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Program Name: Blackmagic Design DaVinci Resolve Studio 161 }5 P6 X$ P+ d# M; Z! J
Program Type: Color correction/ P! C% C e5 Z' h$ I
Version: v16.2
0 d# r$ E- [; A9 U: m1 ZRelease Date: 09 Oct 2020
4 n" _4 C A: }4 @- [0 CHomepage: https://www.blackmagicdesign.com/products/davinciresolve( B6 {0 X9 Y+ }
Interface Language: Multlanguage [5 ?# V- D: l- u1 |9 r
Platform: Win / Mac / Linux7 w k$ C Q$ I8 P5 I
File Size: 1.58 GB / 1.38 GB / 1.58 MB3 h$ b; U: I3 B" S8 M+ J7 {! ^0 i
/ y% m& Y4 ]1 Y, g
DaVinci Resolve 16 includes all of the same high quality processing as DaVinci Resolve 16 Studio and can handle unlimited resolution media files. However it does limit project mastering and output to Ultra HD resolutions or lower. DaVinci Resolve 16 only supports a single processing GPU on Windows and Linux and 2 GPUs on the latest Mac Pro.
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/ D0 K; n2 u- KIf you need features such as support for multiple GPUs, 4K output, motion blur effects, temporal and spatial noise reduction, de-interlacing, HDR tools, camera tracker, multiple Resolve FX, 3D stereoscopic tools, remote rendering, an external database server and collaboration tools that let multiple users work on the same project at the same time, please upgrade to DaVinci Resolve 16 Studio.
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* d z$ Z m! w- O9 j8 O3 ?Important Information regarding Database Management
U' J; D3 o" i& u& `DaVinci Resolve 16 requires a database upgrade from DaVinci Resolve 15.3.1 and previous versions. We strongly recommend that you backup your existing database (both DiskDB and PostgreSQL) before performing an upgrade.1 x) C" ]# r" j: {) Y
) R& M3 V' G, S5 d2 p. q
Cut
5 _8 e" X9 m. T0 @Sync Bin view which shows synced clip cutaways for the current shot on the timeline in a live multi-view for up to 9 cameras$ }2 v$ z/ _0 e& b9 i @
Support for automatically grouping shots from one camera by analyzing timecode and camera number metadata
# e+ O7 g: n, Y$ E1 r/ u' MLive overwrite from the Sync Bin multi-view where the desired camera number can be pressed on the keyboard and the cut away length can be adjusted live with the scroll dial
4 h4 Z8 h# @0 n9 l5 BAbility to extend the timeline from the Sync Bin view to easily find the next edit for your timeline! b: F; ^* g& | H" \* S
Sync Clip window to perform timecode based, audio waveform based and in or out point based syncing for clips
% D6 O+ S3 t) p3 i0 ]2 g B% \Smart Indicators on the timeline which show where the closest edit points are based on the playhead position
/ y2 Y! ^! Y7 ^1 A8 C% |Boring detector with timeline indicators to detect edits which are running too long
+ x U0 d ~9 L9 T1 e+ ?( _0 I' ?' FJump cut detector with timeline indicators for flash frames and jump cuts
$ C5 O9 H4 J& s% E9 mClose Up is now powered by the DaVinci Neural Engine to automatically identify faces in the clip and reframe the shot for a close up on the subject$ X. w- l# t+ l$ S
Support for a blade action in the toolbar
8 E& ?/ L7 F( H2 l6 r/ G6 I- _Support for a new blended scroll mode in the DaVinci Resolve Editor Keyboard that dynamically toggles between scroll and jog based9 ?3 X \# u$ C" k z+ T) }
Support for a new transition dialog to quickly find and apply the desired transition to the closest edit point using the scroll dial on the DaVinci Resolve Editor Keyboard
( b9 h" w0 b' l2 m5 H8 k- q* NSupport for a new picture in picture mode to quickly apply a picture in picture edit by easily selecting the image quadrant using the scroll dial in the DaVinci Resolve Editor Keyboard
1 G: X# @1 w( h) d( {" B9 ?Support for performing a slide edit by Alt/Option + dragging the timeline clip overlay) A: C2 @. V; k+ }6 u
Support for adding bins and moving clips between bins in the media pool
$ q* B) I- F4 h& D" f7 F! F7 [$ Y! OImproved thumbnail clip hover behavior when selecting and previewing source media in the viewer# m$ W" |. X4 m
9 V& }4 z7 @( `% u3 q, M. t3 }
Edit V' y. t% G8 @8 ^0 B4 }; T
Support for always using embedded timecode for clip based formats even when using frame count timecode project setting) r4 P9 M8 D& Y" _5 w) r$ d
Ability to copy and paste transitions across multiple edit points in the timeline
G2 d! B6 [7 M# R) OSupport for track name and track number burn-in and render tags: J6 g6 G) { t; U$ e/ }2 ~/ K
Support for dragging adjustment clips to media pool& r4 h6 ]" R! [
Support for renaming adjustment clips in the inspector6 K: B% {' C) x
Support for showing or hiding individual panels using keyboard shortcuts
% W* X% y- S" N% @/ X. g9 ESupport for opening Final Cut Pro 7 XML files from Finder or Explorer to import media or timelines" ~+ S: I$ [" @
Improved performance when analyzing clips for detecting and classifying people
1 B) @+ h" \" d7 I1 E' r$ [Improved easing behavior when applying smoothness to position keyframes# x8 d' D/ m& B* B
Improved results when syncing multicam clips and syncing video and audio clips using audio waveforms*( y" D0 Q; K8 h8 X2 E+ d
Improved blade behavior when there is a clip selection. S, i1 u8 I/ P
9 ~8 S8 G4 R7 K; UFusion
0 v6 [- A& J- n& |# D2 OSupport for reading media with super scale applied in the Media Pool. W. K4 `+ M- _6 ]8 X
