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[Media Codecs] Dornisoft AfterCodecs v1.5.1 After Effects, Premiere & Media Encoder

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Program Name: Dornisoft AfterCodecs v1.5.1 for Adobe After Effects, Premiere & Media Encoder
8 |  m$ [5 |' vProgram Type: AE-plugin
+ ^+ s8 C5 [* S* V% o1 a. WDeveloper: RE:Vision Effects, Inc: T0 \: J: y) p5 x- N4 ]. x
Homepage: https://aescripts.com/aftercodecs/
' S- F) K3 A5 u3 HRelease Date: Nov 26, 2018! k1 v! d: I+ m* O( |
Interface Language: English# d$ T3 R6 ~/ M( J; U
Platform: Adobe After Effects CS5/CS5.5/CS6/CC/CC 2014/CC 2015/CC 2017, Q& D+ q( O2 ?1 g9 X& a* v1 N
File Size: 58.6 MB" ?- u, U$ e1 ]- ]0 l! S  P

* I/ t% H  G- l; KNative exporter for AE bringing you ProRes on Windows and h264 (x264 and x265) codecs for excellent quality and lightweight videos.& A. ~7 E0 N7 u' _# d) z( _. ?
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AfterCodecs is a native render queue plugin for After Effects that allows you to render directly to the codecs listed below.  q6 G6 b/ Q) k) M
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Need to render ProRes on Windows?
' L! X0 ?# R$ }Want to render directly to a small file size, high quality H264 straight from the After Effects render queue?
$ Q0 y( S$ }0 o3 jAfterCodecs can do it without requiring any intermediate files!! L7 N: X" _. j2 U
+ u0 T' G* ~. g* A; f
Codecs( |* d5 H) U) L" ]. R, T  L
ProRes : LT / Proxy / Normal / HQ and even 444 that supports Alpha Channel.
3 v. A% \/ D4 W# G" E  t6 |9 N. Wx264 : best H264/AVC implementation, outperforming both Adobe Media Encoder and QuickTime H264.
) d7 J, j6 k9 s- @* u' w' A9 Rx265 : files are 30% lighter than x264 and it also supports 8K resolution.
& i0 O: H2 I1 S2 h1 E6 G4 a  W+ I/ qx264 RGB : same as x264 but avoids YUV colorspace, best for storing separate channels in one video (UV map, Alphas...) for power users only.8 M- k* m8 E. y; \. ?' c9 P
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版本更新说明:( I8 F+ b5 i' C  l% s& J
1.5.1  -  Nov 26, 2018' G' O$ K* C+ @7 L' N7 F2 h( A
- Using ffkroma 4.1-84 and not using ffmpeg anymore, you can delete the old ffmpeg executable it if you want
4 _2 f5 F) s' m% n* J- All color shifts with ProRes codecs are fixed now, please update !, B1 z: Q; |3 V' L
- H264 / H265 : 8 bpc / 10 bpc, TV Range / Full Range, YUV subsampling choice (4:2:0 / 4:2:2 / 4:4:4)- b/ U- Q6 z8 G% _; t/ m; v2 \' z
- H264 YouTube profile in .MP4 will render AAC audio now, please use .MOV that will generate WAVE audio so that Youtube has the best quality to re-encode after upload ;); [" L- ^  n, S9 X" D2 t* F
- PPro / AME : new audio layout to render all individual mono tracks separately, reimportable in Premiere Pro ! "All Channels" layout are now called : "All : One Multi-Channel Track", "All : Individuals Mono Tracks" and "All : Individuals Stereo Tracks" for more clarity
6 n1 y, ~% Q% {! m7 @% v- AE : alpha channel interpretation (Straight or Premultiplied) and Matte color are now saved into files and work when reimporting into Adobe softwares
( C5 N8 X- M. q2 Q' D+ m% t3 |. B- New "Open target directory at the end of each render" checkbox in Settings tab (it won't open the folder multiple times if rendering multiple times in the same folder, it will only bring the Explorer / Finder window on the foreground)
" P0 K+ }' S4 E+ d7 p% v  _& F6 H2 b- Hap codecs glitch bug fix" u/ G& J/ S0 W% Y6 U
- Memory optimization for very long renders. u' n# V# C) A8 L% _8 x
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1.5.0  -  Oct 20, 2018( W: i4 ]$ k# Z0 ~# _; ^, M
