 O- Support for 4: 3 and 16: 9 formats
9 ?3 e- \& c/ s/ \2 s- Breakdown of DV material into scenes
1 h& U  \& P, {% c- Work with long GOP sequences
) ^7 z% v7 M( o5 \: s- Supports 24P capture in 24, 25 or 30 personnel projects
! r& H0 o+ y2 ^' Q/ }! \- PAL 24P and 25P
# l- G- b: i3 U- Video Archive function
% r9 ]: M# |! y" ]: C- Ability to mount during capture (you must have Avid Unity MediaManager)
% A1 l  t# D. l) \  U- 23.976, 24 and film editing with the ability to convert the sequence from 24 to 23.976
4 U/ R) [6 ^6 s& |( {- Capability to capture 24P by IEEE-1394 for 24fps projects; E5 o: t& u! A6 Y

; D! M8 A6 N2 ?' MDigital Video Effects and Compositing" e3 r7 |9 \) O
- 10-bit effects and filters Boris Continuum Complete
7 m% C5 S/ J3 O, r- Customizable 3D effects in real time: Warp, Picture-in-Picture, Corner Pinning, Shapes, Video Titles
" l( P. X) D& |А также в реальном времени: Dissolves, Superimposition, Resize, Flips, Flops, Wipes, Conceals, Squeezes, Masks и Picture-in-Picture
  b/ |8 m. [+ S8 O- [- Поддержка Panasonic Varicam off-speed
% b7 z; c- r$ O: a4 Y- Moving Mattes в реальном времени. Q; j( K/ W1 t( b/ N+ H
- Хромакей и люмакей в реальном времени
, n. S6 H% E6 e+ D0 U) d% W: |9 U- Кеинг по альфа-каналу в реальном времени; U! `/ l7 Q: L7 Z7 g
- Композитинг неограниченного количества слоев; ?) l" k4 N* n: ~+ J* D/ N! T5 A8 l
- Настраиваемые эффекты изменения скорости включая, FluidMotion  I9 m( {' c+ s6 T& s
- Эффект FluidFilm для придания видеоматериалу 50i и 60i вида киноматериала( x1 n9 U' {3 Q3 ]2 W8 M! w2 q; W" j
- Поддержка плагинов AVX 1.5 & AVX 2.0, включая плагины реального времени сторонних производителей- {5 Z: W8 l* t9 c4 ~, U" c" q$ M
- ExpertRender для просчета эффектов
/ R( |' J: }9 ]- E$ l! b7 ~- Возможности Paint, AniMatte, Scratch Removal для покадровой обработки; H, `* u5 G1 A
- Pan & Zoom создает видео из статичных изображений в высоком разрешении
* Y) E# g% `7 j0 y" l- Deep Defocus, blur, mosaic
! X8 ~% u3 M+ n$ o3 ?- Инструменты для изменения соотношения сторон кадра
1 a+ i. M1 G% }- High-quality SpectraMatte with SpectraGraph capability0 c$ B1 ^0 g: y" p% l
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10-bit color correction; i+ d( s+ e* \. |5 @" |
- Professional level color correction tools in real time
8 v. }& o$ L+ l- J% |# b- One Step AutoCorrect  y) a. h0 [/ e! j& c
- Patented NaturalMatch for easy color matching) Y. [) T- Q) B; u, ~) }2 q+ B) o- r
- Color effects in real time, customizable with keyframes  ?0 h8 _1 Y1 g/ \5 n# L
- Three-color windows for color correction
$ E. o) D8 C/ T0 |) C$ ~2 b6 t1 O  P$ [- Displaying ChromaCurve and ChromaGraph$ s/ |  u- ]8 B4 U4 P7 l  R
- Waveform and Vectorscope display8 Q# \* N5 P% x+ `7 J9 B