Improved memory management on compositions with multiple input layers
1 r* ]( Z/ Q* q5 I. XImproved memory management on multi-GPU systems! }+ n! Q. h. v& u/ L
Improved viewer interactivity and playback performance on single GPU systems |3 C) E+ q+ g, ~
Improved render all savers status display
7 t) d$ G# K6 K i+ x l: F7 @$ d6 d7 KSupport for ACEScg as a gamut option1 Y& p+ x8 U$ P
$ @7 y* J K+ b) G+ I- W* AResolveFX
( u' D- D7 A) i* E3 dResolveFX Stop Motion% e7 H& T$ H7 Y$ N O1 ^7 Z/ n
ResolveFX and OpenFX plugins can now process and modify the alpha channel
" ?7 r+ o" d: M! {
! R3 V0 ?& N# D2 i4 XColor& D0 U; ?5 d; N5 L# g6 }/ A# F
Support for viewing flags applied on the current clip on the video monitoring output*
/ m+ I, q! g0 o9 i0 E/ DSupport for an option to update the shared node grade from a version stored in a gallery still" j8 P* a- V2 [/ m G
Ability to paste a power window by appending to the existing windows from the Power Windows option menu
/ |4 i# |7 f2 G+ b! c1 g# k4 ?Support for a user preference under Color to restrict node navigation to color corrector nodes and avoid mixer nodes and splitter and combiner nodes z" X) K4 S3 Q+ @& U
Improved CIE scopes with a 1976 u’v’ view and the ability to show an additional reference gamut
7 b& o5 M& [: i$ k/ d$ M5 _5 _8 `; _Improved color match processing powered by the DaVinci Neural Engine! K5 G0 ]' B% V+ w
Ability to step the timeline wipe frame forward and back from the view menu and using the relevant shortcuts1 W2 @9 \' F& S
Support for previewing timeline clip grades from the gallery when live preview is enabled
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* k3 {8 \# p5 z [. A4 ZFairlight
7 }1 v B8 ^4 o$ b$ _4 n; hSupport for 96 KHz and 192 KHz sample rates at a project level for DaVinci Resolve Studio7 {7 |* U9 S8 _! C' W0 V6 ~
Support for clipping indicator for main buses on the Fairlight mixer
" i0 { e2 N/ p; gSupport for enabling extended bounce tail durations from the option menu for audio clips with reverb and other tail effects
i. O( D5 ^" n; C! r8 ISupport for customizing the tail duration threshold for reverb and other tail effects
" U5 Z/ [- b3 \, P: VSupport for automatically enabling Insert In for an audio track when manually patching track inputs" o' p! B- O' D
Improved performance when loading and switching timelines% y7 W" Q( _5 R: d1 u. e+ N
Improved performance when generating waveform profiles for nested timelines. B; z/ v) j. Z& Y5 i- G. C. j' f
Improved peak hold and decay behavior for meters in FairlightFX plugins
5 o$ T( P% \/ n9 Y- s* f: NSupport for displaying and persisting individual audio effect windows on top of other windows
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Media and Delivery
$ j1 ^9 D8 V9 `/ i" w' z' ]Ability to preserve video essence for faster rendering of uncompressed clips without content changes/ B( T& l6 {; m8 D8 }- p- v/ {
Support for decoding and encoding ProRes IMFs" k& s: T9 O+ H$ P
Support for decoding and encoding DNxUncompressed half float formats* l7 f2 o4 s$ Y$ b( q
Support for decoding IMA4 format audio in QuickTime clips
9 x: M$ F/ E6 m+ }( _Support for a preference to stop renders when a frame or clip cannot be processed
" u) z7 P; g/ \. P9 H8 G: WSupport for decoding floating point TIFF images, ~0 X# i4 S: v7 D! ]& R2 `$ d
Support for decoding DPX 10-bit RGBA files
; p( B8 [ ?8 d* }) lImproved performance when decoding H.264 and H.265 clips using GPU acceleration on AMD graphics cards
2 e- \- S+ O1 h9 f" y8 f, vImproved encoding to Panasonic SHV 8K with support for 50fps in DaVinci Resolve Studio
' E3 }% S# R i3 `2 rAbility to disable video on Pro Tools and audio only exports! N- U) _. Q& l3 h+ M9 p
Ability to render adaptive audio tracks as discrete mono channels
! b& q& B4 `% X$ \5 ?5 r4 e6 xAbility to export subtitles when exporting a timeline to Pro Tools using the Deliver page preset" w% i: y" M) r$ k
Support for rendering embedded audio timecode for synced audio clips when using the Pro Tools export preset: }1 E' \# X& U1 I: ?7 w
Support for GPU accelerated debayering on CUDA systems when decoding ARRIRAW clips using the ARRI SDK Full Res debayer
0 r& L; I' e1 ]2 G' K& [Improved Vimeo render settings with options for setting description, visibility and password for the uploaded video
" u+ T( `( z, B" h1 |/ [% lSupport for a warning when exporting an IMF or DCP package with an incorrect audio track setup
; P6 Y6 a6 a; e; C& ]0 oSupport for decoding spanned AVCHD MTS clips
% A7 S/ v$ N R) {& y, L" d CImproved playback speed when decoding JPEG 2000 clips
# }7 r* O5 U. d. e* CImproved performance when media managing long wav files
8 E4 G2 r& |9 ]4 i( DImproved behavior when rendering a single multi-channel audio track as individual wav files
; r0 D( `' d. kImproved ProRes 4444 playback performance
* q6 p9 y1 s0 z5 E* D/ t2 PSupport for identifying and importing multiple Panasonic P2 shots in a single folder as separate clips
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What's new in DaVinci Resolve 16.3 Beta 3
, e+ Z3 }$ d- l3 w' {& TSupport for Blackmagic RAW SDK 2.0 beta.3 e. P& x+ k& s6 V
General performance and stability improvements.
