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FXhome Ignite Pro 4.1.9221.34279

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Release Name: FXhome Ignite Pro 4.0.8528.10801
/ q/ R* x' e1 l& z( T" k/ |Program Type: Video Editing, Compositing
! U& T, `' Z" `Release Date: August 21, 2019
7 w7 `' N+ `6 g* H3 n3 CVersopm:4.0.8528.10801
1 A, G! q. Z5 X, f! a/ A' N* _" sHomepage: https://hitfilm.com/ignite-pro OR https://hitfilm.com/software-update/hitfilm-5-pro OR https://fxhome.com/ignite-pro/whats-new/ OR 0 c, p% ~% {( e8 y3 b5 ^7 k6 @
Interface Language: English
6 |1 }0 _* P4 y7 ~Platform: Windows & Mac  l) r& J+ x9 y% W6 y( z3 ?
Fize Size: 352 MB | 538 MB
( E% |& [# j8 B( `0 k- G5 @5 J3 W9 V  I# {
Already in a committed relationship with your editor? No problem. Ignite Pro gives you over 185 plugins to fire up your software of choice. Experiment with over 560 visual effects, presets and the industry’s best suite of 360° filters. No strings attached.4 H: t5 ~3 y" [
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HitFilm Pro already contains Ignite plugins. Ignite is intended as a 3rd party plugin for other compatible programs as listed below.. f0 h# \" I! P1 ~' u
360° video) h+ q0 U; E4 X" Z
360° Text  ^6 S2 g0 |: O# K/ i" d' K& x7 \
360° Video Transform
, ^# U  x; Z5 _1 C  N  p360° Video Viewer7 r8 Y2 z8 U& |- Q5 W* S% O
360° Animated lasers
/ W2 p$ W; k1 M8 q. T: S2 L; e360° Blur
6 h. v- {2 p5 i8 l" X360° Bulge
+ w7 I# r! ^& p1 }; ]3 B360° Channel Blur
$ ?: C% B$ M' _1 U$ ^) c9 H: I1 X360° Fisheye Converter/ h/ t) ~3 m/ ^+ D9 y2 f
360° Fractal Noise
$ _& n( e0 S8 j2 l1 \! J. _360° Glow
% @' t/ u2 E- _0 ^4 p+ K360° Lightsword (2-Point Auto)
# V7 X. {6 S. d( k( r* v360° Lightsword (4-Point Manual)" Y5 t2 _6 D6 |$ G
360° Lightsword (Glow only)
* D# K' p1 N% D7 u360° Magnify
& z! ]0 g+ e8 C% Z8 ^3 P360° Neon Path, O- Y3 b. u, x
360° Twirl
5 e" J& d$ \3 |# u, w360° Unsharpen0 z; {' |6 X) b: m0 m) V: @/ a
Blurs
3 G& A' U) T6 \. U: A1 iBilateral Blur
  V) s4 \0 Z0 H: g: g$ Y6 _Diffuse
5 Q5 n& D# Y; e5 H, ?4 zLens Blur% R& n; H: D# \, n$ o
Motion Blur
& H( t4 q! Q; R, hRadial Blur
- u& |; b- l; K- ?Zoom Blur
; X( |# M6 A  s( `: `: J+ [0 o- YChannel
6 T: s7 Y1 h# F9 qChannel Blur; N1 T, N( c, K4 A* f1 O$ \$ y
Channel Mixer  p2 H; O2 K8 ~, C+ F( l/ S1 b
Channel Swapper
4 S! U4 S5 p" iChannel Time Shift
2 \6 b5 y$ u2 ?: \) s4 n; C/ i! xColor correction# p, e; s: W9 I$ w; i2 Z
