FXhome HitFilm Pro/Express v14.3.9931.38452

Release Name: FXhome HitFilm Pro
Program Type: Video Editing, Compositing
Release Date: April 20, 2020
Version: v13.0.9126.07201
Homepage: https://fxhome.com/software-update OR https://www.videohelp.com/software/HitFilm/old-versions#downloadold OR https://fxhome.com/hitfilm-pro/whats-new OR https://fxhome.com/express/whats-new
! C5 P( ?4 _6 P1 ~Interface Language: English
: ?3 n) ~4 u$ N  N9 H) CPlatform: Windows & Mac
- Y6 C3 U' n$ _5 @$ c2 PFile Size: 380 MB / 443 MB
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# Z# ^6 m5 j$ y2 p; D: {( xHitFilm Pro is a high-performance software that combines several tools for editing, creating and visual effects for video . With it, we can launch, import and get the desired editing results, even when working in the background, while we are constantly working on other tasks. This is a workbench where you can control the entire process of editing visual effects, allowing you to customize archive material by adding effects per frame.

8 M' k" e! I" |1 X' aNew in HitFilm Pro Version 14.0
- N8 F( N% p; [$ t5 ?% {  `0 \. EStyling of the interface has been updated.
Access to the Home and Edit screens is moved to the Window menu.
Imerge project files in the HitFilm media panel can be right-clicked and opened in Imerge for editing.
6 m- `4 Q: R. G0 z7 p7 n& R% TGPU accelerated hardware decoding for video files is now supported for exporting on Intel and Nvidia GPUs. (PC)
0 Q( B6 I! P- O$ w# F/ x* q# Y* @The font 'Inter', which is used in the interface, is now installed with the software.
The View menu has been replaced with the Window menu.
. s; c4 x. B/ {/ c4 OA menu has been added to the tab of each Panel, to aid in interface customization.
; F) [7 |3 J2 h/ h6 \$ wExport has been integrated into the main Edit interface, through additional export options on the timeline, and a new Export panel.
4 s+ g8 N2 L" Z1 GImerge project files are now compatible with HitFilm, and can be imported and used as media.
! h! O0 m6 ]0 p7 A& }# FClicking the green plus icon next to Effects in the controls panel now opens an Insert menu, which can be used to add effects.
- J3 K- |5 Q3 R% Q! K# G. {5 W* FComposite Shots can now be created instantly from the Media panel, using the new Composite Shot button.
The color of masks can now be changed per mask, making it easier to keep track of multiple masks.
1 i9 U9 A6 T+ r( \A new Effects menu in the top toolbar provides access to all effects, and stores the 5 most recently used effects for reuse.
% s) p" N" Q$ b' L7 {; b1 O% k* Y  mThe Text panel now includes options for All Caps, Small Caps, Superscript and Subscript.
HitFilm will now open files saved in VEGAS Effects.
VEGAS Image files can now be opened in HitFilm.
A Templates button has been added to the media panel, for easier access to templates.
A button for deleting the OFX Cache has been added to the Cache tab of the Options window.
9 t9 \5 S9 w& t! I1 c: R( U/ yAdded support for select After Effects plugins.
A mini audio meter has been added to the Viewer, so audio levels can be checked at any time.
5 R% i% D5 b# h0 M0 x) j' TA visible notification has been added to the viewer, when effects are disabled by the currently selected quality profile.
When effects including a color picker are dragged onto the viewer, the color on which you drop the effect will be auto-selected.
" l6 @) a, E- Q# [8 x+ P- yImproved support for multithreaded rendering during pre-rendering and export.
/ }+ g' r/ m4 C' ~A new Chromatic Aberration effect has been added.
" d, ^$ \4 }' V7 x2 |A shortcut (U) has been added to reveal keyframed or modified properties. Press U once to show keyframed properties, twice to show edited properties, and three times to revert to showing all properties.
