Blackmagic Design DaVinci Resolve Studio 17.4.6.0010 Win / Mac / Linux

Program Name: Blackmagic Design DaVinci Resolve Studio 17
' a; ~5 Y% S/ f& b" h- RProgram Type: Color correction
1 b5 q& A0 ^! w5 T) j% eVersion: 17.4.2
. r; m. m8 Q9 F4 \7 T( K' KRelease Date: November 16, 2021
Homepage: https://www.blackmagicdesign.com/products/davinciresolve
0 h* c# F+ u- ^  v9 KInterface Language: Multlanguage
Platform: Win / Mac / Linux
' [6 t. ?8 f2 H8 _/ b, M' n  V* L* ?File Size: 2.2 GB / 2.0 GB  / 1.6 GB
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# j+ t6 `+ a0 o, GDaVinci Resolve is the world’s only solution that combines editing, color correction, visual effects, motion graphics and audio post production all in one software tool! Its elegant, modern interface is fast to learn and easy enough for new users, yet powerful for professionals. DaVinci Resolve lets you work faster and at a higher quality because you don’t have to learn multiple apps or switch software for different tasks. That means you can work with camera original quality images throughout the entire process. It’s like having your own post production studio in a single app! Best of all, by learning DaVinci Resolve, you’re learning how to use the exact same tools used by Hollywood professionals!
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' h1 g3 ]7 ]; Z" q: _/ g% G& JDaVinci Resolve 17 is a major new release with over 100 new features and 200 improvements! The color page features new HDR grading tools, redesigned primary controls, AI based magic mask and more. Fairlight updates mouse and keyboard edit selection tools so you can work faster, along with Fairlight Audio Core and FlexBus, a next generation audio engine and busing architecture with support for 2,000 tracks! Editors get a metadata slate view with bin dividers, zoomed waveforms for audio trimming, smart reframing, a unified inspector and dozens of other time saving tools. In addition, compositions created in Fusion can now be used as an effect, title or transition on the edit and cut pages!

3 {7 K6 b; X. QDaVinci Resolve 17 features incredible new creative tools for colorists! The new HDR palette lets you create custom color wheels for targeted corrections, primary controls have a new design that makes them easier to use, magic mask uses the DaVinci Neural Engine to automatically isolate and track objects, and the new mesh and grid based color warper lets you push and morph colors in creative new ways! Power Window drawing has been improved, there are new split screen wipe options, an additional Sat vs Lum curve, improved scopes, support for 17 point 3D LUTs and more. Plus, the massive new DaVinci wide gamut color space enables even higher quality image processing and color management!
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Hollywood's #1 Post Solution
High end professionals working on feature films and television shows use DaVinci Resolve more than any other solution! That’s because it’s known for incredible quality and creative tools that are light years beyond the competition. You get DaVinci’s Emmy™ award winning image technology with 32‑bit float processing, patented YRGB color science and a massive wide gamut color space for the latest HDR workflows. You also get the legendary quality of Fairlight audio processing for the best sound in the industry! With DaVinci Resolve, you get the same exact tools professional colorists, editors, VFX artists and sound engineers use every day to finish your favorite films and streaming television shows!

! I: @  P. B/ n% l4 s) ]What's new in DaVinci Resolve 17.4.5
/ M! N  `/ m6 [8 \, _  DImproved nested timeline decompose for audio, plugins and automation.
Support for decoding 6K and 8K clips from the Sony Venice 2.
2 T- L* |- t$ I8 Q* D4 P. \Faster 12K Blackmagic RAW decode and playback on Apple silicon.
Ability to set output colorspace in DaVinci YRGB projects.
# c3 o; }- a. z! C' D4 VAddressed Dolby Vision tone mapping for DaVinci YRGB projects.
Addressed layout and refresh issues after using the cinema viewer.
/ z/ b, k" U% V3 q1 G. X: iAddressed an issue with missing Text+ fonts in Mac OS Monterey.
  [! L, t. M6 j5 P& tAddressed issues when extruding 3D text from specific TrueType fonts.
Addressed retime and mixed frame rate issues when importing AAFs.
Addressed an issue rendering additional outputs with data burn-in.
$ }) G  n- S; ], g' P% OAddressed trims not applied from imported Dolby Vision 2.9 XML metadata.
: }! \  r# y) A3 M$ rAddressed ProRes 422 artifacts for some rendered clips on Apple silicon.
' D% ^0 o0 N( b" z$ I6 BAddressed playback glitches for some long GOP formats in Apple silicon.
General performance and stability improvements.
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What's new in DaVinci Resolve 17.4.4
, @9 V, r7 o+ {6 B/ d3 y' JSupport for Blackmagic RAW SDK 2.3
Support for browser based authentication for Dropbox and YouTube.
+ x( k- E& l9 R' W# C+ ASupport for Deep Link Hyper Encode for multiple Intel GPU systems.
Hardware accelerated VP9 decodes on Apple silicon.
) {7 }2 x( G& {4 x" L7 Q: j* a. @Support for encoding H.265 Main10 4:2:2 on Apple silicon.
1 l/ p4 y0 _& \1 {: vSupport for generating Rec.2020 Dolby Vision IMFs.
Ability to specify encoding primaries in Dolby Vision XML exports.
6 K% x# Y0 w! W# ~" pImproved DaVinci Neural Engine performance on Macs with AMD GPUs.
Improved performance for clips with Fusion effects.
! Y+ q6 k  \8 Z$ ^: u3 a: a% qAddressed an issue rippling speed changes in the edit timeline.
Addressed viewer preview when dragging a clip under the playhead.
+ \$ }  P. g" O# l  ?$ E8 r  [7 U5 @Addressed artifacts with keys feeding layer mixer nodes on Apple silicon.
Addressed inconsistent edit previews for HDR in RCM projects.
Addressed gamut compression issues for custom ACES DCTL IDTs.
) h# V1 x9 d* F, L# f6 O+ i% ^Addressed AAF export issues with crossfades and small edits.
Addressed an issue with renaming disk database projects in Linux.
( p/ }$ H7 J! c9 jAddressed an issue with printer light keyboard shortcuts in Linux.
7 a# s9 E9 e7 t0 o6 T+ Z1 zGeneral performance and stability improvements.
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What's new in DaVinci Resolve 17.4.3
Addressed startup crashes on some Windows systems with Intel GPUs.
, d, Q$ s" r, X' X" ^3 l2 F2 BAddressed an issue with using styling on unstyled text fields.
* `$ u  P: e( X0 C% Y- @Addressed incorrect output blanking on Mac OS without 10-bit viewers.
6 H  r, L5 l9 O. zAddressed an issue displaying key shortcuts in context menus.
7 V1 U' i6 v8 X; C% RAddressed an incorrect warning for embedded LUTs in offline clips.
Addressed decoding issues for ProRes with alpha in M1 Pro and Max.
: A! H8 g. A9 @4 PAddressed incorrect display of scopes extents on Apple Silicon.
Addressed incorrect previews for alpha outputs on Apple Silicon.
Addressed slow playback for adjustment clips with Fusion FX digital glitch.
* c6 D' d: b/ n1 X$ }# {7 VAddressed potential freezes with Fusion fuses on Apple Silicon.
Addressed an issue with pasting connected tools into a group.
4 v" d" J/ \8 e( Z: @* D1 I/ t3 ?Addressed an issue with 3D text sometimes not rendering.
Addressed an issue when deleting looped spline points in Fusion.
& N# l$ G& h+ }2 m7 O# z5 a( u. qAddressed a stability issue with Fusion classic optical flow on Apple Silicon.
* Y. f" L) E/ c/ O9 R( f: ZAddressed a node editor redraw issue for instanced tools in Fusion.
Addressed trimmed media being looped in imported Fusion comps.
! r: n' t: d$ NAddressed an issue with renaming bounced audio clips in the media pool.
0 }- o$ h& d0 P* E! g& VAddressed issues with crossfade behavior when editing clips in Fairlight.
Addressed a VST clip effect error when switching timelines.
Addressed Fairlight Accelerator monitoring issues for fixed bus projects.
Addressed phase alignment for certain Dolby Atmos workflows.
  t2 V: I2 u6 a: JAddressed a frame of silence in some exported IMFs with Dolby Atmos.
4 }. k4 G2 T! _$ ]" r" F) UAddressed display metadata for Dolby Vision tone mapping preview.
$ n3 V( Y" H1 G- R: D0 UAddressed an issue with easyDCP KDMs generated from Resolve.
Faster decode performance on M1 Max for ProRes media.
4 E- O' s: G; C' B! W$ ^! TGeneral performance and stability improvements.
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4 \6 p4 b0 A; n& P% _2 LWhat's new in DaVinci Resolve 17.4.2
Improved playback performance for Fusion titles and effects.
Addressed an issue with parts of H.264 clips showing offline on Windows.
" d' }3 Q6 [# O4 xAddressed an issue where changes to date created would not be saved.
Addressed display issue with installed transitions in the edit page.
8 |  u! }2 t6 L) W4 ^! i8 T) G; q! ]Addressed rescanning on startup issue with crashed VST3 plugins.
Addressed an issue scanning VST3 plugins on certain system languages.
Addressed an issue with rescanning unlicensed audio plugins on startup.
Addressed an issue with dynamic delay compensation with VST3 plugins.
Addressed incorrect cached VST3 plugins names in the inspector.
Addressed an issue with some plugin alliance VST3 plugins not working.
( D" ~" d6 ~$ E3 l- ~Addressed issue with retaining positions of locked Fairlight plugin windows.
Addressed an issue with EQ icon display on a track in the Fairlight page.
$ I3 I: a( \* N: X5 AAddressed an issue with B-Chain groups display in the Fairlight page.
, H* l! _0 X" _' |5 y! ZAddressed issue with updating the flag color selection in the Fairlight page.
Addressed issues with multichannel audio output in Linux.
Addressed an issue with project save after importing a Dolby Atmos master.
Addressed an issue exporting to Pro Tools with handles.
3 k- X) d) F1 PAddressed an issue with moving a power window after pasting attributes.
Addressed an issue with the 3D keyer when compositing multiple layers.
Addressed an issue with glow in the Resolve FX halation plugin.
2 c5 x& ^9 g7 h& x6 L9 z7 `0 BAddressed issues using power windows with Resolve FX face refinement.
Addressed an issue with Canon cinema gamut in RCM.
Addressed issues with positioning text for some Fusion titles.
Addressed slow performance issues on some OpenCL Windows systems.
Support for latest RED SDK.
Addressed an issue with incorrect resolution display for Sony Raw clips.
Addressed issues rendering some MXF files to Windows network storage.
& x2 K4 d1 R8 YAddressed an issue with easyDCP composition name generator.
Addressed issue with sync of media managed audio and video clips.
6 W% t0 O% k- A- |, |Addressed a crash when rotating a power window with the advanced panel.
Addressed startup crash on some systems using different locales.
Addressed startup crash with old Intel graphics drivers on Windows.
% ]) D5 {& s; O+ ]# Q4 d9 BGeneral performance and stability improvements.