Auto Color
  o' L& v; ?# `6 y: r7 JAuto Contrast! _2 M4 v4 A' W3 n. p
Auto Levels
, i9 E8 _+ q& a. vColor Temperature
9 j* G/ U; B) tCrush Blacks & Whites% U7 S# g" o9 t. E* x$ S
Custom Gray
5 y& C& N! Q$ ANEW Dehaze, I& v$ W: C' |& p
NEW Exposure Pro
8 h8 W/ x" r$ v* H2 \' iHotspots
% q# q0 f+ g* p8 G1 ZPro Skin Retouch7 G8 A1 r( J6 s" c
White Balance' O* L4 p# _' _8 ?  Q
Color grading  K- l$ T. s: P( b
Bleach Bypass+ q. h; i: S$ ~8 E
Cine Style
4 S9 @% o" Y2 [4 B# a4 _1 RColor Vibrance
9 B( w0 d" v4 {0 ADay for Night
  u) D. ]  q0 Y3 I# j+ cDuo Tone# r; s  d' a+ Y+ E2 |; N
Grading Transfer
/ U$ Y9 C6 r* [% b" ~Hue Colorize! D7 C# `: _6 l
Hue Shift
! d( N/ I8 {. E& B9 O5 }Shadows & Highlights
# r0 h% N6 n* z9 c. y7 G' dThree Strip Color
+ f9 I3 H- \# g6 X3 b  S& c, U/ u" T  dTwo Strip Color2 W. W1 B2 W3 N! W6 {' q# u
Vibrance) r3 P' ?" B! w! F; S1 u' X$ q2 C
Vignette* }: H/ d8 Z* j/ x
LUT
+ p# X2 h8 V2 [) T6 j* FVignette Exposure. c  C$ k" C/ B* s+ n- [
Stylize/ @5 |* w2 C" x: \. i4 j0 U  Q8 y
Cartoon
  k0 I7 H+ D* p9 q0 x( t- g( VEmboss8 s% e- }: L: O" y0 s
Find Edges
' o0 \8 u& X4 f* |Glow Darks# L& G  l" M( ^# f: h
Leave Color# H/ B$ t/ l6 p8 ?
Posterize! m/ I1 L1 g% |
Solarize
4 A) Y) e4 \8 E  ]" Y$ U! @Threshold
% k, }, Q: c8 y4 [2 rTint# x" c' s2 q0 ], \% i4 l
Temporal/ C% H; w# t: k3 b8 F+ Q
Echo, s: E/ c% Q) R3 S  z; W' c
Motion Trails
* Z! S8 ?1 T) x9 M' x1 TSpeed
/ c! N; K! {; G$ T. S  ~3 K$ `% n1 ~Time Displacement8 i& R* n" J' i- c9 i5 F* |
Time Reverse
; A3 Q2 Y3 B* MDistort
  X# H) f2 N: BBulge6 p2 P( r  Z3 _2 |! L& R
Chromenator$ G6 m  C4 T# x! n' S$ {3 H
Derez
; v( W3 D. ]  z& K1 y1 n# U1 n3 F: tDisplacement
8 y. d9 L. B( `. O2 |% t  p: ]' o0 dEnergy Distortion% H4 f7 C1 @9 I% U) g
Fluid Distortion
! p! l+ o5 R  _' E3 F6 R. ]Heat Distortion
) E9 r& K- [2 c1 a/ |. |Insect Vision
5 W: f7 T* |2 o2 a/ a  hMagnify) I% g0 w4 a( S
Mosaic! E& i: v2 p2 I* w( m' t
Smoke Distortion1 g8 E$ v+ Z! E! t: a$ u
Twirl8 a* J9 J& g% z! E* _7 Z/ p( n
Waves
! \1 t1 r8 U) R# I; k8 H* T9 OWitness Protection
. o% Y! w, e: {( b* a/ GBlock Displacement3 }2 ]% U0 L+ `
Puppet
6 I5 S5 m1 \2 Z* S, vGenerate! f" M6 g5 w5 |8 q2 ]0 K
3D Extrusion, u% `6 n: k/ S
Animated Lasers
4 W6 }5 N/ x9 `- cAudio Spectrum
, Y7 |$ k/ p( j  u0 t5 T8 R2 I8 _Audio Waveform
' s: P' j. N5 J# dAuto Volumetrics3 M1 i, }+ A2 g+ w
Caustics