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- |$ x: k9 c* b) VWhat's new in DaVinci Resolve 16.3 Beta 2
1 }3 D2 p" o) b$ Z) |% ZSupport for Blackmagic RAW SDK 2.0 beta.9 j0 C- u) I5 w( _: [' W& O1 {
General performance and stability improvements.7 B0 N5 Y* o/ G8 s m. e# Z
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What's new in DaVinci Resolve 16.3 Public Beta 1
0 I, F, Q: G- B* _ {# s* ]Support for Blackmagic RAW SDK 2.0 beta.' n+ D* J- Y7 ?: y8 p! g$ {
General performance and stability improvements.; R* U$ j, z, }' | x1 F+ k, r6 |) c
% K6 \8 Z) z, U" @& s) c: v9 {, Q
What's new in DaVinci Resolve 16.2.7
. t5 k, |3 b7 q: [Support for NVIDIA Ampere GPUs on Linux and Windows systems.
$ _$ b! ?! `. c0 N# @Addressed an issue with importing 23.976 fps ATEM ISO projects.# `8 c ^+ S, Z$ V+ e' N8 B1 r
General performance and stability improvements.
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0 m7 I0 _+ D1 A% \/ k. `* YWhat's new in DaVinci Resolve 16.2.6
& w2 a( H! A& OSupport for Blackmagic RAW SDK 1.8.1.& g' C2 J; K- Z* M1 O8 S ?: E8 _
Support for Final Cut Pro X XML Version 1.9.
5 Z+ S6 |2 Y* o N' q& pMultiple performance and stability improvements.& ]+ F( @- N( [) O. E" Q$ ^2 z
- w$ h" i, b) w; @6 v
What's new in DaVinci Resolve 16.2.5
3 R. ?% L5 e/ S" }3 x; BSupport for importing ATEM Mini Pro ISO projects in DaVinci Resolve.; \# a4 Z" O9 o
Improved listing of numbered still frames in the media pool.
" U5 a( l2 l' @0 [1 y2 @& ?Addressed flashing offline frame issues for some H.264 clips on Windows.
4 `' U' D# {4 c3 n/ g: fAddressed an issue with relinking AAF clips in different folders.2 F! M% g8 F9 `3 Z: z; z$ |) b
Addressed issues with syncing playhead in the sync bin and timeline. i) R; G9 t6 j
Multiple performance and stability improvements.
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' o$ z& l" o" v* ZWhat's new in DaVinci Resolve 16.2.4' x6 v, i3 D3 `" s5 i j
Support for Blackmagic RAW SDK 1.8.7 }1 p4 @) @. O. F' R. l
Improved debayering support for EOS-1D X Mark III and EOS R5 raw clips.
' Y x8 R5 W8 t) K4 W- TImproved syncing of playhead between timeline and viewer in the sync bin.
8 O- V5 J5 o+ t' i8 iImproved tone mapping behavior when performing wipes in HDR projects.
* j( u6 c% o9 w: |) OImproved Kakadu JPEG 2000 decode performance on Linux and Windows.
& t1 b: p/ x3 Z# Q# l" B0 ~; r+ n' fAddressed an issue with cropping the upper track in some scenarios.
) A9 d) f; a3 H5 z5 G7 SAddressed an issue with removing freeze frames in retimed clips.
- p8 \! _, T. h/ H( {; bAddressed an issue with adjusting volume on a multi-track audio clip.
( \& x" B% X" O, gAddressed an issue with saving the project after moving audio keyframes.8 D! S' ?0 _2 [/ b. k, {
Addressed an issue with waveform displays when scrolling the timeline.
) s3 ?$ W' R. h# w- p" jAddressed issues with audio waveforms in sync bin and sync clip window.
3 A- V s8 l" v/ c" O& C; ^Addressed an issue with resetting the MediaIn node in the inspector.
4 l5 D; P1 O( a; S2 h4 yAddressed an issue with trimming still images in the Fusion page.
! j& B: s0 M3 @# _. eAddressed an issue with flashing alpha on EXR clips with Fusion comps.3 l' n& V' \" h% r: X. a. g
Addressed a preview issue with aux channels and combiner nodes.
# n& a$ @. z& p/ t2 CAddressed an issue with slow renders for Fusion custom tools.
* u: [6 {, E/ H ], TAddressed an issue with gradient modifiers applied on color controls.
2 ^0 B8 c' k9 @Multiple performance and stability improvements.
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What's new in DaVinci Resolve 16.2.34 w. U) l* Y0 l. _( |3 L
Support for Dolby Vision 4.1 CM algorithm to generate v2.9 trims from v4.+ C) L; `+ [4 Q* E8 V# H, l o
Option to export a Dolby Vision v2.9 XML from a v4 project.