" W( }8 z% p' N2 d4 i: SWhat's new in DaVinci Resolve 17.4.1
7 ]6 E$ r7 T/ @, E* uImproved frame based imports from Finder.
! d9 u8 X  C2 d5 ZAddressed an issue with HDR on viewers on Mac.
# U! e: o2 w: E& j& @, XAddressed an issue with banding on video clean feed on Mac.
% V* B% a: \0 `Addressed incorrect fades when trimming in the edit timeline.
. f7 w8 i4 n: I! V4 n8 A! wAddressed an issue displaying certain unicode characters in Text+.
Addressed an issue where Text+ expressions would not work.
Addressed slow playback for Text+ with character styling.
; k+ r4 ~; g, h: \. @Addressed retention of smart filters between projects.
Addressed nested macros not rendering or showing previews in Fusion.
Addressed incorrect Fusion viewer behavior with tablet input devices.
7 i( F' h" l' k" YAddressed trim interpolation for imported XML Dolby Vision metadata.
4 a: g% y1 h% T2 p" ?Addressed incorrect PAR values on some Blackmagic RAW clips.
Addressed issue with lost customized subtitle backgrounds.
) i/ s$ r' y) x0 R& t4 ?Addressed an issue with unintended markers on Sony MXF clips.
& f/ |0 Y5 P$ t5 UAddressed a decoding issue with Panasonic XAVC clips on Mac.
General performance and stability improvements.

What's new in DaVinci Resolve 17.4
8 ?; x6 M! C5 g8 o" _Key Features
/ e; H+ ^9 Z2 k; |Hardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.
9 g$ |4 W! {# h& z1 k8 aFaster DaVinci Neural Engine performance on Mac OS Monterey.
  W5 w6 M( z, sNative HDR viewers and 120 Hz playback on supported MacBook Pros.
Native Dropbox and Dropbox Replay integration with render presets.
# s; S( Q# k/ x4 LSync markers, comments, annotations with Dropbox and Dropbox Replay.
! E% v4 f1 ~$ I8 zExport timeline markers as YouTube video or QuickTime chapters.
% U; X3 y6 l2 ?  g2 [Steinberg VST3 support with access to even more audio effects.
! s/ y, u( H+ ]2 u& y1 c0 mSimplified auto color management settings with SDR and HDR selection.
& ^7 Y9 a; ]3 q9 D, ]Improved 3D keyer and matte finesse controls.
New Resolve FX including film halation and custom mixers.
3 ~$ W$ N. I& p+ \% @Text+ support for combined glyphs, right to left text and vertical layouts.
Subtitles can auto resize backgrounds and decompose to parent timeline.
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Apple M1 Pro and M1 Max
) g% ]) G" t) z7 @' p9 {Hardware accelerated Apple ProRes on Apple M1 Pro and M1 Max.
Faster DaVinci Neural Engine performance on Mac OS Monterey.
Smoother 120 Hz UI and playback on M1 Pro and M1 Max MacBook Pros.
Native HDR viewers on M1 Pro and M1 Max MacBook Pros.
Native full screen mode on Mac OS.
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8 @1 {1 [" D: R8 JDropbox
Dropbox login within DaVinci Resolve preferences.
Render presets for Dropbox and Dropbox Replay with background uploads.
Sync comments and annotations with Dropbox Replay in Studio.
Sync markers and comments with Dropbox in Studio.