" d9 Y7 \2 G0 h& C  w5 s1 zIntegrated tools for creating titles and graphics+ B& |2 F* K! @8 Z7 F3 B4 N: }( l
- Uncompressed graphics and titles in real time- @0 t# w! ]8 ^$ r$ M: I
- 2D and 3D titrations, including Marquee
1 C1 o: }- T- G7 c: ^- Drum and creeping line
$ X9 s3 U" t# G, K6 x2 x. ^- Saving user-defined header styles
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Maximum usability and compatibility
- E9 e7 @& v0 D0 B/ T- Support for Avid Studio Toolkit (Avid FX, Avid DVD and Avid 3D)
6 n( b2 V: {  j! [; m: o: L# z- Supports the entire Avid Unity line, including Avid Unity MediaManager and Avid Unity TransferManager compatible work environments1 U9 ^) d: Q/ w$ W( z
- Ability to edit during media capture
5 I' ]6 K6 r, }" I' K- Full compatibility of beans, sequences, gluing, compositing, sound settings, effects and Avid media with Avid Xpress, Media Composer, Film Composer and Symphony# F3 I$ X% B+ D, j! B+ m5 E: c4 [
- Compatible with Avid DS Nitris systems with AFE
1 r6 H5 F4 {/ m  ]4 a6 S- Support for Sony XDCAM, including MPEG copies of low resolution and IMX! B0 ^: W/ Q% Q4 b+ N
- Support for Panasonic P2# W0 [- n$ c, n0 m8 y+ s
- Import / Export AAF0 j: \3 i; _1 B/ D' C4 j$ X
- Working with MXF or OMF4 k2 L. V: O+ G. \! L) J3 O
- Encoding HD and SD video in Windows Media
' B# b+ y4 ]! g- Output of the LTC time code
/ _, y) {; _7 a1 }$ w- E: z' I- Support for Photoshop and After Effects layers
5 |% m9 M/ T$ d, S2 s  e4 _0 T: Y- 24-bit audio files compatible with Digidesign Pro Tools
, x, j8 A$ @. L- Remote control playback and captures
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. c9 L" G- A9 T' R+ WProject and metadata management
  {0 E- l, z) b" t6 W4 V- Multi-level search, selection and sorting functions0 L( A7 m% e5 B  R% u6 u
- Viewing modes: Frame, script and text
# e4 c: w) V+ ^  K: z- Ability to change the metadata file directly in the bin
% P# M. J1 F" l5 d2 @0 t- Unlimited number of beans4 b# ]6 \3 g3 Z
- Media consolidation function" b3 |' H9 f; ]; I$ j. e  f
- Hierarchy of folders (folders in folders) inside the project window
9 \# {% C% ?6 r- Individual settings for User, Project and Site+ l: g5 g$ M5 x1 a
- Blocking of media data from possible changes
3 j) r* j! |. n6 Z- Support for Avid Unity MediaManager for advanced search, as well as local and remote metadata management
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Coding for Web + Interactive Delivery
2 _7 L: d; o# w  ^( R- Encoding WMV HD and Windows Media 9, H.264 MPEG4, MPEG 1 & 2, QuickTime, Flash and RealMedia
& W6 t3 j, \7 K  [9 A- WMV HD for HD content for further recording on DVD-ROM! ]/ n9 i' g! C% \3 R# d2 r  T
- Export Windows Media (ASF), QuickTime 7.0 and MPEG-2
6 L/ Z( e' @2 z* u# w: n7 {/ V4 I5 h- QuickTime Reference Movie Output% L+ \* a8 I7 D' Y4 p. w
- Sonic DVDit3 [, B$ f& a3 C8 V; x( `. Z( u5 o
- Sorenson Squeeze
/ J- U+ v) i6 u- SmartSound SonicFire Pro0 l4 K& A. E& Y0 u) ~2 |
Boris Continuum Complete
, _* U3 b) C$ Y% ^7 i( D- g) ENoise Industries Factory Tools" v" @1 U# n% F

0 X9 B$ g8 g1 G" q$ d4 |# ?Networking + Storage( y3 F" K$ ]. t" P2 y
- Full support for Avid Unity MediaNetwork and Avid Unity ISIS
7 t- e  b7 M# c$ D$ `- Support for Avid Unity TransferManager+ |) k; r1 V4 j" L, |3 C
- Support for the full range of Avid Local Storage products; p9 w* z- o+ b$ e' Y: K