) w6 P4 q7 h; K( KSupport for RED SDK 7.3.2.1 _/ D# o/ S0 S) X& A( o
Faster Metal decoding for Canon EOS-1D X Mark III and EOS R5 clips.
. R6 `/ X# [1 R# ^% K# X# } IAddressed incorrect playback for some ARRIRAW clips.
& k0 R; q( \' T2 j5 C1 sAddressed an issue with ACES IDTs for some ARRI MXF clips.. @; F3 A: m( e; O- q
Addressed a focus and text entry issue for editable media pool fields.5 y7 @8 ^/ g3 u5 Z' c
Addressed an issue rippling audio extend edits in trim mode.
: w8 f+ N6 N$ ~) o$ o- ^Addressed display issues with track and edit index in Fairlight page.
7 J$ N _" T0 B- o5 g) [Addressed a layered editing issue when cloning audio clips.* p3 Y, m8 ^, F) v
Addressed incorrect behavior moving tracks over linked audio tracks.; ~9 j$ Z K+ I# C8 r. v* I
Addressed incorrect masking in Text+ when using image shading.3 K, x, c/ t, ?" R
Addressed incorrect behavior deleting gradient points in inspector.( V# I) ]6 t# p8 u, a2 ]9 r
Addressed multiple issues with blank Fusion previews.
; A6 I# ?* I& p6 \Addressed an issue persisting viewer LUTs with comps in Fusion page.
5 g5 k7 g4 G0 M RAddressed an issue with offline reference wipe sizing in the viewer.5 P% ~& z N# n) M- X
Multiple performance and stability improvements.' q7 {/ E1 `7 M: d8 x& I0 F; {8 l
! z, w2 ?+ a5 ]' qWhat's new in DaVinci Resolve 16.2.2, r. X. A: x6 C( _
Hardware accelerated H.265 Main10 renders on supported Macs.8 p/ V6 M2 S8 P* l* P
Blackmagic RAW clip LUT name can now be viewed in clip metadata.
3 t" O& Y8 D# M+ Y2 OAbility to assign frame rate in YouTube, Vimeo and Frame.io renders.
7 C z4 M7 g5 ^4 d0 WSupport for marking Frame.io comments in markers as complete." i! s4 q3 x, |6 l- q' z
Nudge keyboard actions can be used in the sync clip dialog. u! t/ k. b1 t! R
Support for exporting .srt files without formatting.
' V! a$ m& d- b* D- u' p" XSupport for RED 7.3.1 SDK.0 H6 p% k/ D9 O" w* g+ c
Support for Rec.709-A gamma option for QuickTime player compatibility.
|" T2 {" S" I0 S6 |Preference to automatically tag Rec.709 clips as Rec.709-A.
3 G! Z. H+ U& s+ I% k1 q# R+ QAddressed level shifts playing some short H.264 clips on Mac systems.
# r3 N( [" [6 `Addressed loss of audio transition when trimming clips in the timeline.
5 ~# c, r, S+ oAddressed issues with stabilization not being available in the inspector.3 d9 ^0 b l) S$ t6 E
Addressed issues with incorrect channel order for audio waveform display.
) r' ?( d/ y4 }% ?- jAddressed an issue with previewing in Fusion when in proxies mode.: c' t8 |# b& J, x2 F7 `
Addressed an issue with using reference sizing with timeline wipe.
2 U/ u& k0 W" bAddressed an issue with aspect ratio metadata in some MXF renders.
! Q0 A3 C3 x6 \/ R# R$ r0 C) SMultiple performance and stability improvements.
& a& \' o; _2 `- A; P. I) \1 x2 ]- R, t7 j4 N; T; Q
What's new in DaVinci Resolve 16.2.1
' i8 f- w1 o ]0 }8 ESupport for decoding H.265 4:4:4 12-bit on supported NVIDIA GPUs.
]6 \7 m8 q9 nSupport for encoding H.265 4:4:4 10-bit on supported NVIDIA GPUs.) ?6 e/ m4 d! W# _& b; t. e4 M7 K. ^
Support for encoding 32 bit float audio in QuickTime clips.
) H: @( P8 } {* a% G/ zSupport for trimming QuickTime audio clips during media management.
# m) a' ^& P3 b: k4 \Support for Metal based R3D decode with the RED 7.3 RC SDK.
) c$ G+ _9 e4 u7 j: Q4 V* GSupport for double clicking drp files in Windows and Linux.
# n8 S) y* r; l, P1 w3 }Support for performing open with on FCP7 XML files on Windows.3 w4 t2 n' x( s3 }0 c
Improved decode support of H.265 4:4:4 clips up to 10-bit.2 u. L! s- o2 D/ M9 q
Improved performance with ProRes clips on high end CPUs./ C) m6 s4 \4 w
Improved performance with DNxHR clips on high end CPUs.- Z H m$ @* u3 M7 ?1 c
Improved playback performance with compressed OpenEXR clips.
9 Y& c/ X) N* n! g2 \Improved performance for Dolby Vision analysis.9 @ H& V2 ~2 ]3 o! R$ v7 W0 [0 [3 E
Improved stability on Windows systems with Intel graphics.9 K$ e* i1 _- E& ~. |2 B4 J6 T2 S
Addressed an issue with clean feed previews in Mac 10.15.4." B! t0 P+ n) Y, [
Addressed an issue with decoding phone camera clips with AAC audio.. Z: ]" E' e5 f" x) v: v
Addressed an issue with truncated node labels on some displays.