- Updated for CC 2019
9 {0 n4 [& B$ x- a1 V- Our ffmpeg fork executable is now called ffkroma, don't forget to update if not using the Windows installer ! AfterCodecs needs at least version 4.0.2-93
! C, L, V7 F% a. T2 \4 F* m- HAP codecs improvements :% Q9 a5 R) @* Q5 ?' N* u' T
- New Hap Q Alpha profile ! Automatically selected when rendering "Hap Q / Hap Q Alpha" and exporting an alpha channel ("RGB + Alpha" in AE, checkbox in PPro / AME)
: o9 l2 K* _3 w# M/ b9 {9 e& T7 I- Best quality : new HAP algorithms are equivalent in quality to original Vidvox / Quicktime algorithms6 P6 L, n1 f  L9 a/ G/ \/ u
- Faster compression : those algorithms were optimised with fast processor instructions, including AVX512 for recent workstations, and multithreading (up to 3 times faster depending on your content and configuration)
8 i4 c( P, Z% I. Z- For Hap and Hap Alpha you have the choice between 3 methods of compression, each with their own tradeoff between speed and quality& ?/ F0 G/ d4 E' P8 q
- Multiple By 4 Resolutions in HAP limit removed, you can now render any resolution you want+ o; {7 M" c: S& l% c; T
- Warning on OSX : Adobe changed their way of interpreting AfterCodecs ProRes 422, it has now a color shift on reimport in Adobe CC 2019 (only), please use ProRes 4444
' F6 `$ D% @4 g7 ?) Z3 X! @# W- Unable to Undo (CTRL+Z) when using automatic AE RQ Comments bug fix, now this feature has its own sub menu in "Composition" top menu under "AfterCodecs Settings"3 M0 s+ E1 F$ J/ l# F* p9 m1 X
1 s2 r" ]4 j/ y) ?
1.4.3  -  Jun 18, 2019
& K) ^0 S* ~9 t& V- OSX : BRAW API updated to 1.3 (URSA Mini Pro G2 support, bug fixes)
9 @  v0 v( p; V0 i5 P/ d- OSX : BRAW Studio Panels copied useless files to the "/Library/Application Support/Adobe/CEP/extensions/" folder. New installer won't copy them anymore, and will delete them if created by a previous installer1 \% k5 C+ r! `- p8 w$ t0 u: j
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1.4.2  -  Jun 11, 2019
# u0 B3 o7 Q; D+ A- OSX PPro CC 2017 Source Settings were not appearing fixed* m9 H9 D' }' q+ A: f: J7 x
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1.4.1  -  Jun 10, 2019) A7 a3 g: M! m
- Licensing bug fixes and new "Paste Clipboard" button useful on OSX where COMMAND+V for Pasting the license doesn't work
$ d, e/ y1 {" m3 [( j) H- OSX : when using multiple screens Settings popup would disappear, now it is shown on the primary screen; {9 D# Y' Z# b  C- c6 C
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1.4.0  (Current version)  -  Jun 20, 2018
( y, e1 Y! i1 z) X* }" m* y- Now using ffmpeg 4.0 at least and a new ffmpeg_aftercodecs, please update ffmpeg in the Settings tab# ]! H) }# s; x- S$ F# W7 v
- ProRes 422 faster in After Effects, better ProRes 422 compatibility in Adobe softwares0 R; N. i, W3 t/ E4 _- _8 I2 ~* O
- Low screen resolution bug fix: @. K2 m4 h/ g8 e' N
- Unable to go over 4096x4096 resolution on PPro / AME bug fix
& b2 o, Q% f. a* s) _0 I) L$ \- Various bug fixes
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/ |* \. x& m' i- k* l$ ~8 b1.3.6  -  May 22, 2018% a" ^- y+ l+ Z8 p9 z0 A
- Sound on PPro / AME : "All Channels" option available now4 X" K* x! _6 w- ]0 m

9 j8 a- k1 D4 \5 z3 j8 g1.3.5  -  May 18, 2018
8 ~4 E) d( r) Z9 O/ S2 [- PPro / AME : able to export 4.0 VR and 5.1 audio
9 E8 K1 y% V) Y* e- H264 / H265 : max bitrate is now 900 Mbps and minimal filesize 1 Mio
/ r  a1 S% G$ k+ ~6 a! \- Various bug fixes
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1.3.4  -  Apr 26, 2018$ P. F' m7 h! J