7 S) F  ]/ W) F' AEdit
  J8 E& j$ P: n9 A# LSubtitle and caption backgrounds now auto-resize to fit text content.
Subtitle tracks in nested timelines now decompose to the main timeline.
Adding a new subtitle caption now auto-focuses on the text area.
Simple titles and subtitles are faster on Apple Silicon systems.
Improved ease in and out functionality for position curves in the timeline.
Options to include effects and grades for render in place operations.
Switch multicam angles in the edit page with the speed editor.
Ability to mark selection for timeline gaps.
  |; w! F1 O  c8 ?- `$ IEdit asymmetric audio transitions created in the Fairlight page.
Trim video and audio transitions asymmetrically using cmd/ctrl.
4 f% X( U' ?0 M- r! aFine audio clip gain adjustments using shift + mouse drag.
Support for pasting retime attributes on audio clips.
Option to limit audio sync to the first timecode match.
Preview composite modes by hovering over each mode in the inspector.
Ability to set per-clip deinterlace quality in the inspector.
# Z/ u) X" r5 q; HNew square iris transition.
Support for custom aspect ratio controls for shape transitions.
" Z1 r8 J/ o8 ~' ?. K* uImproved overlays for Fusion tools in the viewer.
Improved undo support for Fusion effects and Text+ in the inspector.
. h5 |: d  M7 Q. KSupport for folder based organization of effect templates.
9 |, e7 U* E, \+ k; o; @9 uNew customizable key actions to go to previous/next timeline tabs.
Ability to close timeline tabs with middle click.
- M& |: }+ ~0 w. j8 l/ L4 A% LPreview generators and titles from the effects panel in the cut viewer.
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/ L; ]1 s4 l6 m1 L+ I$ eColor
Support for an automatic mode for color managed projects.
, S3 P: ]! m: OSupport for ACES 1.3, gamut compression and new CSC transforms.
New 3D Keyer with new modes, better selection/stroke logic, live feedback.
Improved HSL and luma keyers with updated matte finesse controls.
" E/ W8 t0 c  w) c5 s% bTrack forward and back with a single action in trackers and magic masks.
Node tooltips now indicate LUT and effect type present.
Dragging new links to layer and key mixers auto-creates node inputs.
" B. f  C1 ?7 N7 P, D  J+ k; qDragging color nodes over key links creates key-to-RGB connections.
- T4 r! d$ H5 u! J* K" c4 AAdded individual primary and secondary tool icons for faster switching.
Clip filters for timeline clips with Dolby Vision analysis or trim.
Disabled clips are now shown as gray in the timeline.
Support for applying camera LUTs and CDLs to ARRI MXF ProRes clips.
The printer light state is now persisted across application restart.
: Q' e* S  l) A4 K* @Navigating to markers in the timeline now auto scrolls to center marker.
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1 I- Z1 \; u9 L5 G% ]5 {/ |Resolve FX
Film halation emulates film stock reflections and scatter with Studio.
2 f( w6 ]! R8 h  ~$ o" v% Y/ @! j1 lCustom mixer to combine effects and grades with finer control.
Improved 3D, HSL and Luma keyers in edit and Fusion.
0 W/ ~" e8 V. G8 q* OBetter noise handling and key refinement for existing keyers.
8 @3 |5 |& J* E, k5 S2 v9 Q; GImproved patch replacer with ability to align source and target.
+ M% v# z/ {- WFilm grain with interactive previews and grain freeze options.

Fairlight
; E& p) j! e% u5 |( O( k, fSupport for Steinberg VST3 audio effects on Mac OS and Windows.
' X& v+ x$ }0 f' KAbility to reorder, move and duplicate effects in the mixer.
Support for copying clip ranges with partial fades.
. Q0 j; R+ X) T( r, uSingle sided audio transitions are now displayed as fades.
Support for multi channel audio outputs on Linux.
+ z5 U- b$ ~. |' t6 h- C7 r2 P) tWaveform displays visible at smaller track heights and lower zoom levels.
& u) i. I+ i/ I# p: hAbility to shift-click and cmd-click on keyframe selections in the timeline.
Navigating to previous or next timeline marker now selects the marker.
3 M3 a; W+ U6 W. J# CImproved default processing order in Fairlight mixers.
Automation curves display current values when no automation is present.
2 W) \4 z% v2 E2 h, v. C9 I) @Flashing edit cursor in edit selection mode.
0 B# U$ u0 D. Y7 |+ p, H9 [" s* OImproved column order and search behavior in the clip index.
Improved jog, scroll and shuttle with the editor keyboard and speed editor.
Fairlight FX meters have resizable displays and improved channel labels.
Improved audio performance when using Blackmagic monitoring devices.

Fusion
0 o% T& s0 n$ ?0 `: U7 hText+ support for combined glyphs and right to left language layouts.
6 l7 b$ {' s% F/ O& @. [5 jImproved vertical Text+ layout, vertical glyphs, rotation and line direction.
Improved Text+ character grouping, spacing, underlining and borders.
Text+ supports per-character stylistic sets for supported fonts.
Support for OpenType features, including old-style numbers in Text+.
- W# o- f" m3 Y- rMultiple Text+ improvements for character styling and animation.
! T- e, p+ b7 H4 E# P: pHover to show tool descriptions in the effects panel and add tool window.
Improved default tracker search and pattern size for grid warps.
& V- \) \/ d* L! H! K7 DNew search area scale slider in tracker options.
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/ s6 c* \, X' ^3 B6 L+ T9 o( ?! qCodecs and File I/O
0 d# b/ g# u9 @# E8 ^/ `Improved encode settings for YouTube render preset.
Option to export a timeline marker color as YouTube video chapters.
( {1 G% K+ T( S* D) NOption to export a timeline marker color as QuickTime chapter markers.
) V; o$ N$ \. N, {6 R- LSupport for decoding opus audio in QuickTime and MP4 clips.
Hardware accelerated Panasonic 8K AVC decodes on Apple Silicon.
# i( V1 w8 Y+ {Improved decode speeds for ARRI ARX clips.
& r' |" s( J6 v" vHardware accelerated H.265 encodes on free version on Windows.
H.264 encode profile options on supported Nvidia systems with Studio.
! r8 `: p7 w% g4 g( F# VH.264/H.265 encode bit rate controls on supported Windows Intel systems.
Faster hardware acceleration on Windows Intel systems with Studio.
1 W, K3 C8 U! QSupport for rendering EXRs with ZIP1 compression.
+ O3 y* X4 b, LAbility to add custom languages in DCP/IMF composition naming options.
Ability to use approved operator / rating / region lists for DCP naming.
- }% J9 D5 B. r( ZMarker support in the IO encode plugin SDK.
Ability to bypass re-encodes for Sony XAVC Intra clips.
Improved retention of comments metadata for third party XML workflows.
$ T6 u9 b- y" ^' }Improved display of render job names with tooltips.
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9 R5 l( d% ^/ B6 w- n) RGeneral
  Y% H* `9 u3 _- b$ cRight click audio icon to adjust volume on media, color and deliver pages.
Auto-identifying media storage sequential image formats as stills or clips.
Prompt to overwrite existing projects when invoking save as.
Locked project indicator for PostgreSQL databases with usage info tooltip.
) x: G" ?) b' b! ?' kAbility to clone a PostgreSQL database from the project manager.
& n8 I7 g1 z2 X$ LAbility to export PostgreSQL access keys from the project manager.
$ U$ q5 O) s! `Option to import into current timeline when importing an AAF.
Scripting API support to access inspector properties for video clips.
Scripting API support to set playhead position on the timeline.
. l3 T  y5 L3 J( FScripting API support to get color version for video clips.
Scripting API support for reflecting upload status in render job APIs.
8 Y2 E9 ?3 }' E4 A1 g  C* yScripting API support for setting network optimization in render jobs.
6 Y: R8 ~! N7 G  n/ s( g% j3 H' TScripting API support for H.264 multi-pass encode option in Mac OS.
3 d! d# U7 q! ~+ S: L5 oImproved scripting property set when querying MediaIn nodes.
Addressed an issue with Vimeo login.
General performance and stability improvements.