6 J! S; X* U, LThe materials options for 3D models now include a layer picker, so the layer being used can be easily identified.
2 }* K" P- L, C7 e- b# UTimeline layers including video layers, can now be applied to 3D models as textures.
You can now use drag and drop to add 2D Effects to layers in the viewer.

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, E! E4 G; O: q- n% L8 q( Q' ?2 dEnhancements
Behavior effects can now be used on the Editor timeline.
Improved user access to the Activation app, through the Options dialog.
/ R/ h# A( J2 N* `0 G3 v5 ]2 X! k8 iImproved export performance by decoupling encoding from rendering and readback during the export process.
  e) a& A8 N) m6 j  i- EThe Auto Save recovery dialog has been adjusted, to improve clarity and functionality.
When a nested composite shot is opened, the position of the playhead is now retained from the parent timeline.
9 i/ w$ q8 V# o3 @  y7 qThe Panels in the View > Panels menu are now listed alphabetically.
% |% [% ]! X* @( E$ lMultiple layers can now be toggled in a single movement, by click-dragging across the toggle buttons.
. `- Q. H; @4 _5 l. MDouble-clicking a Mask shape now adds a perfectly centered mask the exact size of the frame.
; E) D8 G. [  V$ X1 X  aDouble-clicking an effect in the effects panel will now apply the effect to the currently selected layer.
3 S  c( J( R% k' e$ D% kThe decoding process for AAC audio files has been updated.
2 {: _' ^/ S1 i3 zThe icon indicating Offline Media has been updated.
Additional zoom levels have been added to the zoom menus in the Viewer and the Trimmer panels.
The Trimmer will now resize to fit when the panel size is adjusted.
Improved handling of auto save and project recovery.
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3 ?& y( O% \5 W" L) N. sBug Fixes
Improved accuracy of rendering of layers which have a camera tracker applied.
The bit depth for 16-bit images is now displayed correctly.
0 t, X- R: E2 g; n. kSupport for 64-bit PNG files has been added.
; c( [% n2 G8 d( e$ U% a( yClarified the wording of the error message displayed when an export runs out of disk space.
Duplicated export tasks are now numbered sequentially.
- u" {& A; P) d5 b) y) B9 MPasting a cube shaped force onto a particle simulator layer no longer causes stability issues.
Adding a deflector to a particle simulator layer no longer causes stability issues.
4 P- t+ K, w. q! O: o( i2 [2 ], wThe minimum size of the interface on High-DPI displays has been adjusted.
; W, k* |- x! j/ m) v0 H/ |% qLightened the default timeline color applied to assets which are added to the timeline.
Image sequences using 16-bit per channel color now render accurately.
A : B searching can now be used to narrow the search results on the timeline and in the insert menu.
Using an IME for non-latin characters no longer causes stability issues.
The Export queue, when opened, now auto-scrolls to the most recently added task.
A typographical error in the installation process has been corrected.
Improved selection and resizing of very small objects on the editor timeline.
Improved the sorting of items in the export preset list whose names include numerals.
Improved the sorting of items in the effects panel whose names include numerals.
  N3 b% a  H9 [2 b; d5 jImproved the sorting of items in the media panel whose names include numerals.
( e1 f/ j4 c# ?. ?( l( T5 A6 VThe transform property group in the controls for Editor timeline objects has been placed after the effects property group, to accurately reflect the render order.
' [3 y! |) J9 _5 IImproved rendering of the interface during the process of moving panels.
Improved the Mac handling of projects saved on Windows using absolute file paths. (Mac)
Changed the default export location which is used when the specified export location is not available.
AAC Audio files now load correctly.
  a. {. s* t, K! f5 P; }2 a! fMoving objects on the timeline no longer causes them to become deselected.
The shortcut for advancing 10 frames is now working again.
' b' z6 ^3 N% V$ c8 aThe zoom controls in the layer panel now give more expected results.