- After Effects : ProRes interlaced (experimental feature)
6 T3 ^/ [! z& d" ]9 H- Bug fix for ProRes 422 on PP/ME CC 2018 Windows
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1.3.3  -  Apr 17, 2018
" c* j3 [: @  f  l6 D- Windows : Multiple output in parallel are now possible on AME and AE
: r* r: b7 i# T6 T: b1 y* d- Manual ffmpeg download button in the Settings tab
4 q! Y' a  j( d' m$ c7 o9 a- OSX Crash bug fix. U- K: h- {3 d8 o  J9 U! {
- End frames lost bug fix
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! M1 s3 {2 Q- A  V+ T* h1.3.2  -  Apr 15, 20187 ?0 t6 W- i; [8 V
- ProRes 4444 Export in PP / AME on OSX bug fix
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1.3.1  -  Apr 12, 2018
' l5 I/ b2 \' }- Media Encoder render from After Effects / Interlaced footage instead of progressive bug fix
2 h/ Q1 S; ~9 h; I* @- New Audio codec choice : Auto (= previous behavior), AAC or WAVE, useful for AE RenderGarden without audio glitches+ f% p, \8 X1 ^4 R' m) L2 p
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1.3.0  -  Apr 9, 2018
+ n) e) D; S: T" |) r* j. F& j% N- New AfterCodecs plugin for Premiere Pro and Media Encoder !) B3 g# Q8 L1 h: N; E
- ProRes 4444 has been divided into 3 profiles : 4444 Light (unofficial profile lighter than 4444), 4444 and 4444 XQ* H& V( p% M) b- r) X% k" {
- New "ProRes 422 Ultra" unofficial profile for Premiere Pro / Media Encoder, quality better than HQ
. h! H) E. f) S$ S- New H264 YouTube Upload profile, which provides a fast way to render a video for uploading to web platforms !
/ e% G0 x- X- C- AE : Project Link feature is now compatible with CC 2018, and now points to the right composition in the opened project
4 I5 D6 _2 j" e+ D5 m; ^9 g- Various bug fixes! N' L! @- T, }2 R: P" O( }
- New errors dialogs (for example with HAP codec, width must be a multiple of 4)8 e6 t6 |" F( u# n) Z) K
- AE : If you try to render Alpha with ProRes 422, it won't switch automatically to ProRes 4444 now
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1.2.2  -  Dec 11, 2017
% j% O3 G) e8 P7 z- FREE H.264 720p in Trial !& B( Y2 I6 I: {8 p  Q4 @
- Snappy compression is enabled by default for HAP (the checkbox is here to disable it now)
3 ~, `; h4 r0 ~# pBeware test your software and hardware before deciding to disable Snappy. Some users report choppy playback without it !
2 I, B  `+ J! V; E0 s1 w- New Setup executable for both Windows and Mac, AfterCodecs uses Autokroma folder now for configuration and storing the ffmpeg executable (not Dornisoft)
$ G5 X9 t# ^* _7 D. W2 k- The codecs lists indicates [A] for codecs accepting alpha channel
4 R: U0 |5 g8 j% s$ r2 A  d- Various bug fixes! Y3 e9 i# e$ ~7 L  h
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1.2.1  -  Oct 25, 2017
1 O6 T4 a; z0 C' ~3 X! p% j" h$ A- High DPI UI fix on Windows
. i) P3 Z5 B1 `' h- AfterCodecs .mov exports the timecode in non drop frame mode if the timecode is not negative6 \! _" I% D* r% g0 w
( There's an AE settings to set automatically the Drop Frame / Non Drop Frame mode when importing NTSC footage, timecode will be converted automatically !)" j: v2 I3 }' d, n5 Z
- XMP Project Link : New experimental feature for ProRes (enable it in the Settings tab)
, A, z1 n0 U2 A- AfterCodecs downloads ffmpeg latest version 3.4 ) \1 ]: [2 j7 d: s' Y* I9 V" R
- Crash bug fixed on Chinese Windows
+ {+ v  y9 D' Y7 _- A bug where trial was not enabled is fixed6 Y+ A1 p+ }% Q* ~! f# R
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1.2.0  -  Sep 17, 2017
0 s6 E* [2 b& _7 y. D7 ZNEW FEATURES : & m7 x+ M3 c7 U8 D5 W  j; C7 X
- Now macOS OS X compatible!        