What's new in DaVinci Resolve 17.3.2
, x, E/ B$ E* P+ U. ySupport for Blackmagic RAW SDK 2.2.
Addressed instability issues when using the color warper.
Addressed incorrect HDR highlight when using DaVinci Wide Gamut.
Addressed a naming issue for recorded clips in the Fairlight timeline.
$ F  }$ c3 W; k% `/ Y3 J, nAddressed incorrect reloading of cached audio effects on linked tracks.
" d$ }0 o  x6 l4 E+ a' L9 wAddressed missing EQ and other automation issues in Fairlight.
Addressed incorrect Fairlight Spaceview display for specific AMD drivers.
/ v4 p9 w. D( x4 D! K) b7 a6 bAddressed potential freezes after using Fusion tracker modifiers.
Addressed a Fusion planar transform issue on small images.
; d$ j& `* D$ Z8 F' |9 TAddressed an issue with uploads for renders on Apple Silicon systems.
9 B# t9 F* L3 j2 u  \Addressed an issue with the classic stabilizer on Apple Silicon systems.
Addressed an issue with LUT generation on Apple Silicon systems.
Addressed out of order frames when decoding certain XAVC clips.
. W9 Z, G/ d" t5 O0 M' p" }Addressed an issue with importing malformed CLF LUTs.
& |2 O3 e( r$ t. j6 B( d: y2 [General performance and stability improvements.

What's new in DaVinci Resolve 17.3.1
  W1 ]9 Q4 ~9 }) _$ KAbility to combine multi source audio files to export interleaved audio.
Addressed incorrect sizing controls behavior for Advanced Panels.
+ F& u" p2 K- N9 M! QAddressed an issue with signing into YouTube and Vimeo in Windows.
; l7 }$ O& {3 ?0 mAddressed an issue with updating LTC for some clips.
5 l. I# @5 i, r" f" }Addressed an issue where titles with disabled stroke could not be edited.
# A' Y- {6 G5 nAddressed incorrect middle click behavior in gallery using Wacom tablets.
5 L3 S$ w" r+ t: p9 }0 `4 c" ~Addressed an issue where creating memories could cause a crash.
Addressed an issue with some Dolby Atmos rendering configurations.
Addressed render glitches for ProRes 4444 in Apple Silicon systems.
Addressed an issue with audio output when switching audio devices.
Addressed an issue with picking colors in the viewer with input scaling.
Addressed a crash for certain renders in Apple Silicon systems.
Addressed corruption when using generators on Apple Silicon.
Addressed an issue with creation of Fusion Copy Metadata.
0 d" L& X) y! Y, XGeneral performance and stability improvements.

) S( t  W4 |' }/ P2 nWhat's new in DaVinci Resolve 17.2.2
% _8 H3 j& j" h/ X& R' A: YSupport for Blackmagic RAW SDK 2.1.
3 _! E3 ]- `7 A, y: t) gImproved Speed Editor Bluetooth support.
Addressed an issue with configuring YouTube accounts with Resolve.
Addressed clipped tone mapping of input data in color managed workflows.
+ h0 ~, @' ]8 s+ C: _2 ]- mAddressed an issue with missing iXML data when exporting audio AAFs.
3 y# E9 M7 ]& oAddressed clamping of extended range data in video range scopes.
7 m, V/ ]- X% ]2 GAddressed intermittent source viewer lag when switching from timeline.
Addressed an issue where disarming a Fairlight track would cause a hang.
* X$ A% _4 a- O  |3 @; t+ }" Q# VAddressed an issue with zoom blur showing repetitive patterns in playback.
* |) _" j" {6 ?3 F/ p, O% ?$ g! oAddressed dropped frames rendering some clips to slow network disks.
Addressed an issue with incorrect channel mapping for 5.1 AAC renders.
0 ^+ I3 R7 a5 r  rAddressed an issue with 3:2 pull down clips being tagged as progressive.
6 O) C6 o* _3 h: cAddressed an issue with decoding some 24-bit linear PCM audio files.
Addressed incorrect field dominance for scene cut clips and sub clips.
  q" J) K7 ?, {' r+ R. Y/ m- U' ~4 LGeneral performance and stability improvements.
9 I% |$ X+ t  l) v7 W
What's new in DaVinci Resolve 17.2
Dramatically improved application startup performance.
Live save is now on by default.
Support for custom naming for individual timeline clips.
Support for adding transitions by double clicking or dragging to viewer.
- k: Y0 v5 v$ o, b1 h* S7 rSupport for decoding AV1 clips on Windows.
, M+ e  ]- h! d9 D6 l! k. zAccelerated AV1 decodes on supported Intel, NVIDIA and AMD platforms.
3 r0 a' J2 B% z! e( t& _0 {) sSupport for decoding MKV clips.
Support for exporting IMSC-1 compatible TTML captions in IMF clips.
5 w! m/ ?8 g/ i; V$ uSupport for option to include project name subfolder in media management.
Support for pasting HDR and color warper attributes in the Color page.
Support for Fusion template bundles.
) p1 }9 G* w' mSupport for applying and managing crossfades in the Fairlight timeline.
Support for a batch fade and crossfade editor in the Fairlight page.
Support for persisting Fairlight edit mode between application restarts.
. S& @. j$ |6 FSupport for moving audio clips to match timeline timecode position.
Support for setting handles when performing audio only renders.
7 }5 c: p5 R( [; H: X- Y- \: u* ESupport for controlling track processing order in the Fairlight mixer.
Support for accessing Fairlight patch and link in the edit and deliver page.
, s, y! i& S4 S; y6 B( bAbility to show or hide specific audio I/O ports for patching in Fairlight.
4 m% \# h% n: i. DSupport for Fairlight console firmware 1.6 with full FlexBus mixing support.
Improved waveform displays in the Fairlight timeline.
Improved auto scroll behavior when dragging clips in the Fairlight timeline.
' J: i+ y  P5 ]3 y. `4 K; l. fSupport for ACES color science 1.2.
. b  ^7 ]# X  Q3 t7 OSupport for selecting per-clip ACES DCTLs from context menu.
9 d5 v7 E* S. F  X! D  BSupport for new IDTs for the Canon EOS-R5 cameras.
Option to use white point adaptation in project settings for RCM workflows.
Option to use white point adaptation in Resolve FX color space transform.
Support for codec passthrough when rendering IMF JPEG2000 clips.
Support for trimming Sony Raw and XAVC MXF in media management.
Support for reading gyroscopic metadata on Sony Venice clips.
1 {& D7 v; B* s) AAbility to update RMD metadata files for R3D clips.
Improved spatial and temporal deinterlace quality.
Improved curves range display for position and zoom on the edit timeline.
Improved color management for Blackmagic RAW Gen 5 color science.
5 o, n* z9 g2 i$ r0 Q% Z& p& _Improved decode performance for 8K H.265 clips on Apple Silicon systems.
% b+ b- L3 e: ^0 h' I  ^Improved scripting API with the ability to import custom frame sequences.
) I" k) b/ h, T" B2 d4 iImproved scripting API with the ability to delete timelines.
Improved scripting API with the ability to query current page.
+ J0 L, M& R+ q% U; kImproved scripting API with the ability to add generators and titles.
Improved scripting API with the ability to specify render alpha options.
& @* y0 c! K, S2 P: dImproved scripting API with the ability to switch layout presets.
Improved scripting API with the ability to quit the application.
+ w% a! o, M/ A$ ^Improved iXML data support with AAF export workflows.
8 i4 _$ M: Q) ^; u6 ~General performance and stability improvements.