& m/ l" X% e; @Clouds9 s/ q% ?) y* `# ~; z; n7 E% o
Dimension Rift
" \3 z5 D& W1 P% R% dNEW Distance Field
1 G1 u" V" I1 j0 C8 @Drop Shadow
" i, d7 Y* w+ a" k" G% i1 OEnd Credits Crawl! Q$ h6 c) h' |; P7 U, u8 Y5 v
Fractal Noise4 B5 l4 P4 O7 G: n; N! s( n) K
Grid( O0 N# ^$ }9 F7 O% @$ W, E$ A2 s
Hyperdrive
0 w2 j& C: J& a  `1 x0 J4 wLetterbox
6 c- R7 ?% g! H$ ?' J) W$ k& ?Lightsword (Glow)
- G/ g: C" O0 M& d4 r( k/ kLightsword (2-point Auto)0 j: k5 G; \3 p) Q9 o
Lightsword (4-point Manual)
& d/ v9 I0 }0 o$ E1 c! rLightsword Ultra (Glow)' b1 A6 s1 x0 d- @# N
Lightsword Ultra (2-Point Auto)
- G1 M3 w- i/ e2 K1 O! wLightsword Ultra (4-Point Manual)
4 l; G1 v# j$ W, YNeon Path (Path)
0 e7 U. G4 I7 ~  K! k2 |2 pPond Ripple5 o# S7 ~+ @  Q% g# F( Q3 y5 ?  ?
Pulp Sci-fi Title Crawl
$ u% w. r* Y% w- @$ F7 j/ uRadio Waves9 N+ X8 Q) F8 f" |
Reflection
% O) j& w( C. u( h% C0 sSphere% G/ I/ m5 a1 }; b$ v& U, Q
Split Screen Masking
! E9 ?  S1 T0 t; O& cNEW Surface Studio
) z* i7 e3 r" {9 HTile
# x2 j+ C( l& `0 X% W' {( X7 FTimecode# _! h' h8 a8 n% i2 [/ t9 ~
Clone5 D% H1 O, P: U2 @8 G! x5 A
PiP/ k) H# @) \. S
Text: p8 J+ u) z1 S8 L
Grunge  q+ i. W) Y+ |+ o9 J- T' b
Film Damage
( [: ~' e$ K/ \* u2 D; w# R9 T% zFilm Grain' d8 C& ~4 U7 H3 l3 A
Flicker
/ Z+ {0 F, p! o$ VGrain2 C3 K$ \$ B2 K4 n
Half Tone
0 r0 f- Q5 n+ ]" kHalf Tone Color/ U0 ^9 D! y- I( t$ w( C  O
Jitter' `; g) l+ x/ l$ ^8 t
Lens Dirt# D- ?; ^1 i: f8 }0 l8 U4 D& t
Noise
( ]: X5 h! v% X0 n/ Y$ q$ TScan Lines9 t7 M; f1 x3 X: W$ u1 v2 Y
Shake
2 ^8 w8 S' Q  S6 o% l& eStutter- S3 C" ^! e7 t
TV Damage
; y8 P2 g& J6 n- N4 u0 B! ~Dot Matrix
& ?) P0 L; u3 i8 S2 r( {! PPixel Sort
) Y* U5 Y# Z* s6 [& _8 {Scene
4 ^# c% P" b  pParallax; |& u) }* O4 I7 e$ ?& \2 X; C
Projector6 x5 m2 D5 v0 u* V+ r- T$ k
Gradients & fills' j- K5 j, x: k6 ~1 a+ o9 Z
4-point Color Gradient6 v1 m' H* E# G' y
Color Gradient5 @7 c1 i+ v7 n. v9 ?3 R9 _
Radial Gradient
/ a( h; d) `& p, BKeying
1 a6 w( b5 R$ `5 Q: l7 \# xChroma Key$ h9 @9 R3 x' Y  V$ ^
Chroma UV Blur
) ]8 ^# Y# z# H- J, GColor Difference Key
: ?9 F3 W1 n2 oDemult1 J6 k9 Z% v/ f0 `! t
Difference Key0 C4 C* ]- T* X, I, u( n
Hue & RGB Key
1 `! W8 H( W8 k& L% f1 I5 QLuminance Key- |$ s- Z$ w4 {) b: \, x7 k
Lights & flares) p7 f  u3 t& L2 |5 X# |- G
Auto Light Flares  O0 e2 i4 E2 o
Anamorphic Lens Flares
) N( ~% S, B( t" n5 T) n  h# IGleam! X. {& p+ _( G
Glow4 v# G$ x$ \1 r3 O/ Q- `9 F; M$ [
