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Avid Media Composer 2020.12.8

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Program Name: Avid Media Composer 2020+ a. C, G8 Y# d) f
Program Type: Vdeo Editing0 F1 u8 h- m0 I) V7 i
Release Date: Dec 13, 20228 f- q8 E- s, _, f
Homepage: www.avid.com/US/products/media-composer/ OR http://esd.avid.com/ProductInformation.aspx?id=76 ^3 M* B) p% a, `2 u$ ^. L
Interface Language: Multilingual1 H+ ~, W3 b& k1 \+ c4 [5 ], b
Platform: Win & Mac
, b# c4 Y& m0 r  BFile Size: 2.35 GB / 2.29 GB/ x9 X8 R# V) z. ~9 L! n4 A

! r% d5 M. X* A5 I$ O* a" S& vAvid Media Composer is an advanced professional video editing software solution that offers the most comprehensive and innovative set of creative tools and flexibility with a variety of video formats. The program includes a huge set of tools: support for tapeless production technologies, work with any formats, multi-camera HD editing and much more.' q9 B8 I2 H" g

* _1 R4 R3 Y- C+ [0 p9 @9 G5 G/ ?3 r6 }The perfect combination with the freedom to choose from a variety of Avid Media Composer systems that best suit your project, from a standalone system with software without additional hardware support to a complete Avid Media Composer / Avid Digirtal Nonlinear Accelerator (Avid DNA) ... The software does not depend on additional external hardware, it is intended for film and video editing. Media Composer is used in the production of most of the films, television shows and commercials in the film and video industry today.9 W. f& y4 x$ b7 x

0 s: x' t$ Q, W3 ~- n( YNew features include:3 N. N; r+ m0 L8 G% C/ \# H9 V
QuickTime codec support, incl. Apple ProRes and H.264
* e- L* G& K+ ]& z( M7 HRED R3D format support without transcoding/ U( {$ L# t% q
Digitizing RGB 4-4-4 (via Dual Link SDI on NitrisDX) and subsequent editing in this format9 u+ Y1 ?6 N% G6 x
Matrox MXO2 Mini support for monitoring9 j9 j/ W! c+ ~
Working with stereo sound on the timeline as with one master clip+ q0 s+ N- N" F% H
RTAS audio plugin support
) D# |7 c$ b8 m6 s- j1 j2 |Further improvements to the interface
- j8 Z. t! J& J/ h+ \) DXDCAM proxy support3 t: A1 {2 A! |# H- F% s( r8 F4 G& |
Import of AVCHD, AVCCAM and NXCAM
; R6 U7 ^+ X# Z: H& TAvid Media Composer3 i% ^5 L0 L0 c( t: M. T$ d