4 G; X0 N4 u, ]* _. h5 v4 V# r5 uOpenGL errors no longer show multiple error dialogs.
8 j* N. G5 q* R5 Y+ _9 w! V& j" XPre-rendered footage will now correctly display audio conform errors, when necessary.
/ ~' Z7 I0 V, S% W2 m+ WImproved performance of hardware decoded video playback.
/ ~- G+ |- p& i* V# zUsing CTRL+C in the import dialog after opening the Edit menu no longer causes stability issues.
Dragging a marquee to select multiple layers now works when the bottom layer is locked.
+ @7 z8 e$ t; o$ H/ s$ s8 i5 c4 {" rKeyboard shortcuts for Locking and Unlocking layers have been moved to the Timeline category.
Typing Japanese text containing a first word longer than the line wrap width no longer causes stability issues.
Improved the search function in the Effects panel, to provide more logical results.
* O+ q" }0 \9 `Dragging the menu bar at the top of the Mac interface now moves the window.
The control panel no longer displays contents if nothing is selected.
The selected property for each timeline is now remembered when switching between timelines.
The viewer panel now updates correctly after the color depth is changed and the panel is floated. (PC)
) y8 d& h' l* r' o. e4 W" V- @Improved the accuracy of the RAM preview indicator.
8 M; }5 `; c; M' Z% jHitFilm no longer allows you to move the playhead past the final frame of the timeline.
Corrected an issue which caused the framerate of certain MP4 files to load incorrectly.
The styling on the Delete Workspace dialog has been improved.
7 L( N" `1 `* u% W2 ]The zoom menus in the Trimmer and Viewer no longer display unselectable zoom levels.
Performance of the Unlock All keyboard shortcut has been improved.
Improved performance of using the mouse scroll wheel to adjust the timeline zoom on Mac systems. (Mac)
$ o( G) j' t1 j; h1 QEditing text properties no longer alters unselected text.
! S  i+ s3 X/ }The size of the text cursor is now based on the currently selected text size.
The open tab in non-focused interface panels is no longer marked as active.
& A1 g- A, K" p- q. E! K4 n$ @Constrained shape masks can now be dragged in any direction from the origin point.
- G* f% |! L# }The Delete button in the media panel is now disabled when nothing in the panel is selected.
Double-clicking on offline media in the media panel no longer moves focus to the trimmer.
The contents of the Lifetime panel are now restored, when switching from the Editor to a composite shot with a particle effect selected.
) c% N' F% t+ V9 O2 |. [Improved handling of MOV files on Windows, to correct some import issues. (PC)
1 p+ m# n0 u1 a  HThe LUT effect is now properly limited by layer masks. Areas outside of the masks are no longer affected.
Styling has been improved when renaming export presets.
List mode in the media panel now uses the correct icons for audio files.
Improved support for FBX files to alleviate material conflicts.
The Text panel now displays the correct font for text layers, when a project is moved between a PC and a Mac.
! f' C: a9 H% _Improved the handling of textures on 3D models to increase consistency of results and eliminate some flickering issues.
RAM previews are now correctly synced with the timeline contents.
Text spacing is now consistent on the editor and composite shot timelines.
$ r1 p  I, p8 [9 v; t* k' bSearch results in the Effects panel now include folders.
- M+ r- n" t, u* L1 l  M+ QConverting a mask point from locked curved to unlocked curved no longer moves the handles of the point.
Improved the styling of the origin point matrix in the layout panel.
Improved the consistency of text character spacing.
- k+ w! ]1 W8 d! z2 _* V0 ~Text layers with the text size set to 0 are no longer selected every time you click in the viewer.
The Color Correction Wheels effect no longer swaps blue and green when using the wheels to make adjustments.
Disabling the auto-save feature in the Options dialog now correctly disables the other autosave options as well.
Export presets whose names have been edited now update correctly in the export queue when a project is re-opened.
The Export preview now displays at the correct resolution on High DPI displays.
