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Program Name: Avid Media Composer 2021( I" }5 @5 o$ W+ d. Y$ K! z/ P
Program Type: Vdeo Editing8 f% Z- x) E! b3 t! F* ^0 o- F
Release Date: October 5th, 20234 w- d2 p% k! x; S& }( j" i7 ^* ?
Homepage: www.avid.com/US/products/media-composer/ OR http://esd.avid.com/ProductInformation.aspx?id=7
0 l3 N. O! ^' {- R, G# ?& L+ YInterface Language: Multilingual
, p& ]. O' R0 {" XPlatform: Win & Mac
5 ~' \1 l+ @8 L. z4 @File Size: 2.62 GB / 2.29 GB, t; z9 g: Z# d" I7 ?0 Q8 ]* A
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Avid Media Composer is an advanced software solution for professional video editing that provides a full range of creative tools and flexibility with a wide variety of video formats. The program includes a huge set of tools: support for tapeless production technologies, work in any formats, multi-camera HD editing and much more. A great combination with the freedom to choose between different Avid Media Composer systems that best suit your project, from a standalone system with software without additional hardware support to an Avid Media Composer / Avid Digirtal Nonlinear Accelerator (Avid DNA) ... The software does not depend on additional external hardware, it is dedicated For editing movies and videos. Media Composer is used in the production of most movies, TV shows, and commercials in the film and video industry today.9 n6 i4 o9 L7 e* B% \+ F% v
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Key Features:
: F' s( D, k5 w sEditing and Effects for 10-bit SD and HD Videos
/ o" h9 k# w9 f- \+ WA universal codec library for simultaneous work with DV, IMX, SD and HD material on the same timeline.& S+ C) T! ~: W, ^! {) r
Support work with DVCPRO HD and DVCPRO 50 without additional metering (capture / output according to IEEE 1394)) E3 N! O7 b, R& K2 Z& S. f/ ]
Support HDV without additional display
2 F. ]0 Y( X# j2 w% a& mUp to 11 uncompressed SD video streams (more streams can be made with lower resolution)6 L: ^0 b' D; _' T T
Passive digital processing (DI) out The line0 w$ J* A, D; }
support AVX 2
+ g3 m* `7 l( jquality switching mode for maximum performance
i( p: s; I. h+ Q; \optimization work on multi-processor terminals. w; F0 Z# l6 D% i+ r0 L* l
6 Z! `. f+ P5 Y( nMounting options:
* `" S" r1 ?* ?( o) d$ sWork with video materials at different resolutions in the same schedule4 _6 g5 @& ?# T. s
Real-time multi-camera editing (9 SD sources, 3 HD sources)
$ O5 T% X1 u6 zSteadyGlide function for motion tracking and stabilization
+ Y9 z9 [; X4 D2 J& z* cCompatible with ABVB AVRs and Meridien JFIF3 n' X- H9 H: g; ]# [
Standardizing and converting media data into different resolutions
- z/ E$ f+ D2 E7 H, B9 Z+ a8 |24 video and audio tracks (number Unlimited video layers by the ability to work with multiple sequences simultaneously)3 P. G. e' N7 \( [+ F3 D) M7 r
24 tracks MetaSync+ ~7 a) J M) Z3 z
Movie Composer Toolkit
& B+ l4 a1 d3 ]2 h6 U6 ZApply uncompressed effects regardless of the resolution of the same clip; u% N' F7 @$ q/ U
in real time Audio fades, e6 d; G% y/ D$ I0 K" O
Supports 4: 3 and 16: 9 formats
9 {+ E4 b1 y6 B B4 S( Dsplit material DV to
) ?1 @/ M7 h6 ^8 haction scenes with long GOP sequences