NEW Inner Glow
0 W9 B0 H# G+ J( Q8 e5 c' ]Light Flares
* n$ u4 I5 L% ?) I- d' K# dLight Leak3 i/ ?. \. {* i7 G' I
Light Rays( t. y; g" Z  W& j  s% d
Light Streaks+ O$ p  L) @- d# i5 o: ?" Y3 l
Neon Glow) ~6 q5 F& W( S& ^( {1 y8 u
NEW Outer Glow
9 D" x: w; O' V# v* O; m' m) |* X$ }1 kMatte enhancement
. L/ }- R+ F6 U* A+ B& t# kAlpha Brightness & Contrast. _, T* G7 e) @9 m1 ~$ R
Crush Blacks & Whites Alpha
4 a7 m1 j2 D! B! b+ _Erode White
) T  N7 O" H4 ^: Z/ J& [Invert Alpha( [/ @1 c# s$ M1 w+ m* e# E
Light Wrap  H  R" S, M4 t, o: Y
Matte Cleaner
- _" p+ Z8 O  S( b, Y5 eRemove Color Matting
7 _0 c/ M/ _3 ?9 ~$ J- SSet Matte
: F: {, f. j4 W% cSpill Removal* `' h; [6 E8 j& b7 e, N8 r" l
Particles & simulation
. N( s" W( v3 n! @  f9 y: g3 {Atomic Particles; c1 J/ I5 |' A" F0 k7 v' y
Blood Spray
! s! H- E: ^% @9 R& y: `" g' dFire" ^) P  F3 O/ d, D, d6 I3 D0 \
Gunfire( V) n5 v1 ?, V! b. \1 I5 W* L
Lightning & Electricity. N+ H7 Q  q7 I6 {
Rain on Glass
0 A7 T4 B8 |3 PShatter: p% u4 S$ M1 X+ Y! j
Video clean-up/ b7 N- x  V. d9 R/ f. O
Clone Stamp4 h& @" o* h  I  {6 n$ c
Denoise% I: Y  o0 U2 |" a3 P2 t* c
Grain Removal
9 K6 Z7 J0 f/ I' FRolling Shutter
. P9 h- w/ W& E9 ?Wire Removal
7 l5 s1 j2 b6 NWarp
) L; F1 s# _3 n- s* u3 {Action Cam Crop
- [! p) |% m, \. d; [  {( PAction Cam Lens Distort' m! j+ r% ]  ?9 a3 q
Bezier Warp+ _4 p* ^8 q, E' t7 D5 t) s: m
Lens Distort4 `4 L+ L% p; ^3 l: H
Perspective Warp( e& t/ a% H8 A! u& \/ m7 G/ A: R& ^
Polar Warp
, Q, a0 ~, u0 @; F4 e) MQuad Warp
' F0 ]3 a# `2 F/ Q6 T% t1 ISpherical Warp7 C5 j8 ~5 g  J5 W& F% C7 i( O
Vortex Displacement Warp: ]: K4 j4 u7 N5 o$ S/ d6 e
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Workflow7 x# D* ^' }2 Q+ s9 r
No arbitrary restrictions. No time limits. Ignite Pro neatly plugs into any host or workflow for hassle-free editing on your MAC or PC. Every license gives you 3 seats, so you can use Ignite Pro at home, in the studio, or on the beach— no sweat.3 |3 ^; n  I; X  T

& g0 r! j" M3 `, V1 n2 T3 |7 sColorist’s toolkit: ^2 s  }- P/ p0 H( ^8 C
Turn your editor into a Colorist’s dream-come-true with Ignite Pro’s grading and color correction plugins. Modify and analyze your frames with Color Cycle, Color Map, and Color Phase. Tinker with features like Duo Tone & Tint, Hue Colorize & Hue Shift, Shadows & Highlights, Color Vibrance, Vignette & Vignette Exposure to get the perfect shot.
