Program Name: Blackmagic Design DaVinci Resolve Studio 155 A6 D& N1 W" X$ l4 Q! d7 o- c% b
Program Type: Color correction
+ c# \0 D; V8 e7 `; _Version: v15.3.1.3' Q" }9 Y" U2 N$ o. t
Release Date: 03 April 2019+ |& o( \0 |2 \3 S5 i5 M
Homepage: https://www.blackmagicdesign.com/products/davinciresolve
( o+ A, t3 g& }, h8 H" }: ^& _) e2 xInterface Language: Multlanguage
3 g7 E2 s' B$ A7 n9 v- e: F1 K) {Platform: Win / Mac / Linux% o, Y+ `8 u; Y t9 R; M
File Size: 1.62 GB / 1.2 GB / 983 MB
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DaVinci Resolve 15 is the world’s first solution that combines professional offline and online editing, color correction, audio post production and now visual effects all in one software tool! You get unlimited creative flexibility because DaVinci Resolve 15 makes it easy for individual artists to explore different toolsets. It also lets you collaborate and bring people with different creative talents together. With a single click, you can instantly move between editing, color, effects, and audio. Plus, you never have to export or translate files between separate software tools because, with DaVinci Resolve 15, everything is in the same software application! DaVinci Resolve 15 is the only post production software designed for true collaboration. Multiple editors, assistants, colorists, VFX artists and sound designers can all work on the same project at the same time! Whether you’re an individual artist, or part of a larger collaborative team, it’s easy to see why DaVinci Resolve 15 is the standard for high end post production and is used for finishing more Hollywood feature films, episodic television programing and TV commercials than any other software.3 P9 J, V. S8 i- U3 D; ^5 J
0 p- c- f7 M9 m H4 WWhat's New!4 y) k* T- `- J2 L1 ^& j0 K
Fully built in Fusion visual effects and motion graphics, incredible new Fairlight audio tools and nearly a hundred enhancements focussed on speed and quality!, x0 x* q; v. B. Q2 n' w0 ~
DaVinci Resolve 15 now has full Fusion visual effects and motion graphics built in! The Fusion page gives you a complete 3D workspace with over 250 tools for compositing, vector paint, keying, rotoscoping, text animation, tracking, stabilization, particles and more. With new Apple Metal and CUDA GPU processing, the Fusion page is faster than ever! Fairlight audio gets a massive upgrade with new ADR tools, audio normalization, 3D panners, audio and video scrollers, a sound library database, and built in cross platform plug-ins such as reverb, hum removal, vocal channel and de-esser. There are also dozens of new features and improvements that editors and colorists have asked for. These include a new LUT browser, shared grades, multiple playheads, Super Scale HD to 8K up-rezzing, stacked timelines, on-screen annotations, subtitle and closed captioning tools, better keyboard customization, new title templates and much more!9 W j* H! g* S1 [2 N* ^1 d9 o
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Professional Editing, ~/ n5 W \- z
DaVinci Resolve includes everything professional editors need to cut blockbuster films, television shows, and commercials. It’s perfect for both offline and online editing. The high performance playback engine makes editing and trimming incredibly fast, even for processor intensive formats such as H.264 and RAW.
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Creative Editing
0 D9 b7 l9 d3 s: B& MFamiliar multi track timeline, dozens of edit styles, precision trimming, customizable keyboard, stackable timelines and more.
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1 | {- o7 w5 p4 n7 h4 C& _" v& ^Advanced Trimming, a5 B' R. ?+ V, J
Fast, context sensitive trimming tools, asymmetric trimming, dynamic and realtime trimming during live playback.# I8 V. k2 o! D) _, }
/ n4 q0 H3 Q/ f5 I) u1 B2 rMulticam Editing
; z/ w4 w" b3 Y2 Y% [Full multi camera editing with realtime 2, 4, 9 or 16 camera playback views for cutting shows on the fly.
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Speed Effects4 S% O) \0 u/ X3 I1 R1 c- A9 u
Quickly create constant or variable speed changes, complete with ramps and editable speed curves.
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/ I: x' f; P% [- V( H1 tTimeline Curve Editor1 P% E, r6 K c0 Y, N
Animate and add keyframes for virtually any parameter or plug-in using the inspector or the integrated timeline curve editor.
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Transitions and Effects
) s! B+ b" y2 k. q9 x" J# `) X1 LQuickly add transitions and filters from the built in library, use 2D or 3D title templates, or add 3rd party plug‑ins.
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* d0 @1 l: u/ U Finishing
8 D6 t @$ I' H+ C8 zPowerful Organization Tools
* R1 j8 ~- S# l1 ]" @2 sCreate metadata based Smart Bins that auto populate, add markers with new on screen annotations and more.
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Fusion Effects* f- |$ d; s6 i+ @ E2 Y8 @. _6 U
Fusion brings the world’s most advanced compositing software for visual effects artists and motion graphic animators right into DaVinci Resolve! So now you can create cinematic feature film quality visual effects and stunning broadcast motion graphic animations without having to switch software applications! u& L @4 ?& G
$ o$ D! q! }8 r; {Vector Paint
% L, m. {* H. HResolution independent paint tools with flexible brush styles, blend modes and strokes for removing items or painting new elements.
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0 F, S1 ^7 m( _' u3 p6 ?4 SRotoscoping
/ j7 ~' i e+ z8 f+ A9 QIsolate objects for other elements in a scene using bezier and B-spline tools to quickly draw and animate custom shapes.
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3D Particle Systems- U( b+ ?5 ^8 Z3 u0 M0 m& n
Create swirling, sparkling fantastic effects in full 3D, complete with physics and behavioral forces like gravity, avoidance and bounce.! T9 g7 P- F* o# t; q( Y7 h
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Powerful Keying
$ _% G& V: P! Q a4 lKey any element using the new Delta keyer, Ultra, Chroma, Luma and differential keyers to create the best composite.( R" S* s# @. L4 N2 B
. ^! `* {5 a) n) Z* q UTrue 3D Compositing& ]+ e! W X- D: L
Combine live action with 3D models, cameras, lights and more in a true 3D workspace to create amazing photorealistic effects.& R0 a0 a) b& n3 E* x; [3 d/ g, \
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Tracking and Stabilization \7 n5 p, k: [4 t
Use 3D and planar trackers to track, match move and stabilize anything! Match camera movement with the camera tracker.6 B6 m$ w5 ?& ]+ o
; W& G0 b7 J* p1 L& j/ e3 N9 D2D and 3D Titles
+ a3 U3 j! b W0 ]% c1 K1 a7 K3 OCreate amazing animated 2D and 3D titles with extrusion, reflections, shadows and more. Use the follower tool to animate individual characters!
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Spline Based Animation" C- j; ^$ }8 B4 C+ B
Use linear, bezier and b-spline curves to create keyframe animations that can be looped, reversed, ping ponged, stretched, squished and more.
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Color Correction- ^( ~3 E9 q i! k: K
DaVinci Resolve has been used on more feature films and television shows than any other grading system! You get the industry’s most powerful primary and secondary correction tools, advanced curve editor, tracking and stabilization, noise reduction and grain tools, ResolveFX and more.8 Q' y* K- ^& ^% Q( g
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Legendary Quality$ q- k0 M4 l) T8 n$ V
Patented YRGB color science and 32-bit float image processing lets you achieve looks that are simply impossible with other software.( s! d$ j3 T3 e4 ~9 w% x2 B
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Primary Correction
" G* o/ W# v! w/ H' N) u/ bTraditional primary color wheels along with 12 advanced primary controls for quickly adjusting temperature, tint, mid-tone detail, and more.0 p( @/ i0 ]! s' A) F5 Y" |* D
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Curve Editors
% H+ B" F. E- e% CQuickly sculpt contrast along various highlight and shadow areas of an image with separate curves and soft clipping for each channel.
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Secondaries4 {% S+ ^1 A r9 F
Isolate and track different parts of an image using HSL qualifiers, keyers and basic or custom rotoscope shapes so you can make targeted corrections.
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, S* _/ J" o0 u6 uHigh Dynamic Range (HDR)! ^$ `) Y, C) t3 U) M" Z9 [
Work in high dynamic range and wide color space formats including Dolby Vision, HDR10+, Hybrid Log Gamma, and more.
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6 @. u8 B- O2 [- lBroad Format Support
$ ]/ y( T9 W+ ?2 z$ C0 w9 M8 \: [' @! sWork natively with camera original RAW files and virtually every other format for total control over your images at the highest quality possible.
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1 D: q! b. y: g, @7 e8 g( ~; RFairlight Audio, m: x1 ~& \2 n. q! b3 [6 C0 h& a
With Fairlight audio built in, you get a complete digital audio workstation with professional mixer, automation, metering, monitoring, sample level editing, new ADR tools, a sound library database, native audio plug-ins and more! You can even mix down and master to multiple formats, including 3D audio space formats such as 5.1, 7.1 and even 22.2!/ K) z% }" Y/ w" g
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Mixing2 d2 {% N2 j1 Z! Q( W$ z5 C
Full professional mixer with input selection, effects, insert, EQ and dynamic graphs, output selection, aux, pan, main and submix selections, and more!
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Equalization and Dynamics
0 b1 c; n) N5 o+ L9 G/ H# o$ Y: C4 cGet real time 6 band equalization, along with expander/gate, compressor and limiter dynamics on every single track.1 L# s% V6 O; Q! s4 }: d' y
" f% U* h; a+ l" l. pEditing and Automation8 y" h* l/ a0 I _
Edit 192kHz 24-bit source clips with automation for adjusting fade, levels and more, all the way down to individual audio samples!
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Plug-In Effects( e. [9 w# @. A. _1 V& G: w
Use new native cross platform plug-ins, VST plug-ins or Mac OS X Audio Units with realtime processing for up to 6 plug-ins per track!; \0 @3 |4 O7 G
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ADR
# Y* i/ o* }: Q; R4 V1 NProfessional automatic dialog replacement and spotting tools with multi take layered recording.
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Z9 N- S$ G5 Y$ c$ f3 pMastering
1 e: h5 [ x8 ~& _All the tools you need for mastering! Deliver anything from mono up to stereo, 5.1, 7.1 and even 22.2, complete with full 3D panning!1 N _. K% ?& @ G9 d! U
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Media and Delivery
% k) p V4 Y+ d# A; L2 TDaVinci Resolve 15 makes importing, syncing and organizing footage fast! Whether you’re going out to the web, tape, or theatrical distribution, DaVinci Resolve features everything you need to deliver projects in virtually any format! You’ll be able to get to work quickly and output files fast, so you’ll never miss a deadline!4 I( b9 a- {, t7 o) Y
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Import Footage
* A+ N& q6 D+ BUse the media page to import footage, sync audio and prep it for editing. Simply drag and drop files from your storage into bins or even your timeline!# [: d" J) g- B' k0 _
( e% b! a2 b cOrganize Clips
I1 F, G C$ h3 o5 e0 |Create free form or metadata based smart bins to organize clips. You get customizable list views, multiple bin windows and more!
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Metadata' C6 @# a* l. B* _- A+ c* N% Z
Use embedded metadata or add your own to sort and sync clips, change display names, manage starts and stops in Multicam angles, and much more!
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Delivery Options
; G( W9 U, o* r! E6 z; F8 Z+ HOutput to the web, round trip projects with other applications, or even create digital cinema packages for theatrical distribution!, b W0 ?$ Q6 m! m
) @0 K& n( S1 n8 ?* i$ M7 p- ^! k) hRender Queue
6 K7 I y* f% {4 S y/ lQuickly add multiple jobs to the render queue for batch processing. You can even offload output to another workstation!4 e9 s: u2 h6 s- Z: v+ G' I+ x
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Wide Format Support
5 m2 z M/ W1 Q' lDaVinci Resolve give you native compatibility with virtually all major post production file types, formats and even other applications!
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* ^+ a" H: t6 j, b; aMulti User Collaboration
, t+ J8 j% \' M4 bRevolutionary tools for simultaneous editing,visual effects, color correction and audio post!- X( Y: }' l( n! d
DaVinci Resolve 15 completely redefines post production workflows! Assistant editors can prepare footage while editors cut the picture, colorists grade the shots, effects artists work on VFX, and sound editors mix and finish audio, all in the same project at the same time! You no longer have to waste time conforming and you no longer have to wait for a locked edit before starting color and audio work! That means picture editors, visual effects artists, colorists, and sound editors can now work in parallel, leaving more time for everyone to be creative!
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Clip, Timeline and Bin Locking" s& [, N7 j5 q, J/ }# z
Locking a bin, clip or a timeline lets you safely work on a specific part of the project. You get full access and others have read access until you unlock it.4 ?6 u8 G& P5 a
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Built in Chat
% a0 l: I5 _. V$ j( R4 h0 HThe integrated chat client lets you speak with other members of the team without ever having to leave DaVinci Resolve so you can all stay on the same page!4 }3 `- {6 A( u& V8 Y
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Timeline Comparison
) I, b) c8 d; _4 }/ IThe visual timeline comparison tool makes it fast and easy to see differences between two timelines so you can accept and merge changes!