' [5 \6 |4 Y) O  }$ U# ~What's new in DaVinci Resolve 17.1
' Y6 r# @2 B) p) |/ PSupport for Apple Silicon on Mac.
General performance and stability improvements.

3 m. G! a2 m* i" h, O, ]4 TWhat's new in DaVinci Resolve Studio 17.0
* I* B: n+ ~" A/ V3 _Color
DaVinci Resolve Advanced Panel keycaps kit and new optimized menus.
RCM2 with improved color tagging and smooth tone and gamut mapping.
HDR perceptually accurate primary grading tools with tonal range control.
7 C6 z" @- K! c3 M/ D1 a) _# EColor warper to qualify and change hue vs saturation and luma vs chroma.
Magic mask using the DaVinci neural engine generates tracking masks.
Redesigned primary interface to show all controls concurrently.
Grading tools are colorspace aware in color managed timelines.
& D3 b& u, V2 w0 cSupport for user selectable colorspace and gamma for HDR grading tools.
Support for timeline clips to bypass color management.
Support for sat vs lum mode in the curve tool.
Support for generating a 17-point cube 3D LUT.
Support for LUTs designed for video range.
- @3 A  x2 I4 `2 b% [5 MSupport for saving smart filters to be shown in all projects.
Support for smart filters for marker keywords added to timeline clips.
; ~1 d# S) l% HSupport for diagonal, venetian blinds and checkerboard reference wipes.
Support to set input colorspace, gamma and IDT on preconform timelines.
! e4 o) r9 x  @+ _7 SSupport for a pop-out floating window for the curves panel.
: }& \# }- U: B" m7 w9 D& DSupport for fast review from the playback menu on the color page.
) m, m% N" @/ w5 d! KSupport for a 3x3 grid view and multiple GPU scopes of the same type.
  w7 ~6 m* D) R# a" D4 bSupport for a floating video scopes window in dual screen layouts.
* ^  J4 ?8 v# \; }/ Y1 YImproved scaling and style options for waveforms and vectorscopes.
" L- B5 x$ e$ nSupport for loading IDTs and ODTs as a DCTL file or ACES RRT.
Support for defining LUTs inside a DCTL file.
' n2 i4 l3 d& W/ j4 C8 V: `Support for multiple simultaneous client connections in remote grading.
/ ?, l6 q; V8 B6 g1 hSupport for advanced and mini panels networking for remote grading.
Support for a split screen playhead viewing mode.
( i. W$ }( x) e0 s  t3 qSupport for improved split screen layouts.
$ g- B/ s- _; w$ H" u# [Support for converting in-out ranges to duration markers.
Improved behavior when drawing bezier power windows using a mouse.
0 u7 _! z* ]: J! H8 K0 YOption to use a Rec.2020 matrix for 4:2:2 video monitoring.

  [* _. ^5 o0 d) A, fResolve FX
Resolve FX Smear frame blending for motion blur and other effects.
Resolve FX Motion Trails temporal motion blur, object trails, disco effects.
  _1 I( b) b5 M$ fResolve FX Transform clip moving, stretching and rotation with motion blur.
Resolve FX False Color overlays replicating camera HUDs and other looks.
Resolve FX Texture Pop for fine image detail and contrast control.
Resolve FX Detail Recovery for detail and grain recovery.
* w! r- g% ^' i: zResolve FX Noise Reduction native noise reduction tools as Resolve FX.
Resolve FX Video Collage to quickly position a stack of clips into a grid.
! ?9 `2 a6 N# N" [4 @Resolve FX Luma, HSL and 3D native keying tools as Resolve FX.
Improved Resolve FX Film Grain with new optimized mode.
Improved Resolve FX Dead Pixel Fixer with freehand fill, softness etc.
; t6 n7 D4 \8 }8 N- W" S2 ^( gImproved Resolve FX Dust Buster with shape drawing, clone fixes etc.
Improved Resolve FX Object Removal for scene mode, adaptive blending.
Improved Resolve FX Blur defaults for directional, radial and zoom blurs.
Improved Resolve FX Tilt Shift with alpha channel support for depth masks.
9 B" G* X& F! q* n0 B4 T) I! i' G
Audio
0 A; D3 o/ F" W% v5 z; vSupport for the Fairlight Mini Console.
Fairlight Audio Core to natively CPU process up to 2000 audio tracks.
; E, I: P# S1 }( U' VFlexBus routing system to permit bus to bus routing and mixing.
ADM import, playback and export of Dolby Atmos IMF IAB masters.
& C& p; b, k1 K! W# o: rFairlight FX Surround Analyzer meters.
; V+ A$ d2 ?! I) rFull implementation of the 9.1.6 and 22.2 surround sound bus formats.
Native support for 44.1 KHz sample rate audio clips and instruments.
Analyzing and navigating to audio transients in a track.
, S+ c; k& [  h2 q3 fOffline clip-based audio loudness analyzer.
4 h1 H" p. B/ x) r) YSelection of absolute or relative scales and loudness meter dialog gating.
Pro Tools keyboard customization preset.
Full range of video controls in the new unified and tabbed inspector.
5 |' {! t; u6 r, d; [+ X* S( q% nUpdated editing, range and selection behavior in edit selection mode.
" j  n; |7 C- ASupport for importing AES31 audio timelines.
+ a; P2 z. `# R8 s% Z- ^* m0 }Support for pre-viewing video when sliding clips, markers and ranges.
6 u) a% j; R$ M% Z! r* x0 ySupport for reversing audio clips.
% _1 S7 S6 E' b3 h3 P7 z- k2 RSupport for flattening audio track layers.
Support to have automation following clip edit changes.
Support for saving, recalling, creating timelines via configuration presets.
: Y$ C# W# }4 YSupport for editing linked clips.
1 q/ h8 s! l! B) j6 `Support for marquee selection of multiple mixer tracks.
4 L. r" m1 [4 j5 l$ p$ i. RSupport for changing the track type of multiple selected tracks.
" H: @- c% ]# a( b# {$ V% _Support to directly edit in the mixer track and VCA group names.
" ~! n& A' _- `9 {0 ySupport for deleting multiple empty tracks from the track header.
Support for deleting marked extents on selected tracks.
2 c/ H5 n( e# p; VSupport for per-timeline views, selections, range and playhead location.
Support for changing clip gain using shortcuts.
Improved clip gain with change tooltips and fine control using shift.
Support for bouncing linked groups to a multi channel file.
Support for track record, mute, solo, arm control in the application menu.
0 J( s8 J: j  \! ~& G2 R" `$ X, TSupport for viewer to be off, floating, docked or full screen.
Support for toggling interface between normal and cinema viewer mode.
Support for monitoring volume dB level tooltip.
" [$ y& o3 w( b  q3 ?& c0 KSupport for selecting multiple monitor sources from Fairlight audio editors.
( c/ L) P+ Q) i$ @' fSupport for pre & post roll control from the Fairlight audio editors.
Support for selection of Fairlight Audio Interface phantom power, gain etc.
) B2 W$ P3 M% A# D& rImproved waveform display when zooming into a clip waveform.
) R/ k+ U* T1 c% @7 J0 }Improved metering displays for timelines with lots of audio tracks.
Improved keyboard mappings for edit selection mode.
Improved MPEG-H workflow and export support.