4 n- B+ X. R( y2 s* |2 R% X8 R" c- ]Features of the program:
: d4 m2 ]4 v9 \5 j5 |( ?. pIntuitive media management integrated with Media Composer. Effective pruning tools.
+ g, ^3 }+ [% x: NOne-step color correction.
2 P% M& z: O/ r* u* kImage stabilization.' V% ^- f% W; H' [( q- U
Working with an alpha channel in real time.2 r0 {% M6 Y- ^+ ~2 ]( R
Processing of 16-bit AVX effects. No other application offers the same range of features and functionality that Media Composer offers.1 F* R$ L( C8 `
* E) x( F7 J1 w+ N
Key software features:( N( W- n4 k! u9 L& n4 Y9 q
Editing and Effects for 10-bit SD and HD video  M" b, O* S( ~' M
Universal codec library for simultaneous work with DV, IMX, SD and HD materials on the same timeline.
+ Y  `$ {- A, v+ m6 S( I1 zSupport for working with DVCPRO HD and DVCPRO 50 without additional scaling (capture / output according to IEEE 1394)
: h" p! ~  W* e* \7 @3 C2 j/ ~HDV support without additional rendering
& u" p# f' |: I+ XUp to 11 streams of uncompressed SD video (more streams are possible at lower resolutions)
3 V/ A+ f; E* y! ~7 v# T7 i5 @Off-line digital negative (DI) processing" S) V4 e' H# v7 s" w3 {
AVX 2 support
" A/ a3 t- s/ `$ ZQuality switching mode for maximum performance! U2 i' z8 j& j9 b
Optimization of work on multiprocessor stations% i! v$ I) L' \6 r
Mounting options
7 S5 v0 X  M8 @) Z$ e) R
/ N4 o2 o! N7 F  ~. DWorking with video materials with different resolutions on the same timeline. h) t' r) l- h: ~0 n% d; r, ]' b4 s6 s
Live multicam editing (9 SD, 3 HD sources)1 E/ f" P# _: d. g6 W1 Q
SteadyGlide function for Motion Tracking and Stabilization4 _( Q- I0 y' w5 x8 t1 M8 N1 ^
Compatible with ABVB AVRs and Meridien JFIF
) |& @' G8 ~# c3 gConsolidation and transcoding of media into various resolutions
5 Y) M& v3 S7 V0 M24 video and audio tracks (unlimited number of video layers through the ability to work with several sequences at once)
% }0 I& E- U& v9 r24 MetaSync tracks
% N- t' y( \! V: mFilm Composer Toolbox
' t: {1 M4 b9 E. ]Applying uncompressed effects regardless of the resolution of the clip itself# X: r2 _# o2 T9 Q% Z1 b7 k) A" y+ Y
Real-time audio dissolve effect* l0 {* J1 N  Q) |
Supports 4: 3 and 16: 9 formats4 n: S; w- S) x' G, {
Breakdown of DV material into scenes
, l1 e  B( `3 B% XWorking with long GOP sequences
# _6 `% R8 Z# G  ^6 K; fSupports 24P capture in 24, 25 or 30 frames project
3 d0 M( A/ p& ^+ ]  S; _. I- Y3 JPAL 24P and 25P
, t6 Z! `' Y+ E' y1 Y0 Y: H1 `Video Archive function. h3 N* q# e+ l2 h7 d& J) Q# {
Editing while capturing (requires Avid Unity MediaManager)- q& q! _! c+ x8 \
23.976, 24 and film editing with the ability to convert a sequence from 24 to 23.976
( C. [) M0 k% U$ G$ e8 I6 }* @Capable of capturing 24P over IEEE-1394 for 24fps projects: l. w# Z3 a+ `- c& H% o
Digital video effects and compositing6 |. y1 ^$ s; l9 [0 W

