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Release Name: Acon Digital Mastering Suite v1.1.28 k# i/ \. Y7 e3 ]. ~# _8 @, I
Program Type: Audio VST; u' L6 ]& \. P; h
Release Date: 07 Mar 2020
( V- P4 q% c$ @( H& ]- K! cHomepage: https://acondigital.com/products/mastering-suite/
5 E" W; b0 h T. \* ?Interface Language: English
7 D3 p3 ?9 W6 x/ p- ^+ hPlatform: WiN + MacOSX3 H; B* r) s: _& x+ R K" K1 I6 i
File Size: 68.2MB2 c* u; d8 I/ S2 ]
9 Y% Y: E' c1 x2 _$ H SAcon Digital Mastering Suite consists of five plug-ins for audio mastering that were designed for ultimate signal transparency:
; v2 C) h* o2 O6 ]& k2 ?Dynamics is a combined compressor, expander or gate. The look-ahead can be set anywhere from 0 to 30 milliseconds and the intelligent algorithm ensures a band-limited gain signal which reduces potential distortion to a minimum even with minimal attack and release times. You can use up to 4 times oversampling to further reduce distortion. The side chain signal can be either internal or external and there’s a full blown side chain equalizer integrated with low cut, low shelf, peak, high shelf and high cut filters. The complexity of algorithms is not reflected in the intuitive user interface which provides graphical visualizations of all aspects of the processing. With the introduction of Mastering Suite 1.1, Dynamics now offers a new auto-release mode that dynamically changes the release time depending on the audio material. A new Range control makes it possible to limit the maximum gain reduction during dynamic processing. Parallel compression is easily achieved using the new Mix knob that controls the mix of processed and unprocessed audio.
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( M0 L3 C6 ^4 `4 }Multiband Dynamics is the multiband extension of Dynamics which allows dynamic processing in up to four separate bands. You can freely set the cross-over frequencies and even the filter slopes can be set freely in the range 6 and 48 dB per octave. Multiband Dynamics operates in linear phase mode to avoid phase issues between the processed bands. Version 1.1 introduces mixed phase filtering which reduces pre-ringing — a well-known problem with linear phase filtering. Pre-ringing smears sharp transients and thus degrades the audio quality. The new Channel Linking parameter controls how independently channels are processed.2 ]# E$ e& [2 Y9 s9 c
1 S. W8 n& s p$ A5 Y* r: oLimit is a transparent limiter with intelligent look-ahead in the range 0 to 30 milliseconds that reduces distortion to a minimum. The limiting is performed in a two step process with a pre-compressor follower by the actual peak limiting algorithm. You can use up to 4 times oversampling for true peak limiting and to further reduce distortion. With version 1.1, the pre-compressor has a new auto-release mode that adapts the release time to the audio material.
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Equalize is a parametric equalizer. Unlike other equalizers, you can freely adjust not only center frequency, gain and bandwidths, but also the filter slope for each band. The filter slope can be set anywhere from 3 dB to ultra-sharp 120 dB per octave. You can operate Equalize as a zero latency plug-in when using the minimum phase mode, choose to preserve the phase relationships in the linear phase mode or use the unique mixed phase mode. The mixed phase mode allows you to set the latency freely in the range 5 to 120 milliseconds while preserving the phase relationships as far as possible. That gives a unique control over potential pre-ringing artifacts which is a common problem with linear phase filtering.
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) H* N( {$ d% G+ gDither is a dithering plug-in with flexible perceptual noise shaping. You can adjust the maximum gain and the filter length of the frequency response of the noise shaping filter is visualized graphically.
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Requirements
# N. X* h& z$ x7 n1 {6 L cPlatforms and Plug-in Formats6 R% S: E6 o" K" I3 `: a
Available as VST, VST3 or AAX plug-ins on PC (Windows)
. m: B4 T4 P- r2 f7 _! FAvailable as VST, VST3, AAX or AU plug-ins on Apple Macintosh (OS X)+ o5 ^1 X1 b6 Y( O
Native 32 bit or 64 bit versions of all plug-ins are available
7 g# M ~0 j5 Z- SSupports sampling rates up to 96 kHz( @! t. J: [( `# V2 O* j
Supports multi-channel audio up to 7.1.6 immersive formats! T" h1 f6 @: d
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Acon Digital Dynamics
3 }4 s7 [( l. @& u& p& WIntelligent look-ahead algorithm that reduces distortion to a minimum) F5 Z3 h! \& L/ Y
Latency and look-ahead can be set anywhere between 0 and 30 milliseconds
0 l' ]! r& P/ U5 O) ?, _3 XPowerful side chain filtering with full EQ section — low cut, low shelf, bell, high shelf and high cut filters- _: L, g" A# R% |
Oversampling up to 4X
5 S( s8 {) i6 ?3 R" a) FThreshold and ratio can be adjusted directly in the level history curve or using knobs
A7 w2 S+ u8 s# z2 J aActs as a compressor for ratios over 1:1 and as an expander or gate for ratios below 1:1
6 y" e* [, \8 R9 W$ mAdjustable soft knee specified in dB