/ a% }; N& \& D  o( S: y8 B- Two new plugins in the dropdown : "AfterCodecs .mp4" and "AfterCodecs .mov". There's no more .ext and file renaming stuff (Removed the "Overwriting" options in Settings because not needed anymore)
% M# |# [- N# y: E. ]0 H& z- You can choose ProRes 4444 Alpha depth now : 16 bits or 8 bits (smaller files, faster decompression)
0 W. p4 _! h9 f& |3 \3 O- Enabled lossless for x265 (same as x264 : 99 for 422, 100 for 444); k! H) p- t! I8 l1 w
- AfterCodecs will warn you if the width or the height are odd instead of displaying the generic error popup
9 V3 ]5 ?2 {# C3 n8 \9 m4 P* l/ p- 2 New shortcuts : ESC to exit AfterCodecs dialog, Shift+ESC to reposition it in the top left corner (use theses shortcuts if you have trouble with multiple screens for example)) [$ T1 o2 c) B" e: y
- ProRes 422 Bitrate matches more closely official Apple ProRes bitrate than before, and are now re importable back into AE on OSX
0 z* \' m7 k! P, k3 n5 R8 dBUGS FIXED : 9 l1 H& ~0 f& S/ k' J
- Slight color shifts in ProRes has been mostly corrected" b% M* ^! R* @( L
WARNING : 1 V8 Q+ B2 N/ s8 e* g% I* d9 W
- Items in previous projects that uses AfterCodecs won't be compatible with the new version, you'll have to reconfigure them !9 A7 K0 t& u" f; X# a
- Windows : ProRes 4444 8 bits Alpha cannot be re imported in AE 16 bpc projects
( ~6 I7 ~0 A' g4 I* w- OSX : ProRes 422 when re imported in AE CC 2014 and older have color shifts ! Everything is fine for CC 2015 and CC 20179 q* `3 W8 \. i# @' n4 K
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1.1.4  -  Jun 30, 2017
3 j7 v% W0 |; \) i+ F# t* d3 sWARNING :
, M5 R) y2 @5 u/ E4 s, p0 E0 Z  w- ProRes renders need at least ffmpeg version N-86691-gc885356 because a bug was recently fixed in it !' ?( Q0 B8 Z) c! [) E
Just click the download button to update it% z& B3 {" A+ D0 ~
BUGS FIXED : ! K, w: _4 m+ M7 C, G' o. l7 k
- Fixed AE exit crash bug
, e2 O. z0 Q3 Y( [8 i7 A2 Z. T- Fixed the AE crash bug when clicking twice on the "Format Options" button1 T. V$ b% m* N$ W- s
- Fixed the bug in CC 2015 when trying to mux at the end of the render
  X/ Q8 X  I' n& g& q* F- "Error #11 : license too old" bug removed
6 D. h) H+ a! y; Y" p2 ]  ~) _( ^- Bug with 29.97 fps fixed5 W( r: b" f2 l8 C! F. o3 Y
NEW FEATURES : ) B- e- d3 R1 l- K( M4 e
- For x264 : added two lossless modes (100 for 4:4:4, 99 for 4:2:0), beware : they are not compatible with Quicktime Player and old devices
: p6 ^0 K+ J5 R8 M1 ]; T& P) T- Overall ProRes quality has been improved, notably 4444
9 H5 H  Z  _' p7 r5 e; t- ProRes 422 renders are faster8 _. ]6 ^8 L3 h! T; M
- End audio-video muxing is faster for x264 / x265 !
) \/ w- w2 F) k9 ^+ [- 16 bpc (Trillions of Colors) renders are also faster !