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$ ]' q; a" F: ?) y& |2 n; GOpen Storage0 Y" ~3 P1 `# d' j3 W3 q! k
You don’t need to buy special, expensive or proprietary storage and servers to work as a team in DaVinci Resolve. You can use any shared storage!3 Y' Q8 H x5 K' N2 R+ f8 a
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No Monthly Cloud Licensing& j1 I, N+ b* g' W$ p
Own for half the cost of a cloud subscription!& t. ^! g6 e) M/ g o* A5 x: T; }9 {
Unlike cloud based software, DaVinci Resolve Studio does not require a connection to the internet and there are no monthly subscription fees. Now you can get DaVinci Resolve Studio for only $299, which is 50% less than the cost of popular cloud subscriptions. Plus, you get full nonlinear editing, advanced color correction, Fusion effects and motion graphics, and Fairlight audio tools, all included in the one easy to buy solution. It’s like getting 4 high end professional applications for the cost of one!" q" o. c+ U; T; u/ R
. v: |: W* T( V1 @- w" _New High Performance
" o% e a' e: Z1 NPlayback Engine Fly through edits and color correction with up to 10x the performance!: b6 R) j$ H/ w' K; H ~1 z7 ^) J, a
DaVinci Resolve 15 features an incredible new video playback engine with CPU and GPU optimizations, lower latency, faster UI refresh, support for Apple Metal, and more! These upgrades combine to make DaVinci Resolve faster and far more responsive than ever. Working on long timelines with thousands of clips is incredibly fluid and editing is even more precise. Scrubbing and playback are instant, often starting before you lift your fingers off the keyboard! Powerful acceleration for processor intensive formats, like H.264, makes it possible to edit 4K material on a laptop in realtime! Whether you’re working in HD or 4K, with ProRes, H.264 or even RAW images, DaVinci Resolve 15 is completely responsive and fast enough to keep up with your every move!
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g/ }! ?& C+ u3 r( _7 y+ ALegendary DaVinci Quality; ~7 X, F! r1 K' k8 u' f6 V
Unique YRGB 32-bit float image processing!
! `- N5 K" Y) |" ~1 xDaVinci Resolve’s Emmy™ award-winning image processing technology features deep 32-bit float processing combined with unique, patented YRGB color science that processes luminance independent of color. This allows you to adjust the luminance of video without rebalancing the color of your highlights, midtones, or shadows! The massive internal color space is also perfect for the latest HDR and wide color gamut workflows.9 Q j6 [7 y5 l& e( T! ~
" d% v4 N) H, L8 h1 p0 e( kHardware Control Panels
8 N) c3 [0 T# m1 N `4 P1 w: ]7 jWork faster, be more creative and get absolute control!
# H- N8 B$ R7 V8 k% UWhen you have a client looking over your shoulder you need to work fast. DaVinci Resolve control panels are designed to give you fluid, hands-on control over multiple parameters at the same time, allowing you to create looks that are simply impossible with a standard mouse! All controls are logically placed near your natural hand positions and are made out of the highest quality materials. You get smooth, high resolution weighted trackballs, along with precision engineered knobs and dials that feature the perfect amount of resistance so you can accurately adjust any setting. DaVinci Resolve control panels let you instinctively touch every part of the image!
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. j& v! ?# u2 |9 |* \Fairlight Professional Consoles" z5 y5 X: o8 k0 j/ u
Modular and upgradable free standing consoles!3 A" P+ {' g) v `2 e
Fairlight mixing consoles provide high quality tactile controls for nearly every parameter and feature in the software. Unique user interfaces and dynamic configuration changes provide fast to use buttons and controls that are optimized for the task at hand allowing you to work faster with Fairlight audio than any other tool in the world. With the modular design you can start with a larger console frame than you need and add more modules to meet the growing needs of your facility.
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: J( w0 ^ B* i& [! w3 O7 uChannel Control; h4 q* P: T3 a. a& i- w$ [2 M
Dual function control knobs and buttons for each channel strip.9 q+ x8 ?/ q; T& g* z; Q
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Chassis Bay
* i' d$ R. Y1 c8 PModular cast steel chassis available in 2, 3 and 5 bay configurations.; _" F9 M! |0 g( _/ M7 D8 D. k
/ C' a2 j5 F& h5 `/ uLCD Monitor
z2 ^5 U9 [ n) LHigh resolution screen with HDMI and SDI inputs.
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Channel Fader' e9 E! a. Y, f/ j9 q9 F3 g2 m
Motorized fader panel with 12 channel strips and controls buttons.
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7 r! g5 ?* x; h. t4 FAudio Editor
5 l5 j2 U' K, @3 d4 \Hardware control panel for high speed audio editing.
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Consoles Diagram
8 i5 F1 C2 I4 M8 {1 s# l3 E" T' JLCD Monitor
! r8 y; {! u+ X* p& P( mHigh resolution screen with HDMI and SDI inputs for viewing channel controls, meters, video and more. Can be used with legacy EVO consoles.. U5 h' G" J. x% h0 d+ M/ w
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Channel Control
p" g7 i; N6 r* R% R' a; c8 dual function touch sensitive knobs and buttons for each of the 12 fader channel strips, giving you fingertip control of up to 192 parameters!
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Channel Fader
/ v7 Q) ^2 r7 \6 l! u% B- M. U( [, FFader panel featuring 12 precision motorized faders with call, solo, mute, and automation controls, along with LED display for each channel's status.' I( l- f' R3 J: u3 b( O! P
- {8 o6 P& E6 \0 z9 d* qAudio Editor0 R+ o+ D7 j' V' P5 }% T) V
Dedicated hardware control panel for high speed, precision audio editing that lets you work much faster than is possible with a traditional mouse.
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5 }$ Y! J) @" x( yDaVinci Resolve runs on all major platforms so you can use it at home or in a post facility on a Mac, at a broadcast facility running Windows, or a VFX studio on Linux. This gives you the freedom to use the platform of your choice, making it easy to integrate with your existing systems and workflows. If you’re running Red Hat or CentOS Linux, you can even build your own workstation using low cost motherboards, extremely fast processors, massive amounts of RAM and up to 8 GPUs. Imagine building your own super computer for incredible real time performance!
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: I3 ~9 Y6 k2 R9 _1 YOpen and Compatible) [. x. F h; Q4 H a: ^
The world’s most compatible post production solution!% c2 b5 L6 w/ m4 E8 N
With all of the different workflows and systems out there, you need a post production solution that’s compatible and open enough to handle anything! DaVinci Resolve has been designed to work with all major file formats, media types, and post production software. You can use XML, EDLs, or AAF to move projects between DaVinci Resolve, Final Cut Pro, Avid Media Composer, and Premiere Pro. + A0 g0 ?1 c% `; D$ j5 y- ]% h
Deep integration with Fusion makes it easy to send shots out for VFX work, or you can roundtrip with software such as After Effects. For audio, projects can easily be moved between DaVinci Resolve and ProTools. When you’re on a tight deadline, you can count on DaVinci Resolve to “just work!”# f) M, y& c' [* Z1 ^9 F0 {
5 @ L' @* N. i4 _" W" zUpdate Log:7 }5 J: O" r# L- A
What's new in DaVinci Resolve 15.3.1) U$ J& @ I% M$ V
Support for the latest Blackmagic RAW SDK 1.3
& _9 z! ]# j+ X4 e9 G" DGeneral performance and stability improvements
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What's new in DaVinci Resolve 15.36 t9 J/ c( ~, ^: C- x t- u) D- r% ]
Support for the Blackmagic Design URSA Mini Pro G2 camera
) R. F! _! G* w+ Q& |Support for the latest Blackmagic RAW SDK 1.3! t: f% N/ O% E$ b( z( x8 _6 p8 Q
Improved support for audio metadata in AAF exports including clip volume, pan data, track volume and automation
( V3 D0 |. [' HImproved performance when selecting clips in the Edit timeline
' X* g! l( y, ?! o0 |6 M5 hImproved responsiveness when using Wacom tablets on Windows: B- I! U1 w7 r! s4 q
Improved playback behavior on the Edit page$ f w9 G* A* n
Improved timecode support for high frame rate EXR clips
4 G7 R T$ R E7 U4 F4 ]2 RImproved handling of AAC audio on Windows
" c) |6 y! D- X& o5 p* Z: fGeneral performance and stability improvements' }. D) T7 |' P; [. B3 ?& w
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What's new in DaVinci Resolve 15.2.4
( m2 p* N- ]3 j3 q2 xImproved Edit page viewer playback performance. c% I5 r! W. O7 c4 j$ |: g! @; O \9 g
Improved performance when rendering H.264 and H.265 clips on MacOS$ i8 e' q& p; ]
Improved stability when using the latest version of Intel OpenCL drivers on Windows! d: P- G9 Z1 N
Improved performance when saving timeline changes in a project6 Y3 U5 W4 B5 V: L! J
Improved performance when loading a project with a large number of audio tracks and buses, F& \: g+ T: @% }8 v
Improved handling of 5.1 and 7.1 audio when working with IMF clips. c& g/ {3 _! I% F; Q& L
Improved support for decoding some Canon XF-AVC clip formats in DaVinci Resolve Studio
7 ^5 j$ o- m! bImproved font detection on Windows with support for fonts installed in user directories
; R1 D. ]: ?# ^% ?* }Support for the Sony Venice 3.0 firmware update
1 @ ~8 n$ w) v. g& O; z: pGeneral performance and stability improvements
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9 y d( w1 a7 n8 J, M; ?0 @% zWhat's new in DaVinci Resolve 15.2.3" D3 p1 N5 H5 S- k, f( D
Improved UI responsiveness and playback performance on the Edit and Fairlight pages. V% [' a# h$ v. e6 p
Improved playback performance on MacOS when processing using Metal
1 u, W# f5 T6 i& Q8 {Improved multicam playback performance
! G/ C! ~2 U, y( ?& GImproved performance for ganged playback on the Edit page
5 V0 C3 y H+ k+ e* @Improved save performance for projects with live save enabled
2 n2 L1 j9 b* k% z6 lImproved color consistency with QuickTime player on MacOS when display color profiles is enabled
. C& p3 b2 C5 Z1 \2 ZImproved support for H.264 and H.265 hardware acceleration on Windows laptops
3 \9 c6 E0 E8 Y* SAdded support for decoding DNxHD clips on Linux systems with AMD processors) m' N) o# k1 J# Q& Z3 G
Added support for additional shortcuts when using the cinema mode viewer
: y9 E. @' n- j8 t+ [Multiple performance and stability improvements
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What's new in DaVinci Resolve 15.2.24 e7 S) w8 m0 y$ b, E; L" S% S* k1 t5 }
Added an option to start remote rendering from the project manager context menu2 k2 d8 H# H4 h% T" \- c- ~. I) K
Addressed an issue where switching to the Fusion page in dual screen mode would sometimes cause artefacts in the user interface* ~+ r, x9 s* s( l9 m
Addressed an issue with Intel GPUs on Windows where the viewer would show black frames on playback and cause crashes3 N2 o6 \/ F+ l' v
Addressed an issue where some MacOS laptops with Intel GPUs would cause a crash on start up
" B. M& {( H( |( T: HAddressed an issue where clicking through media pool thumbnails for certain codecs would sometimes show an offline frame
8 x( \ F8 m4 sAddressed an issue where creating multicam clips from clips with time of day timecode would sometimes cause a crash; r Z T) G) x
Addressed an issue where position controls in the Inspector would sometimes show incorrect limits$ H5 }7 H3 W; `! b8 L9 d
Addressed an issue where render cache for clips with alpha or cropping would show incorrect results9 O9 j# M" }! t
Addressed an issue where applying an output sizing preset would sometimes show incorrect power window positions on the viewer
/ ~) G: j, [! ], S" M) ~ aAddressed an issue where some OpenFX and ResolveFX plugins would not work correctly for clips with custom output scaling8 s3 c. u8 K; x0 K: x3 k
Addressed an issue where selecting a marker from the marker list in the Color page viewer would sometimes cause a crash on Windows# N$ h+ I( j2 D1 y/ s0 s3 j0 E
Addressed an issue where playing back a timeline with a large number of markers in the Color page would impact playback performance
' S: g. u( Q5 t9 D9 D" HAddressed an issue where the context menu for Color page thumbnails would not show the selected clip group
) ?, [4 Q/ @9 b6 a1 MAddressed an issue where splitting an audio clip with cached audio effects would result in incorrect audio during playback7 c+ q! s9 U" D! p
Addressed an issue where deleting a bus would not delete plugins associated with that bus8 P" H" ? P- H. m: | } W+ W- Z