' K2 n# H. `1 T* VBoris Continuum Complete 10-bit Effects and Filters
0 p& \) A& ?% V! @! M0 m% iCustomizable 3D effects in real time: Warp, Picture-in-Picture, Corner Pinning, Shapes, Video Titles: o. y) Z7 Q; J0 s
And also in real time: Dissolves, Superimposition, Resize, Flips, Flops, Wipes, Conceals, Squeezes, Masks and Picture-in-Picture* ~) N$ g( X. s& s+ A$ j
Panasonic Varicam off-speed support3 n, t$ V9 q" |: P7 k" l; k# `
Moving Mattes in real time
9 q/ e1 Q2 S5 B/ hChromakey and Lumakey in real time
/ I, I* g  g3 x7 [4 |0 F- JReal-time alpha channel keying! a( F0 F! m) f( P1 J' P
Compositing unlimited layers
4 ^: h0 c+ a4 p1 P! O  BConfigurable speed change effects including FluidMotion% u! g/ Y! ]+ Y3 @+ N
FluidFilm effect for making 50i and 60i footage look like cinematic footage
% u1 e+ M. o. fSupport for AVX 1.5 & AVX 2.0 plugins, including third party realtime plugins% ]# L: k0 e1 C/ ^  R" u
ExpertRender for rendering effects8 [, U" k9 ]6 m5 s3 `( u: y0 c( l
Features Paint, AniMatte, Scratch Removal for single-frame processing3 H# X9 U- C) u1 J+ Q- a
Pan & Zoom creates video from still images in high definition
: L6 i. e% }7 b; m0 ODeep Defocus, blur, mosaic8 k. p" H. T# l# V) q- o
Tools for changing the aspect ratio of the frame2 n% J% v. v6 [3 j* z% k
High quality SpectraMatte keyer with SpectraGraph capability, C/ T7 Q$ u  j% @) p
10-bit color correction
8 J3 @5 C) G5 rProfessional-grade real-time color correction tools
- Y& u" D) C2 c; p$ c5 oOne Step AutoCorrect5 d( B* F3 W1 A7 s, X+ t
Patented NaturalMatch function for easy matching of color tones
* C2 y0 G" a# K0 V/ }Real-time color effects customizable with keyframes
9 {( ?7 U* h2 N8 r/ Y* a7 h' qThree-monitor windows for color correction% ?7 ~5 Q2 q; R# o' v
ChromaCurve and ChromaGraph display
5 u4 m5 J" S* j) Q* J& QWaveform Display and Vectorscope# [) Z" W& I$ O" ?! {. }
Integrated tools for creating titles and graphics7 B" f" Q" J" a
Real-time uncompensated graphics and titles6 y" w1 }& \" t9 N
2D and 3D titration including Marquee) I7 c9 v$ D$ F
Drum and creeping line
6 |8 I# ]- v1 u* DSaving custom heading styles
0 {* D+ d9 D- rMaximum convenience and compatibility9 w3 ^: U, }7 p/ R
Avid Studio Toolkit support (Avid FX, Avid DVD and Avid 3D)
, n$ J6 M6 e) B9 F, E3 pSupport for the entire Avid Unity line, including workspaces compatible with Avid Unity MediaManager and Avid Unity TransferManager9 v  _- z+ G* i% q' c) A
Possibility of mounting while capturing media material& v# j8 N- a9 ^
Full compatibility of bins, sequences, splices, compositions, sound settings, effects and Avid media with Avid Xpress, Media Composer, Film Composer and Symphony systems  x* W, E% @. t" j" Y# d& ]0 U0 Y" F' `
Compatible with Avid DS Nitris Systems with AFE" A7 ]5 [/ ]6 J% G4 W
Sony XDCAM support including low-res MPEG copies and IMX
+ Q" p4 z2 x) m9 @* ?Panasonic P2 support
: T# C! K; B% |; UAAF import / export
6 O* d! r( W/ I- f% o( O6 k' c4 E, QWorking with MXF or OMF$ c% _2 n  k- O" F# e0 v6 V
Encode HD and SD video in Windows Media% Z/ ?- ^7 a1 b* p7 s
LTC timecode output
. q, Z1 i; X7 q' B- Q. X( XSupport for Photoshop and After Effects layers* ~- {) H4 ]* v& i8 M( |) d
24-bit audio files compatible with Digidesign Pro Tools systems% i, |# R0 i' X( ]# s% {: [- I
Remote control playback and capture3 |! p. a; U7 ^/ j' Y+ K$ A
Project and Metadata Management/ p6 H/ ]5 {$ f- J. F