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) b# M- p3 r( J! K: W- q$ _A range of four powerful plugins has been adopted from our latest software, Imerge Pro. Intensify haze or instantly clear foreboding clouds with the Dehaze effect, tweak the exposure of your video to get the perfect look or add inner or outer glow to videos, creating simple borders with no hassle* k% w1 X! s. G0 V/ `% k

( A: f2 n. I. @9 F# EExamples courtesy of Atomic Productions
9 m( {2 ]9 b6 B4 g+ |! Z- V# l360° VFX+ V" ^, Z( c9 D* `
Bring your content to life from every angle with Ignite Pro’s top-of-the-line 360° filters. Designed specifically for 360° video, our new range of 360° VFX ensure your edits are free-from patchy seams, grainy textures or distortions. You can even use the 360° viewer to see and interact with your effects from any direction.& R  C8 R0 V6 _, D  d

* j+ O9 L+ C: Q+ I+ B* x% w5 p360° Stylize4 J/ Y" x5 P( o% E
Harness the power of light in 360° degrees with our new 360° Glow and Glow Darks filters. Create radiant auras around heavenly bodies, or illuminate dark, city skylines for that classic Blade Runner look.
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* N& z( A4 g5 t7 z360° Fisheye Converter, x* @0 g; N( n; \* K
Don’t have a 360° camera? No problem. Use Ignite Pro’s Fisheye Converter to turn standard Fisheye images into stunning panoramic shots. Easy 360° looks, no pricey equipment required.
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5 F9 D7 s* E7 ]* _* Z2 X& X* P360° Generate
+ E, G# Q; ^6 @( M$ {Intensify your action scenes with weapons that cut and fire from every angle. Secure a victory for the Rebel Alliance with double-bladed 360° Lightswords, or scale up your Stormtroopers’ arsenal with 360° Animated lasers.; X1 S3 Q  M8 k" [

* D' D; B7 m: a, R- r8 p360° Blur* T7 l* J" b7 [& P7 C- P
Don’t let your background steal the spotlight. With Ignite Pro’s 360° Blur you can highlight the elements you need to tell your story and blur out the rest. Have a more complex look in mind? Use 360° Channel Blur to individually blur each channel on a layer. Invoke the power of 360° Unsharpen to (counterintuitively) sharpen blurry or less-than-perfect shots.
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6 J, V! w  {2 O. G' y$ D* _/ r360° Distortion, P5 }4 u+ |% r; G9 ?; M
Twist and turn your video in all directions with Ignite Pro’s incredible range of 360° distortion effects. Transform ordinary video footage into wild, psychedelic visuals with effects like 360° Bulge and 360° Twirl. Close in on the fine details in a panoramic shot with 360° Magnify.( g( A+ D" p: O4 S  j2 k
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Professional keying8 H8 r5 ~' |" D; D
Green screen
: M, c1 P; \' `; X6 k1 QClean up your green screen footage with Ignite Pro’s effortless broadcast-quality Chroma Key. Get high-quality removal from blue or green screen, control over edge detail, color correction and advanced spill replacement.
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Spill simulation
) ?) n! J; \6 r) MIgnite Pro’s unique spill simulation plugin replaces unwanted light reflections from your green screen with simulated light from your new background. You can even add the Light Wrap effect for a more realistic light bloom around your foreground elements.
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Stock footage enhancement( s6 u; C* n' y) g: _, V! m4 q2 R1 r/ A" k
Turn a dreary London sky into a California dream by extracting black or white background with Ignite Pro plugins like Luminance Key and Demult. Perfect for stock footage, these enhance vibrant colors and darken edges for more texture in your scenes.
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Matte cleaning
/ \2 S' J" a' A$ d$ V* ~4 h6 {Sometimes keying only gets you halfway to perfection. Use the Matte Cleaner plugin to put the finishing touches on your composite through smoothing, feathering and choking the edge of the key.% V5 \8 L2 [- W4 n! q

( A0 f) w# V% W' w9 GCourtesy of ActionVFX.