# f6 x' N! @( F, [8 C4 N" c8 @Addressed issues with HDR tone mapping when using adjustment layers.
2 W% Z( o7 d1 Y, D3 g ^' }Addressed an issue with the sync bin work working with an empty timeline.
' X7 [ L# u5 W( a U7 `+ {Addressed an issue with transitions when dragging clips across timelines.
) x- z5 G- T$ EMultiple performance and stability improvements.8 a8 T" y3 d2 i) n
3 Z% U+ X5 V: k+ X) P5 \What's new in DaVinci Resolve 16.22 _+ ~) p3 O, M7 k# |3 M! d% Y
Fairlight timeline editing toolset improvements.5 ? M( V! l6 ?) O1 Q; j
New mouse and keyboard based editing toolset.
6 ~# w' K7 u% \4 I5 A; PUser adjustable per track scalable waveform display.2 b) ^* C. L% W" F6 V% T; ?
Keyboard shortcut editing actions now include fade, cut, select and move.
1 c" a; ^! U) oSupport for alt/option dragging clips to create a clip copy.7 ^1 t2 S5 V6 N" a8 f
Support for pasting clips across timelines.
" S8 c* u" b P. I1 Q) QSupport for bouncing individual audio clips to files.
; \" e7 J! f1 [Support for dragging audio clips to separate tracks using modifiers.) _& z+ l6 _, D \8 F8 K
Support for dragging audio clips to specific positions using modifiers.0 j( q2 P' b. O( ]9 t
Support for converting multichannel tracks into linked groups.) C- R, i8 S- |, w
Support for a user preference to align audio edits to frame boundaries." d! O5 x- B6 J' M/ {$ b
Support for an action to trim all audio edits to frame boundaries.9 K6 i* u/ e* K( i5 r- [& l
Fairlight sound library.
! l: Z, s0 a5 eRelease of the Fairlight sound library installer for foley effects.
- f! h9 ?: X# X! aSupport for searching and displaying sound library description metadata.3 S) A; A7 h) h7 G, K
Effects and plugin management improvements.& d+ p% y9 ^/ _* m! H, n% c
Automatic sorting of AU and VST audio effects into types and categories.& v% O- x7 r/ ]
Favorite audio plugins are now displayed at the top of the mixer plugin list.
$ }: V% m+ T- wAdditional immersive audio support.
2 x# t' w% O. QSupport for MPEG-H bussing and monitoring in DaVinci Resolve Studio.
: }: ?# E6 D) t) r8 j3 N' L+ |Improved pan and balance including the ability to constrain panning.
5 ]. a' k; {# j7 x7 G3 NTrack Index improvements.+ K/ W* [2 j" _5 o! k9 C5 j
Support for the edit index in the Fairlight page.8 T- @' m( r, V; f/ D/ d
Drag selection of tracks, mute, solo and record controls in the track index.! Y9 ?5 X' H2 @% I& W& L5 C' D3 [
Drag and drop reordering of audio tracks in the track index." t( j& S' {' F' t/ c. J
AAF import/export improvements.1 m! i- e3 o( u6 Z4 H9 q
Support for importing AAF sequences as new tracks in an existing timeline.) p! \; z( G7 w5 u
Support for importing AAF sequences with an offset to an existing timeline.
4 \; n& }# V4 e! T5 mSupport for importing multichannel tracks from an AAF as linked groups.7 { F5 d& L \) ]% J
Support for broadcast wave files when exporting an embedded AAF.
* @- i5 N' g8 i$ o; @% I9 L" zSupport for exporting audio cross fades and fade handles in AAF files.6 t6 s9 Y( X) L! d4 X3 _+ \) }" l
Audio mixing improvements.
0 B( d. z3 b/ i. `Support for additional notch filters in clip EQ.
7 R& }& H/ o# w b- G+ QSupport for new FairlightFX Meters.
6 u, n9 T& ~0 ]& g. S/ \Support for new FairlightFX LFE Filter.
- n( I/ D; m1 n8 jFairlight Audio Editor improvements.
* A. T+ G* i0 [ p) @Support for dedicated controls for panning up and down.
. a8 ]6 T* u, [. B3 H' CSupport for editing clip EQ.) o7 P* N9 X; {3 b' F
Support for copying and pasting clip EQ.
7 R4 I+ o: U0 }5 P# ^' L9 K; bSupport for creating and applying presets for clip EQ.
; ^- u9 [2 ~1 k$ o f8 q3 kSupport for adding, managing and custom mapping of plugin parameters./ r4 y A. b! v) l. ?. c
Support for changing relative clip levels.6 _ h, G! a! e: y/ F9 @
Support for resetting clip levels to unity.) d: v5 i1 y* C1 g3 f5 L
Support for editing fade shapes and deleting fades.0 W" ]8 g9 i4 E" \; ?
Support for saving and recalling user defined track view presets.
9 C# i W! _! r3 R9 q/ h2 hSupport for enabling layered audio editing from the desktop audio editor.- x5 z3 t2 w% a5 ^$ [" \$ I
Support for choosing automation curves from the editor panel or console.* l+ j9 c0 ?2 k- I. ^6 A
Improved behavior when moving track selection with no tracks selected.. ~7 Z3 M- E8 c# j1 R
Support for improved timecode entry and high frame rate timecode.2 i, _' F+ D/ Q; i/ U
Support for entering relative timecode values.& L/ O# [2 \' A$ G: S/ h, g
Support for inserting 00 in timecode entry by using the colon key.$ e# C! b/ J6 x, A( u o$ }7 @+ T
Support for master spill on console faders.
