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Avid Media Composer 2024.2.0

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Program Name: Avid Media Composer 2024- K5 I0 B! b1 }
Program Type: Vdeo Editing
; G; Y$ f) V8 E) ]8 ^! `Release Date: Feb 27, 20245 w! |" U# n. J
Homepage: www.avid.com/US/products/media-composer/ OR http://esd.avid.com/ProductInformation.aspx?id=7; i3 y* Z; ^; q0 N
Interface Language: Multilingual$ w, H! N  j; O5 C% f
Platform: Win & Mac: P! X- n/ F3 z" X6 s( u. F
File Size: 2.35 GB / 2.29 GB
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Avid Media Composer software is a professional non-linear video editing system, one of the most popular in the world since the early 1990s. The state-of-the-art Avid Media Composer video editor offers the features to accelerate the transfer of HD content from high-resolution sources. The FrameFlex tool and support for LUT tables give users the ability to capture 2K, 4K, 5K material and output the results in HD format without long transcoding and scaling.' o7 a8 d' D6 c' _- |
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The automatic dynamic media folders option in Avid Media Composer helps automate copying, consolidation, transcoding – all these operations are performed in the background, and there is no downtime in working on the video material. The media management system monitors all actions with files associated with the AMA.8 B- w0 X7 ^1 F: m2 S' b

$ j0 c0 q# k" R1 AAvid Media Composer provides extensive real-time collaboration capabilities. Compared to the standard version of the product, the special edition of Media Composer Interplay Edition freely integrates with the Avid Interplay and Interplay Sphere systems, allowing specialists to edit, synchronize and publish media projects and materials from anywhere in the world where there is Internet access.: ^, ]0 R/ E8 g' l
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The Master Audio Fader option in Avid Media Composer is responsible for adjusting the overall volume of the program and using tone correction modules. Finally, Clip Gain makes it easy to adjust the gain of individual clips, regardless of the automation applied to the entire track.
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Video editing:
/ q7 c2 z" `/ k/ ?% N- 64-bit architecture that speeds up workflows: overlay the most complex effects, playback, rendering, processing of large containers.
; U, H* f, |! e: G- Support for media files, 2K, 4K, 5K footage, stereoscopic 3D material, analog and digital tape media, film.. N& q9 R3 h2 O  X
- ACE-certified editing tools and a wide range of features, processes and options that allow you to work with any material – from "old school" media to the latest technologies.% C4 k7 f! T7 B1 t6 c) V
- Work in HD format without transcoding and scaling files.
: s4 w( l9 B" ~- P7 F2 }- Ability to add external Avid plugins that provide additional support for formats and I/O interfaces.
* f5 m$ y! G7 Q- u2 e, V- Faster editing and mixing (Artist Series controllers): K+ b, T. g; v2 t3 `* b
- Crop materials and other manipulations with them (Smart Tool plugin).5 c0 b) p$ j/ j2 W( E, v
- Perform ultra-precise editing using traditional tools.
9 Y$ u7 L2 F. w1 t, D" Y- Mix and fit media formats, resolution, frame rate, etc. on the same timeline without rendering.
# J1 x1 y9 w' u- Real-time HD material editing (Avid DNxHD and DNxHD 444 plugins).
# ^( C9 \% O0 [# K- Edit stereoscopic 3D video as quickly and easily as standard 2D footage." B% Z# h+ T/ R1 F
- Mix two and three-dimensional clips in one track.9 |# P0 u! \* w1 T/ u
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Workflows:7 C. E+ y/ A, A$ j: ~
- Hardware acceleration of work processes (requires specialized Avid equipment).0 b* f! P' [7 l* W5 T
- Ability to integrate Media Composer with the Nitris DX/Mojo DX video interface; Configure Nitris DX with 1 – 2 Avid DNxHD-AVC-Intra chips for full stereoscopic 3D and HD RGB 4:4:4 support.: L4 _7 ^4 F9 x  Y
- Compatibility with third-party I/O graphics cards, including AJA, Blackmagic Design, Bluefish444, Matrox and MOTU and many others – the manufacturer just needs to create a corresponding plug-in through Avid Open I/O.
