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Grading describes the process of adjusting the color, contrast, and overall look of a film or video as part of the finishing process. It is during this stage that a colorist works his or her magic to create visual continuity throughout each scene, fixes or adjusts lighting and quality issues encountered during the shoot, and shapes the overall look and mood of a film by adding visual style. DaVinci Resolve 9 sets a new standard for color grading and digital mastering, and is used on many of the most popular feature films, television shows, commercials, music videos, and documentaries you watch every day.! n- n q0 y" ?
! j: o# t5 _& |/ z7 xWith a running time of 11 hours, our goal is give you a complete picture of the color grading process, from project import and conform through final rendering and output. This tutorial is suitable for learning both the commercial version of Resolve 9, and the Lite version, which is available as a free download on the Blackmagic Design web site.
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L50 Using the Still Store Part One 720.mov
8 q: k! n/ k( d' mL51 Using the Still Store Part Two 720.mov. ]9 r7 d$ K0 J& z! H! `( u
L52 Working with Nodes 720.mov4 L& a- A& r3 p! E6 ] F
L53 Working with Complex Node Structures Part One 720.mov
% M4 R6 X3 E c; J" L. B3 ?4 T \L54 Working with Complex Node Structures Part Two 720.mov
% b/ \" H. S+ K2 ~' g8 L* mL55 Working with Complex Node Structures Part Three 720.mov
- y6 D* T& U( m) ?) QL56 Grade Management Part One 720.mov
4 j) U! f; @+ A3 hL57 Grade Management Part Two 720.mov' R: a- ~' c# {7 W7 R* B0 ?+ a
L58 Grade Management Part Three 720.mov F+ H( {2 _1 R& ]9 O% ~0 E
L59 Grade Management Part Four 720.mov$ T! k, O4 [% C
L60 Keyframing Part One 720.mov
& d$ Z; [! `# t. WL61 Keyframing Part Two 720.mov
0 l! j: H7 p2 C. |! p5 O$ m, PL62 Keyframing Part Three 720.mov
. s; b; j% F' tL63 Delivering the Project Part One 720.mov
( m6 J5 f) n9 NL64 Delivering the Project Part Two 720.mov
4 r! Z) K! O, e! U( P/ UL35 Grading with Curves Part One 720.mov" H6 h9 f( z* l6 L0 f
L36 Grading with Curves Part Two 720.mov
6 t6 I8 V: T3 K. PL37 Grading with Curves Part Three 720.mov5 M T% ?+ X! F3 D
L38 Secondary Color Adjustments Part One 720.mov& t" Q$ y, e( _8 j: d8 W
L39 Secondary Color Adjustments Part Two 720.mov
% _ }; q6 ~/ ?& R7 wL40 Secondary Color Adjustments Part Three 720.mov
- b, M* Y i& z4 J3 `L41 Secondary Color Adjustments Part Four 720.mov
" y& g* w n3 kL42 Using Power Windows 720.mov7 k8 A- `3 a( l2 T0 d- P$ S/ Y
L43 Combining Windows with Qualifications 720.mov7 y9 B- e1 Q) z# y7 A& U
L44 Using the Tracker Palette 720.mov
8 e! }5 n% i# F3 }* yL45 Making Convolution Adjustiments 720.mov8 \" K0 M" ]2 a5 ?
L46 Skin Softening & Noise Reduction 720.mov: P) C0 x/ E4 N$ Q
L47 Input & Output Sizing Part One 720.mov
3 ^0 E: i% R: N, ]4 L$ K% _6 E1 R) RL48 Input & Output Sizing Part Two 720.mov( z- ~9 z. L/ `$ X" _' A
L49 Using the Burn-In Palette 720.mov5 P9 u) V/ f: c5 d4 W
L20 Basic Editing in the Timeline Part Two 720.mov
2 Q4 D. e% Z2 X b5 @: }L21 Working with Effects 720.mov' l9 i& s" U9 `3 H* W. N
L22 Customizing & Navigating the Color Page 720.mov' L" F1 t5 m. j( E0 `4 U+ ^
L23 The Color Page Timeline & Lightbox 720.mov
. w% v& o5 v8 c+ I2 JL24 Navigating the Color Page UI 720.mov
* E( S v2 G; R2 @5 ML25 Exploring the Video Scopes 720.mov0 [) |2 I, u7 u3 r% f
L26 Adjusting Contrast Part One 720.mov
! V, g4 `' n! h6 P8 w# J5 pL27 Adjusting Contrast Part Two 720.mov
% H: n7 l' `8 W; RL28 Primary Color Adjustments Part One 720.mov/ K7 @6 x$ J9 v# R) o
L29 Primary Color Adjustments Part Two 720.mov% s& l e! S/ n e
L30 Primary Color Adjustments Part Three 720.mov8 H) t7 ^6 B/ @8 F- ~
L31 Primary Color Adjustments Part Four 720.mov5 K* I. I, R- z9 k4 \' C& p3 H# x
L32 Real-World Primary Grade Workflow 720.mov
+ ?# K! m% T! Y" S2 ZL33 The RGB Mixer Palette 720.mov
3 x# B! t/ v& b! q4 sL34 Working with Camera RAW 720.mov
7 h+ D7 _; K* W, j' vL10 Project Media Management 720.mov
: G) }+ V7 x" ~4 O c3 J0 R6 {L11 Importing XML Files 720.mov
/ p9 W, h, d1 A4 z; SL12 Importing Edit Decision Lists (EDLs) 720.mov y/ T e$ B$ K9 a
L13 More EDL Goodness 720.mov
- F; D G* Y- v' {8 rL14 Additional Conform Tools 720.mov
8 |7 q; z% x6 `L15 Automated Scene Detection 720.mov2 H+ {9 h6 M: h) x8 [# B% H# x. V
L16 Working with Multiple Timelines 720.mov# E- x' A6 C& o Q
L17 Preparing the Timeline for Editing 720.mov. K2 f0 k. F. o' J% r" g
L18 Replacing Clips in the Timeline 720.mov% g9 w* W9 A* B
L19 Basic Editing in the Timeline Part One 720.mov3 {2 x) \3 O4 w: l- }% e. s* B, m
L5 Exploring the Conform Page 720.mov
0 C, w, k ~ R8 WL6 Exploring the Color, Gallery & Deliver Pages 720.mov
' ?4 Z6 c/ ]( L V8 zL7 Preparing a Project for Media Import 720.mov
( ~' E* o0 i6 _4 f+ h# Y' BL8 Importing Media 720.mov6 q6 U9 ?7 x2 B5 u: r6 w! d8 J+ u
L9 Digital Dailies Workflows 720.mov
0 K$ H, o. D! ]; WDaVinci 9 Important Please Read.pdf
0 ^, W1 j+ J9 }DaVinci 9 Start Here 720.mov
" \3 p3 S' d8 y7 t* h1 F- {+ cDaVinci Resolve Project Media.rar4 j1 U& a% r8 v# @
L1 Creating Users & Project Management 720.mov
5 P3 ^% t# e+ @L2 Opening, Importing & Modifying Projects 720.mov* W/ P V: C5 X1 N; W7 t# W" n
L3 Setting up Project Preferences 720.mov9 E1 C b% E1 L' t h! [
L4 Exploring the Media Page 720.mov
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发表于 2013-9-14 09:38:58