( D& K: [; R0 c: a7 xParticle effects
0 b9 r% B- U, B; qAtomic Particles
0 R# ]7 V2 T* F# i% dEnter ‘the grid’ with Ignite Pro’s atomic particle systems. Images and 3D model surfaces easily morph into point grids that respond to animation or sound. Use Atomic Particles to create Tron-style holographics, fractal distortions, dramatic dissolves or animations synced to your favorite track.
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7 u1 H2 y6 x. k7 I& P+ {Shatter5 G  e6 k" v) _) v8 b
Create earth-shattering scenes with Ignite Pro’s video-shattering plugin. Break up videos and images into bricks, shards or any custom shape. Make your title sequences explode on screen.& Q7 Q# J$ v* u) h, _5 `1 `
( T( c. p) g) e* W. f$ W6 i# E8 }
Pro effects in your NLE
! J' U; d* A+ YAnamorphic haloChromatic hoopDiffraction chromaticDiffraction streaksDigital blocksDigital stripeFlashlight beamFlashlight whiteGolden artifactsGreen circles
# G- [0 F, T% T3 q  x4 VLens flare toolkit% e6 N5 Q9 h! f4 r0 ?4 O/ W
Get the J.J. Abrams look without having to adjust F-stops or shine a Maglite into your camera. Volumetric, Anamorphic, and Automatic Lens Flares are all easy to use with automatic identification and application of flares to bright spots in your layers. Ignite Pro even simulates imperfect lens flaring from specular highlights, camera dirt, and anamorphic streaks.
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! `4 ~* G0 `8 b: L5 B: q4 ~Raytracing
+ A1 J% L( c2 fGive your titles some real-world feel using our Surfaced Studio effect. This powerful tool lets you generate smooth or roughly textured metallic and vitreous surfaces on any text (or layers) and have them interact with other objects in the scene.
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Hide objects
. Z6 b6 z# w- i5 t0 q2 Z: kDon’t let rogue pedestrians come between you and your perfect shot. Clean up your footage by easily hiding or duplicating objects with Ignite Pro’s clone stamp and replacement tools.
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. e: ?: S) q) I0 y. t- B: G& X3D muzzle flashes. X1 t8 Z# \/ a0 A' D4 o. X
Perfect for any action scene – Ignite Pro’s dedicated, 3D muzzle flash engine incorporates a huge library of customizable effects. Drag and drop realistic, infinitely variable muzzle flashes onto any weapon in your prop collection from any angle, and at any size.
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7 A  r4 w7 s  T9 I; W/ u$ [8 ~7 @& gDistortion effects1 O/ R/ _- R4 C' G, F' A5 f
Ignite Pro’s distortion effects come in four flavors: Heat, Energy, Smoke & Fluid Distortion. Add industrial grit to your props and environments with jet exhausts, burning fires and hot proton beams, or create your own Narcissus reflection scene with fluid caustics— perfect for creating the appearance of looking through a liquid surface within the software.
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Procedural fire
% l2 T* [3 ]1 t5 j3 XMake your own Towering Inferno with Ignite Pro’s procedural fire effects. Augment your stock footage with everything from small bonfires to large-scale building fires. Perfect for turning up the heat and production value.
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8 @" q3 x3 j' c6 L* k6 _Neon path
# |: a0 j5 s" C: A. u$ iCreate stunning neon sign graphics straight out of a dystopian metropolis or middle-of-nowhere motel. Just add the neon effect to text and shape layers to create life-like neon sign graphics that interact with surrounding elements.& Z- B$ B1 U) H0 @. U5 A
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Bonus: Neon Path significantly reduces time spent rotoscoping lightswords and laser beams. After positioning your lightsword using the 4-Point Auto effect, enhance it with Flicker, foreground & background distortion for an irregular edge, glow and path animation.; g2 H& t7 O' f& t+ l' A8 T

9 }6 o/ H' \' w" `' X% |+ I# o8 v9 j9 {Easy sci-fi effects
7 g2 x. B! W1 w' q$ \- f- {High-quality visual effects are the building blocks of modern sci-fi classics. So we’ve created a showstopping repository of classic sci-fi tropes - from starfields and lasers to FTL-jumps, text crawls, earthquakes and even Lightswords. Drag, drop and dazzle.