Cut
$ G( H3 z' U( H4 e2 q* i5 w$ K3 oSupport for the DaVinci Resolve Speed Editor.
2 p9 i$ w6 y3 R8 K) w6 iFull featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
' P/ [3 \' i" p& s" X4 s, iMedia pool clip properties can now be viewed and edited in the inspector.
, L. j& M# @$ G* QMedia pool slate and sort view with grouping based on clip metadata.
Audio trim on the viewer and timeline.
) a- l, h4 l  g: H* ]* nLive scrubbing previews for effects library transitions, titles and effects.
( ~- @7 }1 R. t5 G( uSupport for a new relink icon and dialog in the cut page.
, @% D5 k3 s2 F2 ]) zSupport quickly switching source tape bins from the media pool.
* Q+ _6 I5 v2 E/ Q1 c+ @4 x0 N; _Support for showing the media pool in a flattened view.
Playhead indicators for distance to adjacent edits when using sync bins.
# j) D; v. m! b. z" p: oSupport for a change duration dialog with presets in the cut page.
Support for entering the clip duration in the viewer duration field.
  O0 A, \" H- r8 M( c( `Support for navigating edit points and markers in the cut page.
Support for a thumbnail view in the effects library.
& g5 L& _6 _" \( |! c$ O; }  qSupport for a full screen preview icon on the viewer.
Support for selecting safe area guides and aspect ratios on the cut page.
! P( c  m' O+ _( f( {& dSupport for a cinema viewer with sync bin multi-views.
$ x9 p! b5 n' \2 W7 E% RSupport for switching timelines in the viewer.
Support for importing frame sequences as individual still images.
Improved markers entry using the DaVinci Resolve Editor keyboard.
& A9 L8 b8 |1 v7 W
; v6 N7 e* u9 O- ?* y; k* TEdit
* o( q; Z3 H. y# r: ?7 G+ N8 J5 rFull featured unified inspector with tabs and keyframe control.
File tab in the inspector with camera raw settings and clip metadata.
Media pool clip properties can now be viewed and edited in the inspector.
Significantly improved DaVinci neural engine deinterlacing quality option.
Significantly improved processing of interlaced timelines and deliveries.
Real time removal of 3:2 pull down.
/ t( T# F6 V0 ~' B8 T: tScene cut detection directly on the timeline using DaVinci neural engine.
Automatically framing shots based on content using DaVinci neural engine.
Quick and clean chroma keying with Resolve FX Luma, HSL and 3D Keyer.
1 W4 ?* G  O. _* R1 `, D3 g6 J) JResolve FX Video Collage for multiple source picture in picture grid.
- }9 k. \9 f  e& nBurn away transition with options to control burning, melting and shriveling.
Sync of multiple audio clips to a single video clip.
2 |6 T# F# {( d% Z1 T0 \; p) DAligning edits on the timeline using waveform or timecode matching.
; i7 e% Q7 m8 K% i2 uImporting BorisFX Continuum plugins, transitions etc. from AAFs.
* f+ Y: f( a" cLive scrubbing previews for effects library transitions, titles and effects.
' G& `- x4 I4 V& G% [$ ?2 L# gMedia pool slate and sort view with grouping based on clip metadata.
" F  p& K) g6 XDeleting gaps based on clip selection, ranges or the whole timeline.
7 K0 C4 |% J2 I- n2 HSupport for rendering sections of the timeline in place with effects baked in.
+ u2 k$ [! X! ^$ J+ USupport for motion blur controls for motion based video transitions.
Support for dragging effects directly into the inspector.
Support for conversion of basic transitions into Fusion transitions.
# g) u+ W% v7 q/ lSupport for timeline compositing using Resolve FX & OpenFX alpha.
Support to retain image position in the crop section of the inspector.
Support to navigate the timeline with arrow keys without affecting selection.
Support to change clip selection using arrow keys and command modifier.
9 W/ p: g: r+ ]1 f% d( YSupport for a thumbnail view in the effects library.
Support for sorting timelines alphabetically, creation date or recent use.
Support for disabling timelines within the media pool.
Improved timecode entry with multiple modes and dedicated action.
Support for copy paste of timecode or frame in viewers based on mode.
) g" Z+ X( a; B6 a! vSupport for compositing using track mattes or external alpha.
Support for Fusion effect templates in the edit page.
4 Y! E8 s) m) `Support for viewer overlays for Fusion templates and titles.
. \. x8 c" R3 I, Q/ M9 Q4 {* jSupport to save and show smart bins in all projects.
Support for creating multiple multicam clips by splitting at gaps.
Support for compound clip or timeline conversion into multicam clips.
Support to optionally zoom timeline at the cursor or the playhead.
Support for a fast play review from the playback menu.
+ F7 C# N$ l1 `, y" B, X& tSupport for hovering on title font names to preview on viewer.
9 M! c! i, D9 J6 H3 KSupport for monitoring HDR and SDR outputs for Dolby Vision projects.
) I2 Z3 ]' {% l8 N- E& g4 k6 W; K- ?* KSupport for monitoring stereoscopic 3D timelines.
Support for creating DCTL based transitions.
Support for importing EDL, XML etc. without media to empty media pool.
Support for floating video scopes in media view in a dual monitor mode.
+ _2 p# x0 d+ S3 K4 ~1 uSupport for closing take selector or retime using escape.
& G' F( p; W: {8 e/ D" |/ cSupport for creating a new timeline using an IMF composition playlist.
Improved behavior when switching between clip and edit point selections.
Improved waveform syncing when creating multicams or aligning clips.
Improved track compositing when the media doesn't cover the full canvas.
Support for independent track height and view mode options.

* o4 M. D, t# U+ y# lFusion
. e6 B# r' }/ C$ n8 R6 X* l* Q# N2 sAudio playback along with waveform display in the keyframes panel.
Viewing and editing clip and timeline markers in the keyframes panel.
. y5 F( f" j" U( ]' C% AResolve FX Dead Pixel Fixer, DCTL and Patch Replacer.
- V& D" }  X9 ?4 K; U, KAnim curves modifier for convenient easing and shaping of animations.
3 n. J6 {0 t2 f0 g7 wSupport for user customization of the Fusion toolbar above the node editor.
Support for auto creating a composition when adding tools or media.
5 n9 Y" f0 ]' B5 @4 f( c% b2 `Support for additional dual screen layouts.
3 k  x( p: ~1 [/ y8 ]/ ?Support for full featured unified inspector with tabs and keyframe control.
% z- w/ E" n- W# T6 N' d4 `Initial support for a GPU accelerated 2D shapes toolkit for motion graphics.
; D% u9 X* C% a2 GImproved optical flow behavior.
Workflow Integrations
: X. U% M6 r8 O8 E9 N6 KOpen toolkit to create DaVinci Resolve Studio workflow integration plugins.