: X# Z. d& W5 @" pExport tasks will now provide a warning for any offline media in the timeline being exported.
) X9 P7 [, d, R; `3 @9 L% XExport errors are no longer clipped, so the entire message can be read.
2 X" Z# i) s7 u% f# ~Paste Attributes no longer allows you to paste in cases where no properties will be changed.
3 [+ n$ V. N0 l" P% s# nTimeline objects copied by dragging are now selected after the duplication is complete.
When using IME for languages with non-Latin characters, entering numeric values no longer offers autocomplete suggestions.
, j* L4 A& {5 ?3 p* DSuspending an export no longer causes stability issues.
, O9 V5 d/ q1 b# z9 VImproved stability during the export process.
Adjusted the styling of the current frame number, when the timecode is set to frames.
Keyframes being edited on the timeline will no longer be hidden behind unselected keyframes.
0 v0 F: r$ r$ B9 Y8 ~$ `Changing the sort order in the media panel now updates the sorted list correctly.
Keyframe handles no longer disappear when the project bit depth is changed.
Improved support for importing image sequences containing file names of different lengths.
1 k7 ]/ {" Q7 g: d0 FCreating a composite shot by adding a particle system to the editor now creates a single history event.
Scaling a plane on a single axis no longer creates unwanted transparency.
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5 a5 `' ^- Y0 h8 A4 wVersion 14.3
Performance and stability of FBX models in the software has been improved.
Composite shots deleted in the Media panel no longer appear in the Viewer, or cause stability issues.
. o' x& @$ b& ]% w: e' _6 ~2 @Motion blur now works correctly with FBX models.
3 P8 l/ g8 y' D$ l3 J4 b; cEditing the timeline location of keyframes on a parented layer no longer causes stability issues.
# W' y9 J2 P% P" P' C: E" Q$ v9 f# kThe Gamma handle on the Levels Histogram effect now displays correctly.
1 |' c2 s/ R, P5 |% z4 eCancelling the render of a composite shot containing ambient occlusion no longer causes stability issues.
Exported files will no longer be removed from your hard drive without warning when HitFilm is closed.
Changing the configuration of multiple displays no longer causes dialogs to open offscreen and be inaccessible. (PC)
9 P$ E4 n5 c+ H; hThe YouTube 1080p export preset now uses a Level of 5.1, for improved compatibility with older video players.
5 p$ D3 A3 r! g2 P  TComposite shots containing the Speed/Duration tool now render correctly.
: r9 c0 Y" Q2 _: JImproved a rare stability issue involving deleting media from the media panel.
When a user switches timelines, the scopes now update correctly to represent the contents of the current timeline.
5 j, Q  Q' w. c$ ePre-rendering a composite shot now accurately includes all frames, without duplicates.
) C4 P" a9 d- }" D. s8 Q9 bUsing the mouse wheel to zoom the Viewer when the frame contains reflections no longer causes stability issues.
# B, E& u# K2 X- B0 dThe font used in Parade Scopes now supports High DPI / Retina displays.
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* Y) L4 f" ~  D( MVersion 14.2
Improved compatibility with AAC media, so it imports correctly.
% P/ b5 b% J( H+ H2 MImproved compatibility with ProRes files, so the ProRes 4444 codec now imports correctly.
Improved stability of AMD hardware decoding. (PC)
, Q. B1 q$ {1 z* MUploading crash reports will no longer fail and give network errors. (PC)
$ k( z7 N# u/ |+ fImproved performance of hardware decoding when the timeline contains duplicated clips. (PC)
/ F2 f- v8 A8 k) x+ OUsing NVIDIA hardware decoding will no longer cause some clips to be displayed upside down in the viewer. (PC)
" p6 ?/ R: `4 {4 A! wUsing NVIDIA hardware decoding during export no longer causes stability issues. (PC)
NVIDIA Hardware decoding renders certain files more accurately, which were previously corrupted on the Viewer. (PC)

Version 14.1
- g$ @' b5 i- n6 j$ UComposite shot timelines can now be floated out of the main interface.