& X% e$ `' x+ b7 Z, n) C$ n3 n- Sound for HAP codecs is now Uncompressed PCM like ProRes0 O% w( ?8 U& ]
- ProRes streaming option enabled (Youtube accepts uploading ProRes !)& R  E4 g3 {5 w9 _. O7 S7 }& {5 j
- Now if you want to use a ffmpeg whose version is not supported, AfterCodecs will accept it anyway for rendering and not look for an other ffmpeg version on the computer* N( C  w- q3 k* [/ S
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1.1.3  -  May 24, 2017
2 E1 N+ d8 H. P- Added a bitrate mode for x264 / x264 RGB / x265/ |; f: q1 ]% S* o
- Always overwrite checkbox in Settings to remove the dialog about renaming file OR overwriting OR canceling the render7 [& d/ \  `$ ~9 a) F
- Added x264 video profiles (high, main, baseline) for old devices compatibility6 `' z; U# I/ F0 l+ P# {
- Automatically ticks FFmpeg checkbox if needed after Download
6 N9 p' C3 t+ ]- New buttons in Settings to open Dornisoft folder and ffmpeg folder
. t! C- q- X* ?, }$ e2 y4 r5 w- Removed max dimensions limitations, ProRes can handle 8K resolutions now !2 v0 Q+ [+ x+ U8 D
- Added Hap, Hap alpha and Hap Q codecs ! With settings to enable compression and chunks
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* d! M4 b/ {4 Z' c% h1.1.2  -  Apr 29, 20179 b  m3 Y5 z6 e& ^2 z
- Crash bug fix6 D# P9 o2 O3 a+ V& I9 x0 f
- ProRes bugs fixes
, k/ D& o) o, R' F2 C0 }' K- Added a "AfterCodecs AV Muxing" Dialog at the end of the render' T& D* o8 x% r# {1 M$ T
- Added encoder metadata to ProRes with AfterCodecs' and ffmpeg' version (for example "ProRes HQ (AFC 1.1.2 3.2.2)"); |" `# l* ]& A- F* m
This info can be seen in AE and PP
: a* `& X0 X' o/ _3 O, B- Added fast decode for x264 / x265 when resolution > HD
7 ]4 V% Q) J9 `5 D# i- In the preview text under "Format Options" little description of chosen encoding parameters (for example "x264 Q75 (Streaming)")
; q5 G. {) F, h0 x$ u( A* ^- The encoding window is not always on top anymore6 s) s- b$ ~/ y6 n+ X
- Prevents overwriting files with the same name before launching render, asking to rename the file OR overwriting OR cancel the render$ `; T; q4 Z* a- b4 p% q

" E  I/ a; j9 J3 _' c7 N; G; S1.1.1  -  Apr 24, 2017
* B) k- S4 b; g3 l9 _9 w- cFirst public version of AfterCodecs% e6 i# v6 h/ r/ K
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6 M0 k. C. r2 {$ \* ~Downlaod:
/ W' L1 W2 A  j" @AfterCodecs 1.2.0.zip
/ j! X) z, D9 L2 Y2 K5 uAftercodecs 1.3.4.rar
* \' k1 q0 O1 A$ J4 z! H  |AfterCodecs 1.3.6.rar2 _; K4 t' M6 C, v) X: H2 |8 ^
AfterCodecs 1.4.0.rar7 S9 h" x' J1 e' A( i2 W
AfterCodecs 1.4.1.rar  u# e8 ]& S1 u2 B3 u. {6 d
AfterCodecs 1.4.2.rar% v: s- {1 T% `0 n
AfterCodecs 1.5.0.rar$ D5 m8 m; k8 S/ V2 W! S: O
AfterCodecs 1.5.1.rar
0 t) ^  Z7 `3 z- z# wAftercodecs v1.3.4 CE.exe0 y& j. d' F1 [, a7 N: n5 H

' S8 I0 i7 C# H3 q) p: K& K0 ], Y; H  E/ T2 X4 }( h8 D
https://dl.autokroma.com/AfterCodecs_v1.5.1_MacOS_Installer.zip0 H& I% L# ?! {) L
https://dl.autokroma.com/AfterCodecs_v1.5.1_Windows_Installer.zip