. C8 `3 U9 u0 T- K( p+ ASupport for finer adjustment of controls using the mouse or audio editor.
2 a( @4 z0 t/ h2 x7 ^$ |Support for media left and media right selection keys.1 o& Y5 e" J% C, C. x, `7 A
Support for a text-only labels mode.* c' r f1 ]' M: o5 \
Support for a traditional Fairlight keyboard layout.% K6 E6 I0 w: C0 S4 ^
Improved support for legacy Fairlight project import.' v( b2 U& Y% Q6 ^& W0 q6 W/ {
Improved import of EQ, automation and fade from legacy Fairlight projects.0 k# b' G" O" i# I: Z
Improved speed when importing large legacy Fairlight projects.: b" Z" V: f& D# o
Editing improvements.! r7 g x. L5 W' e8 _( o
Improved performance when switching to large timelines with many tracks.
4 \9 m& ]0 J3 g# `9 PSupport for creating a compound clip from an in-out range in the timeline.0 Q5 g! x! u# f1 T* g1 t. g
Support for previewing timeline audio during live overwrites of video edits.
7 u! {1 F' X# _2 {( f6 ?: Q, LSupport for editing individual angles to the timeline from a multi-cam viewer.
) L( ?: Z! \& j! u' ^) P- e# _Support for updating clip duration display while editing in the cut page.% |" a! v7 I) t( A1 r2 P3 k1 M
Support for a change transition duration dialog.$ k- P3 a4 W4 D7 o) {5 o* [8 r! X& P
Support for viewing duration in frames or timecode format in the viewers.7 c0 y g+ f1 [9 `0 d
Support for Fusion transition templates in the edit page.6 N3 c1 O" C; d* l: A# Z
Support for Fusion generator templates in the edit page.
8 v- R8 R7 t2 t9 k6 oSupport for timeline view options per system in collaborative projects.
U5 Y8 ], U6 n: Y8 CMedia Pool improvements.
! F' Y; U3 f, j# Z% OImproved audio track metadata support with support for up to 24 tracks.: d" H( B' ?3 D% e. m5 Y
Support for duplicated clips and timelines being placed in the source bin.5 M* o. U- P# w' X% H8 ?7 m
Support for sorting media pool clips by date added.) Q8 a, H% N2 e
Support for showing synced audio filenames in the media pool list view.
" g: T; L1 F2 ?) U+ [: NSupport for revealing the media pool location of a clip from a smart bin.
' \# P. A" {0 X8 l3 x. _Support for a media pool context menu to duplicate clips and timelines.
0 U% B9 ^: [2 T- |Support for only additional files when repeating media management copies.2 i- c) Z9 l# Q. y9 L+ l
Color grading improvements.8 B+ L/ ~9 \. n
Multiple stability and usability improvements for collaborative projects.
* p6 b6 o4 P! H6 oSupport for smart filters based on keywords and people metadata tags.
* Y$ ?, S. [7 @. H" I" B. n7 g4 M) O4 USupport for modifying primary grade values using numerical values.7 N! E, u' A n4 h
Support for retaining out of range data when monitoring at video levels.
( S# g6 V+ Y0 M! D3 ISupport for Fusion MediaOut name tooltips on the node graph inputs.
) r" |8 y8 a' W/ b: a! R; x" f& vSupport for feet and frames data burn-in options.2 d$ B1 P1 X8 P% o- h' e
Support for disabling output sizing and blanking for individual clip renders.
* d$ E; | R" h2 [! gScopes improvements.7 B) G3 ^: S W! L
Support option for showing scopes at video level and data level.
# ^0 ]. w' F! ?Support for HLG gamma when using HDR scopes.
# ~" \, r+ i; [) uSupport for highlighting the color viewer qualifier position in the scopes.0 j Z* k& ~8 W2 F0 V5 f4 J
Codec improvements.
4 b8 P( P5 O" u7 f- RSupport for Blackmagic RAW SDK 1.7. Y9 ^8 a, @; J
Support for rendering audio only timelines.
$ d- \) r( f( l d/ S, HSupport for decoding 32 bit floating point audio.
, v6 b5 J, i3 r% xImproved support for color space and gamma when decoding H.265 clips./ K1 G7 r7 {# T: g6 o
Support for displaying EXR codec name based on compression method.
* O, Z/ K1 c/ w$ |2 u" f8 xSupport for overriding the color space and gamma tags in render settings.9 E' { |7 X; X" G$ f( M! @: C+ F4 z
Support for RED SDK 7.2.1 and decoding clips from the Komodo camera.: ]- r$ G; M. z' F1 X* S
Support for two new parameters in the RED camera raw settings.
8 a! f- z8 p: V# t1 |4 BSupport for REDWideGamut Log3G10 IDT for ACES projects. d1 n9 q' C- }+ U: A
Support for the Canon EOS-1D X Mark III camera.7 I% J/ X. a) I2 r& |; b
Support for decoding u-Law Audio in QuickTime clips.
" g. o" j- H: I, FSupport for alpha channel clips with the bypass re-encode option.
0 d: Z( G4 d. n3 B3 s# D {Scripting, API and general improvements.0 D6 \7 _5 P1 A7 ~2 b
Support for running the primary screen as a window in dual screen mode.7 w8 J4 }) l% I9 O) o
Improved scripting API with the ability to close an open project.