F7 u: C% c' @& OSupports 24p capture in project 24, 25 or 30 frames* T! I6 b3 A- A# ]- z+ ~
PAL 24P and 25P.; h6 l. @) Z7 A, W) X: d
Video archive function
9 o% p: A; D1 h# y: M$ @) \/ TEditing while capturing (requires Avid Unity MediaManager)
6 a* Y! q( f4 b1 C" U1 {0 h23.976, 24 and movie editing with the ability to convert sequences from 24 to 23.976
- ]; o. @+ }* G& \: j4 V7 G3 SCapable of 24p capture via IEEE-1394 for 24fps projects- R4 k& J. A& P- G- g
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Digital Video Effects and Composition:
/ f; d& @4 y) MBoris Continuum Complete 10-bit effects and filters2 Z# r Q3 M+ ^5 \
customizable 3D effects in real time: wrapping, picture-in-picture, angle stabilization, shapes, video titles and
! z6 f1 l! n, X" j, ^ \2 ralso in real time: dissolve, overlay, resize, flip, flip, wipe, hide, Squeezes, masks, and picture-in-picture4 N; @( k. Z2 ?* V+ @+ ^& u
Panasonic Varicam support off-speed Chromakey and Lumakey6 a3 P1 I' U' }( v# Z
real-time material transfer in real time Alpha channel switch Configure unlimited layers Configurable speed-change effects including FluidMotion FluidFilm effect for making 50i and 60i footage looks Like cine shots, AVX 1.5 and AVX 2.0 plugins support, including third-party real-time additions% s" Y6 F$ j4 M- g4 L
, F0 ^. F7 L# z$ S f+ G; z+ jExpertRender to view the effects% E! [) F" V% X0 z
Features Paint, AniMatte, Scratch Removal for single frame processing8 o+ z$ }" _/ Y& t
The Pan and Zoom feature creates a video from still images in high resolution
1 Q+ o+ @! |7 k) {Deep Defocus , Blur, Mosaic
- K( ^. _4 t3 }& ]' [* eTools for changing aspect ratio& i! f& E: [6 V3 }
High-quality SpectraMatte key tool with SpectraGraph capability
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9 v5 \9 P; ~' j8 fNew features include:$ Z' I& B6 s" P$ L
QuickTime codec support, incl. Apple ProRes and H.264
# h( e$ o( F# [' f2 I, B& r8 uSupport RED R3D format without transcoding
4 u P( y5 v+ ?6 r/ m4 aRGB 4-4-4 digitization (via Dual Link SDI on NitrisDX) and post editing in this format7 e9 t+ }) \; a8 W& E, c
Support Matrox MXO2 Mini for monitoring
/ G& n& t) ], C* h5 rWork with stereo sound on the timeline as with the master clip One
" g+ B4 q/ Y6 T2 K' M, K3 u" QRTAS audio plugin support
1 i: j+ C' j% o; r1 ZMore interface improvements2 H6 E: b- ~- _$ ]. \
XDCAM agent support6 G6 T' d; b1 A- w: ~9 W$ W- B
AVCHD, AVCCAM and NXCAM import5 Y9 |/ S, Z- |$ w, ~, b+ R2 z. M
* x0 `6 m* k$ L; ~8 ESystem Requirements:
3 U5 ?( u/ @: A" YMemory: 16 GB or more recommended; 32 GB or more when working with UHD or high frame rate media; 8 GB minimum.3 x" V( @" A3 [& `1 A9 [+ ^& I( c
Media Composer | First requires a 64-bit Windows operating systems3 o# Z' ^% q$ x
Windows 10 Professional and Enterprise
: h! ]: s7 \" j8 e) ?Windows 8.1 Professional and Enterprise! p# p* H/ b1 q+ w2 S7 f
Windows 7 Professional (Service Pack 1 only)* l, Y2 u# x" f% i) c! q
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8 |; r; k) A* T8 zDOWNLOAD:
. x+ h6 l% I' T% {$ h, Ihttps://cdn.avid.com/Media_Composer/2021.2/4F67B7A5/Media_Composer_21.2.0_Win.zip
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