Motion blur now updates correctly when the framerate of the timeline is increased.
Click+dragging the visibility of multiple layers no longer affects layers on other timelines.
The Recent Effects menu now lists the most recently used effects chronologically from top to bottom.
! h; t! J2 Q& Y/ b5 f4 kSelecting an effect in the Favorites folder no longer causes unwanted scrolling in the effects panel.
- @8 ^! U. G; p" v& c. j% E' F" UCreating a new project with the timeline container floated no longer causes stability issues.
0 c# d: m: ]* p+ r+ L& \0 MAdding an effect to multiple items at once no longer creates multiple items in the history panel.
5 s2 Z6 Z3 o8 e6 z! p3 yLaunching the software with a Favorited OFX effect not loaded no longer causes stability issues.
3 e3 D8 g& d0 q9 EThe favorites menu for effects is no longer permanently disabled.
Closing HitFilm after using a Video Copilot effect in a previous session no longer causes stability issues. (Mac)
Estimated time to complete exports updates more accurately at the end of export.
Improved rendering of masks on systems with AMD graphics.
/ P4 q/ H% V0 S; K% [" W  b8 EFavorited transitions no longer appear in the effects menu.
$ @: D! M( J0 J. @- Q  t' D* Y! gThe effects menu now works for adding effects to the controls panel, as well as to timeline objects.
The export command dialog now auto-populates to the default export directory.
0 ], T9 E) ^* \- v  b; c7 bThe auto-save dialog no longer appears if the auto-save option is disabled.
0 |6 w5 \# u7 B, O5 h' c1 CMedia using a different resolution than the project now renders correctly using downsampled viewer resolutions.
1 J% i0 [: }* n7 xEffects icons are no longer displayed when the native Mac menu bar is used. (Mac)
Improved the rendering of mask curves while the mask is being drawn.
Improved the styling of the background color swatch, in the viewer options menu.
& T+ m& c4 q( J6 l' {Viewer now correctly recalculates zoom when the project dimensions are changed.
Improved the styling of the effects search popup.
Remove Stock Background now removes white backgrounds more accurately.
Uninstalling Imerge Pro while HitFilm is running now correctly disables the "Open in Imerge..." menu item.
Improved support for video files created by OBS.
! m/ n, G$ y7 L$ C& aLarge media previews are downsampled correctly in the viewer, as they are adjusted on the editor timeline.
Resizing the viewer no longer causes an infinite render loop in the zoom menu.
Recent plugins are now remembered when HitFilm is closed and reopened.
MP4 files using a level of 6.1 will now load correctly.
Improved rendering of high resolution files when viewer resolution is set to low quality/resolution profiles.
Reduced the contrast of the checkerboard in the viewer, to reduce distractions from the content.
8 Z% s; e: E, oAdjusted the color of the asset duration bars, which indicate the unused portions of a layer on the timeline.
Improved rendering of the blue box surrounding the viewer when it is the active panel.

Version 14.0.1
Opening a project containing OFX plugins no longer causes stability issues.
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System requirements
1 c5 P8 V0 j, Q8 l  w& _Apple: macOS 10.15 Catalina, macOS 10.14 Mojave, or 10.13 High Sierra
Windows: Microsoft Windows 10 (64-bit), Microsoft Windows 8 (64-bit)
Internet connection: Required for online activation
Processor: 4th Generation Intel® Core™ Processors or AMD equivalent.
RAM: 4GB (8 GB Recommended)
Graphics card:
! n7 ?6 v5 Q. k/ w; D9 q* CNVIDIA GeForce 600 (Kepler) series (2012)
AMD Radeon R5 240 (2013)
Intel HD Graphics 5000 (GT3) (2013)
Video memory 1 GB minimum (2GB or more required for 4K UHD.)
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