Improved behavior for FairlightFX Distortion
3 |$ E4 a5 t1 ^* p7 _7 UAddressed an issue where clips with FairlightFX Echo applied would not playback correctly after an application restart, q6 A7 M: S6 J# X% O8 i( a& a3 w% `
Addressed an issue where playback for clips with FairlightFX Reverb would sometimes produce artifacts when replaying the clip
& y5 `& T9 |1 T! R! GAddressed an issue where writing multiple automation parameters simultaneously would sometimes cause gaps in the automation in the Fairlight timeline
9 B; j( l; ], }Addressed an issue where transitions would sometimes be drawn incorrectly in the Fairlight timeline
0 G. f" b" p3 \" x0 G nAddressed an issue where loading audio clips with unsupported sample rates would cause a crash. X0 |$ \; j! S! ^* t& w' X1 y( N' ^
Addressed an issue where video tracks could not be hidden on the Fairlight page* y2 A1 I1 t' c- Q7 B9 b# O
Addressed an issue where moving audio tracks up or down in the Fairlight timeline would not preserve its hidden state
+ K8 q& P' v3 [1 QAddressed an issue where video track names edited from the Fairlight page would not be persisted correctly across application restarts9 y1 r, R; Q N4 X: F
Addressed an issue where custom shortcuts would not be correctly reflected in the Fairlight timeline context menu
e r6 C1 o& r' ^8 |( k( [8 rAddressed an issue where loading a project with video and audio scrollers enabled would sometimes cause a crash8 S7 k. R: W, F
Addressed an issue where loading specific Fusion compositions would cause a crash7 a& W# v7 l3 d0 v( u, x
Addressed an issue where rotoscoping using the BSpline tool in the Fusion page would sometimes cause a crash# a9 ^4 a! M: C a# I
Addressed an issue where editing offsets of Media In nodes in a Fusion clip would sometimes cause previews in the Fusion page to flicker between cached and uncached images# b2 k) y. r2 O" \: ?- q$ b
Addressed an issue where importing some FLAC audio clips would cause a crash
' F8 F- z( G- y$ N v3 ^- ]) qAddressed an issue where importing some PNG files would cause a crash
7 m4 j; d& |- ]4 _Addressed an issue where some Panasonic VariCam clips with multiple audio channels would be decoded with audio artefacts2 r7 n* I, ~: ]' ]: K/ j
Addressed an issue where certain QuickTime clips would sometimes show a repeated frame
7 E/ C T' x/ c& W. @( U6 C1 ]General performance and stability improvements6 A Q/ c$ S' ]8 N
9 G& V% O* W5 i- {3 \What's new in DaVinci Resolve 15.2.1/ d2 q }. P& V% ^" z
Addressed an issue where rendering to the MXF OP1A format would cause a crash or generate a corrupt file
8 [0 j/ H6 q2 p7 nAddressed an issue where opening projects using the context menu would sometimes cause a crash
! E2 w' x/ E" }2 h" j) yAddressed an issue where the dynamic project switching option would reflect an incorrect state across application restarts
6 R+ \/ G& |% N3 a3 m Q* c6 }Addressed an issue where switching databases when working on a collaboration project would sometimes cause an application hang. t& D7 C5 s! |8 `. A1 u5 m' G
Addressed an issue with creating a new multicam or compound clip in a project with drop frame enabled
9 j4 |/ O: N$ H1 f* WAddressed an issue where adding a folder containing subtitle files to the media pool would cause a crash1 C. V% N- o2 r2 m2 B4 i
Addressed an issue where deleting a clip with retime controls enabled would cause a crash in the Edit page
2 t: W; Y: D# @- J; b/ PAddressed an issue where the duplicate clip action would not work when Fusion compositions were selected
, E5 k1 ^9 T) r; L0 N8 }+ C, s, cAddressed an issue where audio in rendered QuickTime clips would be incorrectly tagged as dual mono instead of stereo on Windows and Linux# K6 p4 z; }* q7 @7 B2 L }
Addressed an issue with color space and gamma tagging when rendering to XAVC9 F9 ~! k* ?) L6 r: T6 r
Addressed an issue where the highlights in certain Canon raw clips would have a purple tint/ X5 o* Z/ ?4 `# q
Addressed an issue where switching monitor scaling mode would have no effect on Media and Edit pages
% c7 N, P+ ^/ x1 K7 }0 J& p4 Z. CAddressed an issue with keyboard shortcuts to switch the viewer between source and timeline when in single viewer mode' U& c6 E* M$ _. Y
Addressed an issue where performing a match frame on the timeline viewer would not switch focus to the source viewer, x# M% k' m6 b" _; G
Addressed an issue where keyboard shortcuts for Go to In or Out actions would not work when the Edit timeline was in focus" X; _3 D" l! r1 s8 f/ \
Addressed an issue where keyboard shortcuts for Import Media would not work when starting a new project
- P# H0 @! N# W# ^/ q- B3 |4 }Addressed an issue where assigning shortcuts to switch to A or C mode sort would not work
4 u" O) l9 h3 G# `7 i. B% O& JAddressed an issue where deleting a remote version would sometimes switch other clips using the same remote version to local
8 n* o. {1 Q. o4 J2 |+ x' [, C- mAddressed an issue where using enhanced optical flow modes would sometimes cause artifacts during playback
( g- n, S0 S, M0 M0 @Addressed an issue where playing back some DPX 10-bit images would show artifacts in the Color page/ ~7 A9 ~1 [# u' C+ k! g
Addressed an issue where performing select all after clicking on a clip thumbnail in the Color page would not select all the clips& O) L5 ?" f; z& O; K
Addressed an issue where creating a new Fusion composition in the media pool would cause a crash when Resolve is set to certain languages
% @/ Y# O" ]; n' z" B; gAddressed an issue where transform tools would show an offset when previewing clip proxies in the Fusion page( q2 B4 A3 f1 Q8 ], Y0 f
Addressed an issue where setting the soft edge of the mask tool to fast gaussian would produce incorrect results
, j: e( G6 a FAddressed an issue where changing the viewer gain or gamma values would not work when drawing a polygon shape in the Fusion page: Y# K5 {- U9 Q# h* Z
Addressed an issue with audio artifacts when previewing sections of audio clips with FairlightFX or audio plugins applied
2 L" U0 U! H% f! E& {3 i& YAddressed an issue with audio discontinuity when the bypass state is toggled for FairlightFX with latency( a ]$ t0 G) o: H* u
Addressed an issue where inserting an audio clip past another clip with crossfades would sometimes add a crossfade to the new clip+ n3 d7 N" h& G5 a! A+ X- b
Addressed an issue where opening the Aux dialog and deleting Aux buses would cause a crash0 Y$ o- }# q: u; p6 Y7 C3 ^6 l
Addressed an issue where track formats for nested timeline buses would sometimes not be loaded correctly on the Fairlight page
5 n4 o- D) i# q; t3 O" _: xAddressed an issue where the fade to playhead actions would not work correctly in the Fairlight page on macOS and Linux8 e; w) L! o k& r2 X4 ^
Addressed an issue where dragging the playhead to the start of the Fairlight timeline would not work correctly when audio scrubbing was enabled
1 I6 x! a2 @0 m6 SAddressed an issue where markers would not be shown in the Fairlight index in thumbnail mode
2 n+ g" t0 R7 o8 a8 z, A3 f" jAddressed an issue where the mark clip action would not work correctly in the Fairlight page- f/ i% P- M0 [4 J) [/ h
Addressed an issue where rendering long multi-channel WAV files would sometimes produce incomplete clips$ x& z/ m4 a" f" \" G. X
Addressed an issue where installing the Fairlight Studio Utility would restart the system without prompting the user
9 ?% i+ X, i$ KAddressed an issue when handling certain controls in Tangent Elements panels) N1 m9 P, a3 t; s8 d
Addressed an issue where performing reconform from bins would sometimes cause a crash( k" w; S8 ~0 f- Y+ S+ A
General performance and stability improvements
* S$ _* R8 Y4 p0 |* v% f) x4 G" f' r
3 s4 R2 T- S' `What's new in DaVinci Resolve 15.22 a# i2 l! p* Y/ o
Key new features
/ x' |% [% x9 k: _# e4 F P: Z$ yImproved Edit timeline performance and responsiveness
& S M7 O+ |! ]( l* M( h# ^1 l4 PSupport for improved visual animations when editing the timeline on the Edit page
/ K1 J% p5 Z0 o% ySupport for a visual keyboard customization utility to find, add and modify shortcuts
2 f# s P- u+ V" _5 `( d$ ~Support for per-module customizable shortcuts, including module specific actions and context menus
4 T( a& b7 I+ v3 B! l5 H+ @Support for showing the currently focused module in the user interface
s+ u) s9 z! KSupport for displaying duplicate frame ranges for clips on the timeline on the Edit page1 a, p! {$ e5 L
Support for cleaning up and flattening video tracks on the Edit timeline
& n6 E/ R% Q+ B6 g$ U4 V" nSupport for adding, editing and exporting custom keyword sets from the keyword dictionary in the Workspace menu
0 u6 W+ n4 K0 E3 L+ lSupport for option to export gallery stills using the still label name, t) k. j6 t) Z7 J, U, L
Support for ResolveFX Beauty in DaVinci Resolve Studio
( f& j- j8 _% P/ O `( GSupport for ResolveFX Blanking Fill for portrait videos& y. H' ?: D |
Support for VCA groups" S6 t9 G9 I+ F% E0 v* m5 p
Support for FairlightFX Multiband Compressor
?9 ?6 o( h8 d$ FSupport for FairlightFX Stereo Fixer
1 L# d9 A: j. d* s9 |7 CSupport for decoding Panasonic 8K SHV clips in DaVinci Resolve Studio
8 g* K3 y4 v- p% U7 L2 NEdit0 ? V, N! [5 S$ v4 H! u
Improved Edit timeline performance and responsiveness
( U4 l- O% t+ j2 K5 l; lSupport for improved visual animations when editing the timeline on the Edit page* S, c5 F& B( v. c) f+ P
Support for displaying duplicate frame ranges for clips on the timeline on the Edit page
& k$ e0 ~/ S& L# N8 oSupport for viewing inspector properties for the highest visible clip under the playhead in the Edit timeline when there is no active selection) A. ]% C, a; K, [( W3 J Q
Support for viewer overlay controls for the highest visible clip under the playhead in the Edit timeline when there is no active selection
" z% B% t) |9 }+ \Support for marking a clip within a compound clip or a timeline in the source viewer
% y/ M6 s) [0 C; r; ?Support for cleaning up and flattening video tracks on the Edit timeline! _# c1 {/ o; R9 }1 U7 N
Support for resizing audio transitions to sub-frame boundaries$ M* N- B2 o4 E
Support for setting ease-in and ease-out on keyframes from the keyframe context menu in the Edit and Fairlight page inspectors. n; V4 R, h& q; V$ ]
Support for setting ease-in and ease-out on keyframes from the keyframe context menu in the Edit timeline
0 m: A4 Z7 {2 z; V" j/ ~4 _: I4 }8 pSupport for temporarily toggling snapping while scrubbing the playhead by invoking the snapping shortcut in the Edit timeline7 E! v+ p5 U2 X$ ]
Support for defining characters per second thresholds to highlight non-conforming subtitle captions in the inspector) F3 k/ A% j4 Q3 ]8 D
Support for automatically enabling dynamic zoom when on-screen controls are modified on the Edit page- H( X# a% ]7 [
Support for timeline indicators for clips with updated grades or compositions in collaborative projects
1 y. F' y5 \8 gSupport for toggling the visibility of retime controls and retime curves by invoking the context menu or the shortcut in the Edit timeline F N! T& I5 N9 V% d
Support for fast timecode entry in clip attributes, marker dialog, new timeline, render settings and other timecode widgets
) }: F/ v( ?5 V) B' C6 P' ]$ ]Support for quickly accessing recent undo/redo actions from the Edit menu: G) {- F! @, c; O. @
Improved results when performing transitions on clips being composited with other layers
: x7 G8 S" D- M2 @& v! e, Z8 MImproved behavior when using the Push video transition on a title clip
0 Q# |6 s7 y+ d0 T9 r) ~4 r/ ^/ lFusion
, H0 ]! o. I* W% X+ h# sImproved scripting API support with ability to import and export Fusion compositions5 X) G! Z& W4 Z1 M, `- K4 v5 z
Support for GPU acceleration for the Trails tool in the Fusion page; S' B S1 @. l5 P
Color
' u' a% X, \2 P+ v X! Q& ISupport for ResolveFX Beauty in DaVinci Resolve Studio* g V* [/ s' ]
Support for ResolveFX Blanking Fill for portrait videos
, T: Y* T' M9 r: e& OSupport for ResolveFX ACES Transform* R5 ]7 c) w1 O( n" B P
Support for ResolveFX Gamut Limiter& F; J3 Q0 N2 A
Support for bypassing a mixer node input by disabling the node connected to that input; B, Q2 C4 `6 x/ ?, \( L
Support for option to export gallery stills using the still label name: z% t/ `- c9 c7 U9 P/ L K
Support for Camera RAW controls for Canon and Panasonic clips from the DaVinci Resolve Advanced and Mini panels# o1 Y0 A/ R- S" e M. S- f3 _
Support for clipping output gamut to a different display gamut: G- x. f$ D9 O( S1 G
Support for an ST.2084 3000 nits gamma option in Resolve Color Management, K. E+ b, O# O3 } {# k+ Y: |9 Y
Support for improved color matching using color charts/ I0 M- L$ S* ?8 g9 `/ |: K+ h
Support for OpenFX extension for a plugin to describe itself as not spatially aware2 z1 }# H! s+ S4 I