+ e3 \: ]+ R! l) y" A; p* qMultilevel search, selection and sorting functions/ X; M( L" R  c! J" m' v
View modes: Frame, script and text
5 k2 M8 r' o, i7 r  IAbility to change file metadata directly in the bin
: a- `! x- l+ mUnlimited bins( H# K1 x( ]9 E7 _7 @
Media Consolidation Function# j! C  w5 w8 A- _, [4 O" F; i4 N
Folder hierarchy (folders within folders) inside the project window; ~$ L0 m1 L  K1 m) k+ K
Individual settings for User, Project and Site) q# Q& N$ u* H5 L. |
Blocking media from possible changes
, _/ i$ h& }6 _6 L+ v+ V+ ]Avid Unity MediaManager support for advanced search and local and remote metadata management, e/ R, h9 [' ?& T* ?! o! z" Q* C
Coding for Web + Interactive Delivery
% I1 P; p7 H3 ~1 T, Y5 ^3 r# ]  y( `) q& @8 ?/ m
WMV HD and Windows Media 9 encoding, H.264 MPEG4, MPEG 1 & 2, QuickTime, Flash and RealMedia' m. L( t' D6 U! X) s+ e0 L0 n: {6 r
WMV HD for HD content for recording on DVD-ROM$ Q7 Q/ s4 {1 F$ s8 R2 u8 O$ ?
Export Windows Media (ASF), QuickTime 7.0 and MPEG-2- V+ o- c1 R" x; |
QuickTime Reference Movie Output. N" z0 A2 k, n7 }0 I4 H
Sonic DVDit; z, [. w' _5 @) W0 ?) H
Sorenson squeeze
0 f* e  [6 ?8 |* b& e5 R7 D, _( i. [SmartSound SonicFire Pro
% j, f' x( q1 _2 t8 o2 L6 L5 [$ X& BBoris Continuum Complete' ?, ]) s1 M; O, J7 c
Noise Industries Factory Tools! t: `, c3 d3 v, W
New features include:
+ S, D* h  ~; [6 p/ ^- L; P
* {7 `) z. c: p5 o: }2 fQuickTime codec support, incl. Apple ProRes and H.264
& o* d) E3 N# n) @: q) ?4 mRED R3D format support without transcoding4 P6 X: P4 l; P2 t5 x
Digitizing RGB 4-4-4 (via Dual Link SDI on NitrisDX) and subsequent editing in this format
- f; [0 d) y( nMatrox MXO2 Mini support for monitoring
! [* ^: u9 A  X( Y5 ~8 {Working with stereo sound on the timeline as with one master clip3 a3 c4 O, \6 F7 f" a- k$ f
RTAS audio plugin support
( o5 }( g* M& |9 n4 OFurther improvements to the interface
8 b. y* |( m& n1 Q7 VXDCAM proxy support8 o) t+ F  L: A' W" e
Import of AVCHD, AVCCAM and NXCAM
8 K& v& j7 ?$ l  `; U! h' k* }7 W! I' L! o
System requirements:+ R+ T3 m% \1 a/ d
Windows 7 Professional SP1 (64-bit), Windows 8 Professional or Enterprise (64-bit): y+ L1 ]( |0 `0 H( u
Processor: Intel Quad Core i7 or Quad Core Xeon processor
; D' w6 U8 g! Z4 GB RAM minimum (6+ GB recommended)9 Z! L8 I6 `4 S( E8 y3 I
8 GB RAM minimum required to support Media Composer | Cloud (formerly Interplay Sphere) 1, background transcoding, and Dynamic Media Folders1 V: U1 w* B' l' [  ~1 |/ ^
16+ GB RAM recommended to support full-frame stereoscopic 3D, simultaneous background transcoding, Dynamic Media Folders, FrameFlex 4K workflows, Raw format AMA plug-ins, Long GOP media editing, and other high-performance workflows
: U' @$ r# o, l' KGraphics card: NVIDIA Quadro family2 (Q600 or higher recommended), Intel HD4000
, o9 \$ u+ I, \Internal hard drive: Minimum 250 GB 7200 rpm SATA drive, 128 GB SSD
6 g+ ?8 j: r6 j$ S; F  x1 r" R! K  O% n# @" ~9 `' k
( Y% y! d% O! H3 t+ Z! G
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0 a- k: F2 \( Q1 k: I  Q/ gDOWNLOAD:
' k" c1 D: v7 I9 @https://cdn.avid.com/Media_Composer/2020.12/2RN7CQJV/Media_Composer_20.12.0_Win.zip
4 D: Z7 H# `% a3 ]5 Ihttps://cdn.avid.com/Media_Composer/2020.12/2RN7CQJV/Media_Composer_20.12.0_Mac.dmg5 @  `# Z4 _+ m% L, X; @
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' a( P* V: f2 t7 f# L. u, Whttp://cdn.avid.com/Media_Composer/2020.9/4F67B7A4/Media_Composer_20.9.0_Mac.dmg
' n% w4 O+ c0 E9 N  N% f4 Shttp://cdn.avid.com/Media_Composer/2020.8/8F81297D/Media_Composer_20.8.0_Win.zip( i" U' `4 w2 J4 s- C6 w' u
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