Codecs
  t9 d# W: @: Q" v- k; R1 IDirectly uploading to Twitter from within DaVinci Resolve.
5 a2 r" r. j8 x( _' H) i' N3 vPer frame metadata from Blackmagic RAW clips.
  {. t1 l2 Z- UPer frame metadata from ARRI, RED, Canon and Sony cameras.
Decoding and rendering per-frame EXR metadata.
Updated metadata support for Sony MXF clips.
3 j- i1 i6 ]8 Y. O" {; Q  `. a" ?Open plugin SDK toolkit for encoder developers.
2 l  b# l5 r2 G; d. w5 MGrowing file support in the media pool.
Decoding QuickTime PNG clips.
Decoding uncompressed RGB 8-bit and YUV 10-bit AVI clips.
. T/ P. n4 z: ~Decoding spanned Panasonic 8K SHV clips.
Decoding and encoding GoPro CineForm clips with non multiple of 16 res.
Decoding and encoding mp3 audio in Linux.
) \- v/ w$ }: L, q& X/ }& _Decoding and encoding high-throughput JPEG 2000 (HTJ2K).
Bypass re-encodes for supported JPEG 2000 profiles on renders.
: h9 |2 L* U+ i) OEncoding IMF MCA audio metadata.
Encoding IMF and DCP as reels based on duration or edits.
( D+ ^7 ?" k3 c4 x8 [# v1 y, }Exporting non-HDR DCP metadata option.
Exporting HDR tags in DCP workflows.
Support for reading RAW clips and audio clips from Frame.io.
Support for additional NVIDIA encoder parameters for H.264 and H.265.
Support for rendering 10-bit HDR IMF clips.
Support for a 16 bit SDR IMF preset.
. C" X) ], }& C/ y& ^Support for Photon 4.8.0 for IMF validation.

General
Proxy media workflow supporting internal and externally generated media.
Optimized media is now automatically available across projects.
Generation of optimized media can now be limited to edit extents.
) W3 n" [( I( H( s- V% nIn and out ranges are now synchronized between pages.
1 Z2 R; O$ {2 [3 hSignificantly improved performance with large collaboration projects.
Stability improvements with new GPU detection and initialization.
Better interactivity and playback performance on multi-GPU systems.
Consistent pan, zoom and scroll behavior with mouse and trackpads.
Support for importing and exporting individual timelines using .drt files.
  M8 P( z, s, t4 y# o1 {Support for importing and exporting individual bins using .drb files.
Support for exporting .drt files for media managed timelines.
) l! A$ o! w4 q9 [. ySupport for auto linking .drt files to source camera clips.
1 W) F" N7 P: eSupport for auto linking .drt files generated using media management.
Improved error handling for media management jobs.
Support for a warning about media offline when creating render jobs.
0 R% [' K- }) [# mSupport for smart bins and smart filters to check if media is offline.
Support to scan all connected databases for remote rendering jobs.
) X( E% C4 _9 _* H3 P& d. j+ c+ w$ RSupport for new resize filter options in project settings and edit inspector.
Support for render caching adjustment clips.
7 |1 A6 Y' L  m& ^  eSupport to adjust numeric field entries using arrow keys based on cursor.
+ H, n* n! s0 e# R# T+ ~6 H- BSupport to ignore unsupported OpenFX plugin packages in preferences.
  |: P! e- o) _2 _' C8 r" TSupport for independently configuring capture and playback devices.
7 L4 [1 O) F8 R+ S5 _, uSupport for displaying source frame number in data burn-in.
5 g, {6 j3 d, ?0 G2 @7 ], |4 aSupport for adjusting text opacity for data burn-in.
Support for configuring multiple custom LUT paths.
Support for Thai & Vietnamese UI localizations.
Support for a render codec tag for render path and file name.
Support for ITU-R BT.2111-1 HDR test bar patterns.
2 x- b" B5 B" Y- s4 NSupport for showing fast forward & rewind speed.
+ |8 I% N7 J6 ^) i$ iSupport for NVLink high speed interconnect with supported NVIDIA GPUs.
Support for xGMI high speed interconnect with supported AMD GPUs.
# k' m* Y0 k6 |6 i8 y( M6 `  N& P0 N5 K' BSupport for an integrated title bar in the application window on Mac OS.
Support for previous and next navigation across Frame.io markers.
Support for triggering a script at the start or end of a render.
+ }. W  |2 E6 Z+ i3 yMultiple scripting API improvements.
9 c  m+ x6 N3 V5 t4 Z( CMultiple performance and stability improvements.
1 n! z% ~/ F! k. s. J, U0 R
. g' n& Y# p2 ?$ I5 d. ^What's new in DaVinci Resolve 17.0 Public Beta 8
- Improved de-interlace quality.
- Improved handling of alpha channel scaling in ACES and RCM workflows.
7 P: U' B# Y( c2 Y0 d- Copying grades and nodes in the Color page is now focus-based.
9 K  _5 L: B8 p+ F8 r. B: B- Improved timecode navigation and display on interlaced timelines.
1 o$ f. j! _7 b; K0 k' A; G& C- Improved Fusion path maps with ability to open folders and expanded path displays.
) k$ x, W7 D& k$ k. @- Support for the HDR grading palette in the DaVinci Resolve mini panel.
- Support for Netflix loudness standards in the Fairlight loudness analyzer.
- Support for non-parametric DaVinci CTL IDT and ODT formats.
* |. ~0 C3 D6 ^9 ~- Support for dragging stills to the viewer or node graph to apply grade.
- Addressed an issue with audio recording on USB headsets when using a Blackmagic Design monitoring device.
% ~  M( d* H2 I$ ^) G3 W# z- Addressed issues with adding and navigating keyframes from the inspector.
2 [( K  s  B, `+ [  _- Addressed an issue with revealing synced audio in media pool.
4 s0 ]. l4 R3 K- @# E2 U+ a- Addressed an issue when sorting by Scene or Camera # in the media pool.
- Addressed an update issue with clip names in the sync clips window when multiple clips from the same camera are used.
- Addressed an issue where the place on top command would not work correctly with titles on the cut page.
- Addressed an issue with transition alignment when importing or exporting DRT files.
- Addressed an issue with handling Fusion effects on clips inside a compound clip
, @& {2 p0 c) A) T: Z5 A- Addressed an issue where adding new Fusion templates would require an application restart.
6 C% d6 S+ C/ m1 w) l9 ?- Addressed an issue with disappearing crossfades when trimming the in point of an audio clip.
- Addressed an issue with incorrect in-out range display on the Fairlight timeline.
; ^" V; x! r2 W: L- Addressed an issue with subclip extents created from interlaced clips.
- Addressed an issue where ResolveFX Video Collage would sometimes show outlines around tiles.
- Addressed an issue with incorrect flow context menu behavior on some Linux systems in the Fusion page.
, x: K9 Z* P  P- A. D- Addressed an issue where macros with non-image outputs would sometimes show incorrect previews.
. |% l- [3 O5 _9 |* x) E, M+ i- Addressed an issue with incorrect HDR previews when use mac display color profiles was enabled.
5 a4 G% |6 J" H$ U; R( c; V$ v4 _! d- n- Addressed an issue with incorrect scaling during playback when using optimized media in performance mode.
- Addressed an issue with incorrect OpenFX settings behavior in the color page when using Resolve Live.
: M2 ?9 _( N$ b2 t5 \* L/ O- Addressed an issue where B-chain filters and delays would not work correctly in FlexBus projects.
- Addressed an issue where using OpenCL on Linux would cause a crash.
- Addressed an issue where QuickTime files rendered with AAC audio would not contain audio for the first few frames.
- Addressed an issue with missing audio transitions when importing AAFs with a timecode offset.
- DaVinci Resolve Project Server and PostgreSQL are now in a separate installer.
- General performance and stability improvements.