Check Developer Documentation in the Help menu for more details
2 e. R$ u- [& @* u1 G2 k' x! WSupport for including non-spatially aware OpenFX plugins when generating LUTs on the Color page' O! l1 J6 V+ p- k1 x3 O2 b, t! k
Support for including the ResolveFX Color Transform plugin when generating LUTs on the Color page
5 q+ {% p' T& G+ aSupport for importing Dolby Vision metadata for clips in the Color page Dolby Vision option menu1 V4 J5 ^" a# O: T
Support for previewing tone mapping using embedded, imported or custom metadata for Dolby Vision IMF clips
3 B) I3 X& I7 aSupport for for up to 64 controls when creating DCTLs
[0 c" c l1 kUpdated OpenFX developer documentation with OpenFX 1.4 samples
4 X* \$ G3 }( z6 l1 f1 xUpdated OpenFX developer documentation with temporal frame access samples
! F9 ], B: W0 M, i+ n# [) eUpdated OpenFX developer documentation with transition sample5 z$ ^. J% F" q6 J
Improved support for handling aspect ratios for various ResolveFX plugins
7 p D, X; X6 D- c! WImproved support for handling UI overlays for projects with output scaling applied
+ Z- p; t6 `: k A, R4 WImproved behavior when closing Power Curve Windows drawn on the Color page# g v, p9 C% G/ t) n- O7 j* R( Q
Fairlight4 ^' ~6 {+ u0 o0 @ v+ T, f
Support for VCA groups
9 i/ t+ b% S$ q( t# ?( ^& bSupport for FairlightFX Multiband Compressor
) J. v& N8 U/ h0 fSupport for FairlightFX Stereo Fixer. Q2 X9 ^% L( b6 T8 h: P
Support for customizable test tones and noise generation from the Fairlight menu# t! ]' i6 m, u Z+ E/ B7 ^" O( L
Support for selecting and modifying audio transitions; R3 V* J; E2 s9 O2 k, \, q* n
Support for navigating the Fairlight timeline using timecode entry) M! }1 l( \7 [$ l% P9 [
Support for setting audio monitoring output delay in system preferences
. |% \" R9 A+ W5 c* E4 Y' e Y' ASupport for indicating clips with changed inspector properties on the Fairlight timeline& q0 A# K. g4 S% c+ j8 J0 z% [
Support for applying a FairlightFX plugin to multiple selected audio clips
: ?" d N: q( t6 n8 t( J) p4 {* t! hSupport for additional Fairlight Audio Accelerator IO settings on Windows* p! Q( ?, @! p `2 V' C& P
Support for Fairlight Audio Interface RS-422 9-Pin serial control on Windows
. O, P4 u! \ s; J' NSupport for Talkback using the Fairlight Audio Accelerator on Windows
' D, b7 }6 h. FSupport for Fairlight MADI expander for the Fairlight Audio Accelerator on Windows
1 H( J1 u# I' o0 f' F; e% z! eSupport for additional Fairlight edit operations including cut or copy the head or tail of the current clip from the Edit menu, d8 Z9 `1 M5 T. @! ~, A
Improved playback performance when performing audio automation
% y1 K- A2 S2 Q4 yImproved handling of custom multi-channel format mappings for Audio FX
/ v3 k+ Y5 d- j- vMedia and Deliver; F3 U" j) } e/ x3 L! Q
Support for decoding Panasonic 8K SHV clips in DaVinci Resolve Studio
9 V! J7 D+ B3 E/ F; ^. K4 C( KSupport for hardware accelerated encoding of H.264 and H.265 using specific NVIDIA GPUs on DaVinci Resolve Studio; Windows and Linux only
7 ` v$ y8 m" o0 M0 h/ NSupport for hardware accelerated encoding of H.264 and H.265 using Intel Quick Sync on supported hardware on DaVinci Resolve Studio; Windows only. P" Z" z& c) k E; _2 E
Support for decoding Canon RMF clips using the Canon SDK
6 z0 P* m3 G" S; j% @5 Z, n- cSupport for encoding Dolby Vision version 4 metadata in IMF renders
% m& e& [9 |+ GSupport for creating a subclip from a Media Pool clip marker) E: t- R) @, V1 U2 Y! p7 E
Support for clip usage indicators in the Media Pool clip thumbnail for the active timeline
% p% T3 f/ ~) H; `* |Support for a clip usage listing in the Media Pool clip context menu for the active timeline! g6 D d/ O9 K1 B7 {, X: v+ k
Support for showing usage indicators for clips inside a compound clip on the active timeline
+ `! q$ m$ s. m0 j% J0 MSupport for adding flags to clips when focused on the source viewer
$ s( e9 e2 s7 l' \, _Support for duplicating media pool clips and current timelines from the Edit menu- y. Y; N' x; _- W! `
Support for a toggle control for switching between single and dual pane mode in Media Pool on the Edit page' D0 F( j, W2 `; w3 M& q8 Z" P
Support for storing the alpha channel in optimized media for clips with an embedded alpha channel
( e7 p3 L* I6 X- ?1 n gSupport for an option to render alpha channel either as straight or premultiplied when rendering individual clips, H X, F) @' w0 j; ]
Support for Sony XAVC Long GOP encoding on DaVinci Resolve Studio
! A; S1 j9 m! d' y3 k) q- q8 n- [Support for Episode and Chapter in content metadata options for IMF exports
, |8 _0 S; y, K$ h' dCintel) h! G) W9 D* D3 d
Improved sub-pixel stabilization
; E: w- N# w" K/ A- i$ ]) o8 kSupport for storing Cintel settings with each DaVinci Resolve project
5 ^; n/ h5 b" L7 u: b; J E4 V$ fSupport for single frame captures
' _* l' P# W4 D) t+ e: o) TAddressed an issue with debayering artefacts that would sometimes affect pixel highlights
" F( O4 h7 H+ dAddressed an issue with incorrect audio sync offsets when using Capture Now
9 s( ^! i9 c4 K4 r6 Q8 k* E" |( ^) g2 _General6 l7 U7 ~% z2 ~' g( q/ U
Support for a visual keyboard shortcut mapping utility to find, add and modify shortcuts
( y1 j" p" @1 ]' tSupport for per-module customizable shortcuts, including module specific actions and context menus
) m" Y+ H& g) U% G4 `0 a R' W: J$ ASupport for showing the currently focused module in the user interface
) p& t$ f5 c8 ]+ p0 O$ Y4 wSupport for adding, editing and exporting custom keyword sets from the keyword dictionary in the Workspace menu* m" x" Y' F- R, t1 h# ?
Support for live save and backups for unsaved projects
3 p6 Z q/ @4 LSupport for remembering the last used locations in the file browser for various import and export operations
/ K$ V& t# j0 u; pSupport for collaborating on projects in a PostgreSQL database with machines across multiple subnets3 d' o. U, x+ W- \9 e
Support for toggling Mute and Dim in all pages from the Fairlight application menu, u. p% ~4 u, h1 \5 U
Support for configuring the gallery path during project import by Alt/Option-clicking Import Project" N$ w$ E( `$ o- ^: G
Improved organization of System Preferences with a new section for decode options a$ A. C H" v; }# O) @
Support for easyDCP on Linux
& v x# u ]2 [, J ~3 B% AIssues Addressed
$ z( Q' l: ~+ f' ~4 HAddressed an issue where reading file and folder paths of more than 200 characters on Windows systems would not work correctly
& W' x9 L2 d a3 t% TAddressed an issue where project thumbnails would sometimes not be correctly saved7 m- d1 A/ A7 S7 m7 B0 e4 ~
Addressed an issue where deleting gallery stills would be slow when Live Save was enabled8 q! ]/ b7 x/ K7 y7 h% a
Addressed an issue where dragging media into a new project to create a timeline would not prompt for setting the project frame rate4 _( a) `" Z% D* _
Addressed an issue where importing older DaVinci Resolve projects would sometimes ignore static keyframes from OpenFX plugins
& D5 T H" q" z- fAddressed an issue where opening an older DaVinci Resolve project with a lens flare plugin would cause a crash
- R2 x2 [: G: f: e& EAddressed an issue where older projects would sometimes show incorrect node cache previews6 v: c- b7 ^* w; y5 r! D
Addressed an issue where importing a Final Cut Pro XML would not preserve audio transitions
8 e- s& J+ X3 j2 g7 {+ mAddressed an issue where copying a project in collaboration mode would sometimes not work correctly. v# `7 S0 P' t: j" v7 ]
Addressed an issue where clips in locked bins could be replaced in a collaboration project
! r$ o0 w) k" D. @Addressed an issue where in and out points could be modified for clips in locked bins in a collaboration project- Q1 `5 p* u! S3 |& B6 R6 Z
Addressed an issue where dragging a folder to the media pool would not add any subtitle elements inside the folders3 Z/ _8 i) V: h) R5 g) s4 o
Addressed an issue where adding a flag to a media pool clip and undoing would not refresh correctly
m% D: z! _2 L4 U: }. d9 iAddressed an issue when adding clip and marker keywords on Linux) w2 K4 ?" S2 _/ g& T, l, M: s
Addressed an issue where keyword suggestions would not work correctly in the marker dialog/ G: U+ T! G7 G# c# V, T2 P5 t
Addressed an issue where the subtitle characters per second count in inspector would not be calculated correctly
) }/ u9 g+ H3 T2 E" x( C* ~Addressed an issue where track destination hotkeys would not allow setting the destination to the last track
: N; ]5 }$ [" ?: R( B9 a1 {; zAddressed an issue where disabling freeze frame on an edited clip would restore the clip to a wrong media offset
; p& K' A% v" k2 w) a9 h% nAddressed an issue where selecting clips forward or backward would not work correctly when audio layers are present9 z5 k c ^, J* c7 q% w
Addressed an issue where keyframe controls would be shown for ResolveFX and OpenFX controls that did not support keyframes5 w* b. e9 w5 |- J
Addressed an issue where holding down the Alt/Option key during playback or trimming would affect performance, d7 m; t: b5 u- ~# `
Addressed an issue where adding markers to adjacent timeline frames would behave incorrectly on the Edit timeline
' s" E& z. Y0 R& _. uAddressed an issue where adding or removing audio track layers would sometimes not correctly update the track heights; v# K: Z% h8 \, I. N
Addressed an issue where enabling selection follows playhead and dragging a sound library clip to the timeline would cause a crash
) c' i% V8 \& m+ m8 u: }Addressed an issue where Text+ titles would not show all typeface options for some fonts
1 I3 h5 Z; t, Z o% F+ QAddressed an issue where duration markers created from in/out durations would not align correctly
+ k- E! Q# x. t8 v: A2 P0 EAddressed an issue where decomposing compound clips would not work correctly when the Edit timeline would have in and out marks
' C& h- F4 W9 d( oAddressed an issue where transitions between Fusion clips with an alpha channel would not work correctly7 N7 N, ?. q i$ e+ m7 x4 Z! g
Addressed an issue where setting fade in or fade out handles for a clip with an alpha channel would not work correctly
/ f* A8 b% e5 _# I: {Addressed an issue where adding MediaIn nodes to a Fusion composition and deleting the underlying media pool clip would not invalidate the MediaIn node correctly9 ]4 C" U* A+ G& S
Addressed an issue where previewing Fusion compositions with BSpline nodes would sometimes cause a crash4 q4 W& X5 L" I
Addressed an issue where some Fusion settings changes would not be reflected correctly on Fusion generators- r: P9 d5 a6 N6 s* d5 S) x
Addressed an issue where some Fusion UI settings changes would not be persisted correctly across application restarts3 T. h2 z* x* r, B. m" A' S
Addressed an issue where playing back PSD files would sometimes cause the application to hang3 @. c+ t- ?0 r: W+ m7 v: f! h
Addressed an issue where adding a mask to a Fusion composition with a background node would show incorrect background colors
- Z. M% v$ n. l) }0 Y7 \( {Addressed an issue where canceling a Saver node render would repeatedly display a confirmation dialog
1 k( E0 x; ~; r$ G/ y6 E7 zAddressed an issue with monitoring dual HDR/SDR outputs where both outputs would sometimes show the HDR image6 R1 C8 \5 x# j, f& q' q) @# o
Addressed an issue where trying to grade a locked node would incorrectly reset node cache; t8 O' h# o9 A8 n
Addressed an issue where clip filter controls would sometimes be shown on the clip thumbnails area in the Color page in dual screen mode
; {" | u2 z2 b* xAddressed an issue where resetting primary controls in Log mode would not correctly refresh some controls
& q6 o3 U4 @0 u: }+ }Addressed an issue where switching between nodes in the Color page would not correctly refresh the node sizing controls
6 i2 b3 k" W7 k3 m1 C# KAddressed an issue where applying ResolveFX Color Stabilizer would sometimes result in darkened image frames
' p+ }. R I4 QAddressed an issue where a warp point could not be created when applying ResolveFX Warper on a Fusion composition
+ Z: q) p0 n0 k8 oAddressed an issue where the Camera RAW ISO control for CinemaDNG clips would not reflect the correct value on the DaVinci Resolve Mini panel3 x9 W2 {& T5 @0 C9 k9 E
Addressed an issue where the Camera RAW temperature and tint controls could not be changed from the DaVinci Resolve Mini panel
2 a: h7 T; p' z" y* oAddressed an issue where older GoPro CineForm clips would sometimes be decoded incorrectly# e- y) o: D$ N4 b* N
Addressed an issue where ResolveFX and OpenFX plugins used on the timeline node graph would sometimes not be applied
1 X2 I n* B9 e3 ?! |& Y3 J% GAddressed an issue where the Color page thumbnail indicator for clip color would sometimes be inconsistent with the clip color as shown in the Edit timeline2 }5 O7 x! ?' n. {% `