: ]* ?3 |# F) R. ?- Video management features: Track all projects, assets, source materials, post-render files, metadata, etc.
+ R9 A$ W0 }0 E4 |# `* X" T- Automate workflows in the background.
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  E) d  n+ [- c  ], a% y+ J8 r% IEffects, sound, color correction:/ E' `1 j5 N" n
- Create impressive two- and three-dimensional compositions, titles, animations and effects (Avid FX plugin).
2 L2 Q' c1 I, E' a$ k' n- Access built-in tools for 2D and 3D effects, titles, transitions, motion and keying effects.
9 E  j& V1 ]- M& T0 p! b7 i- Tracking and stabilization of movement, the ability to palette effects components from third-party developers.
. |2 I, W: y# i& n3 Y- Create studio-quality soundtracks with built-in recording, editing and mixing features: ^) b& M! P0 k6 h5 C, P
- Support for editing and mixing of surround sound in 7.1 format, access to 20 AIR effects.! o" X  [( K3 w' i2 O
- Use of compressors, reverb and other audio processing plug-ins.: d7 i& b) R! O- E. i
- Access to a fully integrated set of 10-bit color correction.
: w* Z# g  m) n5 W2 A; `" k8 j" o8 R- Support for 4:4:4 HD-RGB color space processing.- C' G1 A/ ]! k2 `: ?
- Burn finished video projects to DVDs and optimize materials for playback in high quality – online or on disc.
8 g5 ?+ o7 V& G4 s; B& e. b9 q- Optimize content in a variety of formats, including HD, DVD, MPEG-2, MPEG-4/H.264, Flash and 3GPP (Sorenson Squeeze).
( \2 T5 K( g* T* ^, i* A1 P- Project versioning without duplicates and storage overflows with support for AS-02/AS-11 MXF formats./ O3 b) J& L0 q+ Y- i5 D4 q, b
- Easily move content between Avid and other systems that support JPEG 2000, DNxHD, IMX, AVC-Intra and uncompressed media formats.
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Maximum convenience and compatibility:
- O3 w/ u. h! d# n- Support for Avid Studio Toolkit (Avid FX, Avid DVD and Avid 3D)
$ x+ U5 y5 O" Y- Support for the entire line of Avid Unity, including work environments compatible with Avid Unity MediaManager and Avid Unity TransferManager
6 ?2 W! x2 \2 ]! ]9 L- Ability to mount during media capture 1 ^' E7 J( j$ U) u7 @9 f
- Full compatibility of beans, sequences, glues, compositions, sound settings, effects and Avid media systems with Avid Xpress, Composer systems,  Film Composer and Symphony
- j+ p! I/ _5 C! _7 u6 K& T- Compatible with Avid DS Nitris systems with AFE 2 k' t2 S- A: g2 D$ N
- Sony XDCAM support, including low-resolution MPEG copies and IMX
; x  M5 B. d+ B$ G- Panasonic P2 support / I4 T6 e7 F5 T- u' D" F4 O
- AAF import/export 7 v: e. _2 D; n  v" H! w
- Work with MXF or OMF
7 b" i6 m9 o+ Q" o6 i5 f7 [- HD and SD video encoding in Windows Media
4 y5 O/ S' M' I/ {' l+ N- LTC timecode output . e: v- j: \" E- k
- Photoshop and After Effects layer support
% m2 j8 h5 g+ G  P* w8 x  L) V. O$ Y- 24-bit audio files compatible with Digidesign Pro Tools 3 \3 J; L& Q% r/ n2 ]
- Remote playback and capture control 4 O8 H% K- B/ q) X  T  M  x7 N. E$ u
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Project and metadata management:  6 U3 C8 B& ^! M8 Z6 z- y" Y