# B+ @2 A- `) m+ @/ ]/ W4 hWhat's new in DaVinci Resolve 17.0 Public Beta 6
8 F7 B6 G( O, k7 f2 I( E2 Y/ Y  A- Addressed an issue with long startup time for systems with lots of audio plugins.
- Addressed an issue with jittery playback for interlaced clips with hardware decoding on Nvidia graphics cards.
8 z* }# P4 P* o" ?- Addressed an issue with mismatching extents for interlaced subclips.
- Addressed an issue with thumbnail resolutions for upgraded v16 projects.
- Addressed an issue with opening projects using Resolve FX 3D Keyer created in 17.0 Beta 1.
- Addressed an issue where media pool entries in the Cut page would sometimes be incorrectly sorted.
- Addressed an issue where undoing an extend edit would sometimes fail for clips with transitions.
/ F% C8 m% ^% w' w" l) s- Addressed an issue with external clip mattes overriding media alpha in foreground composite mode.
+ m9 g$ D; x8 b9 J- Addressed a performance issue with subtitle editing on timelines with lots of subtitles.
4 `# w$ V4 M2 v9 b- Addressed an issue where HDR outputs could marginally exceed maximum output luminance due to rounding errors.
6 M* e3 u! K: e& k$ w- Addressed a scaling issue when decoding Sony RAW clips using SLog3 or linear gammas.
4 A" l' F/ M% I' u- Addressed an issue where copying compositions between Resolve and Fusion would sometimes lose Open FX nodes.
& s8 I; d) F: J1 |4 c  \- Addressed an issue with incorrect labels for shape color controls in Fusion.
- Addressed issues with the getclipproperty and gettakebyIndex scripting APIs.
- Updated scripting examples to use new getclipproperty APIs.
$ {2 x, D* c& r- General performance and stability improvements.
6 m- J8 d& R3 Y4 J
What's new in DaVinci Resolve 17.0 Public Beta 5
- p: A) ~" t- o6 B; y0 y/ I- Addressed an issue where clips with Resolve FX keyers would affect composition with tracks below.
, @7 V# p" b3 l- Addressed an issue where HDR media with Resolve FX Color Space Transform would cause clipping.
1 d* S) t, ~5 V8 U- Addressed an issue where timeline wipes on clips with temporal processing would sometimes cause a crash.
, v5 y# f) W  G6 z9 a0 Y- Addressed an issue with jumps in some color slider values when changed.
- Addressed an issue with pasting or deleting Fusion tools when using some dual screen presets.
- Addressed an issue where deleting nodes with expressions would freeze Fusion viewer previews.
- Addressed an issue with waveform display for MediaIn nodes using the same audio track.
- Addressed an issue with high CPU usage when switching to the Fairlight page.
0 P* |- ]* Z1 m2 }2 u- Addressed an issue with incorrect input meter behavior in the dynamics window.
5 N" K9 n7 F$ j: Y' ]- Addressed an issue with rendering multiple mono tracks to MXF Op-Atom.
- Addressed an issue with mismatched video monitoring when using custom timeline settings.
' L5 r' h- S9 q- Addressed an issue where proxy media would be rotated incorrectly for vertically captured video from phones.
- Addressed an issue with incorrect antivirus flagging of Resolve executables on some Windows systems.
/ G$ p2 r0 G! i" E/ F- Addressed an issue with incorrect playback frame rates for interlaced projects.
- Addressed an issue with incorrect battery indication for the Speed Editor on Linux systems.
: k! f. e1 c2 ^; I- Addressed an issue where clips would show offline frames if proxy media was missing.
; s6 o4 L, z& k' e3 R# @) [- Addressed an issue where rendering in place multiple cuts from the same media would behave incorrectly.
, ~$ v4 D7 ?7 b+ l" g- General stability and performance improvements.

- V8 B' W3 C% \  P! `7 xWhat's new in DaVinci Resolve 17.0 Public Beta 2
. z; f! U, H4 M$ G- Addressed an issue with installing from a network drive on Windows systems.
- Addressed an issue with black grades when loading projects on non-English locale systems.
- Addressed an issue with color picker behavior for color warper in highlight mode.
$ g$ k+ ?, q3 Y1 y" L- U6 c4 W# \. y- Addressed an issue with interlaced clips showing watermark for basic interlace detection
0 F+ U( C( r6 {' q* r- Addressed an issue with AAF exports to ProTools.
  Q3 H- o  |. N6 A# k" h- Addressed an issue with Motion Trails Resolve FX.
% L3 ~2 k8 f. c( h6 i- Addressed an issue with move action on the cut page.
% N$ q& k% N8 W6 Q8 E. F, h- Addressed an issue with FlexBus channel mapping.
9 e6 u  H4 S" `% P7 M- Addressed an issue with timecode entry for custom frame rate timelines.
9 B5 T; d" k. D2 D- a1 c+ _0 g- Addressed an issue with tracking backwards when using optical flow in Fusion.
, S6 ^' s1 s. @/ F- Addressed an issue with pasting nodes in the Fusion page with dual screen layouts.
: C3 t' U7 t( D9 Z2 t+ a- Addressed an issue where using Fusion corner pinning would sometimes cause a crash.
- Addressed an issue where rendering a shape with zero size would cause a crash in the Fusion page.
2 I& b' A- n$ V" a- Addressed an issue when applying temporal noise reduction on clips with multiple Fusion outputs.
) S- I) ^* T# Q, q3 n+ w5 h- More than 50 general performance and stability improvements.
+ V* J- J( G; b, O
Minimum system requirements for macOS
macOS 10.14.6 Mojave
16 GB of system memory. 32 GB when using Fusion
Blackmagic Design Desktop Video version 10.4.1 or later
* @! V1 n( T6 ~8 B! fIntegrated GPU or discrete GPU with at least 2GB of VRAM.
. a% l3 {. J  t! B0 L4 R9 eGPU which supports Metal or OpenCL 1.2.

Minimum system requirements for Windows
% L/ F* s: F; }3 Q3 {  @Windows 10 Creators Update.
16 GB of system memory. 32 GB when using Fusion
Blackmagic Design Desktop Video 10.4.1 or later
. C3 x: R2 a  d/ hIntegrated GPU or discrete GPU with at least 2GB of VRAM
4 V- _: n: G- r0 j4 L, {, iGPU which supports OpenCL 1.2 or CUDA 11
NVIDIA/AMD/Intel GPU Driver version – As required by your GPU
A minimum NVIDIA driver version of 451.82 is recommended.
% `& `% M* g! h1 z5 ~7 U
8 G/ K' p# S4 ]. v- ^  BMinimum system requirements for Linux
% Z# o) G3 R2 Y6 j5 x3 m  ~8 Z4 aCentOS 7.3
  |# N3 s: A/ [  d8 `32 GB of system memory
- p" l3 X7 |% ~! NBlackmagic Design Desktop Video 10.4.1 or later
Discrete GPU with at least 2GB of VRAM
/ K$ f& H1 }8 g4 t; E4 _3 ]GPU which supports OpenCL 1.2 or CUDA 11
NVIDIA/AMD Driver version – As required by your GPU
A minimum NVIDIA driver version of 450.51.06 is recommended.

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+ F8 ~3 P8 O7 e) EDaVinci_Resolve_17.4.1_Linux.zip
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# B8 `8 u: [2 R/ K  E: {& E% K! MDaVinci_Resolve_17.4.6_Windows.zip
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: e* `7 @( `9 g- r" u（如果需要访问密码，请统一为：702844）
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