Addressed an issue where grades could be reset on a locked node in the Color page
8 w8 L8 U& M& M$ X* VAddressed an issue where default trims were incorrectly being applied instead of interpolated trims when using Dolby Vision external CMUs* H# Z [4 ^# W% E/ B3 ]2 T
Addressed an issue where copying grades with preserved nodes would incorrectly reset ResolveFX or OpenFX on the preserved nodes
8 B2 d+ C1 J! j$ T- FAddressed an issue where copying grades with preserved nodes would invalidate the cache for those nodes, i1 ^2 l4 z+ i; Q& u. C& O6 X
Addressed an issue where stills captured in proxy mode with center crop would be captured with blanking
& S7 [2 H5 K2 R) z5 F+ cAddressed an issue where moving a clip with and echo or reverb applied would sometimes result in glitches during playback through its original position
% R+ h4 Z5 y8 n) IAddressed an issue where opening a project with FairlightFX applied to clips would sometimes preview the effect only on the left channel% _5 _6 D% f( L! |: e, Q8 }" n$ B' ~) Y
Addressed an issue where the control room monitor gain would not correctly reflect the output+ _2 b) ^$ D! j/ O! b. a6 H% S) ~1 _
Addressed an issue where it was possible to add effects or modify mixer properties for locked audio tracks+ |0 ?) s2 L+ P# f0 { U0 c
Addressed an issue where an audio track listening for sidechain changes would behave incorrectly if subsequently included in a linked group* |6 ~! a% J) R" T0 d) k$ ?! x9 U
Addressed an issue where the effects library would be filtered by transitions and appear blank on the Fairlight page) o( M$ o" H% C* S* U6 z5 o( n
Addressed an issue where recording to multi-channel tracks would produce an audio clip with an incorrect number of channels; R# y& I5 f U. q
Addressed an issue where rendering a marked timeline section using the Pro Tools preset would sometimes result in files without audio
1 }' _: x9 o* ` i4 G! d" pAddressed an issue where hiding tracks from the Fairlight page track index would sometimes hide the incorrect track( `0 O# p% l: l9 w5 n: X
Addressed an issue with drawing automation curves when the mouse cursor would go outside the bounds of the clip
6 o3 n( C# v3 |- L CAddressed an issue where clips with unicode character names would not display correctly on the Fairlight timeline- y! L- A- h1 H2 o# S8 _- B3 c. j; r
Addressed an issue where changing the video track color in the Fairlight timeline would not change the color of generators and titles on the track0 {! |2 X) f( X" \4 h
Addressed an issue with selecting clips after switching pages in the sound library* N) N! v/ _* [) a1 {5 B& ]! t5 Z
Addressed an issue where rendering compound clips in audio only mode as individual clips would not work correctly
0 _7 X- e( R5 n1 e9 c! }8 \$ L+ K6 fAddressed an issue where setting an in-out range in the Deliver page and switching pages would not correctly honor the range for subsequent render jobs
: ?2 T% m* X8 N' w. |4 O& {Addressed an issue where linked audio track formats would be shown incorrectly in the render settings
5 j0 B: M `+ I# I/ x0 x$ n# AAddressed an issue where rendered MXF XAVC clips would not have color space and gamma tagged correctly( v- G% g) q8 X" j3 Q
Addressed an issue where embedded CEA-608 subtitles in H.264 clips would be rendered with incorrect durations
2 m1 \/ T$ F$ I' j% UAddressed an issue where rendering embedded CEA-608 subtitles would incorrectly show errors for some multiline captions/ h( I1 d5 P5 u& z7 l. n
Addressed an issue where switching IMF profile levels on the Deliver page would not always update the bitrate to match Z; o# H t: s
General performance and stability improvements t8 l2 \& o5 P5 k' z
' f' S- d: N2 p, p& T9 DWhat's new in DaVinci Resolve 15.1 @( E4 _8 n [( a* ~2 y/ P
Key new features
' w! G) o* u- `Support for decoding Blackmagic RAW clips from Blackmagic Design cameras
7 ^. e1 Y# i z4 ^0 z7 LSupport for audio ducking using sidechain compression in track dynamics in the Fairlight page
' J8 l/ l8 G0 j7 _Support for round tripping audio clips to third party audio processing applications from the Fairlight timeline
. W, \" \$ c, d5 T$ u- P' SSupport for an IMF preset to generate Netflix IMF deliverables
4 U; g9 ^8 y! E R2 d8 SSupport for creating and delivering supplemental IMF packages
4 p4 Q, g* X; c# @Support for Photon validation of IMF packages
$ p% g% ~5 j' v+ PFairlight
2 _6 {8 L1 h9 x. e/ Y7 l7 cSupport for audio ducking using sidechain compression in track dynamics
3 Z" E0 C4 X$ RSupport for round tripping audio clips to third party audio processing applications from the Fairlight timeline
8 R" M/ c9 _. C" Q# ~Support for caching clips with FairlightFX and AudioFX
8 a3 }, |+ a1 VSupport for bouncing clips with FairlightFX and AudioFX to a new layer1 f. I# Y! ?/ P8 f
Support for sub-bus and aux-bus routing in nested timelines
$ Y+ A0 ^+ d; PSupport for solo-safe for audio tracks by Cmd/Ctrl+Option/Alt clicking the Solo button in the Fairlight mixer
. t) b5 d0 x, n$ t6 A. X+ CSupport for pasting attributes to audio tracks
8 {$ C! T) ?1 L/ pSupport for removing attributes from audio tracks
" k% t" |% |; ^: SSupport for Fairlight FX Soft Clipper5 z6 J5 Q- p# b: ?8 P& M
Support for clip level panning in the Edit and Fairlight page inspector
% z% H% @4 o6 ?2 T, m/ v) ]) P. ^Fusion
8 l4 [' P+ W7 MSupport for creating and opening new Fusion compositions from the Media Pool
z5 Q" ]! @3 m1 v0 Y( B* E* mSupport for Fusion composition generators in the Edit page effects library for creating comps without source media7 H- j) z2 ?$ o8 o5 T
Support for Loader nodes in the Fusion node graph) }' X( R; J; L! s* ]" L' x" }# o
Support for automatically scaling the frame range sliders to the edit range/ c- B% ?: n2 A% h5 p
Edit8 [, e* D5 D/ E7 H5 X& X
Support for showing source timecode overlays for audio and video tracks in the timeline viewer$ A% z- M5 D4 @- D5 R% N
Support for displaying clip marker annotations and overlays for the selected clip marker under the playhead
3 W) }4 N, F. u1 [Support for holding shift while modifying title, transform and dynamic zoom viewer overlays to restrict motion to the vertical or horizontal direction
. G% R9 A$ d$ P) q- ISupport for an indicator for clips with color grading and Fusion comp updates available in collaborative projects+ x$ |- R7 e* y5 U$ P) T
Support for actions to update either a single clip or all clips with color grading or Fusion comp updates in collaborative projects
4 V' C* r2 m' S: z+ Y, ~9 N: lSupport for duplicating multiple selected timelines in the media pool
; f& _! ]4 n$ R" @Support for displaying the multicam angle name in the timeline, source viewer and the color page clip information- t. r) `2 h* `4 Y
Support for keywords in clip and timeline markers
7 v/ |7 o! A; fSupport for a marker keywords column on the edit index6 |4 S/ z& I$ O. E; O& _
Support for exporting subtitle files in project archives
! m' I. K# t4 [1 g, [Support for inserting media pool clips in order of filename when creating a timeline using clips% b' q# ], }5 U% k5 Q, A
Support for importing subclips when importing media from Final Cut Pro 7 XMLs
7 F8 q9 e2 a3 R5 |Improved freeze-frame behavior to freeze the clip forward from the playhead instead of the whole clip
6 F- c8 E3 i' T6 `Color# N( ~; a* v- t2 e7 ?6 {: j
Support for ResolveFX and OpenFX static keyframes from the keyframe context menu
& L; k: _) O5 F, H5 A/ fSupport for ACES 1.1
7 ?) b5 u& B) I q1 WSupport for accessing and selecting from multiple inputs for OpenFX nodes
) I0 H& w; d) u2 d9 cSupport for modifying temperature and tint values in the Camera Raw widget without needing to manually set white balance to custom" P1 X9 o* h" ]; }
Improved behavior for the ResolveFX Warper plugin
0 G+ K7 F. W$ c1 @Media and Deliver( r6 c* I! a' P- e( D. o8 Q
Support for decoding Blackmagic RAW clips from Blackmagic Design cameras
F2 H0 D* r) m6 g& ESupport for an IMF preset to generate Netflix IMF deliverables
, b/ I2 ]! @+ m# ]/ `3 {Support for creating and delivering supplemental IMF packages% E5 V9 f: H) c3 B' c- q1 H; P
Support for Photon validation of IMF packages; f$ L( j7 g- z/ A
Support for stereoscopic 3D multi-view EXR files) O" u1 d% ^& h
Support for encoding per frame timecode metadata in Grass Valley HQ and HQX clips- |: S6 M8 \9 I) b1 Q
Improved layer metadata support when importing PSD images in Fusion
- `* S& i' c# N4 \5 GGeneral" \6 Y6 M/ f" m" \9 `3 w/ S9 e
Improved playback performance on large timelines in a zoomed out state! p- i1 I }* s$ T
Improved performance and interactivity in the Fusion page
+ `7 n2 {- O0 l/ ?( Z7 GImproved performance of some title templates available in the Effects Library
7 H6 R- D8 F& P) yImproved thumbnail loading speed when switching bins in the media pool6 ^6 J3 N6 X- l9 W2 Y
Improved scripting support with the ability to import and export Fusion comps
/ A V5 m( ^$ ? D* W, |0 rSupport for automatic generation of MD5 media hash lists from Clone Tool operations
% m) y4 s* S, q. p- AAddressed an issue where searching by marker name or marker notes would not work in thumbnail view
% X6 r8 \- _# R0 @Addressed an issue where switching multicam angles would not refresh the thumbnails3 c/ i; S) E9 e5 T+ S
Addressed an issue where some edit operations would lead to video transitions being placed outside frame boundaries- \9 Y% A+ @- s2 j* c( _
Addressed an issue where turning off stroke for a subtitle would not work correctly( X5 Y$ B$ Y% G4 \
Addressed an issue where the minimum height for audio tracks in the Edit timeline would not be set correctly7 h& ?) ^- z# D
Addressed an issue where subtitle files with overlapping captions would not be imported correctly5 l9 N- M! L# F q: B9 e
Addressed an issue where compositing compound clips on top of clips with transitions would not work correctly6 W9 u8 v" w4 Y# `! m$ z3 F
Addressed an issue where middle-clicking to pan the Edit timeline would sometimes deselect clips( T7 f( m$ r1 O- e+ @3 r, ]
Addressed an issue where Text+ clip thumbnails would sometimes be shown as media offline
8 S$ F" t. y- BAddressed an issue where adding a Text+ tool to a power bin would sometimes cause a crash
2 D A- J# F! FAddressed an issue where selecting a Fusion comp in a Power Bin would cause a crash9 I# x5 c1 |0 r& q# x# N9 ~ T
Addressed an issue where opening or saving a Fusion macro in the macro editor would sometimes cause a crash' P0 k* l2 ^" M& ~) w
Addressed an issue where channel mapping changes for EXR clips on the Fusion page would not be persisted across application restarts
; P- T! L& `1 n1 aAddressed an issue where removing curve in the MediaIn tool in sRGB gamma space would sometimes cause a crash
! t" ?9 z' c# B0 X1 Z$ S/ nAddressed an issue where importing SVG files would incorrectly ignore a user-specified input resolution9 D4 w: ]1 x! Z: ?0 c J
Addressed an issue where the channel chooser would show incorrect labels when multi-channel EXR files were loaded in the Fusion viewer
8 o9 X; K, w( j6 A( _Addressed an issue where adding particles would cause the application to hang
1 a8 b" g8 q6 sAddressed an issue where enabling motion blur for mask tools in Fusion page would not work correctly; U7 F6 h, d; O4 D8 j8 M8 W7 U _
Addressed an issue where repositioning matte masks of different resolutions in the Fusion viewer would sometimes show incorrect results4 H q" O. a! R% J+ S1 T! d* n
Addressed an issue where some FairlightFX controls with automation would not correctly reflect their automation status9 ~5 B0 Y; g9 w5 r1 D' J
Addressed an issue where pasting a long clip on the Fairlight timeline would sometimes change the timeline zoom' r; P P/ Y. D5 f5 |
Addressed an issue where the Bus format dialog would display the wrong Main bus formats when switching between timelines: C H5 F" T4 N1 [) o0 T' L
Addressed an issue where adding audio plugins to a linked audio track would behave incorrectly3 l$ A' F* l( c3 z3 M" b! S% u" Z
Addressed an issue where selecting linked audio tracks for rendering would show the incorrect format
; D. ?/ I( _) C5 K' N7 Q8 w& b' N: SAddressed an issue where recording audio to linked tracks would record only to the first track in the group6 F9 l) z9 i9 v6 f
Addressed an issue where unlinking a linked track group would not retain boom settings
9 j3 W9 T: H5 p3 }Addressed an issue where resizing some audio transitions would not work properly
5 a! b& D0 A" f( @Addressed an issue where ADR recordings would not be visible when opening older projects& ~4 z0 _2 E5 V3 X5 p
Addressed an issue where playing back audio files with specific sample rates would result in some artefacts5 e7 J* f {: A' w. g f, t3 e H+ W- ?