- Multi-level search, selection and sorting functions
& }5 H: D% E4 h- View modes: Frame, script and text
# g5 K3 M# {9 a* G: b6 h# q5 g. P- Ability to edit file metadata directly in the bin
, S4 S  m- N5 U/ q8 G- Unlimited bins / B% ~2 W' P, t. L3 @( e
- Media consolidation function
& h) ]& B' _$ @9 K( Y8 S- Folder hierarchy (folders in folders) inside the project window - T- `1 U: t; t+ A* p- B
- Individual settings for User, Project and Site 7 O! k2 }  J0 R7 l* n% H4 m
- Block media data from possible changes
" V8 n- l7 s8 u. B. S* d- Support for Avid Unity MediaManager for advanced search, as well as local and remote control  
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8 C4 s; z4 U! U* N5 W; O3 j2 jMetadata Encoding for Web + Interactive Delivery:
0 g9 v5 b: B2 s& Z$ X" \2 c3 ^- Encoding WMV HD and Windows Media 9, H.264 MPEG4, MPEG 1&2, QuickTime, Flash and RealMedia
6 G/ R, x' @! D$ s; j( m- WMV HD for HD content for further recording to DVD-ROM
! [, n# ?9 }0 i% n0 v2 f! x- Export Windows Media (ASF), QuickTime 7.0 and MPEG-2 ) J: l* R6 G8 E2 ]6 m1 j
- Output QuickTime Reference Movie
" o$ F2 i' ^4 Y& _$ b- Sonic DVDit - f! r- S; Q* ?
- Sorenson Squeeze 2 R3 ?0 t' X( L% W
- SmartSound SonicFire Pro
! J) B- O+ _* z* B% l& g- Boris Continuum Complete . b: Y+ X- C2 e
- Noise Industries Factory Tools Among the new features:  5 ]- x8 u; g+ K' l; u
- QuickTime codec support, including Apple ProRes and H.264 ! d6 @/ h5 Z5 g. `$ c) z
- Support for RED R3D format without transcoding
9 |4 C, h# k$ G( v8 I- Digitization of RGB 4-4-4 (via Dual Link SDI on NitrisDX) and subsequent editing in this format / D6 x+ O! ?3 _: S* I
- Support for Matrox MXO2 Mini for monitoring ' M8 i7 d) ?1 D" b; k, J+ x
- Work with stereo sound on the timeline as a single master clip ! ?) v, j9 G$ z+ [& x* d% d# t# Y
- Support for RTAS audio plug-ins
+ z, W# ^; u0 v3 N5 O8 K- Further interface improvement
3 x7 n9 S+ Q7 U- Support for XDCAM proxy " j6 L/ q7 |& T. ]/ Y8 V
- AvchD import,  AVCCAM and NXCAM5 v4 a7 g& O5 m
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Changed in Media Composer v2022.7: ) z% T8 v. u9 U& a) Q$ i
The following are new for Media Composer v2022.7: & N9 N1 @3 P5 f9 b  g9 E0 e0 E
New Match Frame Results for Group and MultiGroup Subclips$ v! }6 ~3 g. n& A, L
Custom Workspaces for Multiple Monitor Configurations
1 q9 l5 J" ^6 }- y% v" ?New Keyboard Mapping Options for Adobe Premiere Pro and DaVinci Resolve2 K8 M' m: i% p9 Z$ o: [9 J
Text Justification Relative to Anchor Point in Titler+) G; t1 B' O5 Z- z5 }% s& o- H. N
Select Filler with Segment Tools Added to the Timeline Menu, {5 p  c8 k" j
Timeline Clip Notes Display for Nested Clips
6 \- R. A3 S! jNew Enablers with Improved Design6 N; v. E1 f  B9 {3 K
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Operating systems:5 o! Y# j2 d8 |, q% }) g% k9 A7 D# v
- Windows 11 version 21H2, 22H2 Professional or Enterprise (64-bit)0 S1 q0 f5 R$ i' w) \, A' u5 {
- Windows 10 version 20H2, 21H1, 21H2 Professional or Enterprise (64-bit)
4 P! ?3 W, T6 Z: O- Windows 8.1 Professional or Enterprise (64-bit)
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