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% F2 b( p6 T$ u; X! t& w2 ETemporal tools! k$ p- l) h. g" ?! K6 L: m0 d- Z4 d
Tell more stories in a New York minute with a temporal palette that lets you speed up, slow down or reverse the action. Bring your scenes to life by having characters dodge bullets with motion blur, or bend time with echoes, motion trails and temporal displacement.2 |( ?3 Q9 }0 C$ U
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Lightning & electricity
1 r  _& n5 S$ k: RTake up the mantle of Nikola Tesla with your very own lightning generator. Get your characters to wield Harry Potter wand effects, explode star systems or throw electric bolts with customizable branches, color and motion.
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Warping tools# U0 i0 k" O. @" W3 O2 k2 N
Twist and distort your footage for that added cool factor using Ignite Pro’s Vortex Displacement, Bezier, Perspective and Polar Warps. Flatten your action footage to match your traditional lenses or use Action Cam Lens Distort; making it easy to layer your composites directly onto footage filmed with action cameras.5 {# D# e. I: v: |( [! \1 `
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Version 4.0.8528; r( c7 W9 f# l2 `
Added support for the latest version 16 of Vegas. (Windows)
& r/ l& S! J, L1 k- X2 I% G- iAdded the new Exposure Pro effect to all hosts.
! I- G! k: A4 |" cAdded the new Dehaze effect to all hosts./ d( c$ [+ j0 C7 w3 p" R; p
Added the new Surface Studio effect to all hosts except Resolve.
6 p( |8 c* `/ h. BAdded the new Inner Glow effect to all hosts except Resolve.! B+ W, d" p/ B/ S# F2 n
Added the new Outer Glow effect to all hosts except Resolve.
' n' A& T( e& ?, I. w9 `Added the new Distance Field effect to all hosts except Resolve.
/ c& _7 G4 {0 |; J' R# |& NAdded support for the latest 2019 release of Adobe AE CC.- W8 x  r5 {  w- y$ `3 B
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System requirements
% [$ G3 D, d0 ^Windows: Microsoft Windows 10 (64-bit), Microsoft Windows 8 (64-bit)
% k3 j5 ]7 A8 N" \7 s2 ^8 b$ S9 KProcessor: Intel Core i3, Core i5, Core i7, Intel Xeon (Nehalem) or AMD equivalent.' U( H; @% ?8 `: G: H
RAM: 4GB (8 GB Recommended)
( a1 {% B+ q' o. gGraphics card:
: ]3 x! \8 y1 rNVIDIA GeForce 400 Series (2010). f5 e! d: u5 a4 X
AMD Radeon HD 6000 Series (2010)
* A9 {4 c6 p; e: Q- ]: |, ZIntel HD Graphics 4000 (GT2) (2012)$ b$ a  _" v& m/ k" k2 q4 D6 m
Video memory 1 GB minimum (2GB or more recommended for 4K UHD.
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Download:* F( H& {, m9 y# t; p1 R
Ignite_Pro_4.0.0976.pkg
0 `! m; u& R& a9 I. G* N; |Ignite_Pro_4.0.8528.10801_x64.msi" [3 |% E' q8 ?" X$ U  L
Ignite_Pro_4.1.1046.pkg2 t5 F/ g6 v  q; f
Ignite_Pro_4.1.9221.34279_x64.msi
: m0 [% @! p8 X1 H8 ^4 `; A6 C2 u1 l% d) {6 @8 T
http://installers.fxhome.com/ignite-pro/Ignite_Pro_4.0.8528.10801_x64.msi6 l3 M$ O4 b' M5 p
http://installers.fxhome.com/ignite-pro/Ignite_Pro_4.0.0976.pkg
- q7 D* L% e5 {+ Khttp://installers.fxhome.com/ignite-pro/Ignite_Pro_4.1.9221.34279_x64.msi
' e2 J' g7 Y! `- g7 A2 M, rhttp://installers.fxhome.com/ignite-pro/Ignite_Pro_4.1.1046.pkg" m; S( z* M/ X; K& p- q

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