Addressed an issue where dragging the scrollbar in the Fairlight timeline in locked playhead mode would cause playback to stop6 z! c8 q" `1 T4 T
Addressed an issue where the mute setting for aux bus sends would not be honored when using the pre-fader option
. M" A, N, S _) T/ cAddressed an issue where an audio track would not be automatically disarmed when un-patched( Q& Y1 A3 K2 D- B
Addressed an issue where switching to the Fairlight page would sometimes cause an audible pop! E6 ^" a* j* m' {' v4 t7 V
Addressed an issue where adjusting sliders in the CameraRAW palette would not refresh the viewer smoothly
' g: y2 G& O' ?1 y+ v$ M" WAddressed an issue where previewing composite modes on a layer mixer node would sometimes cause a crash
7 ] o, r0 F3 H) U# b5 \+ z9 N# rAddressed an issue where viewing clips with handles with backups and live save enabled would cause a crash
) {9 q; ^) t# }( u6 f3 G7 C( C/ DAddressed an issue where the unmix mode and looped playback states would not be persisted across application restarts
5 B( g7 `) U+ s# F% [Addressed an issue where toggling Clip, Timeline and Unmix from the DaVinci Resolve Advanced panel would cause a crash
( g; F# q* g8 r4 _* I0 T: AAddressed an issue where the DaVinci Resolve Advanced panel would not work with multiple logins on CentOS 7.3 systems
L, i3 X- O% q) n4 fAddressed an issue where rippling grades to a group would not work if unmix mode was enabled7 i+ W& A9 _6 ^' |, y
Addressed an issue where performing a flip in Clip Attributes in stereoscopic 3D clips would cause power windows to behave incorrectly# _/ k# z) g$ r i+ V# o
Addressed an issue where remote grading on clips that have OFX plugins applied would sometimes cause a crash9 @5 u) H% B9 k! f1 Z4 |
Addressed an issue where duplicating a timeline with a shared node would not correctly copy the shared node
6 i3 z* e9 \4 U3 k Q2 SAddressed an issue where Quicktime files rendered with Dolby Vision tone mapping would have incorrect colorspace and gamma tags
7 w$ A/ I, r# Q* Y: UAddressed an issue where Resolve was unable to decode some AAC audio clips- V* T9 m- J* _2 ~) t
Addressed an issue where rendered 5.1 and 7.1 Linear PCM audio would not have the correct channel mapping metadata c* \5 O. z7 B0 p3 R
Addressed an issue where importing some projects from older versions of DaVinci Resolve would cause a crash$ I: h$ g8 ?9 Y* n8 P) b
Addressed an issue where projects inside a folder in Project Manager could not be loaded using scripting API9 f" F/ P% [5 {+ @# q
General performance and stability improvements, E$ }6 y8 E( o4 M/ z
Pre-installation Notes8 ^( V, H' {) C6 k: X. W7 v c
Support for decoding and encoding of easyDCP formats is not currently available on Linux
$ p/ l" P+ s, R1 d4 ^; IPerforming Audio Ducking using Sidechain8 V* t- h+ M! u
DaVinci Resolve now supports automatic audio ducking using sidechain in the Fairlight page Dynamics effect.
" ?( T8 Y9 ~# y" T) ?# u8 E3 b* ^9 K$ J! Z
Enable "Send" in the track dynamics compression section on one of multiple tracks where you would like to emphasize or prioritize the audio. Then enable Compression and "Listen" on all the tracks you would like to compress or duck. The threshold and ratio can be adjusted in the compression settings to modify the amount of compression in the signal.# ~, S, p* L K& |
9 c+ q4 N- V1 L+ ?
External Audio Processes
. D' W9 p6 b- v( I0 K5 ?3 Q: _DaVinci Resolve now has support for a round-trip mechanism which allows any clip on the timeline to be sent to an external application for audio processing. The updated file created by the external audio process is automatically added to the timeline as a new layer.% x# |; W* n* p" N, S4 g- G
, Q' N- A0 Y# ~+ ]External Audio Processes can be added and managed in the Audio Plugins section of System Preferences. The round-trip process can be triggered from the clip context menu on the timeline.% y6 J( n1 D: K/ t! ^
1 {* Z- U/ q; \1 c& T# W
Generating Supplemental IMF Packages- V" M) I0 l7 u* E
DaVinci Resolve Studio now supports generation of supplemental packages for IMFs when using Resolve's Kakadu-based J2K decoder and encoder. Please note that you will need to disable the easyDCP decoder option in the Configuration tab of System Preferences to enable this feature.
& [; N9 o* |6 [ S: }! D- R
K r/ _2 e" nWith an IMF composition in the Media Pool, you can select "Create New Timeline Using Composition Playlist" in the clips context menu to create a new timeline. If the IMF package has any associated Dolby Vision metadata, it can be applied using an option in the creation dialog.
) F) z: t& f" m+ |2 L! E, K/ V
4 F+ I8 b" X, F5 j& uAny portions of the IMF timeline can now be replaced with source clips from the Media Pool. The timeline clip's context menu has an option for not including the replacement clip for supplemental packages. There is an additional context menu option for selecting either the original or updated Dolby Vision analysis and trim metadata.* A' ~1 Y5 H% v' p
3 T3 ?2 {0 O! Y, C' j% f
In the Deliver page, the "Supplemental Package" option can be enabled in order to generate the supplemental IMF using the new clips and the Dolby Vision metadata.
, v& c$ ^1 r! S0 N+ }0 _1 E# h' T* z1 ^& H: l$ Z1 a
Performing Photon validation on IMF packages4 p, @5 m2 E0 N `
DaVinci Resolve Studio now supports validation of IMF packages using Photon. In order to activate this feature, the Java Runtime Environment (JRE) will need to be installed on the machine.' G7 N( S% \! j, q$ a, I8 H0 J5 c, J
& `7 e2 ?2 E- @8 iPhoton validation can be performed by right clicking on IMF packages in the Media Pool and selecting "Perform Photon Validation". Additionally, there is a checkbox in the Deliver page advanced video settings to perform Photon validation after the IMF package is rendered.
1 w5 y0 a7 t) {; K7 L
: P- V; A" U# m) U- tWhat's new in DaVinci Resolve 15& }: m3 L% ]. [8 D
Key new features8 Y0 c5 N1 F+ D- x8 [8 u
Fully integrated into the DaVinci Resolve timeline2 R0 U1 M( O6 ^& j" u3 z
Improved workflows removing the need for round trip renders to Fusion, f/ V# G$ y% Y0 A7 f3 a4 h5 X" }" q
Initial support for a full Metal, CUDA or OpenCL GPU processing pipeline. C$ q% J5 _; a, x
Improved UI for faster and more fluid workflow! r/ \% l0 t7 @7 `7 T* v4 g
New node graph (Flow)4 f3 q( u% i2 L* ~/ ]
New viewers! t, T, |! Y# e) B
New toolbar9 Y! V# _ b9 U( D+ i
New inspector) A' X$ {/ W1 H$ m1 C
Fusion page now includes. A$ V( B( X5 ~ H- s V0 k9 S' F
Media Pool& i) i7 u' ^) L$ A% `
Tools library with Templates
$ q3 l& Y- } E1 q9 ?" kTimeline with Thumbnails
5 K) ?) b0 C( ^0 @% b! E& _Spline Editor
% W# Z' k" W/ f; OKeyframe Timeline
: C( n+ E7 k' rMetadata
, q5 R% [: d4 s- {Dual screen layouts for the Fusion page
- I# U1 z/ F0 F. k4 y- _: h6 iSupport for Fusion in collaborative projects
' H: C3 ?* c) n5 [. J$ x4 d" j) HSupport for various geometry files for Fusion in Media Storage and Media Pool
; z9 r2 R% M' dSupport for importing and exporting Fusion comp files
' p( f N5 Q6 c5 W7 `$ u- nSupport for caching Fusion page output for clips with Fusion effects applied
# j( o1 q" a3 B' u! G7 V7 jSupport for Fusion planar tracker is now available on the non Studio version of DaVinci Resolve
; {+ i+ y8 N3 k: ?& z0 C/ g3 SSupport for Fusion planar stabilization is now available on the non Studio version of DaVinci Resolve1 ~0 Q/ ]- R6 s; r" b9 S( s: B
Support for Fusion planar transforms of roto is now available on the non Studio version of DaVinci Resolve4 Q) M7 D6 t( w0 k
Support for Fusion planar tracked roto is now available on the non Studio version of DaVinci Resolve$ A- J0 J1 K) ^
Support for Fusion optical flow retiming is now available on the non Studio version of DaVinci Resolve
/ n, {; m& ~7 R2 J
' b% T* r( ~- L7 q, n0 H5 i, E JVisual effects features% w' ~% j# Y; Q) b' |3 T
Vector Paint
1 z. O, A% |) @/ v/ w5 c5 s2D and 3D Compositing
% S' b9 H6 {1 k; W. x$ Y" }1 {3D Camera Tracking in DaVinci Resolve Studio
6 t% O9 }' A" y3 B0 LPlanar Tracking and Rotoscoping( q7 F9 G, I. N0 m9 @, I, f
Node Based Workflow3 w2 ?' p; J" G( k$ \
3D Workspace2 @$ V: E/ D( ?0 |+ i$ p. m
Keying and Mattes
5 T. s0 J% c0 c0 P8 K9 _Rotoscoping0 ^4 ^9 ~, L9 G. q$ R
Tracking and Stabilization2 Q/ V% P; K" @7 o2 H
3D Particles
7 Z+ G X t& i' mScripting
2 Z& p1 P+ C" j# PShot Cleanup
6 i M# ~/ c q- w3 f9 n' I" \. d6 fOpen Color I/O
1 j' l7 b# x9 L8 a6 b' N6 d( C, wVirtual Set Extensions3 B% v$ y& ]8 `2 G+ G, ]
* E9 T7 h7 D( v F4 d+ ~# T0 A
Broadcast design and motion graphics features
7 \1 j. W, z! O( G2D and 3D Titles
9 i, f- D2 N! L' ^; V; G, d5 v3D Logos. _) I$ {# r/ e* ]: j
Animated Text
; X# [1 _9 q- h _. F- PSpline Based Animation/ @1 M3 l; G2 D9 N
Replicate Objects& z2 F+ i! d w) N- O. E
Expressions and Macros
' w: E" y/ w3 I; V8 hVR tools in DaVinci Resolve Studio
8 L- c5 {$ H: VImport 3D Models and Scenes
5 h: S% I* H$ W6 t1 W$ O* l5 ~5 YBuilt-in 3D Objects+ w: c2 x$ o5 a
Realistic Lighting and Shading
* W# K1 W& f9 L. ^Comprehensive Stereoscopic 3D Tools in DaVinci Resolve Studio
: Q6 N. e8 O& W" A/ D, ADeep Pixel Compositing
; y' m" S! h; ^* u% nVolumetric Effects! O5 t9 x6 V+ ]0 }2 |4 Z, d
Fairlight
& i- q1 \3 U: L& Y5 N. a5 B
/ j( ^0 p( \7 b8 p9 Y0 @" AKey new features
& l/ P, W- Z/ B! @" OADR (Automatic Dialog Replacement)9 a3 z4 _2 `) x ~; S, ]. M
Audio Bounce of a range in selected tracks to layers
3 d0 M( H; x- Y" i; v" |' mAudio Bounce of one or multiple buses to tracks
9 x+ {' }* Y% G& F& X7 k5 U$ F* BFixed playhead timeline
& x9 x! D( _# U0 V: L1 l% P! {Audio scrollers
' N+ p! m/ B9 EVideo scroller' r7 v& V( S" b9 d! @" n5 n: |$ Y
3D audio pan
, k% z! }! v$ \; Y5 K( E. ~Sound Library *
* K$ k8 a4 V, X7 Z9 |5 J4 lSupport for native FairlightFX2 p6 t' ~6 ?/ [8 A- s
Chorus5 r6 V4 N# b* ` U
De-Esser
4 n; g* L3 u9 DDe-Hummer
7 H( m ?7 s) L; @, Z IDelay$ I8 L! d3 {4 e1 u
Distortion
; L" Z+ b, \1 b: w2 @2 x( L1 jEcho
5 m, F! G' P+ `, q8 d5 c0 k- RFlanger8 K( x, e2 V% y3 Q
Modulation
" X; t: g2 R% r) {Noise Reduction
4 s! |2 Y. J: M1 s8 XPitch9 C! |2 i9 P) }4 L
Reverb' J( q6 Y/ o1 ]( W, L- z7 W! e
Stereo Width G5 O( n! x0 L
Vocal Channel! X/ K; l0 F$ F2 D/ D ^; J
4 [- } h: b+ |* Z! v" ~& l- n; V
General improvements: _) A: b5 K) ?. p% g. V, o3 `& v
Support for audio normalization in the Edit page and Fairlight page. n% o( c& s" j# u
Support for clip pitch control for clips D" D5 w1 l- Y) |
Support for Media Pool preview of audio
& U& H4 ?1 V' U7 q0 JSupport for audio fade in and out to playhead in the Fairlight timeline
8 c4 F: d$ o4 u! U2 s+ S2 sSupport for mixed audio track formats from source clips
/ ]6 V& K+ s$ V5 P# BSupport for trim to playhead operations in the Fairlight timeline, t" D0 N( J/ G$ w6 I8 }
Support for Preset Library for Audio Effects *
; L8 E# L' z) gSupport for legacy Fairlight projects on Windows *# n, Z* S7 } D* J) E) F
Support for inbuilt tone generator+ J' m* _9 C6 r$ V
Support for Compound clips path bar below Fairlight page timeline
1 q" M2 q# S8 ^8 c, h( h I( hSupport for native audio on Linux1 z. Q0 I. t& d" D8 l: j) s) X. g
Support to show audio waveforms while recording# }, }; o" U. c) G
Support for input monitoring to the native audio engine
' p0 [$ o; q m7 `Support for reordering audio plugins in the inspector for audio clips
4 J* C' N+ A% N/ s0 g. B W8 jSupport for audio retiming for clips with variable speed changes
