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Grading describes the process of adjusting the color, contrast, and overall look of a film or video as part of the finishing process. It is during this stage that a colorist works his or her magic to create visual continuity throughout each scene, fixes or adjusts lighting and quality issues encountered during the shoot, and shapes the overall look and mood of a film by adding visual style. DaVinci Resolve 9 sets a new standard for color grading and digital mastering, and is used on many of the most popular feature films, television shows, commercials, music videos, and documentaries you watch every day.
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With a running time of 11 hours, our goal is give you a complete picture of the color grading process, from project import and conform through final rendering and output. This tutorial is suitable for learning both the commercial version of Resolve 9, and the Lite version, which is available as a free download on the Blackmagic Design web site.; U$ C0 S/ v- ]4 G8 F* i# H3 a2 D
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4 j) e' J- B3 f C) uL50 Using the Still Store Part One 720.mov
, E4 }8 D7 a5 o% t1 D0 oL51 Using the Still Store Part Two 720.mov
. c$ {8 A( i+ g$ x: }L52 Working with Nodes 720.mov
$ d+ Q5 j+ o! A. ~# `; {L53 Working with Complex Node Structures Part One 720.mov
4 X+ c* c# A; HL54 Working with Complex Node Structures Part Two 720.mov/ A* W6 H. b- M' h( q4 a. n
L55 Working with Complex Node Structures Part Three 720.mov" E( [! X; _8 L8 ]& Q
L56 Grade Management Part One 720.mov
3 ~2 G* }, o8 M1 ?8 T# O! XL57 Grade Management Part Two 720.mov4 y( [5 ? W# H2 q1 r* A
L58 Grade Management Part Three 720.mov# V" S) C: o* P3 ~
L59 Grade Management Part Four 720.mov2 k, A6 [2 V7 V% B7 t4 G
L60 Keyframing Part One 720.mov
7 G! S- W0 x+ S3 U3 ~4 E% r( M. S$ LL61 Keyframing Part Two 720.mov& s6 h( q, i: h9 k4 w/ V( o: `
L62 Keyframing Part Three 720.mov: o/ T# |3 Y" r- E; j
L63 Delivering the Project Part One 720.mov/ g' o# \5 h8 U4 a& t5 y# E7 W+ y
L64 Delivering the Project Part Two 720.mov
$ O/ v& }- }/ DL35 Grading with Curves Part One 720.mov; n3 d! |- ]5 a* O) z/ A
L36 Grading with Curves Part Two 720.mov
4 p/ L# F& x$ h2 n6 ]/ z; i6 PL37 Grading with Curves Part Three 720.mov/ J. u( c) x! P' _/ q( }3 t9 h k0 S
L38 Secondary Color Adjustments Part One 720.mov
3 U& T {, U3 Y/ N! E f1 FL39 Secondary Color Adjustments Part Two 720.mov
" r- b6 i/ I/ R, {) N# z( yL40 Secondary Color Adjustments Part Three 720.mov
* [5 ~5 x/ a) M7 l! mL41 Secondary Color Adjustments Part Four 720.mov# d: p) U, D. D1 F
L42 Using Power Windows 720.mov" _1 L- o$ M1 V, e2 \- Z
L43 Combining Windows with Qualifications 720.mov2 A! V1 i0 f3 r3 K6 ^8 N
L44 Using the Tracker Palette 720.mov
+ O, m: y3 G+ [2 i8 CL45 Making Convolution Adjustiments 720.mov. F! m B6 p* B% t0 d' A
L46 Skin Softening & Noise Reduction 720.mov
" I& s$ P3 o. a0 WL47 Input & Output Sizing Part One 720.mov9 q' ~# O2 B3 T2 Q t5 H: v
L48 Input & Output Sizing Part Two 720.mov
1 E6 g( ^6 G" g3 Q7 SL49 Using the Burn-In Palette 720.mov
3 M8 k3 o w; Y" n3 h/ O6 [L20 Basic Editing in the Timeline Part Two 720.mov
" k7 b' d& d! U) H# K* E2 `L21 Working with Effects 720.mov
$ Q4 J$ F$ Z; GL22 Customizing & Navigating the Color Page 720.mov
1 m/ `9 c/ ] {+ g: F+ OL23 The Color Page Timeline & Lightbox 720.mov
1 ^3 }$ |( h- ]1 n: t5 M5 e* ]L24 Navigating the Color Page UI 720.mov/ J# \5 x( H, }, l u
L25 Exploring the Video Scopes 720.mov& X @' d9 K5 T* g
L26 Adjusting Contrast Part One 720.mov
- h! \0 N7 o. ?2 l1 w) |4 N8 pL27 Adjusting Contrast Part Two 720.mov
% `9 m A# v8 t; {L28 Primary Color Adjustments Part One 720.mov3 n: w# q8 }2 h+ j+ z
L29 Primary Color Adjustments Part Two 720.mov
) O" \4 w1 e* T- @: a0 yL30 Primary Color Adjustments Part Three 720.mov
0 K/ Y# V% q* J X0 ~L31 Primary Color Adjustments Part Four 720.mov5 X* o$ `3 d) y
L32 Real-World Primary Grade Workflow 720.mov& W; \7 j6 o% y3 v8 u
L33 The RGB Mixer Palette 720.mov
2 ]5 P; A# i+ E, W3 TL34 Working with Camera RAW 720.mov4 d' T8 D, ?' J
L10 Project Media Management 720.mov
* Q$ T: i" W) A7 |, bL11 Importing XML Files 720.mov: B* C! m# {* e
L12 Importing Edit Decision Lists (EDLs) 720.mov `0 c4 Q) h( S4 S
L13 More EDL Goodness 720.mov, o) s9 ^7 Z/ P" m
L14 Additional Conform Tools 720.mov6 o! M8 i9 l$ a: {& ^9 v
L15 Automated Scene Detection 720.mov
9 {. O2 R( Y) v8 Z4 [3 HL16 Working with Multiple Timelines 720.mov
- _! }& G( Y. `# l7 `& ~, K: K" DL17 Preparing the Timeline for Editing 720.mov
9 G& x p& o/ ZL18 Replacing Clips in the Timeline 720.mov# o: n; ?# D7 Z* O
L19 Basic Editing in the Timeline Part One 720.mov% Y% V3 b3 E; I) _& V: M$ d2 C) {
L5 Exploring the Conform Page 720.mov0 g* f2 j2 g0 w1 P6 c
L6 Exploring the Color, Gallery & Deliver Pages 720.mov# e2 T: t1 c% q! N! h
L7 Preparing a Project for Media Import 720.mov
+ N- A1 f5 p) a: `L8 Importing Media 720.mov
1 f7 }5 b1 o! C9 b. {4 a" aL9 Digital Dailies Workflows 720.mov! b4 `* K# P3 ^3 X
DaVinci 9 Important Please Read.pdf
! {% `0 P8 S9 F' T8 Q$ t! j: {DaVinci 9 Start Here 720.mov
3 B# U* p; E' I$ l: B/ `DaVinci Resolve Project Media.rar- U- q, b' P& k5 J
L1 Creating Users & Project Management 720.mov1 W( i' G% M8 S% {/ H& ]* y
L2 Opening, Importing & Modifying Projects 720.mov( E$ O( t7 k# j- P' a- n) j+ j& ]
L3 Setting up Project Preferences 720.mov5 T/ M/ D; J& D; z4 G! E0 Z p
L4 Exploring the Media Page 720.mov
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发表于 2013-9-14 09:38:58