, J& w7 a, l4 d2 `New Features in Symphony 6.5:# w- [+ h0 u/ s: b
• Version and archive finished sequences with AS-02 - With support for the AS-02 MXF mastering format through AMA, managing multiple versions of the same sequence is easy, as AS-02 packs everything into a single bundle without duplicating assets, saving storage space. Seamlessly move content between Avid and other systems that support AS-02. Use JPEG 2000, DNxHD, IMX, AVC-Intra, and uncompressed media in your AS-02 workflow. And because AS-02 is an open industry standard, you’ll eliminate time wasted on repackaging content.
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• Create master-quality archives with JPEG 2000 - Encode and decode sequences - in mastering quality - using the JPEG 2000 codec, which helps preserve the quality of versioning and archival content in an AS-02 workflow. And because JPEG 2000 content offers resolution scalability and holds up over multiple generations when moving content across different vendors’ solutions, you gain future flexibility with archived content.  A& v! A/ o+ ?5 t! U7 v

+ {0 D8 w) j% V% {1 p• Export content using AMA - AMA makes it easy to access and edit file-based media without transcoding. Now you can use AMA to export files back to the media’s original source format for archiving or final delivery. AMA writeback is available for HDCAM SR, with more on the way as our partners update/develop their AMA plug-ins. And with new AMA Volume export support, you can create AS-02, JPEG 2000, DNxHD, AVC-I, and other file-based media volumes for roundtrip workflows, sharing, or archival.+ f' _5 A# o0 ^  r
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• Set and output AFD sequences - With new Active Format Description (AFD) support, you can create, edit, set, and deliver HD content, and rest assured that it’ll be presented optimally to your audience as intended - even when down-converted and reformatted to a different aspect ratio. Simply select an AFD code for a sequence, and your settings will carry through your output.
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& _4 [3 ]+ P( C: w) y- H• Relink clips using common metadata - Gain more freedom and flexibility to interact with media from other software applications. With advanced relink support, you can dynamically reconnect clips to the original or new media using a wide variety of common metadata fields - anything that’s being tracked.. l7 U3 C( b% @1 I8 U
; b8 J& @( r/ |0 f) z, ]! b) \
• Open up your workflow with hardware release - With the new hardware release control, which works with Avid and third-party I/O hardware, you can activate/deactivate your hardware - without disconnecting it - to access software-only features, such as full screen playback mode and audio project settings options. You can also share your third-party hardware and monitor between and other applications without quitting or rebooting software.
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• Work faster with advanced audio keyframing - Save time when editing soundtracks. With new audio keyframe enhancements, you can now copy, paste, cut, move, and adjust audio keyframes - including groups - anywhere on the timeline. You can even delete those hidden audio keyframes that can occur as you trim a clip, with just a click.2 U, ?% E3 F8 r2 u