6 r/ z0 c9 h' l- ?Improved scripting API to set frame rate for media pool clips. c3 d4 U7 l- T. f! m, I! i
Support for new scripting functions to return ordered lists./ v; t' N) j3 Z' z' o/ f
Support for video monitoring advance and delay on the Fairlight page.
L% F7 e" ~+ |! FSupport for GPI/GPO control on the Fairlight Audio Interface.
6 _* q1 m( D0 P( B9 l1 f" X& yMultiple performance and stability improvements.
# Z* s. ]! a; i, M% i
2 W: j+ a& [6 v6 H IWhat's new in DaVinci Resolve 16.1.2
7 O) D2 `2 X8 N0 e! F3 \+ {6 @9 FSupport for additional audio track formats for IMF and DCP renders
" W0 R6 s) x: K. F* @Improved decode and encode performance for Kakadu DCP and IMF formats
1 W# L `9 n# Z3 b k, x' p. USupport for CUDA based R3D with the latest RED SDK on Windows and Linux
9 C& J. n/ u$ @0 j: w6 UAdds Blackmagic RAW support for latest Blackmagic URSA Broadcast update- _6 O9 }2 L: j2 Y
Support for new audio only and video only editing modes on the cut page
6 E( S2 `0 P7 a4 }" |Added in and out buttons in the user interface on the cut page. t, D/ ]) g7 P5 u& r
Support for audio playback when trimming on the cut and edit pages
1 j1 Y0 _$ @6 e5 t9 o+ x D' gImproved zoom buttons for the timeline on the edit page; m$ T( T- @4 a8 B& v0 V$ h/ Z
Improved smart indicator in the cut page for when using in and out points
7 J$ L+ V3 R2 z/ l& YViewer resize icon on the cut page now correctly resizes the whole viewer' [+ B( I, X0 R- X
Cut page divider between timeline and viewer can now be moved via the divider# i" S8 A s% R8 |
Close up edits in the cut page now vary the close up from 20% to 40% randomly; w- G; z) T# c+ X8 k, p
Search dial is more responsive when using the DaVinci Resolve Editor Keyboard6 O7 I' u( \; @; C: E
Removed auto jog mode on scroll with the DaVinci Resolve Editor Keyboard
1 E; B- y& X+ r, X2 p) P2 XBetter responsiveness using shuttle with the DaVinci Resolve Editor Keyboard# z: H1 ~" V* Q2 i/ n! ^
Double press to clear in and out on the DaVinci Resolve Editor Keyboard
8 w/ T: ^% ~5 E' WImproved performance in collaborative projects with multiple DaVinci systems
& {4 B/ l3 Y" Y CSupport for monitor name in the workspace menu display options3 s N: W6 N( N* q+ W
Support for copy/paste in Dolby Vision mid tone offset values between clips& u& o) e" s2 R( o+ J& N
New scripting APIs to move media items, LUTs, markers, copy grades and more
% m0 V$ [) H. _Now uses 2 up view in sync bin when using live overwrite editing
. c/ }$ Y+ p% e' b, ]/ Z; }Fixes a bug that caused the clip dividers in the source tape to scroll with audio! V5 H' T: ~7 U, P
Opening the media folder in the cut page will re-sync to that folder contents
5 b2 _# D# H( T$ ?Multiple performance and stability improvements7 f% s* p- n: z( C
6 U" s" s0 G/ d16.1.1.56 [8 U) {, |& i9 T& d
- Improved behavior when navigating to previous or next multicam angles by looping around to the last or first angle
. s9 Q/ G' y7 N- Addressed an issue where performing a replace with a multicam clip in the source viewer would not select the correct angle
$ E# t, Z* s# ^& t- Addressed an issue where shift-dragging a gain keyframe in an audio clip would not work correctly on the edit timeline
) o! z" ` h1 q9 Z/ t- Addressed an issue where H.264 clips would be rendered incorrectly if network optimization was enabled ! k Z' n) G' _+ P/ m- j! I
- Addressed an issue where render jobs would sometimes fail on some systems ' |0 B- r' T# ^
- Addressed an issue where archived projects would not include mattes for stereoscopic 3D clips ) g9 f% P3 {+ |- m
- Addressed an issue where playback for 4K DNG clips would be slow/ r* e5 ^! c8 W" _1 l4 g
- Addressed an issue where some DNG clips would be decoded with an incorrect color science ; R7 P7 E! l* U+ h$ T+ N) J
- Addressed an issue where rendering to MXF XDCAM formats would sometimes show artefacts % Q" W7 ~# s q8 X
- Addressed an issue where minimizing the application would not hide the video clean feed + b& x0 s% d1 h! |
- Addressed an issue where setting in and out points from a timeline duration marker would sometimes not work correctly in the edit page ; M& T4 n3 b3 _# Q6 s3 ] c* v- M
- Addressed an issue where the show picker RGB value context option in the color viewer could not be toggled off
9 K( m: E& Q; Z+ ~* x5 X- Addressed an issue where AAFs with multiple embedded audio channels would be decoded incorrectly h: V7 E+ i, F) q
- Addressed an issue related to decoding Blackmagic RAW on macOS Catalina 2 N- |( b5 G/ G& w K% A
- General performance and stability improvements3 q/ F+ i5 ^( q' t; J+ y; b. m
# U8 C# q$ h7 Q! A& |# N/ c
General