3 F F, X" T+ u9 VSupport for Paste and Remove Attributes for audio clips in Fairlight page& O9 V6 W" N& O% X; J1 Z" o
Support for pre-roll and post-roll time in Fairlight timeline
, o9 `% a( k/ }$ OSupport for Loop Jog controls in user interface j2 X; ` B3 T+ v: l% ^! ]
Support for an indicator on the Fairlight timeline when there is an offset between audio and video
7 g2 z7 V3 e) {, U. {' `, v& ~" |Support for the Fairlight Audio Interface installer on Windows
! \0 l( _9 J: o y* fSupport for a mode to stop and jump to the last position
9 |' F7 H6 }. }/ L1 JSupport for track selection and deselection using the track destination selection commands
: O+ `9 h! ^' H+ S+ k& P8 b( F* ~$ SSupport for selecting buses in the mixer to view and modify their properties in the inspector3 L _. A* U+ k* [
Support for viewing video tracks on the Fairlight timeline5 w, x: N8 T( e# A) B
Support for transport controls from the DaVinci Resolve grading panels on the Fairlight page
' C3 R" F) Q/ ySupport for improved timeline view options in the Fairlight timeline- o5 t" v9 Y3 ]0 T" w# o
Improved speaker selection with support for device selections in monitor sets
. y" J0 y$ y8 B& z- L8 ~Improved consistency of navigation and selection hotkeys between the Edit and Fairlight pages4 a/ ?7 K8 W: y$ j
8 W- p0 S" H- l7 f; Q% _
Performance
0 n9 u4 W9 o' u# L" bSupport for project versioning snapshots to store project backups at set intervals$ o9 I o3 C5 z: C- b0 W
Support for only loading the last used timeline when opening a project4 ^, n, x% m$ Y: U
Support for an option to load all the timelines when opening a project* q m$ ~6 B6 u" F* {; G( w
Support for bypassing color processing on all pages for improved performance on low power systems+ c. D( y2 y! l$ x$ J; R2 @# I; R! C
Support for trimming H.264 and other temporal codec formats in Media Management- _. c* G) |. I3 s9 e
Support for GPU acceleration for the ResolveFX Match Move plugin O3 h3 D4 L- f! w4 T8 s+ {
Support for GPU acceleration for the stabilizer with a speed up of more than 5x* d( T$ z% U) b- Y
Support for new system preference to use optimized image transfers for viewers on supported systems/ C, k- X' Y: f7 g# X a
Improved save and load performance with database optimizations for large projects0 ~& G( n) h/ G3 N. k. D" k x6 ]1 g
Improved CUDA performance for high resolution clips and timelines
$ i, O$ `# s4 f1 A4 cImproved playback performance when monitoring on a single GPU system with scopes enabled& D6 b0 G. P, m3 T3 h8 f. k- H8 W
Improved playback performance with mismatched output and monitoring resolutions with Blackmagic Design capture and playback devices
" P0 g2 u6 T. f! \8 ^0 z" _" zImproved decode and encode speeds for JPEG2000 clips' h# W3 J5 O" I1 p5 O! h# j- A* q
Improved performance when encoding to the GoPro Cineform codec; a/ g) U, M/ t( Q2 U
# q5 u0 v! d( \! ]) T9 E& ^8 L! r; nEdit( Q1 z7 U( V: M$ u8 P+ i9 L
Support for adding, managing and delivering Subtitles and Closed Captions+ b0 Z- g& w& |& q2 X! e
Support for embedding a subtitle track when encoding QuickTime files5 p. i/ d7 r( G0 g: A8 ~
Support for embedding closed captions when encoding MXF OP1A files
) m' Q( ?: o5 a) z1 B% ]6 wSupport for embedding closed captions when encoding QuickTime files* r( q/ g9 h- l7 B
Support for 2D and 3D Title templates
4 _8 q+ N7 m+ k8 F+ g/ USupport to load multiple clips into the source viewer and access the 10 most recent clips
6 K5 G' X8 ?' J4 F8 x- jSupport for stacked and tabbed timelines# X2 n) H: }+ w# K5 L6 r5 \+ _6 R' R
Support for position curves in curve editor
. h: @ R5 I( E, w4 u [Support for menu actions to create Flags and Markers with a specific color9 ^* L8 }$ v1 r' b. v
Support for timecode entry in the Marker dialog
' y) U& s) r4 ^8 Z7 a3 sSupport for markers annotations on the viewer
- ]3 B, |! ]' v6 v8 J! c0 N0 M, v! BSupport for new Change Clip Duration to modify the duration of one or multiple clips0 k; Y6 ~' B6 n5 [8 m# k
Support for finding the source viewer clip in the Media Pool G$ a: c3 s) I z1 f
Support for caching of titles and generator: H2 `- y7 t" V
Support for keyframing of OpenFX and ResolveFX plugins5 I4 L8 X/ A9 i1 J6 u- P
Support for alpha channel in compound clips" u7 t' ~; k" [3 R3 l
Support for copying and pasting timecode in the viewer timecode displays
1 q S6 k! t1 L' x' pSupport for multiple timeline gap deletion/ f% P6 A" y& ~- m2 X9 J; O
Support for single viewer mode for the dual screen layout
4 W/ z& d6 Z- C' t) Y" TSupport for marking in and out points in Cinema Mode in the Edit page. [2 f3 m; a" r& o' N+ l2 ~
Support for showing the iXML channel names for audio files in the timeline
: t$ E4 e9 T) P/ uSupport for replacing multiple shots across tracks while retaining grades and effects by Ctrl/Command dragging clips
& I4 j/ M5 [2 U0 L( @Support for categories of video transitions in the Effects Library, O1 N- ?/ B6 k. ^2 s% p. Z
Support for a new Play Again command on Media, Edit and Fairlight players
+ ~" O" }6 [9 ?. o2 l8 ?5 NSupport for disabling ganged moving of audio and video clips across tracks
+ N! D* e6 H ?4 K. O# A, YSupport for rippling clips on the timeline when pasting retime attributes to other clips" x3 {3 M& c8 c9 o# _) |3 s# V
Support for actions to convert between Duration markers and In/Out marks with ability to set shortcuts
( Q# w; P& Z. Z6 l; BSupport for viewing clip marker overlays on the timeline viewer' q& h e( D, @# g' B
Support for an Edit and Color page indicator for clips with Fusion effects$ a4 V( i8 w+ {2 v; i( h
Support for toggling the track-destination state
b3 { E6 h! ?' p2 [0 [Support for improved timeline view options in the Edit timeline
M: Q3 |+ t. }: Z" r3 @3 @Improved separation and handles between video and audio tracks on the timeline r/ d& I( l- l; g+ M; H
Improved timecode entry and playhead navigation. p9 G* Z8 ? ~: u; s. A% h
Improved optical flow for speed changes
6 ?9 R" i! g' `9 t4 \: M- G* SImproved Smooth Cut E% X0 c5 p7 C; R# I) z
Improved keyboard shortcut mapping *+ {0 n% b& P- j, x
Improved previews when performing blades on a multi track edit( L2 f1 ~" o/ f4 g; L$ P9 L, B
Improved ripple cut and ripple delete behavior3 `0 M% f: s$ ]
Improved automatic track creation when dragging clips to new tracks
3 l- U/ n) D2 l4 {
6 g! `, N9 c2 [- D) |8 O( C( `Media
) o0 ` u" \1 c# f/ {9 Z# L4 gSupport for Cintel HDR capture0 i+ ^, q& ?- x4 [
Support for importing clips to Media Pool with metadata via Final Cut Pro 7 XML
1 u8 O u V! m4 l3 g# ISupport clip type icon in list view for both Clip names and File Names
% {; C$ a# F5 z. ]( k& mSupport for showing Clip names instead of File names as the default% Q" R- M. u" R
Support for replacing a media file and all its instances in the Media Pool U) h2 A- ~0 u+ c, b* ~8 a% E
Support to navigate to synced audio files from a video clip in the Media Pool
1 \. Y; i* B$ }5 c& m# CSupport for automatically creating subclips by dragging a clip from the viewer to the Media Pool
# M! V; t m7 K/ w% QSupport for source clips with high speed capture frame rates in the Media Pool, z4 n9 e) q+ T0 H5 P
Support for retaining empty folders when importing folders to the Media Pool4 e- k1 j8 V' Q# ]1 R- V
Support for improved LTC detection from clips with multiple audio tracks
. K& p: Z* R8 ?2 V( `* aSupport for larger clip thumbnails in the Media Pool4 |5 \ R6 |3 Y5 q* P* K- a2 n
Support for improved Media Pool column listing
! p$ `) G" J% x% }! QSupport for modifying the extents of subclips
" l/ c E) F& [ _0 {Support for viewing waveforms for audio clips in thumbnail mode in the Media Pool and Media Storage
* z+ N6 D8 G6 t9 n k1 K1 aSupport for live preview of audio clips in the Media Pool and Media Storage* L) A; Q9 e# {
Support for multiple bin views in collaborative projects& a4 d+ O; k. J- T( G' ]! F( a
Support for smaller Media Pool floating windows d8 K, ?3 t- y% I' @
Support for native IMF decoding and encoding in DaVinci Resolve Studio8 b0 y, y/ `* S% N2 R& g* a
Support for native Kakadu based JPEG2000 decoding and encoding
+ H0 u- M' Q; pSupport for encoding unencrypted DCP packages using the Kakadu codec
! b; @& y1 W: h$ oSupport for ARRI LF camera files, o8 U5 N" g( L# R& K
Support for decoding H.264 clips in the MXF or MTS format
, @3 R$ o* Q5 h6 T! V1 }1 LSupport for Canon Log3 in Resolve Color Management0 x) c9 e0 ]4 D! m6 r) h
Support for alpha channel with DNxHR 422 codecs6 |1 v" c/ r, I* p+ g
Support for decoding 8-bit Phantom Cine clips! B0 j! D( b% v3 l! {
Support for reading color space and gamma information from QuickTime and MXF clips
$ A# e8 @0 e. @. t5 CSupport for alpha channel when decoding from and encoding to Cineform RGB
8 S: s, p) D6 h) J& T/ M: I# ASupport for writing color range, color space and other image metadata when encoding to Quicktime DNxHR
. r+ A, b' Z* |" u. z* ESupport for decoding FLAC audio files
9 y9 s6 \+ e v: T& n- uSupport for HEIF decode on Mac and DaVinci Resolve Studio on Windows and Linux
' v- P8 o+ D; zSupport for decoding TGA images
# Q8 Y1 r+ C R# d, dSupport for Canon C200 IDTs in ACES8 F. x: ^' v# b( `) ?& {
Support for displaying REDCODE metadata for R3D clips b* f0 o; ]0 J8 q' Y% H. C% E
Support for XAVC-Intra OP1A HDR metadata- n) b' ?/ |+ @: c6 ^5 W
Improved Resolve Color Management support for Sony clips where input color space and gamma are set automatically using metadata5 g+ C( g. ?# k% c& h% w3 t# N
Improved support for encoding HDR and mastering metadata for MXF and IMF formats in DaVinci Resolve Studio
4 k, `. C% ~0 Q! u4 p0 }7 dImproved support for audio waveform sync in multicam clips1 |6 D) w1 N% l u ~4 |
Improved support for decoding MXF XDCAM clips
6 {' j8 C& V$ w1 x0 A* T5 O0 I _3 |& |, S" y/ R3 _* S4 ?, H
Color
; C/ r( g) F, } }) d8 KSupport for new SuperScale option for high quality resolution upscaling
' x$ p, O' P$ N: F9 DSupport for multiple timeline playheads with DaVinci Resolve Advanced panel control# n" }9 [3 W2 k& ^6 b% h H* e
Support for a new LUT browser in the Color page7 a2 R% f% s9 ~- k: X) S
Support for live preview of LUTs and gallery stills6 ?$ w4 Q, r8 G
Support for browsing grades from other timelines in the gallery8 S. A" `! J1 S* f/ d
Support for browsing grades from other projects in the expanded gallery view
% {' Q/ W, h1 A; m& zSupport for batch color version management
6 n0 v T5 k p& \0 k; a5 sSupport for switching between previous and next version for multiple clips: H% B/ H* [( @; R
Support for modifying the qualifier by dragging the controls in the user interface0 [3 d* R1 ?# ]( ^4 a& @3 J
Support for denoise in the qualifiers matte finesse controls+ X, o2 F- y4 ~1 C) y- T: [2 f
Support for alpha matte shrink and grow in the qualifiers matte finesse controls) ^2 A- e' i! k0 j3 R& y8 K' O
Support for ganging the timeline wipe with the current clip
* [$ q* K$ j# b: Q+ \% a. O( eSupport for option to disable thumbnails in the node graph$ {; W+ B N, i- [ S" p
Support for improved Color page node graph user interface
, I3 z5 T! X" w0 [Support for improved user interactions for selecting nodes and modifying node connections! c; h5 I8 B7 A: \" x
Support for enabling and disabling multiple selected nodes in the Color page
# [: d7 ^9 `5 V2 m3 b( i$ C8 [Support for a node context menu option to lock the node9 h" v4 B7 O: e$ |; N5 Q% [
Support for shared nodes for powerful group management% e" ^$ d F' F
Support for Camera RAW controls for Canon RAW clips; ~4 K" F$ n5 ]1 M: U