H2 S6 w% ]2 u( FAdjustable attack, hold and release times specified in milliseconds
. ]# f8 n1 E. z* {Optional auto-release mode for audio dependent release times+ e% \& `7 x' L6 d6 ?6 G
Channel linking can be set between 0 (no link) and 100% (all channel share the same gain control signal)
) Z0 T0 ^& y0 T: X1 YAdjustable make-up gain specified in dB with optional automatic mode
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Acon Digital Multiband Dynamics
+ I/ w+ c4 a- ^. J; kDynamic processing in up to four separate frequency bands4 r4 F _) _. T7 p7 U6 L
Spectral analyzer with frequency band indicators, freely adjustable cross over frequencies and freely adjustable filter slopes
2 F2 L: y1 H5 B1 ]- P$ W4 J0 _. o0 ?Intelligent look-ahead algorithm that reduces distortion to a minimum& o1 s& }3 T2 i
Threshold and ratio can be adjusted directly in the level history curve or using knobs2 ~' r9 q5 D# ^* Y6 ` ~
Acts as a compressor for ratios over 1:1 and as an expander or gate for ratios below 1:16 c- _, E6 c0 t; w) a( d# [
Optional auto-release mode for audio dependent release times# j9 M G' L3 T+ W% [" ^6 u
Operates with either linear or mixed phase filtering
+ N* |& X& K* I9 F sAdjustable soft knee specified in dB
% W0 m* N' N2 fAdjustable attack and release times specified in milliseconds" y: m6 y, D% ~" r; b5 K
% k: M$ I# r* m( C' e5 J7 uAcon Digital Limit
) i: ^4 S" V2 K( q6 G IIntelligent look-ahead algorithm that reduces distortion to a minimum) n4 z2 p1 l1 |3 b. M* w$ k
Pre-compressor stage with adjustable attack and release times specified in milliseconds
0 w2 s5 [! Z# g( u4 V+ @. I3 wChannel linking can be set separately for pre-compressor and peak suppression with values between 0 (no link) and 100% (all channel share the same gain control signal)
& q5 O$ T" ~9 [/ C1 S1 j7 ^+ QOversampling up to 4X for true peak limiting4 W% c/ c$ {) V) S5 {* X( n
Optional auto-release mode for audio dependent release times) L% X, }' X+ u3 ^
Graphical history curve showing level and gain reduction for the past 5 seconds
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+ r5 r% d7 [, o" L) V, _Acon Digital Equalize
" h+ y" h( o$ ]+ k' q- iUp to twelve equalizer bands
7 e4 m/ `# O$ \9 @& ?) @6 @* I7 k5 g$ \* QEight different band filter types (low cut, low shelf, peak, tilt, bandpass, notch, high shelf and high cut)1 `8 v2 p# h/ r) w% R0 e4 j
Band frequency, gain, bandwidth, resonance and filter slope is freely adjustable for each band9 B) n2 w& b0 O9 ?. g% D
Three different filter modes, minimum phase, linear phase or the novel mixed phase& K8 H6 g& V" R* q
Adjustable latency and pre-ringing time in mixed phase mode. v- g4 j; K+ c
Zero latency in minimum phase mode6 D8 ^& F5 g3 P& u- Q
Channel mode (mid, side, left, right or full processing) can be set independently for each band
2 X; X" ?8 T N1 V+ H2 c% t8 nMultiple selection of bands6 V4 U( k- n/ B) W" O2 g
Resizable graphical user interface
$ V) @& m( {7 d* C! ~2 I0 f9 jSolo and bypass modes
8 ~ ^( T; ?' r1 \6 ~9 lOptional automatic make-up gain! O( m0 O1 M4 b# U* C X
Optional gain to bandwidth linking1 ~$ m1 f7 u6 d
Two spectrum analyzers that can analyze the input or output signal from the mid, side, left or right channel5 [$ t" n& E# Q$ U3 A% o
Graphical visualization of the equalizer frequency response
# J; X2 E+ O- r. dPreset manager and a large number of factory presets t2 T* A" `8 T `; z$ {
Save, load and categorize user presets( k+ L& }- G8 q9 F1 a& R8 Y
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Acon Digital Dither
; N* m$ v+ T! T) `9 L" LTriangular Probability Density Function (TPDF) dithering
8 o/ p. F2 U# WPhyscho-acoustic noise shaping filter with adjustable filter length and maximum filter gain; g v+ N8 O6 E
Graphical representation of the noise shaping filter’s frequency response
4 ^( x# V) d s* @* Z- C" q5 E4 vSupported target bit depths: 8, 12, 16, 20 and 24 bits [0 Q4 K# H {6 d7 Y9 Y" G( v1 p
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Requirements
- i/ z+ D+ X9 g6 DWindows
6 `; A' Y2 x- l% d3 `+ l3 XWindows 10 / 8 / 7
. m. |$ J5 E5 j% Z, [Intel Core i3 or AMD multi-core processor (Intel Core i5 or faster recommended)6 ~: O, L, k3 ^
1366 x 768 display resolution (1920 x 1080 or higher recommended)
7 F; I+ F1 K* E* _2 h1 GB RAM (4 GB or more recommended)8 G% L8 A7 H ^# y
1 GB free HD space
" w1 [7 L. j1 y T" \7 c+ {A host application that is compatible with VST, VST3 or AAX (Pro Tools 10.3.5 or higher)3 T% z7 c! w7 J" \( S& J0 L
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Macintosh
" N/ _* ~9 S: Y4 p& v8 y, QOS X 10.8 or later8 ^! `6 }+ i0 v9 W
1 GB RAM (4 GB or more recommended)
' h3 P2 w* X8 ^9 j: B1 GB free HD space! Q O# x3 w% [: C) v7 e2 m
A host application that is compatible with AU, VST, VST3 or AAX (Pro Tools 11 or higher)4 ^% v7 K+ m( y
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( D& B& H: l- Z8 x" M6 x) N3 l! {Download:
2 j# x' D2 X4 n: Y Xhttp://acondigital.com/software/MasteringSuite_Win32_1_1_2.exe0 O2 T4 M# j9 r; I% M$ f' G/ ?2 A0 f9 I
http://acondigital.com/software/MasteringSuite_Win64_1_1_2.exe
5 h, h6 O% v8 r7 uhttp://acondigital.com/software/MasteringSuite_OSX_1_1_2.pkg.zip |
发表于 2020-3-7 22:27:52