! k5 }2 z4 d! e1 ^: G. h• Mix up to 64 audio voices - Monitor more complex soundtracks with support for up to 64 audio voices. Combined with robust audio tools, 7.1 surround sound and RTAS plug-in support, and unmatched integration with Pro Tools, the Media Composer family of products offers the best built-in audio tools for video editors than any other NLE.3 A! B( G" n# k/ O
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• Plus:
' x5 _) \! e: p/ _' r- Edit titles directly from the timeline
6 i5 s& A2 T/ u/ v4 G& t: P6 x- Get support for variable GOP sizes in AVCHD media, m& E' R1 i! _5 Y1 L
- Automatically relink to all AMA QuickTime files
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& I8 p1 O, C; a4 aSystem Requirements
1 Q; w& ^' V5 c" e- Windows 7 Professional SP1 (64-bit)
5 T3 S4 i% }7 l- D- Intel Core 2 Duo 2.33 GHz processor or faster# u9 b/ F7 [# h, z
- 4 GB of RAM (6+ GB recommended); 24 GB of RAM recommended for Stereoscopic and other high performance workflows
- V) ?. i3 O7 t1 Z1 w9 w- Graphics card: NVIDIA Quadro FX family3 (FX 560 or higher)
6 F0 l7 v7 V7 q- Internal hard drive: Minimum 80 GB 7200 rpm hard disk
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$ V3 ^$ ]$ ?& r' \  f: Q/ vDownload:7 j) {8 W3 l" `) N' L
http://cdn.avid.com/Symphony/6.5.5/0CDDF268/Symphony_6.5.5_Win.zip% {; U3 T/ @- y4 G9 @" p
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- c# I5 u4 x5 r$ s$ [http://cdn.avid.com/Symphony/6.5.4.7/Symphony_6.5.4.7_Mac.dmg
0 b2 W$ t* Q, l& C  Thttp://cdn.avid.com/Symphony/6.5.4.6/Symphony_Patch_6.5.4.6_Win.msp: Q/ l% O1 D1 T! x$ M
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; r2 f: A$ _9 J( B! x2 D% dhttp://cdn.avid.com/Symphony/6.5.4.5/Symphony_6.5.4.5_Mac.dmg2 u' h0 K0 \5 g& u0 K
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) J5 B4 h- L9 a% k  w. ~: nhttp://cdn.avid.com/Symphony/6.5.4.4/Symphony_6.5.4.4_Mac.dmg; _" _( p1 `) ?% N* ^
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2 v5 m) f3 U. [2 z1 e$ e$ bhttp://cdn.avid.com/Symphony/6.5.4.4/Symphony_6.5.4.4_Mac.dmg. w& t. [/ J3 Z$ }9 Q
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6 w  \) F0 c  Ahttp://cdn.avid.com/Symphony/6.5.4.2/Symphony_6.5.4.2_Mac.dmg
; c. d3 l. u; c8 \7 [8 b+ mhttp://cdn.avid.com/Symphony/6.5.4.2/Symphony_Patch_6.5.4.2_Win.msp
; z9 W0 I8 \( A2 ]6 k: M* Z+ {http://cdn.avid.com/Symphony/6.5.4.2/Symphony_6.5.4.2_Mac.dmg9 P) x! A0 o$ X) O& z
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+ K5 [3 j5 {/ ~" S/ xhttp://cdn.avid.com/Symphony/6.5.4.1/Symphony_6.5.4.1_Mac.dmg
2 d( A6 _6 x) T* t: @0 O5 G+ t* rhttp://cdn.avid.com/Symphony/6.5.4.1/Symphony_Patch_6.5.4.1_Win.msp8 R8 T& v9 ?" @" ?# u- R
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0 m# B8 t- U6 {& t+ z; qhttp://cdn.avid.com/Symphony/6.5.4/Symphony_6.5.4_Win.zip9 E8 Y3 B6 T: p" J
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0 W6 w& E3 S0 r& p0 E7 Nhttp://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.1_Windows.dmg
2 x. g- a8 w- b' I* [http://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.0_Windows.zip
4 f' D( [% p  l8 mhttp://cdn.avid.com/AvidSymphonyNitris/6.5/PC/Symphony_6.5.0_Windows.dmg
, A6 P' K# z+ W2 {! e7 whttp://cdn.avid.com/Symphony/6.5.2.1/Symphony_Patch_6.5.2.1_Win.zip
8 Y, f6 N2 x" p1 {http://cdn.avid.com/Symphony/6.0.5.1/Symphony_Patch_6.0.5.1_Win.msp
3 Z* M3 u# T/ P8 P7 X  C; w! \http://cdn.avid.com/Symphony/6.0.5.1/Symphony_6.0.5.1_Mac.dmg
4 W5 O! [5 d. g4 {# w5 jhttp://cdn.avid.com/Symphony/6.0.5/Symphony_6.0.5_Win.zip
7 f4 M+ ~- g% m, A3 dhttp://cdn.avid.com/Symphony/6.0.5/Symphony_6.0.5_Mac.dmg
6 {) a; l5 C5 Q3 m( Shttp://cdn.avid.com/Symphony/6.0.3.4/Symphony_Patch_6.0.3.4_Win.zip

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