( A& s! c7 q% z7 i, t) ~https://dl.autokroma.com/AfterCodecs_v1.5.0_MacOS_Installer.zip4 E& {6 L' o  X# W2 _
https://dl.autokroma.com/AfterCodecs_v1.5.0_Windows_Installer.zip+ _2 }9 t6 z* u( q
https://dl.autokroma.com/AfterCodecs_v1.4.3_MacOS_Installer.zip5 J9 @3 o4 N$ n/ D
https://dl.autokroma.com/AfterCodecs_v1.4.3_Windows_Installer.zip2 x4 y) @& L9 `
https://dl.autokroma.com/AfterCodecs_v1.4.2_MacOS_Installer.zip
" N  V% P& A! N2 f% t) shttps://dl.autokroma.com/AfterCodecs_v1.4.2_Windows_Installer.zip' i+ s. i5 S( y. k! L8 }
https://dl.autokroma.com/AfterCodecs_v1.4.1_MacOS_Installer.zip+ f9 f: D3 p0 {$ H" E- e% j$ r
https://dl.autokroma.com/AfterCodecs_v1.4.1_Windows_Installer.zip
7 i/ ]7 ^/ P3 v5 }8 E. J; @https://dl.autokroma.com/AfterCodecs_v1.4.0_MacOS_Installer.zip0 Y* L4 _# u7 z7 z0 ]
https://dl.autokroma.com/AfterCodecs_v1.4.0_Windows_Installer.zip
2 Z4 }# M- R4 z% M' b0 N! Mhttps://dl.autokroma.com/AfterCodecs_v1.3.6_MacOS_Installer.zip
- X' F$ d5 l3 P$ f2 V! Xhttps://dl.autokroma.com/AfterCodecs_v1.3.6_Windows_Installer.zip
  _" c9 T  \1 h; E3 Qhttps://dl.autokroma.com/AfterCodecs_v1.3.5_MacOS_Installer.zip
7 t4 f3 S/ a2 \+ Jhttps://dl.autokroma.com/AfterCodecs_v1.3.5_Windows_Installer.zip
- w3 D& ^6 Z! `$ n) b9 B. ghttps://dl.autokroma.com/AfterCodecs_v1.3.4_MacOS_Installer.zip# o1 O+ }: K' w
https://dl.autokroma.com/AfterCodecs_v1.3.4_Windows_Installer.zip9 T' D& O8 {- R2 g  S6 g
https://dl.autokroma.com/AfterCodecs_v1.3.3_MacOS_Installer.zip
- S0 H- k8 j( ^, Z2 Q$ ^+ t; Fhttps://dl.autokroma.com/AfterCodecs_v1.3.3_Windows_Installer.zip+ J9 S1 y% ^( Y$ M  {% A: L# A
https://dl.autokroma.com/AfterCodecs_v1.3.2_MacOS_Installer.zip+ S( t- j. j. C- @  D! G) z  d+ @. d
https://dl.autokroma.com/AfterCodecs_v1.3.2_Windows_Installer.zip
+ E4 ~4 y( W/ K2 }+ n+ zhttps://dl.autokroma.com/AfterCodecs_v1.3.1_MacOS_Installer.zip
; Z- Z1 r- d! Uhttps://dl.autokroma.com/AfterCodecs_v1.3.1_Windows_Installer.zip
! x( [: d  M" q4 \3 a- Q0 Z  thttps://dl.autokroma.com/AfterCodecs_v1.3.0_MacOS_Installer.zip$ S- K( w- ~) s/ T+ t. K# y( F
https://dl.autokroma.com/AfterCodecs_v1.3.0_Windows_Installer.zip
% p* @' i9 V4 O& M1 Lhttps://dl.autokroma.com/AfterCodecs_v1.2.2_MacOS_Installer.zip: `0 {6 j7 D) F/ q+ l! k
https://dl.autokroma.com/AfterCodecs_v1.2.2_Windows_Installer.zip# O. }. }4 b6 c3 c
https://dl.autokroma.com/AfterCodecs_v1.2.1_MacOS_Installer.zip
% \$ H7 ^  U$ M( L! Shttps://dl.autokroma.com/AfterCodecs_v1.2.1_Windows_Installer.zip
8 D( I8 T9 q! z% }  G6 B: ohttps://dl.autokroma.com/AfterCodecs_v1.2.0_MacOS_Installer.zip
2 f% V( G5 h, _6 c* L* E8 Hhttps://dl.autokroma.com/AfterCodecs_v1.2.0_Windows_Installer.zip
/ q* O! D8 j* n( ]1 Q# l. Ohttps://dl.autokroma.com/AfterCodecs_v1.1.4_MacOS_Installer.zip
7 A6 @% C% n/ B, ^https://dl.autokroma.com/AfterCodecs_v1.1.4_Windows_Installer.zip$ F* ]- M6 A1 W. h7 U0 F  o! `4 S# k; X7 d
https://dl.autokroma.com/AfterCodecs_v1.1.3_MacOS_Installer.zip
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