Digital Vision Nucoda v2018.1.018

Program Name: Nucoda v2018.1.018
; Y- u; t# M$ i+ yProgram Type: Color grading and mastering
5 K* M7 i8 }6 m5 t2 P  W" PDeveloper: Digital Vision
5 X1 ]# B8 F0 U% T7 P2 D. t3 UHomepage: www.digitalvision.se/products/nucoda_2-0/
Release Date: 04/16/2018
Interface Language: English
4 i, R1 ]3 u5 }/ y8 H2 @Platform: Windows 7/8/10 , 64-bit ONLY
File Size: 612.83Mb
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Nucodacolor grading and mastering solutions have been used on many of the best known films, commercials, documentaries, music videos and television programs around the globe.
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At Digital Vision, we understand that our customers need more than just leading tools to create sophisticated look enhancements. More importantly our solutions need to work with different cameras and file formats, allow for collaborative workflows and deliver finished content for different viewing platforms, including stereoscopic 3D. In a nutshell, Nucoda was designed to offer a lot more than just color grading.

Nucoda
* c" Q$ `4 k% K2 PNucoda combines a creative tool set with a very tight integration to the Avid workflow, including full support for Interplay. Setting new standards in the highest quality, Nucoda is a fully featured ACE grading system, featuring HDR grading and real time EXR file format support.
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With an industry-leading color toolset used by clients such as Keep Me Posted, Encore, Pixar and Disney, Nucoda creates complex. Included with Nucoda is a range of image processing tools called DVO Classic, consisting of DVO Grain, DVO Aperture, DVO Regrain and DVO Brickwall.

6 y6 B: U/ ~* V+ m7 R( v! t$ G8 YNucoda Look
* x/ t6 H& E! M1 b  r8 nAn entry level grading solution based on the industry-leading Digital Vision image technology and Nucoda color tools. Nucoda Look is ideally suited for use as a pre-grade assist station, either in the post production facility or on-set. It can be used as a preparation station for the Nucoda grading system. It is also an excellent post-grade deliverables system.

& O% f' i  K1 O, U1 G: d, ?, ?- V; pCore Features
7 T4 i2 o: x& `: F( \  o/ U• 64-bit native application makes use of all available system memory and cope with even the biggest images, including 4K.
3 |  B2 c" P; X& X% y4 K" ]+ Z2 e• Familiar non-linear timeline layout and processing material in a natural and flexible way, with multiple video and audio tracks.
$ U2 ~3 C  S5 c" R6 |) n• Timeline and shot bookmarks allow for better organization and retrieval of information.
• Versioning, easily add different versions of shots to the same timeline.
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2 }, n' p# y1 P& S' @, w' HAutomatically extract metadata and conform sequences.
; ^: U8 |$ a  e• A powerful library for managing all imported and referenced material with sorting, searching and sophisticated metadata handling.
; d7 b# S! Z& L2 z- o• Automatic library folder creation and item naming options on file import based on user configurable metadata extraction.
• World class interoperability with third-party systems supporting industry standard formats like Avid DNxHD, AAF, MXF and QuickTime.
& V- l) B. T8 q, r) u$ s5 z• Read and write DPX, Avid DNxHD, MXF and QuickTime formats.
5 o* J4 @* C. ]8 u) ?( [. ^2 \• Every tool has extremely powerful isolation and routing functionality.
• Isolation can be matte based, user-defined.
• Layers can be selectively cached to streamline operations and greatly enhance user interactivity.
• Multi monitor support with different resolution configurations.
# A, N1 B% k, |  C' b• Effect save and recall - save and recall effects using notes, from single effects to complicated multi-layered effects.
• Create a library of notes and apply to any segment on any timeline in any project.
" @% R) _; o+ U0 e& M, ~$ `; u$ I6 dRendering engine - unobtrusive background.
• GPU acceleration - realtime Master Layer accelerations for Pan & Scan and Color Correction work.
3 Q7 W4 o+ f$ d3 o• Multiple formats can be used and delivered from the same timeline.
7 d& J' w7 q* y: y• Globally apply final crops or resizes.
4 M* ^7 J3 j4 N" m• VTR I / O Ingest and output. PAL, NTSC, HD, 2K and 4k monitoring
• Support for RAW files from Canon, Sony, ARRI, RED, Silicon Imaging SI-2k, Phantom and Cinema DNG

DVO Classic
$ {% e5 \$ j+ r3 @Creative tools to improve detail, remove the unwanted and add that extra touch .
. o/ y4 k, f7 Y" c, Q# k: v  T5 rWith over 25 years of research and development the company's DVO image processing tools have become the most revered tool in the post production industry. Providing the very best quality tools for restoration, enhancement and format conversion.
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DVO Grain - Need to manage grain?
) \9 ^. T* p6 iDVO Grain manages the look of film. DVO Grain removes the video and lets you enjoy it.
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The mixer function on the final output allows you to bring back as much of the original as you like. This gives you complete control over the filmic look you desire. DVO Grain utilizes Digital Vision's Emmy Award-winning PHAME motion estimation technology.

DVO Re-grain - Need a natural film grain - fast?
8 b- b4 W2 r( j0 x; i. Q" `Use DVO Re-grain to quickly set up and generate natural looking film grain, matching almost any type of film stock. Use the intuitive controls to set the grain size and sharpness, and match the characteristics of the highlight and lowlight intensities.
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2 _- S# q+ c7 {. I$ BDVO Brickwall - Reduce compression artefacts
' {  z& b" |( Z, [' z3 kDVO Brickwall provides an extremely sharp cut-off at a user-defined frequency. This enables you to create an accurate pre-processing. Coupled with other DVO tools, the quality of the image.

1 W- ~: g4 g/ e# L, t; sDVO Aperture - Need sharper, crisper pictures?
0 c1 M4 U4 s; vDVO Aperture makes pictures appear sharper using a high-quality spatial filter. This is essential when you're working with film scans. Film scanners tend to lose a great deal of high-frequency information that DVO Aperture can restore. Together with DVO Grain, you can now sharpen images AND creatively manage the look of film grain.

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( S( U' E% ~" b! o3 U, \3 aDownload：
, n" _6 n, C4 O6 r* IDigital Vision Nucoda v2018.1.018.exe