( ]9 }! {9 o2 m+ p' r0 |Support for a full-screen viewer on an additional display on DaVinci Resolve Studio
7 ~" O. I0 p y# b' q; a4 O8 jAbility to halve the current playback speed as well as playback at half, quarter and 1/8th speed using the Play Slow command2 H8 V. O C5 n
Ability to repeat alternate frames for 48fps clips in Clip Attributes to emulate 24fps capture and playback
; W% N+ H L' I& d6 aImproved playback quality for variable frame rate QuickTime files9 e( o& D6 Q9 l" x
Support for disabling unbuffered I/O for any Media Storage location on Mac systems
4 r1 p2 n+ }7 I6 p" P) }! WSupport for decoding ALAC files on Windows and Linux systems5 K& n1 t+ r; u3 g
Support for an option to optimize projects in disk databases by Option/Alt right clicking a project in the project manager
+ z! i# G/ s, y: }' [5 }Support for accessing and editing project notes from the File menu3 }6 i: p+ u: i: A& _8 ]
Support for choosing the preferred network interface from the project server application when sharing databases and generating access keys
' x) Y) X- S0 j. tGeneral performance and stability improvements
. y+ I) U: R' F- n n7 L1 Z4 O& f6 D, u
Minimum system requirements for macOS
. u V3 p% c5 P7 h! GmacOS 10.13.6 High Sierra
5 }# W5 y: A/ I) Y1 r" x8 j16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion; S% G; I B/ o" j
Blackmagic Design Desktop Video version 10.4.1 or later7 d% Y! v5 S/ Y$ C
CUDA Driver version 418.1052 X( p8 K( w7 R/ ^/ C W' v8 d
NVIDIA Driver version - As required by your GPU
2 `$ b. [7 N/ E3 ~$ URED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later! Z7 i+ w3 L8 p" |3 J* Z( K
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later* l4 V: Z# ]4 B5 I" K. f2 O3 V
i# _' Q$ d& X+ u4 z0 EMinimum system requirements for Windows
- K3 t. u, N! UWindows 10 Update, r! V4 f: ^7 G$ F9 E
16 GB of system memory is recommended and 32 GB is recommended minimum when using Fusion: z, F9 k! {4 `
Blackmagic Design Desktop Video version 10.4.1 or later
7 I% c9 S' H9 X/ F" _NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
V5 j7 T5 u- n) DRED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later% |6 J3 ?" I5 v$ M9 o4 }
RED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later/ f, A2 y! x7 A
9 U. H- d+ N1 @* s: H" M6 S
Minimum system requirements for Linux, w) O$ ]) o7 ]7 F' U# f: A9 \ c
CentOS 7.3+ _- V: q" {, w2 d0 s9 C, R
32 GB of system memory is recommended minimum
: y7 n9 r+ l' p% T6 y9 U, O- xBlackmagic Design Desktop Video version 10.4.1 or later# V' Q7 ^, ]/ Y# D6 s2 ]/ t& E
NVIDIA/AMD Driver version – As required by your GPU0 x( \) N- A/ k
RED Rocket-X Driver 2.1.34.0 and Firmware 1.4.22.18 or later
" O, ~& t: ]3 V5 fRED Rocket Driver 2.1.23.0 and Firmware 1.1.18.0 or later0 J0 i" h4 D$ T* ^0 V
- a5 ~' S" ^8 ~6 c$ E. W( w' v
6 ~/ ?: e J: [# z; g' W3 ~) o( Z; t7 Y
9 T% ^, y& @9 X9 V, p+ p
1 h' b+ p0 T+ t
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* Y7 @. N+ k$ k- m3 [% r7 r+ mDaVinci_Resolve_16.0b5_Mac.zip& N0 L U1 r {: b* a& b7 c& Y# E9 Q
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3 K+ q% q: l5 PDaVinci_Resolve_Studio_16.0b6_Windows.zip
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S% R4 v, c( k# S; WDaVinci_Resolve_16.0_Mac.zip
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8 F( Q7 w4 F2 a7 W( m e! U0 y: D7 QDaVinci_Resolve_16.1b1_Windows.zip2 V) i* s- e$ J( ^7 H4 G: E
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. y3 E# E6 c! w6 y4 b2 \2 z9 b4 iDaVinci_Resolve_16.1.1_Mac.zip! a x& X. g8 [: t
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DaVinci_Resolve_Studio_16.2.4_Mac.zip
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; m& D! X: h1 T/ ODaVinci_Resolve_16.2.5_Linux.zip
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DaVinci_Resolve_16.2.6_Linux.zip- t/ Y; T1 ^. ^& i
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+ h, j1 i6 z# h5 jDaVinci_Resolve_16.2.7_Linux.zip5 k7 g. d9 W& c) z
DaVinci_Resolve_16.2.7_Mac.zip
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DaVinci_Resolve_Studio_16.2.7_Windows.zip
$ Z( A2 K! ]6 N2 ]! JDaVinci_Resolve_16.2.8_Linux.zip
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DaVinci_Resolve_Studio_16.2.8_Linux.zip
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DaVinci_Resolve_Studio_16.3b3_Windows.zip
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Blackmagic Design DaVinci Resolve Studio 16.2.1.17.exe
4 f# f% O2 |5 r; t+ _7 U( r4 IBlackmagic Design DaVinci Resolve Studio 16.2.2.11.exe
0 o1 i- p0 O* f; l9 qBlackmagic Design DaVinci Resolve Studio 16.2.5.15.exe |
发表于 2019-4-9 08:39:38