Support for Camera RAW controls for Panasonic RAW clips- |4 q0 \$ [) B" K+ G
Support for the Media Pool in Color page9 O1 U2 r% f% M) j0 O5 Q
Support for GPU accelerated Dolby VisionTM HDR to SDR metadata generation in DaVinci Resolve Studio
. }' Z! I5 X8 r7 c$ c# Q: cSupport for license activated GPU accelerated Dolby VisionTM internal CMU in DaVinci Resolve Studio
. {) M( _0 c* E2 e& U- w! ISupport for native HDR10+TM controls in DaVinci Resolve Studio
; N7 k+ p y4 F+ v) w' W0 ^; r3 K7 J& Q; u' N
New ResolveFX Plugins
_; e# [& h5 nResolveFX Aperture Diffraction in DaVinci Resolve Studio
( x( ^- o. q' O6 `7 J8 m I7 @ResolveFX Automatic Dirt Removal in DaVinci Resolve Studio
4 X6 h( s" Z7 c& s R g* \ResolveFX Deflicker in DaVinci Resolve Studio
. X& v; r* Z2 g* d9 @; j, l lResolveFX Dust Buster in DaVinci Resolve Studio- l" u$ F9 z/ m% m/ [$ |/ @
ResolveFX Film Damage- {) L _) ~6 |5 N0 N
ResolveFX Flicker Addition
6 B5 F- n) W$ V5 \0 w5 W. qResolveFX Lens Reflections in DaVinci Resolve Studio/ @: B; \( B6 H2 a. R/ h
ResolveFX Patch Replacer in DaVinci Resolve Studio2 P% i! ?" `4 P; ^" C
Support for ResolveFX Match Move is now available on the non Studio version of DaVinci Resolve$ ?$ r% y0 {" Z: M1 y
Support for random frame access when using temporal OpenFX plugins is now available on the non Studio version of DaVinci Resolve* K) _8 |/ c; v p( l
Support for stereoscopic convergence on Power Windows% S% O- } d, f1 @# A* Z1 r
Support for showing marker overlays in the Color page viewer; r) u$ o: x6 T7 C( {) k$ ]
Support for a dynamic keyframe indicator for nodes in the node graph7 e# K& F; g- n3 W3 q% H4 |6 M) h
Support for tooltip for Edit page FX icons to display the list of plugins applied) N" h& v0 {" A& R9 E, L. z# A
Support for compound node path bar in the display node graph window& B& f' Q+ ^; H1 N* @
Support for copying nodes and pasting specific values by selecting parameters and using Paste Value; ]$ H; B" D( `
Support for previewing LUTs by holding Alt/Option pressed while mousing over the LUT context menu
9 i% i r4 W$ p& |Support for previewing composite modes in the layer mixer context menu' M2 h3 a2 y z( r1 Z
Support for listing and navigating to timeline markers from the Color page viewer option menu
. |1 u4 r4 d+ lSupport for processing a node in a different Resolve Color Managed colorspace or gamma
& @* J8 X; f" y8 ~Support for selected LUTs in split-screen mode* R9 A/ X. J+ {' h& }, s2 p( K& A
Support for previewing the selected album in split-screen mode2 ^2 F0 F; T% F0 \
Support for drawing a selection box to select multiple points in ResolveFX Warper
# C5 r7 l* K; `. W, T- ], bSupport for improved and smoother masks in ResolveFX Face Refinement
' T' A6 e& X* A+ x6 z. G- z/ {8 ASupport for a new enhanced mode for improved noise reduction
! {% T" K6 b0 b/ [/ i- g6 BSupport for changing the sensitivity of the jog wheel and shuttle control in the DaVinci Resolve Advanced panel( F% E' W* R6 i
Support for smart filter options for shared nodes
: F9 p5 V y' U% V& r, J! ]Support for smart filter options for clips with Fusion effects& c. {3 Y/ E. F( N$ T5 I
Support for RED SDK based Gamut Mapping for Red IPP2 based workflows: S* S& Y% V/ w" k7 m% M0 E1 Z
Support for option to process node LUTs in ACEScc AP1 timeline color space or ACES AP0 color space
4 I( G% }: E5 E( x$ O+ ]$ v: {" ~Improved cropping quality and behavior when using the advanced video stabilization1 L9 `5 S4 W. r; p* d
Improved ResolveFX Lens Blur with support for custom aperture shapes3 Q: f# h+ i9 V# E" w
Improved onscreen controls for ResolveFX Match Move and ResolveFX Dead Pixel Fixer- m6 ?2 m4 j' j0 t p0 o
Improved viewer mouse interaction and behavior when working on a node with multiple power windows
8 l0 y$ F% W2 U: c8 O0 OImproved DCTLs with ability to include code from headers and use LUTs in DaVinci Resolve Studio
/ r$ @5 G/ w% O6 [& P; k2 ~Check Developer Documentation in the Help menu for more details
1 j3 r) G! b1 \% |6 }& h6 a+ MImproved generators, transitions and titles with support for Resolve Color Management and ACES
, G$ z8 h- k1 R' _
8 J3 N0 o& I; p. bGeneral8 K7 h% J( K- D+ [6 ^4 p
Support for single seat Fusion Studio dongles
1 n! f `$ [/ u5 L& {Support for external scripting of DaVinci Resolve Studio from local and network locations% U$ t" p/ Y+ t& d2 l! e, }1 @/ }! B
Check Developer Documentation in the Help menu for more details% U! P* H" P* {- V) E
Support for Fairlight Audio Accelerator drivers in the DaVinci Resolve installer on Windows; Q/ _9 Q9 m* ]" H' h( h/ b
Support for a new system preference to control Audio I/O Processing block size) z; Q" N3 I7 j9 e/ ~8 C9 m
Support for launching DaVinci Resolve and loading the project when opening a DRP file in the file browser5 o- ]' b. y: j! T8 x
Support for a new application level system memory limit in Preferences
3 r3 v; q% q |( y1 bSupport for a system preference to enable or disable hardware acceleration of H.264/HEVC and other supported codecs
, m# i' m5 g5 p& N& pSupport for system preference to enable or disable Direct IO for media storage locations on Windows
1 R: U; T3 F& X( `, O8 N0 hSupport for Metal when using RED GPU debayer on Mac
) g% d6 b5 h$ @& r+ G9 w& ZSupport for system preference to enable or disable RED GPU Debayer
5 b( J' [0 z9 x! ~# X$ ?Support for a floating timecode window9 g3 R; ~+ {5 T9 S) S
Support for listing backups for a specific project from the project manager context menu5 e% e# t& B; {2 |3 T7 d( \6 U
Support for backing up and versioning projects when using Live Save
4 s4 e; O, [2 y; ~/ Q% P. MSupport for switching the top bar and page switcher bar to an icons only mode
8 |- f3 C- S9 R( D( J6 aImproved application menu layouts9 H" p& N w9 [! m; } S
Improved and clearer contextual menu layouts3 h% R8 S: } P3 D6 O
Pre-installation Notes7 D1 M. |* R! S! a. k; L( ]: z7 C' k
DaVinci Resolve 15.0 requires a database upgrade from previous versions5 ^1 v% x. l; W' }4 r
Support for decoding and encoding of easyDCP formats is not currently available3 G1 E1 r0 x( S& G% e, p
Collaboration is currently not supported when using Shared Nodes
4 x3 w8 }3 i' W- B; t% h. R. O' [' D. _7 J+ y9 ]
What's new in DaVinci Resolve 15.0.1* V3 ]# e3 T/ Z( L# T" Z
Improved support for Dolby VisionTM in DaVinci Resolve5 J8 I7 {6 g( r9 H/ e& Y0 f! C6 a
Addressed an issue where switching databases would sometimes turn off dynamic project switching
$ z' s" ~6 ?, {- BAddressed an issue where performing a save immediately after loading a project would sometimes be slow: U# P0 C( R+ M7 {' e m* M
Addressed an issue where some UTF-8 encoded subtitles would not be correctly imported into the timeline! G+ `% |, \& F! Q, }
Addressed an issue where pasting audio clip attributes for plugins would not work correctly
* b# B$ q7 H: X# mAddressed an issue where applying RED IPP2 gamut mapping in DaVinci YRGB Color Managed would show banding
- _6 w" O8 a/ GAddressed an issue where Fusion clips with premultiplied alpha would not display correctly during playback
0 q+ f8 P" O* s. GAddressed an issue where double clicking HDR10+ parameters would reset to an incorrect value. y; u9 [3 h# _: u5 U9 P
Addressed an issue where rendering to unmapped network drives would not behave correctly on Windows: J# g6 z8 u1 ]: J" g
Addressed an issue where switching projects while on the Fusion page would sometimes not load the user interface correctly
/ n- e" h5 R% u0 XAddressed an issue where tracks would sometimes show as blank when loading a project in stacked view
* j+ T( b- f. @; KAddressed an issue where disk database projects on macOS would get corrupt due to loss of power during save
- [1 i- a, M8 X, u6 s5 |General performance and stability improvements
- n z( ?7 V$ Y% M
! [' |) J0 h8 D/ pMinimum system requirements for macOS: \. |0 d& N$ q3 T' r8 L: S
macOS 10.12.6 Sierra7 y9 [3 l v' [$ O y! R
16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion
& X6 }" t0 G! u0 E! rBlackmagic Design Desktop Video version 10.4.1 or later
1 l+ t% ~$ J* z# HCUDA Driver version 8.0.63
! ^, U) s' W0 w1 z6 X1 [NVIDIA Driver version - As required by your GPU
8 g. D! {: _( o4 K8 V6 e; ~( oRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
/ x8 i0 \. ]3 t5 P5 ARED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
; |. V, o5 `4 }3 V, q" P
% {( W3 [- X* P" X1 l2 JMinimum system requirements for Windows+ l( W; S+ \+ r, @ M
Windows 10 Creators Update
% l( O- @! ~0 p P7 [6 [( p16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion
7 A9 i7 y) r/ Z' V& DBlackmagic Design Desktop Video version 10.4.1 or later
' d: ]; S$ D9 H" kNVIDIA/AMD/Intel GPU Driver version – As required by your GPU
1 U8 q/ P' l6 _# fRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later/ K" k( v2 m, N I& s2 i4 [/ z% ^
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
6 N# y5 S# g. N* P6 T. {4 E; M% M0 t
4 T, C) o6 q* a7 U* n0 @% I6 [Minimum system requirements for Linux& P2 L* M, g9 X; N( k
CentOS 6.8
# @0 K! f0 |+ P" G: ?0 d$ z32 GB of system memory is recommended minimum
* i- k7 ~+ z7 O" ?Blackmagic Design Desktop Video version 10.4.1 or later
) o' D" J# m( J, K% n2 C0 @, dNVIDIA/AMD Driver version – As required by your GPU; @0 Y4 _. x! U* Z
RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
Y0 h) v3 Q# Y' y# d" w8 Q' x) S/ L+ @% q0 kRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later
0 J. u! c) D0 Y9 K
7 t! ]! X W! x; X; w/ {8 _' V) h. O% o9 O1 a
8 v1 b1 {, f1 o. v0 m# O0 x& p
) h( w/ L" Y' R
: E9 A2 u0 _" B# A* S- a7 j2 p% }. s. Y
Download：3 Y% U# f3 v1 ~" j" a* ]
DaVinci_Resolve_15.0b1_Linux.zip
4 E. ]) n- V/ NDaVinci_Resolve_15.0b1_Mac.zip$ T2 k8 n2 L0 ?) Q' l( Q7 U
DaVinci_Resolve_15.0b1_Windows.zip* ]0 H# l% ]+ K
DaVinci_Resolve_Studio_15.0b1_Linux.zip
8 n5 g$ Q2 y! l; ]DaVinci_Resolve_Studio_15.0b1_Mac.zip
1 z! N3 z2 C; ADaVinci_Resolve_Studio_15.0b1_Windows.zip& V* c1 X" V! y7 g
DaVinci_Resolve_15.0b2_Linux.zip
t5 T9 b: `' Z5 hDaVinci_Resolve_15.0b2_Mac.zip
& _8 A% h @. Q6 FDaVinci_Resolve_15.0b2_Windows.zip
% W, f: b, \) I2 H- @DaVinci_Resolve_Studio_15.0b2_Linux.zip
. Z( [$ E% d9 m% o; UDaVinci_Resolve_Studio_15.0b2_Mac.zip
; n8 p& j$ Q' [. QDaVinci_Resolve_Studio_15.0b2_Windows.zip" e! F2 q2 b$ K& w, N: A; _
DaVinci_Resolve_15.0b3_Linux.zip" [- \( z$ @- X$ s6 c* X
DaVinci_Resolve_15.0b3_Mac.zip
8 u( [5 k. w$ k e! Z6 aDaVinci_Resolve_15.0b3_Windows.zip
2 l, }' f2 ^6 ?$ ZDaVinci_Resolve_15.0b4_Linux.zip: A1 j" ?8 }+ ^8 }
DaVinci_Resolve_15.0b4_Mac.zip
+ i* _2 s% \ s; \* tDaVinci_Resolve_15.0b4_Windows.zip& T6 y! M" q1 Q, N2 ~
DaVinci_Resolve_Studio_15.0b3_Linux.zip
/ c$ I! t4 | g! DDaVinci_Resolve_Studio_15.0b3_Mac.zip- A( H5 v/ G" N" F) m% v4 t1 O
DaVinci_Resolve_Studio_15.0b3_Windows.zip' F. {/ \& K& @+ [& A$ f
DaVinci_Resolve_Studio_15.0b4_Linux.zip& |4 h, E4 m7 J; f; w$ b* t9 k
DaVinci_Resolve_Studio_15.0b4_Mac.zip
( M: [9 N* ` oDaVinci_Resolve_Studio_15.0b4_Windows.zip( n/ P- S# B1 t5 }( [' G7 T
DaVinci_Resolve_15.0b5_Linux.zip1 ~2 q' c$ j' x) ?; ?1 E" s5 M0 r
DaVinci_Resolve_15.0b5_Mac.zip2 r: } {' e) e
DaVinci_Resolve_15.0b5_Windows.zip. H- p1 Z' ^, n6 L
DaVinci_Resolve_Studio_15.0b5_Linux.zip8 r" B+ I- [9 b0 T7 q- b& K
DaVinci_Resolve_Studio_15.0b5_Mac.zip
, w9 H( H# O* F. q) J+ V0 X7 GDaVinci_Resolve_Studio_15.0b5_Windows.zip+ y: k2 {5 u4 y' K7 m
DaVinci_Resolve_15.0b6_Linux.zip% y) q7 _& y7 w
DaVinci_Resolve_15.0b6_Mac.zip
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发表于 2018-4-17 18:27:24